Archive for the ‘Reissues’ Category
If you’ve been following these pages for the past few weeks, you’ve likely noticed an awful lot of coverage about Record Store Day! Well, the day is nearly here! Tomorrow, Saturday, April 21, music fans and collectors will flock to their local independent record stores to celebrate both the sounds on those round black platters and the very concept of shopping in a physical retail environment. To many of us, both are a way of life. We’re doubly excited this year because one special title was co-produced by our very own Mike D.: Legacy Recordings’ Ecto-Green glow-in-the-dark vinyl single containing four versions of Ray Parker Jr.’s “Ghostbusters.”
Each year around this time, we here at Second Disc HQ take a few moments to count down the titles to which we’re most looking forward to picking up! I’ll take my turn first, and then after the jump, you’ll find my colleague’s picks for some of the finest offerings you might find at your local retailer! And after you’ve picked up your share of these special collectibles, don’t hesitate to browse the regular racks, too…there’s likely even more treasure awaiting you.
You’ll find more information and a link to a downloadable PDF of the complete Record Store Day list right here, and please share your RSD 2014 experiences with us below. Don’t forget to click on the Record Store Day tag below, too, to access all of our RSD ’14 coverage. Happy Hunting!
- Henry Mancini and His Orchestra, The Pink Panther LP (RCA/Legacy Recordings)
On April 16, 2014, the great composer/conductor Henry Mancini would have turned 90. To mark the occasion, the all-new HenryMancini.com was launched, and Legacy announced plans for a yearlong celebration of the maestro’s enduring, engaging ouevre. The label has major plans including an 11-CD box set of Mancini’s soundtracks as well as a newly-curated retrospective, but the festivities kick off on Saturday with the release on eye-catching pink vinyl of Mancini’s original album of music from Blake Edwards’ all-time classic comedy caper The Pink Panther.
This soundtrack album (slated for expansion later this year for the movie’s 50th anniversary) was, as per Mancini’s custom, a re-recording of the film’s major themes for the record-buying audience. In addition to the now-famous, sly ‘n’ slinky title theme with saxophone by Plas Johnson (which went Top 40 as a single; the soundtrack itself went Top 10), other highlights of the score include “It Had Better Be Tonight,” an Italian-style love song recently covered by Michael Bublé and performed in the film by Fran Jeffries (and on disc by Mancini’s chorus), and “Something for Sellers,” a great example of Mancini’s feel for what we today think of as lounge music. Mancini’s “The Pink Panther” is currently the single most-streamed song in the entire Sony Music catalogue – a testament to the ongoing power of the gifted composer Henry Mancini.
- Randy Newman, Randy Newman (Mono LP) (Rhino)
Prior to the release of 1968’s self-titled debut, Randy Newman was a staff songwriter for Los Angeles’ Metric Music, a West Coast answer to the Brill Building where he worked alongside the likes of Jackie DeShannon honing his skills. The back of the LP, now being reissued for RSD in its original mono edition, read: “Randy Newman creates something new under the sun!” And while intended ironically (irony being one of Newman’s favorite weapons, always at the ready!), it wasn’t far from the truth. Produced by his childhood friend Lenny Waronker and quirky wunderkind Van Dyke Parks, Randy Newman featured some scathing social commentary sheathed in large, gorgeous orchestrations by the composer himself. Even this early on, it was evident that Randy learned something from his uncles, Lionel and Alfred Newman, two of the most illustrious composers in Hollywood history. The young Newman was the rare talent equally gifted in both melody and lyrics. “Davy the Fat Boy” and “So Long, Dad” are uncomfortably hysterical, while “Love Story” plainly tells the story of a couple from marriage to death, playing checkers all day in a Florida nursing home. Newman’s unique humor was already in full bloom, to wit this exchange from “Love Story”: “We’ll have a kid/Or maybe we’ll rent one, He’s got to be straight/We don’t want a bent one.” All of these songs were delivered in his off-hand, growl of a drawl, providing a contrast to the beautiful arrangements. When Randy Newman turned serious, the results were heartbreaking and simple (though far from simplistic): “Living Without You” or the oft-covered “I Think It’s Going to Rain Today,” which managed to be both cynical and achingly sad. A major new talent had arrived.
