Archive for the ‘Paul McCartney’ Category
Varese Offers Up Fab Pair with George Martin’s “Beatles to Bond” and Campbeltown Pipe Band’s “Mull of Kintyre”
With the upcoming release of The Beatles’ On Air: Live at the BBC Volume Two, there’s Beatlemania in the air once again. And the Varese Sarabande label’s Varese Vintage imprint is at the ready with two recent reissues bearing ties to the Fab Four: George Martin’s Beatles to Bond and Bach (1974) and The Campbeltown Pipe Band’s Mull of Kintyre (1978). Both of these are rather unexpected titles and all the more welcome for it!
Beatles to Bond and Bach, originally issued on the Polydor label, offered exactly what the title promised. Legendary producer-arranger Martin and his orchestra tackled the songs of Lennon and McCartney alongside a James Bond suite inspired by Martin’s then-recent work on the film Live and Let Die, and two compositions from one of his earliest influences: Johann Sebastian Bach. The LP, produced by his AIR Studios co-founder John Burgess, was the culmination of a decade-spanning series of instrumental releases from The George Martin Orchestra designed for the light classical/so-called “easy listening” market. Many of these naturally drew on his work with The Beatles, either in whole or in part: 1964’s Off the Beatle Path and By Popular Demand: A Hard Day’s Night, 1965’s Help!, 1966’s And I Love Her and George Martin Instrumentally Salutes the Beatle Girls, 1968’s London By George, and so on. Martin’s Guildhall-trained musicianship and impeccable ear kept these albums from becoming mere retreads of familiar songs.
For Beatles to Bond and Bach, Martin – recording at London’s AIR with none other than Beatle vet Geoff Emerick engineering – built the album around three extended suites. “The Bond Suite” kicks off the album with Monty Norman’s original theme, before segueing into two of Martin’s cues from 1973’s Live and Let Die and of course, Paul and Linda McCartney’s thrilling title song. Later on the album, Martin arranges “The Beatle Suite” of later Beatle tunes (“Sgt. Pepper’s,” “Lucy in the Sky with Diamonds” and “A Day in the Life”) and a “Yellow Submarine Suite” containing four of his distinctive themes and the Lennon/McCartney title song from the 1968 animated feature. In between, shorter pieces came from Bach’s pen (“Air on the G String” and “Prelude for Strings”) and Martin’s own. Trivia: “Air” was the very first of Bach’s compositions to be recorded, back in 1902 – not bad for a piece written between 1717 and 1723! Martin’s “Theme One,” written for BBC Radio 1 in 1967 ,and 1961′s “Elizabeth and Essex” (previously recorded by Ron Goodwin and His Orchestra) rounded out the diverse collection. Fans of Paul McCartney’s Thrillington will likely find much to enjoy here, as will aficionados of Martin’s film score assignments.
After the jump, we’ll check out an even more surprising treat from Varese! Plus: track listings and order links! Read the rest of this entry »
Paul McCartney and Wings, Rockshow (Eagle Rock)
ZZ Top, The Complete Studio Albums 1970-1990 (Warner Bros./Rhino)
So not only are you getting all of ZZ Top’s London/Warner-era albums in one convenient box, but you’re getting a fair amount of them in their original mixes for the first time ever on CD. Win? Win. (Amazon U.S. / Amazon U.K.)
Various Artists, The Complete Motown Singles Volume 12A: 1972 (Hip-O Select/Motown)
Richard Pryor, No Pryor Restraint: Life in Concert (Shout! Factory)
Burt Bacharach, Anyone Who Had a Heart: The Art of the Songwriter (U.K.-only box set) (UMe)
From the U.K. comes a new six-disc anthology of Bacharach’s best works as a writer or performer – easily more comprehensive than the double-disc set U.S. audiences got recently. (Amazon U.S. / Amazon U.K.)
Icehouse, The 12 Inches Volume 1 (Repertoire)
With a burst of boogie woogie, Paul McCartney finally acknowledged the elephant in the room. And then he made it abundantly clear that he wasn’t going to be standing in any shadow, even his own. That moment came seven songs into the first disc of Wings Over America when Paul suddenly became Beatle Paul once again, tearing into “Lady Madonna” with Fats-inspired glee. The Wings Over the World tour – taking in three continents, 66 concerts and roughly one million fans – was the most dramatic realization yet of McCartney’s reinvention. It was also the first time he performed his Beatles back catalogue as the leader of Wings. “You could seriously go down in history as a guy who tried to get as good as The Beatles and failed miserably,” he’s recently said. “I felt, in the end, like the guy who tried to get as good as The Beatles – and didn’t. But did awfully well.” And he arguably never did better than the Wings Over America leg of the tour.
