Archive for the ‘Cherrelle’ Category
Morrissey, Your Arsenal: Definitive Master (Parlophone)
We don’t hate it when Moz becomes successful, as was the case with his third non-compilation album from 1992, which now comes with an unreleased live show on DVD.
Johnny Winter, True to the Blues: The Johnny Winter Story (Columbia/Legacy)
Bob Mould, Workbook: 25th Anniversary Edition (Omnivore)
After the disbandment of Hüsker Dü, singer/guitarist Mould was on the solo beat with this album, now expanded with an unreleased 1989 concert at the Cabaret Metro in Chicago.
The L.A. rockers collect their last nine or so years of A-sides on a professionally-pressed CD-R compilation or a box of six vinyl singles; both feature a newly released track, “Cannibal.”
Various Artists, The Tabu Records Box (Tabu/Edsel)
Three new BBR reissues include two Isaac Hayes LPs for Polydor in the ’80s and LaBelle’s final studio album for Epic, which reunited her with producer Allen Toussaint. Joe, of course, has a full summary coming soon!
After more than a year of reissues of the Tabu Records catalogue by Edsel – reissues that have been relatively lavish but particularly divisive for their occasional lapses in audio quality – the label has prepped a thorough career-spanning box set.
The Tabu Records Box Set is a 6CD/1DVD affair collecting tracks from all of the label’s major releases between 1977 and 1991. Each disc will be broken down by theme; the first focuses on early soul albums by the likes of The S.O.S. Band and Brainstorm plus more left-of-center instrumental albums by Manfredo Fest and noted composer Lalo Schifrin. (Some of these tracks, particularly those by Schifrin, have not been celebrated with individual reissues, making their inclusion a particular treat.) Disc 2 highlights dance tracks from that early era (“Lovin’ is Really My Game,” “Groovin’ (That’s What We’re Doin’)”) while Disc 3 showcases the romantic side of the label’s roster.
Discs 4 and 5 highlight Tabu’s biggest peak in the ’80s, when producers Jimmy Jam and Terry Lewis, formerly of The Time, set up shop as writers/producers for Alexander O’Neal, Cherrelle and The S.O.S. Band. Hits like “Just Be Good to Me,” “Never Knew Love Like This,” “Saturday Love” and “I Didn’t Mean to Turn You On” blossomed from this period. The set closes with some of the lesser-known acts from the label’s twilight years, including Demetrius Perry, Kathy Mathis and Rhonda Clark.
Also included in the box is a DVD featuring promo videos (mostly by O’Neal) and interviews with label founder Clarence Avant as well as Jam & Lewis, and a bonus 7″ single featuring two of the label’s more obscure grooves, “Changin'” by (Ms.) Sharon Ridley and “Jungle Kitten” by Manfredo Fest. A 60-page booklet features notes by box compiler Ralph Tee plus an extensive label discography.
The whole affair is available February 24 and can be ordered after the jump, where you’ll find an exhaustive breakdown of the tracks! Read the rest of this entry »
UPDATE (11/4): This post now has confirmed track lists for the FIRST EIGHT WAVES of reissues.
The long-gestating reissue campaign for Tabu Records by Demon Music Group looks to be taking shape – not only for the first wave of titles in the spring, but for a slew of content ambitiously planned through 2014.
Founded in 1976 by Clarence Avant (who’d previously started the Venture and Sussex labels), Tabu scraped by for six years until a chance meeting and an inconvenient snowstorm gave the label two of its greatest staff producers. An early key act, The S.O.S. Band, had a late disco hit with debut single “Take Your Time (Do It Right),” a Top 5 hit in 1980. Three years later, their fourth album On the Rise was being produced in their native Atlanta by Jimmy Jam and Terry Lewis, the keyboardist and bassist for Minneapolis funk outfit The Time.
When a freak blizzard caused the duo to miss a gig, Jam and Lewis were summarily fired by The Time’s creator, producer and songwriter, Prince. Their loss became Tabu’s gain, however, as Jam and Lewis, through their Flyte Tyme Productions partnership, produced a flurry of hits for not only Tabu artists but others, including Janet Jackson.
The Flyte Tyme sound – a more brazen variation on Prince’s “Minneapolis sound” – was well-formulated at Tabu. Alexander O’Neal, a vocalist with whom the pair had worked with in an early lineup of The Time, scored several big R&B hits with Jam and Lewis in the late ’80s, including “Fake,” “Criticize” and “If You Were Here Tonight.” Likewise, the duo did wonders for Cherrelle, a female vocalist who had her biggest successes duetting with O’Neal (“Saturday Love,” “Never Knew Love Like This”) but also had her own measure of solo success. (Hers was the first version of Jam and Lewis’ “I Didn’t Mean to Turn You On,” later a Top 10 hit for Robert Palmer on both sides of the Atlantic.)
A recent Facebook post from the label indicates plans to “re-issue the entire Tabu catalogue on expanded re-mastered CDs, digital, a selection of 180GM vinyls, and some amazing boxsets.” Find out just what that covers after the jump!
Merry Clayton, The Best of Merry Clayton (Ode/Legacy)
Tell all the people: the singer who gave The Rolling Stones’ “Gimme Shelter” its soulful grit recorded several LPs for Lou Adler’s Ode label. In honor of her belated star turn in the new documentary Twenty Feet from Stardom, Legacy has released the first-ever compilation of selections from these works, including many impressive covers of the likes of The Doors, James Taylor and Neil Young. (Amazon U.S. / Amazon U.K.)
The fourth wave of Tabu reissues from Edsel stretch from 1978 to 1991, covering some of the lesser-known works of the label’s flagship artists.
