One could certainly make a case that the 1960s was the prime time for the rock instrumental, with The Ventures, The Marketts, Booker T. & The MGs and The Fireballs just some of the groups behind the decade’s hit melodies. Of the music-making individuals who were, well, instrumental in sending wordless tunes up the charts, few are as beloved as Sandy Nelson. Ace Records has previously anthologized the drummer’s explosive work on Rock ‘n’ Roll Drum Beat (Ace CDCHD 586) and Sandy Nelson’s
Archives for July 2, 2012
Review: Aretha Franklin and James Brown, Reissued By BBR
In today’s reviews, we’re looking at three albums from two true legends of soul. What do they have in common? Each title has been reissued by Big Break Records, and each found its respective artist conquering new terrain: the pop music world of the 1980s! Aretha Franklin, Jump to It (Arista AL-9602, 1982 – reissued Big Break Records CDBBR 0154, 2012) Each era of Aretha Franklin’s long and remarkable career has gotten some catalogue love lately, from the artist’s first days at Columbia
All You Can Eat: The Fat Boys' Out-of-Print Debut Gets Super-Sized
For a while, they were the biggest names in hip-hop, and their crossover success made many power players of the genre hungry for similar mainstream acceptance. Who else could prompt two eating puns in that sentence but The Fat Boys, whose debut album is coming out next month in a unique deluxe package. First known as The Disco 3, the Brooklyn-based Fat Boys - Mark "Prince Markie Dee" Morales, Damon "Kool Rock-Ski" Wembley and Darren "Buff Love" Robinson - were at first glance the latest in a