From May 3, 1976 in Fort Worth, Texas, through June 23 in Inglewood, California, Wings played 31 dates for 600,000 fans. The massive arena rockshow party thrown by McCartney, wife Linda, Denny Laine, Jimmy McCulloch, Joe English and a four-person brass section (Tony Dorsey, Steve Howard, Thaddeus Richard and Howie Casey, a fellow Liverpool native and longtime hero of McCartney’s who played the same venues as the young Beatles) translated to disc as one of the most electrifying live albums ever. And now the chart-topping Wings Over America has been released as the fifth entry in The Paul McCartney Archive Collection – and the most dizzyingly lavish yet.
The remastered 2013 Wings Over America has flown into shops in multiple editions. The original album is available as a standard 2-CD edition and a 3-LP set. Retail giant Best Buy is offering a 3-CD version. But the centerpiece is the individually numbered, slipcased set of 3 CDs, 1 DVD and 4 books. This massive, heavy box dwarfs even last year’s Ram, which itself was significantly bigger than the book-style format of Band on the Run, McCartney and McCartney II. Despite its larger size, though, its similar spine design and identical height still makes it possible to display on your shelf next to those volumes. With this set, it’s likely that you’ll lose yourself in the not just the music, but in the overwhelming array of printed material relating to McCartney’s American jaunt.
After the jump: we dive into the various versions of Wings Over America! Read the rest of this entry »
Wings, Wings Over America: The Paul McCartney Archive Collection (MPL/Hear Music/Concord)
Paul McCartney’s first great U.S. tour was chronicled brilliantly on this 1977 live album, and it’s been greatly expanded herein for McCartney’s ongoing reissue campaign.
Tony Bennett & Dave Brubeck, The White House Sessions: Live 1962 (Columbia/RPM/Legacy)
Burt Bacharach, Anyone Who Had a Heart: The Art of the Songwriter – The Best of Burt Bacharach (U.S. Edition) (Hip-O/UMe)
What was a six-disc box or two-disc set internationally is a different two-disc anthology of the acclaimed songwriter’s greatest works, as performed by Barbra Streisand, Tom Jones, Dionne Warwick, Aretha Franklin and more. (Amazon U.S.)
The Monkees, Justus: The Deluxe Edition (Friday Music)
Basia, Time and Tide: Deluxe Edition (Cherry Pop)
Dio, Finding the Sacred Heart: Live in Philly 1986 (Eagle Rock)
A long sought-after Dio live video is remastered and reissued across several different formats!
Enchantment, Utopia: Expanded Edition / Kleeer, Winners: Expanded Edition / Gwen McCrae, Melody of Life: Expanded Edition / MFSB, MFSB: Expanded Edition / The O’Jays, Live in Philadelphia (Big Break Records)
The BBR slate for this week includes some rare early records from The O’Jays and MFSB and much more! Watch this space for a full breakdown of every title plus Amazon pre-order links!
Various Artists, NOW That’s What I Call 30 Years (Universal U.K.)
Raise your hand if you’ll be joining 2013 Ambassador Jack White tomorrow to celebrate Record Store Day 2013! Yes, on Saturday, April 20, independent record stores everywhere will offer an eclectic roster of limited edition releases of all kinds – most on vinyl, but some on CD, too. As usual, the labels participating in RSD ’13 have a number of surprises on the way, previewing future releases, revisiting past titles and even curating completely new packages. As is our tradition here, we’re taking the occasion to count down the titles to which we’re most looking forward! I’ll take my turn first, and then after the jump, you’ll find Mike’s picks for some of the finest offerings you might find at your local independent retailer! Around these parts, of course, every day is Record Store Day – so, after you’ve picked up your share of the year’s collectible releases, don’t forget to browse the regular racks, too…you never know what you might find!
You’ll find more information and a link to a downloadable PDF of the complete Record Store Day list here, and please share your RSD 2013 experiences with us below. Happy Hunting!
