Archive for the ‘Paul McCartney’ Category
The week before hotly-anticipated Archive Collection releases arrive of Venus and Mars and Wings at the Speed of Sound, Paul McCartney is looking to a more recent title for a deluxe reissue. On October 28, McCartney will revisit New, first released in October 2013. The 2-CD/1-DVD set expands the album that entered both the U.K. and U.S. album charts at No. 3 and has since sold nearly a quarter of a million copies in the U.S. in addition to having earned platinum and gold certifications elsewhere in the world.
This new edition of New presents the original album on its first CD, followed by a 7-track CD of bonus tracks including outtakes (one previously released as a Japanese exclusive, two never before released) and live material. The DVD, with a running time of nearly two hours, may be the most impressive component of the package, featuring a New documentary, an interview and music videos in addition to “making of” featurettes for the videos plus eight promotional appearances from Jimmy Kimmel and Jimmy Fallon’s television shows as well as appearances in Las Vegas, Times Square, and even HMV’s venerable Oxford Street, London shop.
For New, McCartney famously collaborated with a variety of producers including Academy Award-winning songwriter Paul Epworth (Adele’s “Skyfall,” 21) and Mark Ronson (Amy Winehouse’s Back to Black), as well as two producers with impressive credits whose fathers just happened to have had Beatle pedigrees – Ethan Johns, son of Glyn, and Giles Martin, son of Sir George and co-sonic architect of The Beatles’ Love stage show. Rolling Stone praised McCartney’s efforts with the fresh production team as “the music of eternal youth… energized and full of joyous rock & roll invention.” Both McCartney and his producers comment on New in “Something New,” the Don Letts-directed documentary included on the DVD.
Among the new audio material on New are the previously unissued tracks “Hell to Pay” and “Demon Dance” plus the Japanese bonus track “Struggle.” The second disc also includes live performances of “Save Us”, “New”, “Queenie Eye” and “Everybody Out There” from McCartney’s November 2013 gig at the Tokyo Dome.
After the jump: more details including the complete track listing and pre-order links! Read the rest of this entry »
UPDATE 8/27: Listen To What The Man Said: Paul McCartney Announces “Venus and Mars,” “Wings at the Speed of Sound” Archive Sets
UPDATE 8/27/14: We can now confirm that “due to production issues, the release of the latest albums in the Grammy Award-winning Paul McCartney Archive Collection will be delayed. The classic Wings albums Venus and Mars and At The Speed of Sound will now be released on November 3 in the U.K. and November 4 in the U.S. and not the previously announced September dates.” Links provided below are still active for the new release dates.
7/28/14: BREAKING NEWS!
Eagle-eyed readers might have noticed links that appeared on Amazon this morning for the rumored upcoming Paul McCartney Archive Collection editions of d Wings’ 1975 and 1976 albums Venus and Mars and At the Speed of Sound, respectively. Well, the rumor is now a fact, as Concord Music Group’s Hear Music label and McCartney’s MPL have confirmed the
September 23 November 4 arrival in the U.S. of both titles.
True to form, both albums will be available in a plethora of formats including 2-disc standard editions, 3-disc (2-CD/1-DVD) hardbound book editions, gatefold vinyl and digital, each with a disc of rare and previously unreleased bonus material.
Venus and Mars, released in May 1975, had the unenviable task of following the phenomenally successful Band on the Run. Though Band had been recorded by the slim, three-person line-up of Paul and Linda McCartney and Denny Laine, Macca made the decision to bolster the group with the addition of Jimmy McCulloch on guitar and Geoff Britton on drums. Before settling on Allen Toussaint’s Sea-Saint Studios as the recording venue of choice, Wings entered Abbey Road where early versions of three songs were cut for the new album. After just six months in Wings, however, Britton departed the band, and American drummer Joe English completed the sessions for Venus and Mars. Toussaint, Dave Mason and Tom Scott all guest-starred on the album which delivered on its promise of a true “Rock Show.” If McCartney, indeed, had worried about building on the success of Band on the Run, he needn’t have. Venus and Mars spawned a No. 1 single – the rollicking “Listen to What the Man Said” – and went to the top spot on both the U.S. and U.K. album charts. It also provided a platform for Wings to launch the Wings Over the World tour – which, of course, included the Wings Over America leg and album.