- Bob Wills and His Texas Playboys, Transcriptions (Real Gone Music)
Vintage music from the pre-rock-and-roll era gets an airing on Record Store Day thanks to releases such as this one, along with other key releases from Omnivore Recordings and Blue Note Records. Here, Real Gone Music unearths 10 tracks from the King of Western Swing, four of which will remain exclusive to this vinyl release. These have been drawn from the more than 200 songs recorded by Wills for Tiffany Music, Inc. which remained under lock and key for years. (Wills recorded a total of almost 400 songs for Tiffany in 1946 and 1947.) This remastered release has been painstakingly designed after an original transcription disc. The vinyl is housed inside a replica package in the style of the actual mailers in which Tiffany discs were sent to radio stations in the 1940s – with “pre-distressed” trompe l’oeil wrinkles and wear on the record jacket and a cutaway hole infront showing the vintage Tiffany logo on the vinyl label, whichcontinues the Tiffany numbering system of assigning a recordnumber to each side. Furthering this tremendous attention to detail, the back cover also presents vintagegraphics from the period, and the records are pressed in the style of some of the original discs on 150-gram red vinyl. This release precedes Real Gone’s upcoming 2-CD set drawn from Wills’ Tiffany Transcriptions, and tracks include such songs as Cole Porter’s “Don’t Fence Me In” and Johnny Mercer’s “I’m an Old Cowhand.” Count me in!
- Various Artists, Live from High Fidelity: The Best of the Podcast Performances (Omnivore)
It wasn’t easy to choose from Omnivore Recordings’ great slate, including rare music from late legends Hank Williams and Jaco Pastorius, but Live from High Fidelity encapsulates the label’s dedication to preserving great music from all eras and genres. This 14-track translucent green vinyl release is drawn a podcast hosted by L.A.’s High Fidelity Records, and features contributions from some TSD favorites like Sam Phillips, Rhett Miller of The Old 97’s, members of Spain, and most especially, appearing for the second time on this small list, Mr. Van Dyke Parks. It’s about time podcast performances went physical, isn’t it?
- Ronnie Spector and the E Street Band, “Say Goodbye to Hollywood” b/w “Baby Please Don’t Go” / Eric Carmen, “Brand New Year (Alternate Mix)” b/w “Starting Over (Live 1976)” singles (Legacy)
Two of Legacy’s 7-inch singles caught our fancy this year. The label has followed up this year’s Playlist: The Very Best of Ronnie Spector with a replica 45 of “Say Goodbye to Hollywood” b/w “Baby Please Don’t Go,” on which the former Ronette is backed by none other than Bruce Springsteen and the E Street Band. Arranged and produced by a certain Mr. Van Zandt – that’s Little Steven now, and Sugar Miami Steve circa this single’s original release – these 1977 sides are blazing rock-and-roll at its finest. Billy Joel’s A-side was a stunning Phil Spector homage in its original recording; with Ronnie on lead and Clarence Clemons honking on the sax, it became transcendent. Eric Carmen’s new “Brand New Day” also arrives on vinyl in a previously unreleased alternate mix supporting The Essential Eric Carmen, on which the song first appeared. Featuring Carmen supported by Jeffrey Foskett, Darian Sahanaja, Nick Walusko and Mike D’Amico of Brian Wilson’s band, this 2013 composition is vintage Carmen – lush, gorgeous and memorably melodic. You won’t want to miss these.
