Archive for the ‘Record Store Day’ Category
Yes, it’s that time of year again. Thanksgiving is here, and with each Thanksgiving comes another Black Friday, the day for consumers to start off the holiday shopping season on a mad, frenetic note. This year is just in the latest one in which numerous retailers in the U.S. have made headlines by blackening Thursday, or Thanksgiving Day itself, with sales starting on the holiday. So many might give thanks that the folks behind Record Store Day are waiting until the traditional Friday for the second of their twice-yearly events.
In keeping with tradition, Mike and I have once again selected our picks for the crème de la crème of titles being released this Friday from many of our favorite labels, including Legacy Recordings, Omnivore Recordings, Rhino Records, Varese Sarabande, Blue Note, Sundazed and more. Don’t hesitate to head over and drop by your local independent record store, and don’t fear the crowds. With everybody at the mall and the big boxes, the Black Friday RSD event is usually a bit more manageable than the April festivities. You can find a full list of RSD Back to Black Friday exclusives (and a list of participating shops) here.
Without further ado, we’ll kick things off with five of Joe’s favorite slabs of vinyl due tomorrow…
American Hustle: Original Motion Picture Soundtrack (Columbia/Legacy)
Writer-director David O. Russell’s 2013 motion picture American Hustle transported viewers to the era of bell bottoms and disco with a cast of oddly irresistible con artists, mobsters and feds. Though the Academy Award-nominated production and costume design were crucial to revisiting the film’s time period of 1978, much of the heavy lifting was accomplished thanks to the movie’s impeccable soundtrack. In fact, the movie was so stuffed with music that a number of the film’s songs weren’t included on the original CD release of the soundtrack. Legacy has rectified that with a new 150-gram double-LP release on red and blue vinyl containing six tracks not on the original soundtrack CD. To the era-defining hits by America (“A Horse with No Name”), the Bee Gees (“How Can You Mend a Broken Heart”), Wings (“Live and Let Die”) and Elton John (“Goodbye Yellow Brick Road”), the album featured surprising tracks like Duke Ellington’s “Jeep’s Blues,” Mayssa Karaa’s Arabic rendition of Jefferson Airplane’s “White Rabbit” and a new recording by Jack Jones of the Cy Coleman/Carolyn Leigh standard “Real Live Girl.” It also had three tracks from Jeff Lynne and ELO including the exclusive instrumental “Stream of Stars” and the rare Japan-only Zoom bonus track “Long Black Road.” This deluxe vinyl presentation – with red Columbia 360 Sound labels – adds key recordings by Todd Rundgren (“I Saw the Light”), Steely Dan (“Dirty Work”), The Temptations (“Papa Was a Rollin’ Stone”), David Bowie (“The Jean Genie”), Ella Fitzgerald (her 1956 treatment of Cole Porter’s “It’s De-Lovely”) and Frank Sinatra (his 1946 Columbia version of “The Coffee Song”). The end result is a perfect accompaniment to the film and an incredibly entertaining listen in its own right which both avoids kitsch and celebrates a memorable musical era.
Guardians of the Galaxy: Awesome Mix Vol. 1 (Marvel Music/Walt Disney Records)
American Hustle has an unlikely companion on this list. The music of the seventies played a far more surprising part in Marvel Studios’ 2014 blockbuster superhero space epic Guardians of the Galaxy. With a mix tape playing a prominent role in the film – and providing a source of both great emotion and humor – it’s only appropriate that Disney/Marvel is actually releasing the Star Lord’s favorite tunes on cassette as depicted in the film! Rupert Holmes’ “The Pina Colada Song,” The Raspberries’ “Go All the Way,” Redbone’s “Come and Get Your Love” and Blue Swede’s version of B.J. Thomas’ “Hooked on a Feeling” are just four of the, well, awesome hits you’ll hear on this must-have tape (which doubles as a cool collectible for fans of the smash hit movie).