Between the Australian and European legs of Wings Over the World, McCartney and Wings entered Abbey Road to record the album that would become Wings at the Speed of Sound. It was Macca’s first album wholly recorded in the U.K. since 1973’s Red Rose Speedway (still awaiting a deluxe Archive Collection reissue) and featured a number of lead vocals from singers other than Paul – Denny on “The Note You Never Wrote” and “Time to Hide,” Jimmy on “Wino Junko,” Linda on “Cook of the House,” and Joe on “Must Do Something About It.” Of course, it was two songs sung by Paul that catapulted the album to another smash success: the endearing, childlike “Let ‘Em In” (No. 2 U.K./No. 3 U.S./No. 1 U.S. Easy Listening) and the unapologetically buoyant “Silly Love Songs” (No. 1 U.S./No. 1 U.S. Easy Listening). The latter was a record-breaking 27th No. 1 for Paul the songwriter. Released in March 1976, Speed of Sound went to No. 2 in the U.K. and the top spot in the U.S. for seven non-consecutive, becoming McCartney’s most successful album ever in America and setting the stage for the Wings Over America tour to take flight that May.
After the jump, we have more details courtesy the complete press release, plus pre-order links, the full track listings, and more! Read the rest of this entry »
The Beatles, The U.S. Albums (Apple/Capitol/UMe)
The centerpiece product of The Fab Four’s 50th anniversary celebration (thus far, anyway) is a 13-disc box featuring the original, unique American releases on Capitol/United Artists from 1964 to 1970 (including six titles from that first year alone). All but the spoken-word documentary album The Beatles’ Story will be available individually, and all but that and 1970’s stereo-only Hey Jude compilation will be available in mono and stereo on the same disc.
The U.S. Albums: Amazon U.S. / Amazon U.K.
Meet The Beatles!: Amazon U.S. / Amazon U.K.
The Beatles’ Second Album: Amazon U.S. / Amazon U.K.
A Hard Day’s Night: Original Motion Picture Soundtrack: Amazon U.S. / Amazon U.K.
Something New: Amazon U.S. / Amazon U.K.
Beatles ’65: Amazon U.S. / Amazon U.K.
The Early Beatles: Amazon U.S. / Amazon U.K.
Beatles VI: Amazon U.S. / Amazon U.K.
Help! Original Motion Picture Soundtrack: Amazon U.S. / Amazon U.K.
Rubber Soul: Amazon U.S. / Amazon U.K.
Yesterday and Today: Amazon U.S. / Amazon U.K.
Revolver: Amazon U.S. / Amazon U.K.
Hey Jude: Amazon U.S. / Amazon U.K.
Del Amitri, Waking Hours / Change Everything / Twisted: Deluxe Editions (Mercury/UMC)
Best known in the U.S. for peppy rock radio hit “Roll to Me,” the recently-reunited Glasgow rockers’ first three alternative-friendly albums for A&M are being expanded as double-disc sets with heaps of non-LP B-sides.
Mike + The Mechanics, The Singles 1985-2014 / The Living Years: Deluxe Edition (UMC)
To time with Mike Rutherford’s new memoir, the Genesis guitarist/bassist’s famed side-project (with vocals from Paul Carrack and Sad Café’s Paul Young) is first anthologized with a career-spanning double-disc hits and rarities set, and then an expansion of 1988’s The Living Years (whose title track was the band’s biggest worldwide hit), featuring a new version of the track with vocalist Andrew Roachford and a disc’s worth of live recordings from 1989.
Two more expanded albums from the Salsoul label on BBR – one from label queen Loleatta Holloway and the debut album from the famed singer-comedienne.
