The way he wore his hat…the way he sipped his tea (or likely, something stronger)…the memory of all that…no, they can’t take that away from us. Frank Sinatra’s influence is still felt every day – in style, in attitude, especially in song. Though 2013 has been a quiet year for the Chairman’s catalogue, that’s about to change on November 19 when Capitol and UMe celebrate the twentieth anniversary of Sinatra’s triple-platinum Duets album with a variety of commemorative reissues including a
Archives for October 10, 2013
Soundgarden's Sub Pop Years to Be Remastered and Expanded
Acclaimed grunge outfit Soundgarden are revisiting their years on the Sub Pop label with a new remastered compilation due in November. Before they burst onto the national scene with 1991's Badmotorfinger, the Seattle quartet (featuring vocalist Chris Cornell, guitarist Kim Thayil, drummer Matt Cameron and - at first, bassist Hiro Yamamoto, ultimately replaced by Ben Shepard in 1990) started off their career with a pair of EPs for the famed local label. 1987's Screaming Life, recorded with
La-La Land Unleashes "Dead," "Black Beauty"
La-La Land's soundtrack reissues this week include a title that's perfect for Halloween and an offbeat score by a composer normally responsible for music that's perfect for Halloween. That latter title is the first up this week: in 1994, Danny Elfman - known best for his offbeat scores for Tim Burton (Pee-Wee's Big Adventure, Beetlejuice, Batman, The Nightmare Before Christmas, countless others) - was commissioned to write a soundtrack for Warner Bros.' adaptation of Black Beauty, the acclaimed
Special Review: Joe Grushecky, "Somewhere East of Eden"
As these words are being published, we're in Day 10 of the U.S. government shutdown, with no end apparently in sight. Could Joe Grushecky have picked a better time to release his seventeenth and latest solo album, the poltiically-charged and socially-conscious Somewhere East of Eden (Schoolhouse/Warner Nashville 2-535518, 2013)? Grushecky has always evinced that he cares deeply for America, and for its citizens - particularly the blue-collar, working class. On Eden, the rootsy