Wham!, Last Christmas (Legacy)
Can it be that “Last Christmas” is really 30 years old? Since its original release in 1984, the song by writer-producer George Michael and Andrew Ridgeley’s Wham! has become a staple of every holiday season, spawning covers by such latter-day pop stars as Hilary Duff, Ashley Tisdale, Ariana Grande and even the legendary Carole King. For Black Friday, however, the original recording is back on a special 12-inch vinyl release co-produced by our very own Mike Duquette! And that’s not all. “Last Christmas” will be backed with a special, previously unreleased instrumental mix of the song – and it’s all on red and green vinyl! Hands down, this is the most festive item of the Black Friday RSD line-up – you know you want to give it your heart!
Game Theory, Pointed Accounts of People You Know / Distortion (Omnivore Recordings)
Earlier this week, Omnivore unveiled the first U.S. release of the alternative pop band’s compilation Dead Center. That original French release gained 11 bonus tracks in Omnivore’s U.S. edition and featured new music along with selected tracks from the EPs Pointed Accounts of People You Know and Distortion (produced by Michael Quercio of Paisley Underground greats The Three O’Clock and featuring Earl Slick on guitar!). On Black Friday, listeners will have the chance to experience those two EPs in complete form, as originally heard. Both will be reissued on 10-inch vinyl, with a customary Omnivore twist: the latter will be on green vinyl, and the former on clear vinyl! These EPs provide a fine introduction to the beguiling music of the late Scott Miller’s California band.
Miles Davis, Blue Xmas (Legacy) and Enigma (Blue Note)
The late Miles Davis is being recognized by both Legacy and Blue Note, two of the keepers of the trumpeter’s immense musical flame, on this Black Friday. In 1962, Davis, Gil Evans and bebop singer Bob Dorough turned the holiday season on its ear with “Blue Xmas,” an original tune mocking the crass commercialism of the Christmas season. This recording, along with “Devil May Care,” another Dorough tune recorded by Davis and Evans, is being released by Legacy on a 7-inch 45 RPM blue vinyl single. Blue Note turns the clock back even further – to 1952-1953. Four previously unreleased Davis performances have been unearthed from the Blue Note vault for a black 10-inch single designed in the same style as Miles’ original Blue Note 10-inch discs; Enigma features Take 2 of the title track plus “Kelo (Take 1)”, “Chance It (Take 3), and “Chance It (Second Alternate) (Take 4).”
After the jump: Mike has his five picks for RSD Must-Haves! Read the rest of this entry »
Our Black Friday Record Store Day shopping list has just gotten a little longer! Following our recent announcement of Legacy Recordings’ slate for November 28, we have news of the offerings coming your way from Omnivore Recordings, Rhino and Varese Sarabande!
For the gang at Omnivore, it’s all about amazing indie pop! The label recently reissued Game Theory’s debut album Blaze of Glory, and on November 24, the Omnivores will unveil the first U.S. release of the band’s compilation Dead Center. That French release (which will gain 11 bonus tracks in Omnivore’s edition) featured new music along with selected tracks from the EPs Pointed Accounts of People You Know and Distortion (produced by Michael Quercio of The Three O’Clock and featuring Earl Slick on guitar!). On Black Friday, listeners will have the chance to experience those two EPs in complete form, as originally heard. Both will be reissued on 10-inch vinyl, with an Omnivore twist: the latter will be on green vinyl, and the former on clear vinyl. Joining Game Theory is the band Sneakers, out of Winston-Salem, North Carolina, featuring Chris Stamey, Mitch Easter and Will Rigby. The original, self-released Sneakers EP is presented on 10-inch clear vinyl with an expanded track list of 9 songs! A download card is also included in this new release. All three titles are limited to 1,500 units.