1. Miles Davis, ‘Round About Midnight / Milestones / Someday My Prince Will Come (Columbia/Legacy)
Last year, the team at Legacy feted the famous trumpeter with Forever Miles, which collected rare sides recorded between 1956 and 1970. This year, Davis is the recipient of three 180-gram mono vinyl reissues from his classic early Columbia Records period. 1956’s ‘Round About Midnight, Davis’ label debut, showcases the artist at the epoch of his hard bop period. His Quintet includes John Coltrane on tenor sax, Red Garland on piano, Philly Joe Jones on drums and Paul Chambers on bass. Davis’ muted horn makes magic on Thelonious Monk’s “’Round Midnight,” which remained in his book for years, and breathes new life into “Bye Bye Blackbird.” For 1958’s Milestones, Davis foreshadowed the modal jazz breakthrough of the following year’s Kind of Blue with his title track as well as with another Monk composition, “Straight, No Chaser.” The sextet recording adds Cannonball Adderley to the lineup on alto saxophone. Milestones marked the final time Jones, Garland and Chambers would play on a Davis album. Lastly, 1961’s Someday My Prince Will Come blended Davis originals (tributes to producer Teo Macero, Columbia President Goddard Lieberson and wife Frances) with standards including a blazingly reworked title tune from Walt Disney’s Snow White and the Seven Dwarfs. Though credited to the Miles Davis Sextet, only “Someday” featured all six players – Davis, Chambers, Hank Mobley and John Coltrane on tenor sax, Wynton Kelly on piano, and Jimmy Cobb on drums. Coltrane made a cameo on tenor on “Teo” (dedicated to Macero) with Mobley playing the instrument on the album’s other songs.
These three LPs remain among Davis’ finest accomplishments. With crispness and clarity, they pack quite a punch in their original mono sound. Legacy has lovingly recreated the original artwork for each individually numbered release. There’s still quite a thrill in holding these objets d’art from a master at the top of his game, restlessly conquering each stylistic shift even as he planted the seeds for the next revolution in jazz. These small group records, which alternated with the big-band sessions teaming Davis with arranger Gil Evans, shouldn’t be missed.
2. Van Dyke Parks, Song Cycle (Reprise/Rhino)
Composer, arranger, producer, singer, musician, actor, author, historian, raconteur and bon vivant: Van Dyke Parks has carved out a niche in popular music truly unlike any other. The renaissance man comes to RSD 2013 both with a new release (Super Chief: Music for the Silver Screen) and a 180-gram mono vinyl reissue of his solo LP debut, 1968’s Song Cycle. As produced by the great record man Lenny Waronker, Song Cycle was a natural progression from the modular songwriting of Parks’ storied collaboration with Brian Wilson, SMiLE. Creative, offbeat, and altogether unencumbered by any notions of conventionality, Song Cycle took in Parks’ varied originals along with compositions from Randy Newman and Donovan. The cinematic, orchestral tour de force is played by a stellar cast of musicians including Wrecking Crew pros Hal Blaine, Tommy Tedesco, Lyle Ritz, Earl Palmer, Jim Gordon and Jay Migliori, plus Newman and The Beau Brummels’ Ron Elliott. A kaleidoscopic journey through California pop, Song Cycle retains its power to surprise and enchant, and those hearing it for the first time in mono will be in for a mind-expanding treat.
3. Paul McCartney and Wings, Maybe I’m Amazed (Hear Music)
Last year, Macca used the annual Record Store Day campaign to preview his deluxe Archive Collection release of 1971’s Ram with a vinyl replica single of “Another Day” b/w “Oh Woman, Oh Why.” This year, the RSD reissue of the 12” “Maybe I’m Amazed” live EP previews this year’s Archive presentation of Wings Over America. As on the original 12” release, Side One includes “Maybe” in full and edited versions in mono, and Side Two presents the full and edited versions in stereo. When “Maybe I’m Amazed” first appeared on 1970’s McCartney, a lush standout on a rather spare collection of homemade songs, it quickly gained popularity, but McCartney declined to officially release it as a single. It wasn’t until the 1976 live version from Wings Over America came along that McCartney relented. His ode to the lovely Linda then scaled the charts to No. 10 in the United States and No. 28 in the United Kingdom.