Honorable Mentions go to Rhino’s first-ever U.S. release of Fleetwood Mac’s 1970 single “Dragonfly” b/w “Purple Dancer” and its excavation of the 1968 LP The Birthday Party from Jeff Lynne’s psych-pop pre-ELO band The Idle Race; plus Legacy’s painstakingly-recreated stereo LP of “King of Cool” Dean Martin’s romantic long-player Dream with Dean on which he’s joined by a quartet for his most intimate jazz stylings; and Sundazed’s vinyl debut of two tracks by The Sunrays, the band that Murry Wilson intended to groom in the style of his former charges The Beach Boys. Murry’s own song “Won’t You Tell Me” features the legendary L.A. Wrecking Crew, and the band’s Rick Henn supplies new liner notes for this 45!
After the jump: take it away, Mr. Duquette! Read the rest of this entry »
Since The Second Disc’s founding in 2010, fans of the artist once and currently known as Prince have had to content themselves with catalogue news from various corners of The Purple One’s universe, as reissues of Prince’s own music as a solo artist remained the most distant of possibilities. Over these past four-plus years, we’ve seen the deluxe treatment afforded titles by Andre Cymone, Wendy and Lisa, even The Lewis Connection. And now, at long last, we can confirm that a remastered catalogue campaign isn’t a distant possibility any longer: it’s coming,
This morning, Warner Bros. Records – long embroiled in a contentious relationship with the artist – announced that it had come to terms with Prince and entered into a global licensing partnership. Though complete details have yet to be revealed, the agreement grants the singer ownership of his master recordings, and allows Warner Music Group to digitally remaster and reissue Prince’s albums from 1978 through the 1990s. (Prince’s final album for the label was 1996’s Chaos and Disorder. He then marked his freedom from the Warner empire with his next release that year, Emancipation. That album launched a new label, NPG.) The press release added that “long-awaited, previously unheard music” would be on the way.
This a particularly well-timed announcement, of course, as the recent New Girl guest star will mark the 30th anniversary of his watershed release Purple Rain on June 25. This morning’s press release confirmed that the 13-times platinum Purple Rain would be the first album to get the reissue treatment. Prince also indicated that a new studio album is, indeed, “on the way.” The artist commented in his own unique manner, “Warner Bros. Records and Eye are quite pleased with the results of the negotiations and look forward to a fruitful relationship.”
While there aren’t any further details to share as of this writing, watch this space for more Prince news as it becomes available! The Revolution is coming!
When Phil Everly passed away earlier this year, his legacy was celebrated by both those who knew him and those who were influenced by him. Chanteuse Norah Jones commented, “The high harmonies Phil sang were so fluid and beautiful and always sound effortless in a way that just washes over the listener.” Jones’ partner on the tribute album Foreverly, Billie Joe Armstrong, wrote, “Those harmonies will live on forever.” Iggy Pop observed, “The Everlys were the real deal when it comes to American music.” Brother Don eloquently stated, “I loved my brother very much. The world might be mourning an Everly Brother, but I’m mourning my brother Phil Everly.” Don and Phil’s contribution to American popular song can’t be underestimated. With hits like “Bye Bye Love,” “Wake Up, Little Susie” and “When Will I Be Loved,” they merged classic country and rock-and-roll into an inspirational whole, while their longing, ethereal vocal blend on “All I Have to Do is Dream” established them as timeless balladeers. At the beating heart of The Everly Brothers’ sound was their deep respect for the music of the land, the rough-and-tumble, hardscrabble, homespun ballads they had learned as children in the Midwest. Their 1958 album Songs Our Daddy Taught us was a concept album at a time when only Frank Sinatra was turning them out with regularity, and was Americana before the phrase was in vogue. It wasn’t their most popular album, but may well be their most personal and most important. It’s just been reissued by Varese Vintage in an expanded compact disc edition with six previously unheard bonus tracks (Varese 302 067 253-8, 2014), and as a limited-edition vinyl replica sans bonus tracks for Record Store Day.