A new stereo LP pressing of Genesis’ From Genesis to Revelation is on the Black Friday horizon from Varese Sarabande. This release marks the first time this album has been released on vinyl since its original U.S. release in 1974, and Varese’s reissue features a replica of the original inner sleeve with full lyrics. The LP boasts the original core Genesis line-up of Mike Rutherford, Tony Banks, Anthony Phillips, and Peter Gabriel, and is limited to 3,500 units.
The team at Rhino has nine limited edition releases set for Black Friday 2014 including colored vinyl, multi-LP sets, and even a picture disc! The Rhino line-up has such heavy hitters as The Afghan Whigs, The Doors, Grateful Dead, Hüsker Dü, Iron Butterfly (in mono!), New Order, Ramones (as curated by the irrepressible Morrissey!), Ronnie James Dio and the Velvet Underground!
Hit the jump for all of the details on every title mentioned above! All releases can be found on Friday, November 28 at your participating local independent record store! Read the rest of this entry »
From “Last Christmas” To “Blue Xmas”: Legacy’s Black Friday Slate Features Wham!, Miles Davis, Hendrix, Kinks, Elvis, More
It’s that time of year again!
Announcements are finally coming in for Record Store Day’s annual Black Friday event happening on Friday, November 28. Rather than storming malls and big box stores, maybe you’ll want to pay a visit to your favorite local independent record store for an assortment of exclusive vinyl goodies. Legacy Recordings certainly hopes you will; the label’s roster for Black Friday’s RSD event includes titles from heavy-hitters including David Bowie, Joe Satriani, Miles Davis, Dave Matthews Band, Elvis Presley, The Kinks and Jimi Hendrix!
And that’s not all! Longtime readers know that Christmas is our favorite time of the year at Second Disc HQ! We’ve already filled you in on Joe’s two holiday-themed projects due on November 4 from Real Gone Music – Robert Goulet’s Complete Columbia Christmas Recordings and the long-awaited reissue of The Williams Brothers Christmas Album featuring Andy and his brothers – and today, it’s Mike’s turn! Fresh from his work on a pair of exciting Ghostbusters-related projects – the sold-out glow-in-the-dark EP of Ray Parker Jr.’s immortal title song and a brand-new, Stay Puft super deluxe marshmallow-scented (yes, you read that right!) vinyl release from Ray Parker, Jr. and Run-DMC – Mike is delivering a little Wham! for the holidays as co-producer of a 12-inch red and green vinyl single featuring both the classic “Last Christmas” and a previously unreleased instrumental mix! Trust me – no Christmas party will want to be without this one!
Hit the jump to explore Legacy’s full slate of Black Friday Record Store Day titles, all of which will be available at a participating RSD retailer on Friday, November 28! And watch this space for more announcements coming soon! Read the rest of this entry »
If you’ve been following these pages for the past few weeks, you’ve likely noticed an awful lot of coverage about Record Store Day! Well, the day is nearly here! Tomorrow, Saturday, April 21, music fans and collectors will flock to their local independent record stores to celebrate both the sounds on those round black platters and the very concept of shopping in a physical retail environment. To many of us, both are a way of life. We’re doubly excited this year because one special title was co-produced by our very own Mike D.: Legacy Recordings’ Ecto-Green glow-in-the-dark vinyl single containing four versions of Ray Parker Jr.’s “Ghostbusters.”
Each year around this time, we here at Second Disc HQ take a few moments to count down the titles to which we’re most looking forward to picking up! I’ll take my turn first, and then after the jump, you’ll find my colleague’s picks for some of the finest offerings you might find at your local retailer! And after you’ve picked up your share of these special collectibles, don’t hesitate to browse the regular racks, too…there’s likely even more treasure awaiting you.
You’ll find more information and a link to a downloadable PDF of the complete Record Store Day list right here, and please share your RSD 2014 experiences with us below. Don’t forget to click on the Record Store Day tag below, too, to access all of our RSD ’14 coverage. Happy Hunting!