FTG puts the first and only RCA album by ex-Delfonic/”Love Won’t Let Me Wait” singer Major Harris on CD for the first time, while expanding a 1983 album by Harris’ onetime labelmate Margie Joseph.
Various Artists, Playlist: The Very Best Of (Legacy)
The latest wave in Legacy’s low-price hits series includes some converted greatest hits titles (Simon & Garfunkel’s Greatest Hits, Journey’s Greatest Hits Live, Closer: The Best of Sarah McLachlan) but also some new titles – chiefly some newly-curated compilations from Dean Martin, Ronnie Spector, Jermaine Jackson and Ray Parker, Jr. (All Amazon U.S. and U.K. links can be found in the link above!)
Welcome to The Second Disc’s Fourth Annual Gold Bonus Disc Awards!
Though this is a slow time of year for news, it’s the perfect time to look at the year in review. As with every year’s awards, our goals are simple: to recognize as many of the year’s most essential reissues and catalogue titles as possible, and to celebrate those labels, producers and artists who make these releases possible in what many might deem an increasingly-challenging retail landscape. These labels have bucked the trends to prove that there’s still a demand for physical catalogue music. And from our vantage point, there’s still great strength and health in this corner of the music industry. By my very rough estimate, The Second Disc covered around 500 releases in 2013 – and we firmly believe that the best is still yet to come. We dedicate The Gold Bonus Disc Awards to the creators of the music and releases we cover, and to you, the readers. After all, your interest is ultimately what keeps great music of the past – this site’s raison d’etre – alive and well.
With that in mind, don’t forget to share your own thoughts and comments below. What made your must-have list in 2013? Please join us in recognizing 2013′s best of the best.
Which releases take home the gold this year? Hit the jump below to find out!
Varese Offers Up Fab Pair with George Martin’s “Beatles to Bond” and Campbeltown Pipe Band’s “Mull of Kintyre”
With the upcoming release of The Beatles’ On Air: Live at the BBC Volume Two, there’s Beatlemania in the air once again. And the Varese Sarabande label’s Varese Vintage imprint is at the ready with two recent reissues bearing ties to the Fab Four: George Martin’s Beatles to Bond and Bach (1974) and The Campbeltown Pipe Band’s Mull of Kintyre (1978). Both of these are rather unexpected titles and all the more welcome for it!
Beatles to Bond and Bach, originally issued on the Polydor label, offered exactly what the title promised. Legendary producer-arranger Martin and his orchestra tackled the songs of Lennon and McCartney alongside a James Bond suite inspired by Martin’s then-recent work on the film Live and Let Die, and two compositions from one of his earliest influences: Johann Sebastian Bach. The LP, produced by his AIR Studios co-founder John Burgess, was the culmination of a decade-spanning series of instrumental releases from The George Martin Orchestra designed for the light classical/so-called “easy listening” market. Many of these naturally drew on his work with The Beatles, either in whole or in part: 1964’s Off the Beatle Path and By Popular Demand: A Hard Day’s Night, 1965’s Help!, 1966’s And I Love Her and George Martin Instrumentally Salutes the Beatle Girls, 1968’s London By George, and so on. Martin’s Guildhall-trained musicianship and impeccable ear kept these albums from becoming mere retreads of familiar songs.