And Hear Music’s replica “Maybe I’m Amazed” isn’t the only offering this year to excite Beatlefans. Universal Music is collecting three vintage Ringo Starr singles in a lift-top box. Ringo’s Singles Collection includes 7-inch editions of “Photograph” b/w “Down and Out,” “It Don’t Come Easy” b/w “Early 1970,” and “(It’s All Down To) Goodnight Vienna” b/w “Oo-Wee.” All singles are packaged in replicas of their original artwork!
4. Old 97’s with Waylon Jennings (Omnivore)
Omnivore’s 2012 reissue of 1997’s Too Far To Care from Old 97’s added more than a disc’s worth of bonus tracks from the Rhett Miller-fronted alt-country band, and now the group returns to Omnivore with more previously unreleased goodies. And they’ve brought along a guest: the late, great Waylon Jennings. Way back in 1996, Jennings joined Ken Bethea, Murry Hammond, Rhett Miller and Philip Peeples in Nashville to cut two tracks. Yet “Iron Road” and “The Other Shoe,” the two songs completed by Jennings and the 97’s, never saw the light of day…until now. This RSD-exclusive release offers the Jennings/97’s collaborations plus the band’s demos of “Visiting Hours” (a live version of which appeared on 2011’s The Grand Theater Vol. 2) and “Fireflies” (re-recorded by Rhett Miller for his 2006 album The Believer). All four songs will be available as a double yellow vinyl 7-inch release, housed in a gatefold sleeve with art from Jon Langford and even liner notes from Rhett Miller! The package also includes a download card, offering digital files of the four tracks. For an opportunity to hear an iconic talent paired with some of his most authentic heirs, Old 97’s with Waylon Jennings is a rare pleasure, indeed.
5. Jimi Hendrix, Hey Joe b/w Stone Free (Experience Hendrix/Legacy)
Jimi Hendrix isn’t one to be left out – so he’s joined the “back to mono” revolution, as well, with Legacy’s individually numbered reissue of The Jimi Hendrix Experience’s debut U.K. single! This 45 features the explosive trio of Hendrix, Noel Redding and Mitch Mitchell, backed by the trio of British songbirds The Breakaways. Originally released in December 1966, “Hey Joe” rose to No. 6 on the U.K. chart; the U.S. release failed to chart, replacing “Stone Free” with B-side “51st Anniversary.” This single represents the ground floor of Hendrix’s blazing, all-too-short career, and makes a fine companion to Legacy’s recent mono LP reissues of the U.S. and U.K. editions of the 1967 debut LP Are You Experienced.
Honorable Mentions: Frank Zappa’s “I’m the Slime/Montana” 7-inch (Zappa Records/Universal) is newly remastered from the original 1973 analog source. “I’m the Slime” is presented in a single edit, and “Montana” is a 2013 edit with 25 additional seconds. Grateful Dead’s Rare Cuts and Oddities 1966 compiles, well, rare cuts and oddities from that year in early Dead history! Originally released on CD in 2005, it’s making its vinyl debut on two 180-gram platters for RSD!
After the jump: Mike has another five titles for ya!
Last year, Macca used the annual Record Store Day campaign to preview his deluxe Archive Collection release of 1971’s Ram with a vinyl replica single of “Another Day” b/w “Oh Woman, Oh Why.” This year, the reveal of McCartney’s RSD exclusive confirmed the news that diehards have been expecting since the Archive Collection first began: the 1976 chart-topping triple-album Wings Over America is coming on May 27 (Europe) and May 28 (North America) to the lavish Archive Collection series. Wings Over America will be preceded by the April 20 RSD release of a 12-inch EP of the live “Maybe I’m Amazed.” As on the original release, Side One includes “Maybe” in full and edited versions in mono, and Side Two presents the full and edited versions in stereo.
When “Maybe I’m Amazed” first appeared on 1970’s McCartney, a lush standout on a rather spare collection of homemade songs, it quickly gained popularity, but McCartney declined to officially release it as a single. It wasn’t until the 1976 live version from Wings Over America came along that McCartney relented. His ode to the lovely Linda then scaled the charts to No. 10 in the United States and No. 28 in the United Kingdom.
“Maybe I’m Amazed” was just one highlight of the expansive, electrifying career retrospective that was Wings Over America, however. The deluxe edition of Wings looks to be the mightiest entry yet in McCartney’s box set series, with 3 CDs, 1 DVD and 4 books! The original album only will also be released in a standard 2-CD edition and as a 3-LP set. In addition, the long-awaited Rockshow film will receive standalone issues on Blu-ray and DVD!