- Henry Mancini and His Orchestra, The Pink Panther LP (RCA/Legacy Recordings)
On April 16, 2014, the great composer/conductor Henry Mancini would have turned 90. To mark the occasion, the all-new HenryMancini.com was launched, and Legacy announced plans for a yearlong celebration of the maestro’s enduring, engaging ouevre. The label has major plans including an 11-CD box set of Mancini’s soundtracks as well as a newly-curated retrospective, but the festivities kick off on Saturday with the release on eye-catching pink vinyl of Mancini’s original album of music from Blake Edwards’ all-time classic comedy caper The Pink Panther.
This soundtrack album (slated for expansion later this year for the movie’s 50th anniversary) was, as per Mancini’s custom, a re-recording of the film’s major themes for the record-buying audience. In addition to the now-famous, sly ‘n’ slinky title theme with saxophone by Plas Johnson (which went Top 40 as a single; the soundtrack itself went Top 10), other highlights of the score include “It Had Better Be Tonight,” an Italian-style love song recently covered by Michael Bublé and performed in the film by Fran Jeffries (and on disc by Mancini’s chorus), and “Something for Sellers,” a great example of Mancini’s feel for what we today think of as lounge music. Mancini’s “The Pink Panther” is currently the single most-streamed song in the entire Sony Music catalogue – a testament to the ongoing power of the gifted composer Henry Mancini.
- Randy Newman, Randy Newman (Mono LP) (Rhino)
Prior to the release of 1968’s self-titled debut, Randy Newman was a staff songwriter for Los Angeles’ Metric Music, a West Coast answer to the Brill Building where he worked alongside the likes of Jackie DeShannon honing his skills. The back of the LP, now being reissued for RSD in its original mono edition, read: “Randy Newman creates something new under the sun!” And while intended ironically (irony being one of Newman’s favorite weapons, always at the ready!), it wasn’t far from the truth. Produced by his childhood friend Lenny Waronker and quirky wunderkind Van Dyke Parks, Randy Newman featured some scathing social commentary sheathed in large, gorgeous orchestrations by the composer himself. Even this early on, it was evident that Randy learned something from his uncles, Lionel and Alfred Newman, two of the most illustrious composers in Hollywood history. The young Newman was the rare talent equally gifted in both melody and lyrics. “Davy the Fat Boy” and “So Long, Dad” are uncomfortably hysterical, while “Love Story” plainly tells the story of a couple from marriage to death, playing checkers all day in a Florida nursing home. Newman’s unique humor was already in full bloom, to wit this exchange from “Love Story”: “We’ll have a kid/Or maybe we’ll rent one, He’s got to be straight/We don’t want a bent one.” All of these songs were delivered in his off-hand, growl of a drawl, providing a contrast to the beautiful arrangements. When Randy Newman turned serious, the results were heartbreaking and simple (though far from simplistic): “Living Without You” or the oft-covered “I Think It’s Going to Rain Today,” which managed to be both cynical and achingly sad. A major new talent had arrived.
- Bob Wills and His Texas Playboys, Transcriptions (Real Gone Music)
Vintage music from the pre-rock-and-roll era gets an airing on Record Store Day thanks to releases such as this one, along with other key releases from Omnivore Recordings and Blue Note Records. Here, Real Gone Music unearths 10 tracks from the King of Western Swing, four of which will remain exclusive to this vinyl release. These have been drawn from the more than 200 songs recorded by Wills for Tiffany Music, Inc. which remained under lock and key for years. (Wills recorded a total of almost 400 songs for Tiffany in 1946 and 1947.) This remastered release has been painstakingly designed after an original transcription disc. The vinyl is housed inside a replica package in the style of the actual mailers in which Tiffany discs were sent to radio stations in the 1940s – with “pre-distressed” trompe l’oeil wrinkles and wear on the record jacket and a cutaway hole infront showing the vintage Tiffany logo on the vinyl label, whichcontinues the Tiffany numbering system of assigning a recordnumber to each side. Furthering this tremendous attention to detail, the back cover also presents vintagegraphics from the period, and the records are pressed in the style of some of the original discs on 150-gram red vinyl. This release precedes Real Gone’s upcoming 2-CD set drawn from Wills’ Tiffany Transcriptions, and tracks include such songs as Cole Porter’s “Don’t Fence Me In” and Johnny Mercer’s “I’m an Old Cowhand.” Count me in!
