It's not too great an exaggeration to state that without Alfred Newman, we probably wouldn't be discussing film music here at The Second Disc, or anywhere else. In a career spanning 40 years and some 200 films, Newman played an integral, early role in the art of composing original music for cinema. He was rewarded with a whopping 45 Academy Award nominations and nine wins, and even made music the family business. Brothers Lionel and Emil had impressive careers, while sons Thomas and David
Archives for March 14, 2011
Will "Psycho" Sale Pave the Way for a Long-Awaited Release?
The score to Alfred Hitchcock's Psycho - that terrifying, string-based effort by Bernard Hermann - has entertained audiences the world over since the film's release over 50 years ago. But it is one of the great crimes of catalogue music history that the original score as heard in the film has never been released on any format, be it LP, cassette or CD. That may change, if a U.K. report is to be believed. From Brighton's The Argus: Psycho has one of the most iconic film scores in movie history
Suede Catalogue Overhaul Coming This Summer
Back in September, we reported on a hits/B-sides compilation for legendary Britpop band Suede. Now, the recently-reunited band have announced a major catalogue expansion through U.K. label Demon/Edsel. In five weeks starting May 30, the label will release massive three-disc editions of each of the band's studio LPs, from 1993's self-titled debut to 2002's A New Morning. The sets will feature two CDs featuring the remastered original albums, the band's many non-LP B-sides and many unreleased
The SMiLE Saga: A Happy Ending Promised for Lost Beach Boys Masterwork
The story of The Beach Boys' 1967 SMiLE, often considered the greatest lost album of all time, has long been a story of heroes and villains. On February 3, the band's Al Jardine was a hero when he announced that SMiLE would finally be arriving in record stores everywhere later this year. The Second Disc duly passed this on before Jardine offered a bizarre quasi-retraction, likely at the behest of his record label, on February 14. Mastering engineer Steve Hoffman (who was worked with the Beach