Ace Records has released its final volume of singles recorded by Fats Domino for the Imperial label. The aptly-titled The Imperial Singles Volume 5: 1962-1964 features 26 tracks - including two rarer LP-only bonus tracks - taken from the end of Domino's impressive run with Imperial label. While this era was nowhere near the commercial success of the late '50s and early '60s - only "Jambalaya (on the Bayou" and "You Win Again" were Top 40 hits - Fats' work here clearly proves why he's an elder
Archives for March 7, 2012
It's Alive! FSM Inches Toward Finish Line with Their Final Herrmann Title
Film Score Monthly's 247th title (three more to go, folks!) is a keeper: the third-to-last score by Bernard Herrmann, for the 1974 horror flick It's Alive! The score to the Larry Cohen film about a murderous infant (effects of which were designed by a young Rick Baker!) was part of a Herrmann renaissance; the composer had moved to England after a falling-out with Alfred Hitchcock over the score to Torn Curtain, but was championed and utilized by a younger crop of directors, including Francois
A World of Laughter, A World of Tears: The Second Disc Remembers Robert B. Sherman
Sher ·man ·ism (sher'maniz'em) NOUN: The creation of music abundant in optimism and heart, written for kids of all ages. OTHER FORMS: sher man·ist (Noun), sher man·esque (Adjective) Okay, so that’s not really in the dictionary. But then again, neither is “supercalifragilisticexpialidocious,” “fortuosity,” “fantasmagorical” or “gratifaction.” But perhaps they should be. Have any other songwriters broadened the English language as much as Richard M. Sherman and Robert B. Sherman? The