- Various Artists, Live from High Fidelity: The Best of the Podcast Performances (Omnivore)
It wasn’t easy to choose from Omnivore Recordings’ great slate, including rare music from late legends Hank Williams and Jaco Pastorius, but Live from High Fidelity encapsulates the label’s dedication to preserving great music from all eras and genres. This 14-track translucent green vinyl release is drawn a podcast hosted by L.A.’s High Fidelity Records, and features contributions from some TSD favorites like Sam Phillips, Rhett Miller of The Old 97’s, members of Spain, and most especially, appearing for the second time on this small list, Mr. Van Dyke Parks. It’s about time podcast performances went physical, isn’t it?
- Ronnie Spector and the E Street Band, “Say Goodbye to Hollywood” b/w “Baby Please Don’t Go” / Eric Carmen, “Brand New Year (Alternate Mix)” b/w “Starting Over (Live 1976)” singles (Legacy)
Two of Legacy’s 7-inch singles caught our fancy this year. The label has followed up this year’s Playlist: The Very Best of Ronnie Spector with a replica 45 of “Say Goodbye to Hollywood” b/w “Baby Please Don’t Go,” on which the former Ronette is backed by none other than Bruce Springsteen and the E Street Band. Arranged and produced by a certain Mr. Van Zandt – that’s Little Steven now, and Sugar Miami Steve circa this single’s original release – these 1977 sides are blazing rock-and-roll at its finest. Billy Joel’s A-side was a stunning Phil Spector homage in its original recording; with Ronnie on lead and Clarence Clemons honking on the sax, it became transcendent. Eric Carmen’s new “Brand New Day” also arrives on vinyl in a previously unreleased alternate mix supporting The Essential Eric Carmen, on which the song first appeared. Featuring Carmen supported by Jeffrey Foskett, Darian Sahanaja, Nick Walusko and Mike D’Amico of Brian Wilson’s band, this 2013 composition is vintage Carmen – lush, gorgeous and memorably melodic. You won’t want to miss these.
Honorable Mentions go to Rhino’s first-ever U.S. release of Fleetwood Mac’s 1970 single “Dragonfly” b/w “Purple Dancer” and its excavation of the 1968 LP The Birthday Party from Jeff Lynne’s psych-pop pre-ELO band The Idle Race; plus Legacy’s painstakingly-recreated stereo LP of “King of Cool” Dean Martin’s romantic long-player Dream with Dean on which he’s joined by a quartet for his most intimate jazz stylings; and Sundazed’s vinyl debut of two tracks by The Sunrays, the band that Murry Wilson intended to groom in the style of his former charges The Beach Boys. Murry’s own song “Won’t You Tell Me” features the legendary L.A. Wrecking Crew, and the band’s Rick Henn supplies new liner notes for this 45!
After the jump: take it away, Mr. Duquette! Read the rest of this entry »
With Public Enemy’s Chuck D engaged as the Record Store Day Ambassador for 2014, it’s only appropriate that one of his own records is arriving this Saturday as a special limited edition vinyl platter. The new reissue of Public Enemy’s It Takes a Nation of Millions to Hold Us Back will be joined on RSD by a host of other vinyl goodies from Universal Music Enterprises (UMe). Previously unreleased music from Frank Zappa (previewing the upcoming 40th anniversary reissue of Apostrophe) and the seventies Motown pair of Rick James and Teena Marie will arrive from Universal, along with replicas of the first two releases ever from the venerable Blue Note Records, currently celebrating its 75th anniversary. New Rock and Roll Hall of Fame inductees Nirvana make their mark on RSD with the first-ever seven-inch release of “Pennyroyal Tea” b/w “I Hate Myself and Want to Die,” originally scheduled for release in 1994 but pulled off the schedule in the wake of Kurt Cobain’s suicide. Universal also has a special vinyl box, Superunknown: The Singles, commemorating the 20th anniversary of Soundgarden’s Superunknown.