The earth has music for those who listen, proclaimed Clarence Avant’s Tabu Records label. A major force in contemporary R&B from the late 1970s through the 1990s, Tabu followed in the footsteps of other black-owned, independent music empires as Berry Gordy’s Motown and Kenny Gamble and Leon Huff’s Philadelphia International. While Tabu never achieved the same level of crossover success as those aforementioned labels, it indeed picked up the torch of “The Sound of Young America,” and its cutting-edge electronic style still reverberates in R&B and hip-hop today. Earlier in 2013, the U.K.’s Demon Music Group announced the reactivation of the Tabu label for an ambitious reissue program, the second wave of which has recently arrived in stores. This batch includes two classic titles from the era-defining production team of Jimmy Jam and Terry Lewis, Alexander O’Neal’s Hearsay (1987) and Cherrelle’s High Priority (1985), both reissued as double-disc sets. In addition, this wave includes single-disc expansions of The S.O.S. Band’s S.O.S. (1980) and Kathy Mathis’ Katt Walk (1987).
1980’s gold-selling S.O.S. marked the LP debut of The S.O.S. Band: Jason “T.C.” Bryant on keyboards and vocals, Billy “B.E.” Ellis on saxophone, keyboards and vocals, Mary Davis on vocals and percussion, James Earl Jones III on drums and vocals, Willie “Sonny” Killebrew on saxophone, flute and vocals, Bruno Speight on lead guitar and John Simpson on bass. The album was produced by Sigidi Abdullah; the band’s hits with Jam and Lewis would come later. Abdullah co-wrote “Take Your Time (Do It Right),” the No. 1 R&B/No. 12 Pop song that became the band’s first calling card. But it’s just one of eight essential tracks on this debut album which owes as much to the sound of the seventies as to the new decade it welcomed.
The S.O.S. Band successfully managed to synthesize the effusive but commercially-waning sound of disco with a solid bed of funk and a key pop sensibility that seemingly owed much to Earth, Wind and Fire. Like that group, the S.O.S. Band prominently employed horns for a style that would attract soul fans both young and old, and boasted talented vocalists, including the big-voiced Mary Davis. S.O.S. was truly the organic sound of a band at work, and showed off each side of its style, from slow-burning ballads to catchy dancefloor anthems. Almost every track on the album could have been pulled as a single,
The sleek EWF sound is most evident on “Open Letter,” while wistful, Bacharach-esque horns add dimension to the melancholy “What’s Wrong with Our Love Affair.” The exuberantly up-tempo “Love Won’t Wait for Love” emphasizes disco flourishes with its big strings, horns and suitable-for-dancing break. Of course, the sexy smash “Take Your Time (Do It Right)” also had its roots in disco, and hasn’t lost any of its luster in the ensuing years. Neither has “Take Love Where You Find It,” another big, brassy, disco-flavored track with tasty flute so redolent of the era. Six bonus tracks have been added to S.O.S., including the single edit and disco mix of “S.O.S. (Dit Dit Dit Dash Dash Dash Dit Dit Dit),” the long version and both sides of the single of “Take Your Time (Do It Right),” and the edit of “What’s Wrong with Our Love Affair.” Justin “Musicology” Kantor provides the liner notes, which contain fresh quotes from Mary Davis and trumpeter Abdul Ra’oof.
After the jump: the scoop on Cherrelle, Alexander O’Neal and Kathy Mathis! Read the rest of this entry »
The latest wave of Tabu reissues available from the U.K.: all have bonus tracks, with Cherrelle and Alexander O’Neal’s sets presented as two-disc packages. Amazon U.K. links are above; here are U.S. links for The S.O.S. Band, Cherrelle, Alexander O’Neal and Kathy Mathis.
A four-disc compilation highlighting the last five years of soundtracks the esteemed score label has released. And check out that amazing gala performance they’re hosting this weekend! (Amazon U.S. / Amazon U.K.)
Small Faces, There Are But Four Small Faces (Varese)
.38 Special, Special Delivery (Culture Factory)
A straggler from last week’s Culture Factory batch, this is the long out-of-print second album from 1978 by .38 Special.
Brainstorm / S.O.S. Band / Cherrelle / Alexander O’Neal, “Tabu Reborn” Expanded CD Editions (Wave 1) (Tabu/Edsel)
After a fresh batch of vinyl last week, the Tabu Records reissue campaign (going strong through next year) kicks off with expanded editions of Brainstorm’s Stormin’, The S.O.S. Band’s III, Cherrelle’s Fragile and Alexander O’Neal’s self-titled debut. All feature bonus tracks (Alexander O’Neal has a bonus disc) and fresh deluxe packaging.
Moz’s latest remastered, reconfigured album is his 1991 sophomore effort (featuring a revised track list with two B-sides and an unreleased alternate version of “There’s a Place in Hell for Me and My Friends”), and it will be promoted with new versions of his hit 1989 single with unreleased songs from a BBC session serving as the B-sides.
The irrepressible Sandie Shaw’s first three albums are remastered and expanded with many single sides, and a new career-spanning compilation puts it into perspective for the new fan.
Julio Iglesias, 1: Greatest Hits (Columbia/Legacy/Sony Music Latin)
Celebrate the Spanish crooner with this two-disc set of classic and newly-recorded versions of his greatest hits, also available as a deluxe set with a remastered 1990 concert on DVD.
Paul Anka, Duets (Legacy)
Electronic, Electronic: Special Edition (EMI)
A double-disc expansion of this collaborative effort between New Order’s Bernard Sumner and former Smiths guitarist Johnny Marr, with a bonus disc of mostly unrelated extras. (Amazon U.S. / Amazon U.K.)
Two musical scores from the Masterworks vault make their way to digital retailers, with the latter score featuring six bonus tracks from the show’s star, Danny Kaye.