Hit the jump for all of the specs! Read the rest of this entry »
Wow! Was it just over a year ago when a rather dubious report began circulating (that, shockingly, was picked up by many otherwise-reputable publications) that proclaimed the death of the CD was secretly scheduled by the major labels for 2012? Well, 2012 has come and (almost) gone, and it might have been the most super-sized year in recent memory for reissues, deluxe and otherwise, from labels new and old. Here at the Second Disc, we consider our annual Gold Bonus Disc Awards a companion piece to Mike’s own round-up over at Popdose, and we endeavor to recognize as many of the year’s most amazing reissues as possible – over 80 worthy, unique titles. We also hope to celebrate those labels, producers and artists who have raised the bar for great music throughout 2012. As we’re literally deluged with news around these parts, these ladies and gentlemen prove, week after week, the strength and health of the catalogue corner of the music world. We dedicate The Gold Bonus Disc Awards to them, and to you, the readers. After all, your interest is ultimately what keeps great music of the past alive and well.
With that in mind, don’t forget to share your own thoughts and comments below. What made your must-have list in 2012? Without further ado, let’s celebrate 2012′s best of the best. Welcome to the Gold Bonus Disc Awards!
Which releases take home the gold this year? Hit the jump below to find out! Read the rest of this entry »
Let’s start the day with a quick, annual reminder of the hardworking people in the catalogue music business who were recognized for their efforts by way of nominations at the 55th Annual Grammy Awards.
Three such box sets were nominated for Best Boxed or Special Limited Edition Package: Paul McCartney’s Ram: The Paul McCartney Archive Collection, The Rolling Stones’ Some Girls: Super Deluxe Edition and Woody Guthrie’s Woody At 100: The Centennial Collection. Ram and Woody At 100 also shared nominations for Best Historical Album alongside the beautiful SMiLE Sessions box set by The Beach Boys, while three writers of notes for reissues and box sets were given nods in the Best Album Notes category.
The full list of relevant nominees are below, while the entire list (including an impressive six-way tie for most nominations by a single artist or band) is here.
Best Boxed Or Special Limited Edition Package
The Girl With The Dragon Tattoo (Soundtrack From The Motion Picture)
Rob Sheridan, art director (Trent Reznor & Atticus Ross)
(Null/Madison Gate Records)
Go Fly A Kite
Liz Kweller, art director (Ben Kweller)
(The Noise Company)
Ram – Paul McCartney Archive Collection (Deluxe Edition)
Simon Earith & James Musgrave, art directors (Paul And Linda McCartney)
Some Girls: Super Deluxe Edition
Stephen Kennedy, art director (The Rolling Stones)
Woody At 100: The Woody Guthrie Centennial Collection
Fritz Klaetke, art director (Woody Guthrie)
(Smithsonian Folkways Recordings)
Best Album Notes
Banjo Diary: Lessons From Tradition
Stephen Wade, album notes writer (Stephen Wade)
First Recordings: 50th Anniversary Edition
Hans Olof Gottfridsson, album notes writer (The Beatles With Tony Sheridan)
The Pearl Sessions
Holly George-Warren, album notes writer (Janis Joplin)
Piazzolla In Brooklyn
Fernando Gonzalez, album notes writer (Pablo Aslan Quintet)
Singular Genius: The Complete ABC Singles
Billy Vera, album notes writer (Ray Charles)
Best Historical Album
He Is My Story: The Sanctified Soul Of Arizona Dranes
Josh Rosenthal, compilation producer; Bryan Hoffa & Christopher King, mastering engineers (Arizona Dranes)
Old-Time Smoky Mountain Music: 34 Historic Songs, Ballads, And Instrumentals Recorded In The Great Smoky Mountains By “Song Catcher” Joseph S. Hall
Kent Cave, Michael Montgomery & Ted Olson, compilation producers; John Fleenor & Steve Kemp, mastering engineers (Various Artists)
(Great Smoky Mountains Association)
Opika Pende: Africa At 78 RPM
Steven Lance Ledbetter & Jonathan Ward, compilation producers; Michael Graves, mastering engineer (Various Artists)
Ram – Paul McCartney Archive Collection (Deluxe Edition)
Paul McCartney, compilation producer; Simon Gibson, Guy Massey & Steve Rooke, mastering engineers (Paul And Linda McCartney)
The Smile Sessions (Deluxe Box Set)
Alan Boyd, Mark Linett, Brian Wilson & Dennis Wolfe, compilation producers; Mark Linett, mastering engineer (The Beach Boys)
Woody At 100: The Woody Guthrie Centennial Collection
Jeff Place & Robert Santelli, compilation producers; Pete Reiniger, mastering engineer (Woody Guthrie)
(Smithsonian Folkways Recordings)
Welcome to another installment of Reissue Theory, where we focus on classic music and the reissues they may someday see. With 50 years of on-screen action and a new film in theaters, the name is Bond…James Bond, and the music is plentiful!