Hit the jump for the full specs on each title courtesy of Universal’s original press release!
Favorite Things: Resonance Celebrates Wes Montgomery, Charles Lloyd For Record Store Day, Plans Lost John Coltrane Concert For Fall
Resonance Records, known for its deluxe archival packages of recently-discovered recordings from jazz greats including Bill Evans and Wes Montgomery, has a busy 2014 ahead. The label has recently announced plans for two Record Store Day releases with more unheard Montgomery music and one RSD exclusive with never-before-released material from Charles Lloyd. Then, this fall, the label will premiere a live performance from John Coltrane for the first time on commercially released CD.
Resonance’s Echoes of Indiana Avenue preserved early 1957-1958 recordings from the influential guitarist Wes Montgomery, and as such was the first full collection of unheard Montgomery material in over 25 years. On Record Store Day – Saturday, April 19 – Resonance will issue two rare recordings from even earlier in the late artist’s career, both with the Montgomery-Johnson Quintet (Buddy, Monk and Wes Montgomery plus Alonzo Johnson on saxophone and Robert Johnson on drums).
Wes Montgomery and the Montgomery-Johnson Quintet is a limited edition 10-inch vinyl release produced in cooperation with Sony Music. Culled from a recently-discovered lost recording session for Epic Records, these recordings are amongst the earliest known recordings of Wes Montgomery and his brothers, plus the now-legendary Quincy Jones as a producer. Jones organized the session after knowing the Montgomery brothers through his tenure in the Lionel Hampton Orchestra, and it predates his 1957 debut album This is How I Feel About Jazz which was produced by Creed Taylor. Resonance has designed this release as it might have appeared in 1955 with vintage art, logos, and the classic period Epic label. Liner notes include highlights of an interview of Quincy Jones conducted by Ashley Kahn in 2013. These five songs (“Love for Sale, “Leila,” “Undecided,” “The Blues” and “Far Wes”) will also be featured on the 2-CD or 3-LP Resonance release Wes Montgomery: In The Beginning, due later this year. The RSD 10-inch vinyl collectible is limited to 2,000 copies.
It’s joined on RSD by Wes and the Montgomery-Johnson Quintet’s Live at the Turf Club. Sourced from recordings made by 22-year old Butler College student and devoted Montgomery Brothers fan Philip Kahl, Turf Club also makes its first-ever commercial appearance. Kahl had access to the brothers at this period of time, recording them at three different venues. (All three recordings will appear on In the Beginning.) The six tracks here were captured at Indianapolis’ Turf Club in 1956. On “Going Down To Big Mary’s House,” Debbie Andrews of Duke Ellington’s band drops in to supply guest vocals. Resonance first obtained these recordings in 2011 from Buddy Montgomery’s widow Ann, who also provided never-before-published photos taken at The Turf Club. Resonance tracked down the original quarter-inch tape reels, and Bernie Grundman was enlisted to remaster the music for optimal sound. The RSD release of Live at the Turf Club is limited to 2,000 copies on “whiskey-colored” translucent 10-inch vinyl. The album features “Wes’s Tune”, “Fascinating Rhythm”, “Six Bridges to Cross”, “Down To Big Mary’s”, “Caravan” and “Django.”