For Beatles to Bond and Bach, Martin – recording at London’s AIR with none other than Beatle vet Geoff Emerick engineering – built the album around three extended suites. “The Bond Suite” kicks off the album with Monty Norman’s original theme, before segueing into two of Martin’s cues from 1973’s Live and Let Die and of course, Paul and Linda McCartney’s thrilling title song. Later on the album, Martin arranges “The Beatle Suite” of later Beatle tunes (“Sgt. Pepper’s,” “Lucy in the Sky with Diamonds” and “A Day in the Life”) and a “Yellow Submarine Suite” containing four of his distinctive themes and the Lennon/McCartney title song from the 1968 animated feature. In between, shorter pieces came from Bach’s pen (“Air on the G String” and “Prelude for Strings”) and Martin’s own. Trivia: “Air” was the very first of Bach’s compositions to be recorded, back in 1902 – not bad for a piece written between 1717 and 1723! Martin’s “Theme One,” written for BBC Radio 1 in 1967 ,and 1961’s “Elizabeth and Essex” (previously recorded by Ron Goodwin and His Orchestra) rounded out the diverse collection. Fans of Paul McCartney’s Thrillington will likely find much to enjoy here, as will aficionados of Martin’s film score assignments.
After the jump, we’ll check out an even more surprising treat from Varese! Plus: track listings and order links! Read the rest of this entry »
Paul McCartney and Wings, Rockshow (Eagle Rock)
ZZ Top, The Complete Studio Albums 1970-1990 (Warner Bros./Rhino)
So not only are you getting all of ZZ Top’s London/Warner-era albums in one convenient box, but you’re getting a fair amount of them in their original mixes for the first time ever on CD. Win? Win. (Amazon U.S. / Amazon U.K.)
Various Artists, The Complete Motown Singles Volume 12A: 1972 (Hip-O Select/Motown)
Richard Pryor, No Pryor Restraint: Life in Concert (Shout! Factory)
Burt Bacharach, Anyone Who Had a Heart: The Art of the Songwriter (U.K.-only box set) (UMe)
From the U.K. comes a new six-disc anthology of Bacharach’s best works as a writer or performer – easily more comprehensive than the double-disc set U.S. audiences got recently. (Amazon U.S. / Amazon U.K.)
Icehouse, The 12 Inches Volume 1 (Repertoire)
With a burst of boogie woogie, Paul McCartney finally acknowledged the elephant in the room. And then he made it abundantly clear that he wasn’t going to be standing in any shadow, even his own. That moment came seven songs into the first disc of Wings Over America when Paul suddenly became Beatle Paul once again, tearing into “Lady Madonna” with Fats-inspired glee. The Wings Over the World tour – taking in three continents, 66 concerts and roughly one million fans – was the most dramatic realization yet of McCartney’s reinvention. It was also the first time he performed his Beatles back catalogue as the leader of Wings. “You could seriously go down in history as a guy who tried to get as good as The Beatles and failed miserably,” he’s recently said. “I felt, in the end, like the guy who tried to get as good as The Beatles – and didn’t. But did awfully well.” And he arguably never did better than the Wings Over America leg of the tour.
From May 3, 1976 in Fort Worth, Texas, through June 23 in Inglewood, California, Wings played 31 dates for 600,000 fans. The massive arena rockshow party thrown by McCartney, wife Linda, Denny Laine, Jimmy McCulloch, Joe English and a four-person brass section (Tony Dorsey, Steve Howard, Thaddeus Richard and Howie Casey, a fellow Liverpool native and longtime hero of McCartney’s who played the same venues as the young Beatles) translated to disc as one of the most electrifying live albums ever. And now the chart-topping Wings Over America has been released as the fifth entry in The Paul McCartney Archive Collection – and the most dizzyingly lavish yet.
The remastered 2013 Wings Over America has flown into shops in multiple editions. The original album is available as a standard 2-CD edition and a 3-LP set. Retail giant Best Buy is offering a 3-CD version. But the centerpiece is the individually numbered, slipcased set of 3 CDs, 1 DVD and 4 books. This massive, heavy box dwarfs even last year’s Ram, which itself was significantly bigger than the book-style format of Band on the Run, McCartney and McCartney II. Despite its larger size, though, its similar spine design and identical height still makes it possible to display on your shelf next to those volumes. With this set, it’s likely that you’ll lose yourself in the not just the music, but in the overwhelming array of printed material relating to McCartney’s American jaunt.
After the jump: we dive into the various versions of Wings Over America! Read the rest of this entry »