It's Friday the 13th, and there's a chill in the air out in the east. Perfect timing, then, for La-La Land Records to unveil their much-anticipated Friday the 13th soundtracks box set! The beloved soundtrack label is presenting, for the first time, all of Harry Manfredini's music for the first six films in the long-running slasher series, remastered and restored from original source elements. Much of this material is being heard on disc for the first time, a definite treat for fans of the
Archives for January 13, 2012
Open Your Eyes: The Move's "Live at the Fillmore 1969" Coming From Right Recordings
Can you hear the grass grow? An oft-circulated set by Birmingham's legendary Move is finally receiving an official release courtesy of Right Recordings! Live at the Fillmore 1969 chronicles the band's stand at San Francisco's legendary Fillmore Auditorium on October 16-19 of that year; The Move joined Joe Cocker and the Grease Band and Little Richard on the bill! The new 2-CD set is being released thanks to the cooperation of Sue Wayne, the widow of late singer Carl Wayne, and arrives in the
The Right Profile: Early Rap Label Anthologized on New Double-Disc Set
Legacy Recordings has got a fantastic new compilation coming out later this month chronicling the rise of a most underrated rap label: Profile Records. Profile was the brainchild of two young aspiring music moguls living in New York City at the tail end of the disco boom. Steve Plotnicki was a songwriter whose cult disco tune, "Love Insurance," was recorded by Cory Robbins in 1979, for release on Robbins' own Panorama label, a small imprint with ties to MCA Music Publishing. The duo aspired to
Gilbert O'Sullivan Goes "Back to Front" On Next Salvo Reissue
Would the real Gilbert O’Sullivan please stand up? When peering at his sophomore album, Back to Front, potential purchasers back in 1972 didn’t see the same nostalgic figure of the previous year’s Himself. Gone was the chap in his flat cap, pudding-basin haircut and jacket. In his place was a tanned, rather more mainstream-looking fellow, shirt open and chest hair exposed. But the opening “Intro” in which the singer implored listeners to sit back, relax and enjoy the album, was proof