Also on Record Store Day, Resonance unveils Live at Slugs from multi-instrumentalist (and to fans of The Beach Boys, “Feel Flows” flautist) Charles Lloyd. Recorded at the long-gone Manhattan nightspot Slugs Saloon, Live at Slugs features Lloyd’s 1965 all-star quartet with guitarist Gabor Szabo, bassist Ron Carter and drummer Pete LaRoca. Resonance describes the release: “Slugs was a staple of the Manhattan Jazz Scene from 1965 to 1972, and was the intersection of music and counterculture. Live at Slugs was recorded by Swedish visionary Bjorn von Schlebrugge, who accompanied Lloyd to his Manhattan gigs. This release features the earliest recording of the Charles Lloyd classic composition “Dream Weaver,” (which would later be recorded with Keith Jarrett, Cecil McBee, and Jack DeJohnette for Atlantic Records on the album of the same name). The interplay between the musicians is remarkable, especially the musical dialogue between Lloyd and Szabo which goes back to their days together, playing with the late, great, Chico Hamilton. This special limited edition 10-inch record is to commemorate the upcoming Charles Lloyd release Manhattan Stories, out later this year on Resonance Records.” The RSD-exclusive vinyl pressing at 33-1/3 RPM is limited to 2,000 copies worldwide.
After the jump: what does Resonance have planned from John Coltrane? Plus: full track listings for all releases! Read the rest of this entry »
Varese Goes On A Record Store Day “Odessey” With The Zombies, The Everly Brothers, Norman Greenbaum [UPDATED]
UPDATED 4/15: It’s the time of the season for Varese Sarabande’s Vintage imprint. The label has recently announced its four limited edition vinyl offerings for this April 19’s Record Store Day, with two LPs from The Zombies plus goodies from The Everly Brothers, and Norman Greenbaum. We also have details on the label’s vinyl Genesis reissue coming later this year.
Initially rejected by Clive Davis and then championed by Al Kooper, The Zombies’ 1968 Odessey and Oracle remains the British band’s most beloved album. Rod Argent reflected on it in the liner notes to Rhino’s 1987 reissue: “The songs were inspired by a variety of influences, but they were songs which came from our hearts. They were not the result of a producer or record company imposing their views of what a hit single might be. Some of the songs were romantic, others sparked by literature (‘Butchers Tale,’ ‘Brief Candles’) – ‘A Rose for Emily’ was inspired by a Faulkner short story. Chris reflected on his experience growing up near Beechwood Park in his song of that name. ‘Time of the Season’ was actually influenced by Smokey Robinson’s ‘The Tracks of My Tears.’” All of these diverse influences added up to a haunting, intricate song cycle with baroque orchestration, psychedelia, blues and rock hand-in-hand. For RSD, Varese is returning Odessey to vinyl in its original stereo mix. It will be joined by The Zombies, in mono. This LP dates to 1966, when it was released by the band’s original label Decca as I Love You in Europe and Japan only. I Love You compiled twelve single sides (including the hit “She’s Not There”) onto one LP; Varese gave the album its first U.S. release in 2004 on CD in a reworked and expanded edition. Now it’s appearing for the first time on vinyl in the United States.
The Everly Brothers’ 1958 LP Songs Our Daddy Taught Us was recently covered, song-for-song, by the odd couple duo of Norah Jones and Billie Jo Armstrong as Foreverly. Just a couple of weeks ago, Varese reissued this classic collection on CD with six previously unissued bonus tracks. On RSD, the original 12-track Cadence album returns to vinyl. Far cries from hits like “Bye Bye Love” and “Bird Dog,” these Songs were passed down to Don and Phil from their father, concerned with the likes of murder, thievery, jail and aging. Though Songs wasn’t commercially successful at the time, it’s since been rediscovered as a true cornerstone of Americana. (Look for our review of Varese’s reissue in the days prior to Record Store Day!)
After the jump: we’ll look at Varese’s offerings from Genesis and Norman Greenbaum…plus full track listings for all five titles! Read the rest of this entry »