Exciting news for Prince enthusiasts: two of the Purple One's most beloved collaborators, Wendy and Lisa, are reissuing their 1987 debut album on Cherry Pop Records next month. If you were down with Prince and The Revolution as they exploded into international stardom with 1984's Purple Rain, you likely were drawn to the subplot of The Kid's band members, Wendy and Lisa, who clashed with their bandleader over his artistic meandering. At the film's climax, the group dominates Minneapolis' First
Archives for February 27, 2013
The "Lowdown" On Friday Music's Expanded Reissue of "Chicago III"
In his recently released memoir The Soundtrack of My Life, Clive Davis speaks rhapsodically about one band he signed to Columbia Records who went on “to be one of the best-selling bands of the seventies…[and] successful in every succeeding decade, selling millions of albums along the way.” The mogul added, “They’re still active, and every year their fans lobby relentlessly for them to be nominated for induction into the Rock and Roll Hall of Fame, an honor the band very much deserves.” Davis
Put Your Hands to Heaven: An Interview with Reissue Producer Vinny Vero
Vinny Vero is everywhere. I don't mean this in just a literal sense - as of this posting, he's currently in Australia playing several DJ sets - but he's also had a multifaceted career in the music business, be it as a marketer, producer, remixer or writer. "This year is my 25th anniversary in the music business," he told The Second Disc with a laugh. "All of a sudden I feel very experienced!" Vero parlayed his passion for music into a plum gig as a research manager for prominent New York radio
Soundtrack Watch: Intrada Debuts Unreleased Goldsmith, Horner Scores, La-La Land Has "The Fury"
The past week has been a boon to fans of A-list composers of the Silver Age of film scoring. Intrada has unearthed two unreleased scores (one entirely unused) by two of the most beloved composers of recent memory, while La-La Land has put back into print one of the most underrated scores by another genius of the same vintage. James Horner had one of the best years of his career in 1989, scoring Field of Dreams and Glory that year and earning an Oscar and Golden Globe nod, respectively, for