Paul McCartney is not dead, but he is digital: a new beta version of his website, developed with Hewlett-Packard, brings his solo catalogue to fans through a cloud service, along with a host of interactive features. Fans can stream all of his studio albums (including collaboration projects like The Fireman and Twin Freaks) through a jukebox, and premium members can download that jukebox as a desktop app. Additionally, a new "Rude Studio" section of his site allows fans to play and mix
Archives for December 7, 2011
The Second Disc Buyers Guide: The 100 Greatest Reissues of All Time, Part 8 (#65-61)
We continue our look at the many reissues of the 100 greatest albums of all time, as selected by Rolling Stone in 2003! We'll explore the various versions of these classic albums on disc, letting you know which audio treasures can be found on which releases. It's a marvelous night for a "Moondance" before we go "Back to Mono," roll with the Stones and then take in latter-day classics from the 1980s and 1990s! 65. Moondance, Van Morrison (Warner Bros., 1970) Van Morrison’s 1968 Warner Bros.
Herrmann at Fox Box: A Surprising Sell-Out
When Varese Sarabande announced their last release of the year to be "a whopper," they weren't kidding. What's more surprising, though, is the reception it received. Bernard Herrmann at 20th Century-Fox continues the label's yearlong celebration of his life and work in what would have been his centennial year. (Compilations from his television work with Alfred Hitchcock and and expanded version of his co-written score to The Egyptian were other Varese sets honoring the composer this year.)
Holiday Tunes Watch, Part 4: Starbucks to "Let It Snow" With Dylan, Diamond, Aretha, Elvis and More
With each holiday season inevitably comes a new Christmas-themed compilation CD from Starbucks, combining rare and familiar tracks from artists new and old, designed as the perfect accompaniment for that venti skinny Peppermint Mocha! 2011’s entry in the annual series, Let It Snow, features Michigan singer/songwriter Rosie Thomas’ recording of the Jule Styne/Sammy Cahn title song, along with fifteen other tracks. Some tracks are from the “usual suspects” (Bing Crosby, Elvis Presley) and others