Dave Grusin’s “Dry White Season” Revisited

With a cast including Donald Sutherland, Susan Sarandon and Marlon Brando in one of his final film triumphs, 1989’s A Dry White Season had the potential to be an instant classic. Yet despite this star-studded assemblage, strong reviews and an impressive pedigree (it was based on Andre Brinks’ powerful novel which was banned in South Africa for challenging apartheid), audiences stayed away, and A Dry White Season vanished from theatres. Still, Brando was recognized with a Best Supporting Actor nomination at the Academy Awards, and the film gained a following over the years through cable airings and home video releases.

The Kritzerland label this morning announced its latest release, illuminating another aspect of the film’s legend: its stirring score by the versatile Dave Grusin. An Academy Award winner for The Milagro Beanfield War and multiple nominee, Grusin has never been pigeonholed in one style, and his soundtrack for A Dry White Season is among his most moving work. Fans of Grusin’s dynamic score to The Goonies, itself the recent recipient of a deluxe reissue from Varese, are urged to explore this amazing, overlooked score.

Produced by Bruce Kimmel, Kritzerland’s release contains 15 core tracks and four bonuses, including alternate takes and source music cues. As the score was heavily truncated in the film’s final edit, this CD presentation presents the cues as written and recorded. It is limited to 1000 copies and retails for $19.98, and can be pre-ordered hereA Dry White Season is due the last week of February, but pre-orders usually ship an average of four weeks early. Hit the jump for the full press release and track listing with sound samples!
“Made in 1989, A Dry White Season, a searing indictment of South Africa under apartheid, was a superb, riveting film that audiences simply did not want to see, despite excellent reviews. Perhaps it was because South Africa was still in the final throes of apartheid and the film was just too uncomfortable to watch. Sometimes people need distance and one suspects that if the film had come out even a decade later it would have probably been more successful. As it is, over the years people have discovered it and been truly affected by its portrayal of racial turmoil in a country divided and the way the film was able to put the politics of apartheid in meaningful human terms.

Set in 1976 around the time of the Soweto riots, the film was adapted from a novel by Andre Brink (the only book in Afrikaans to be banned in South Africa), and directed by Euzhan Palcy, who was the first black female director ever hired to direct a major studio film (MGM). Palcy had made the critically acclaimed feature Sugar Cane Alley, which was highly thought of by critics, audiences, and other filmmakers. She co-wrote A Dry White Season with Colin Welland. The film was shot on a fairly tight budget of nine million dollars, an amazing figure when you consider the cast involved – Donald Sutherland (giving the performance of his career), Janet Suzman, Susan Sarandon, and, coming out of retirement because he was so moved by the project, Marlon Brando, who worked for scale. The supporting performances are equally stellar, including Zakes Mokae, Winston Ntshona and Jurgen Prochnow. Marlon Brando is unforgettable as the attorney – he has only two scenes but gives a brilliant performance for which he received an Academy Award nomination for Best Supporting Actor (the film’s only nomination). Thanks to DVD and cable, new audiences have been able to discover this important and terrific film. Its reputation keeps growing with each passing year.

Adding immeasurably to the project is Dave Grusin’s score. Grusin proved to be the perfect choice, and in a career filled with great scores (The Heart is a Lonely Hunter, Heaven Can Wait, Tootsie, The Goonies, On Golden Pond, The Milagro Beanfield War, Three Days Of The Condor, The Goodbye Girl, Murder By Death, and on and on), A Dry White Season is one of his best – moody, haunting, tension-filled, and extremely moving – like the film, it really gets under your skin.

The score as used in the film is quite short. However, some cues went unused, some were truncated, so this CD uses the cues as they were originally written and recorded, which results in a longer playing time and in a more satisfying musical presentation. We’ve included two bonus tracks – alternate versions of two cues and two cues of great Grusin source music.

Dave Grusin is one of those composers who can do everything. And he has – from dramatic film scoring to his great work in television (It Takes a Thief, Maude, Good Times, Baretta, The Name of the Game, Columbo, etc.), to wonderful light comedy scores, as well as his jazz and arranging/conducting projects for such incredible people as Quincy Jones, Paul Simon, Sergio Mendes, Al Jarreau, Patti Austin, Billy Joel and many others. He is a multiple Grammy Award-winner, a multiple Academy Award nominee (he won the Oscar for The Milagro Beanfield War). Now in his mid-70s, he’s still the coolest guy in any room, and he’s still going strong.

This release is limited to 1000 copies only. The price of the CD is $19.98, plus shipping. Additionally, we are offering a special deal with the purchase of this release. Go to the item page and click on the link to find out about it.”

A Dry White Season: Original MGM Motion Picture Soundtrack (Kritzerland KR 20017-8, 2011)

  1. Happier Times
  2. Grandfatherly/Demonstrations
  3. Aftermath/Dead Children
  4. He’s My Child/I Never Saw Him/Gordon’s Arrest
  5. Torture
  6. Monsters Win/Funeral Parlor
  7. Wife Waffles/Flashbacks
  8. Gordon Tortured
  9. The Search/Christmas in the Park
  10. Without Slap/Emily’s Beating
  11. Father and Son
  12. Garage Explodes/Ben Knows
  13. Father and Daughter/Stoltz and Suzette
  14. Ben’s Death
  15. Stanley Kills Stoltz
  16. The Search (Alternate)
  17. Source Music 1
  18. Source Music 2
  19. Ben’s Death (Alternate)
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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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1 thought on “Dave Grusin’s “Dry White Season” Revisited”

  1. Growing up in the 70s and watching the TV show “Good times” did I ever think that the theme song sounded bias or rather discriminative until a few years back. But today is the first time I have a good chance to state what’s on my mind thank you for that. when I heard the lyrics ” temporary layoffs, good times, easy credit rip offs,
    good times and the rest of the lyrics. So a few years back when I revisited the old show on replays this song hit me with it’s discriminative lyrics (in my opinion). Here’s where I have the problem, how could you call temporary layoffs Good times or easy credit rip offs good times? I mean who is having the good times (is it the bosses who are laying off their employees?), or is it the credit companies who are ripping the public with their credit schemes? I know my comments has nothing to do with today’s subject / topic. So I apologize in advance for getting off topic. However it does have something to do with Dave grusin so this is my opinion. Once again thank you for allowing me to state that.

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