What else is left to say about Ian Fleming’s blunt, British secret agent James Bond? Our 007, licensed to kill, is an international icon of print and, since Sean Connery suavely stepped into Bond’s tuxedo in 1962′s Dr. No, the big screen. Today, the 23rd Bond film, Skyfall – the third to star Daniel Craig as a rougher-hewn 007 and, by nearly all accounts, one of the greatest films in the series – opens in American theaters, guaranteeing the legacy that film producers Harry Saltzman and Albert R. Broccoli created a half-century ago remains as shaken (not stirred) as ever.
Bond soundtrack fans have had much to enjoy in that time period. From Monty Norman and His Orchestra’s brassy, immortal main theme (punctuated by session guitarist Vic Flick’s staccato electric guitar licks), to lush scores by John Barry, Marvin Hamlisch, Bill Conti, Michael Kamen, David Arnold and Thomas Newman, to name a few, to the 23 title themes of varying quality but with boundless cultural currency, music is as vital a part of the Bond experience as martinis, girls, cars and guns. And fans have been lucky: in the 1990s, Rykodisc acquired the rights to much of the Bond soundtrack catalogue (in most cases, controlled by Capitol/EMI). In the 2000s, Capitol itself expanded and/or remastered many of those albums anew. And compilations, from 1992′s rarity-packed double-disc The Best of James Bond 30th Anniversary Collection to this year’s Bond…James Bond: 50 Years, 50 Tracks, have been plentiful as well.
But short of another, even more comprehensive pass at expanding the soundtrack albums to completion (one that seems increasingly like a pipe dream, thanks to the climate of the industry and the varying physical and financial statuses of the scores themselves), one could certainly find worth in a multi-disc box set that would provide the definitive dossier on Bond music. With that in mind, Second Disc HQ’s latest mission file is just that – and you can expect us to talk after the jump!
In 2010, Shout! Factory and Frank Sinatra Enterprises (FSE) released an impressive DVD box set collecting 7 discs and over 14 hours’ worth of Frank Sinatra’s television performances from the 1950s through the 1980s. On November 13, one of those discs from The Concert Collection will be available as a standalone DVD following similar releases of other DVDs from the set. Primetime includes three programs from 1968, 1969 and 1977, respectively, in which Sinatra welcomes a bevy of guests.
In 1968’s Francis Albert Sinatra Does His Thing, the legendary entertainer welcomes Diahann Carroll and the 5th Dimension, celebrating the impact of black music on America. Carroll joins Sinatra for a heartfelt medley of spirituals, and Sinatra also takes the stage with Marilyn McCoo, Billy Davis, Jr., Florence LaRue, Ron Townson and Lamonte McLemore for a groovy version of Laura Nyro’s “Sweet Blindness” (“Please don’t tell my mother/I’m a saloon and a moonshine lover!”).
1969’s Sinatra teamed Frank with frequent arranger Don Costa and his orchestra, and features an early performance of “My Way,” with its English lyrics penned for Sinatra by his friend Paul Anka. 1977’s Sinatra and Friends featured a true all-star roster spanning various genres. This time, Sinatra shared the screen with Natalie Cole, Tony Bennett, Loretta Lynn, John Denver and his longtime pally Dean Martin. The entire cast returns for the closing performance of Paul Anka’s “Everybody Ought to Be in Love.”
If you don’t already own The Concert Collection, you can check out Primetime on November 13. Here’s a pre-order link!
After the jump: we meet Macca and head to a famed New York cabaret with Christine Andreas! Read the rest of this entry »