In August 1958, the goofy novelty “Bird Dog” was ascending the pop charts, but far from repeating the formula, Don and Phil had something completely different and far more somber in mind. They entered RCA’s Nashville studios armed with just two guitars and their own vocal instruments plus producer/Cadence Records owner Archie Bleyer and bassist Floyd T. “Lightnin’” Chance. Rock and roll was not on their minds. Instead, they looked to assemble a collection primarily of traditional, often tragic, folk ballads, all rendered in seamlessly tight harmony. The album, to be titled Songs Our Daddy Taught Us, was rounded out with a few non-traditional cuts. These songs fit right into the low-key, acoustic tone of the album, including one co-written by the Singing Cowboy, Gene Autry (“That Silver Haired Daddy of Mine”), and another by Memphis songwriter Bob Miller (“Rockin’ Alone in My Old Rockin’ Chair”). The duo also revived Tex Ritter’s 1946 hit “Long Time Gone.” Everly patriarch Ike was credited with the arrangements for two of the tracks, “Barbara Allen” and “Put My Little Shoes Away.”
Don and Phil (aged just 21 and 19, respectively) connected with this material on a deep level. No matter that the songs were about gambling, cold-blooded murder, incarceration and mortality. The angelic harmonies of The Everlys were never more chillingly deployed than on the Appalachian murder ballad “Down in the Willow Garden,” which was first written in the nineteenth century, first professionally recorded in 1927, and popularized by Charlie Monroe in 1947. (Monroe gets the writing credit for The Everlys’ version.) In the song, the narrator poisons his lover, stabs her and finally throws her into the river. Reissue co-producer Andrew Sandoval’s fine liner notes reveal a quip from Phil on the session tapes: “Two easy lessons to slay your pregnant girlfriend is what this story is about!” Levity was likely needed behind-the-scenes to create the note-perfect, beautiful yet utterly haunting rendition here. The same goes for “Put My Little Shoes Away” which also confronts the specter of death head-on. Compared to the darkness of “Willow Garden” and even “Shoes,” the traditional country-and-western kiss-off of “Long Time Gone” (“You’re gonna be sad, you’re gonna be weeping/You’re gonna be blue and all alone…”) seems positively benign. Another quintessential C&W song is “I’m Here to Get My Baby Out of Jail” with a light, almost ironic bounce applied to its woeful tale. It even scored the brothers a minor hit single in its edited version.
There’s plenty more after the jump! Read the rest of this entry »
With Public Enemy’s Chuck D engaged as the Record Store Day Ambassador for 2014, it’s only appropriate that one of his own records is arriving this Saturday as a special limited edition vinyl platter. The new reissue of Public Enemy’s It Takes a Nation of Millions to Hold Us Back will be joined on RSD by a host of other vinyl goodies from Universal Music Enterprises (UMe). Previously unreleased music from Frank Zappa (previewing the upcoming 40th anniversary reissue of Apostrophe) and the seventies Motown pair of Rick James and Teena Marie will arrive from Universal, along with replicas of the first two releases ever from the venerable Blue Note Records, currently celebrating its 75th anniversary. New Rock and Roll Hall of Fame inductees Nirvana make their mark on RSD with the first-ever seven-inch release of “Pennyroyal Tea” b/w “I Hate Myself and Want to Die,” originally scheduled for release in 1994 but pulled off the schedule in the wake of Kurt Cobain’s suicide. Universal also has a special vinyl box, Superunknown: The Singles, commemorating the 20th anniversary of Soundgarden’s Superunknown.
Hit the jump for the full specs on each title courtesy of Universal’s original press release!
It’s 5:15 Again: The Who Revisit “Quadrophenia” In New Live Box, Release 5.1 Surround of Original Album
For fans of The Who, Christmas is coming early this year. The band has taken, in recent years, to marking the holidays with super-sized box sets dedicated to such classic albums as Live at Leeds, Tommy and Quadrophenia. The latter, Pete Townshend’s 1973 mod rock opera, was celebrated in 2011 via a multitude of releases including a 4-CD/1-DVD box set with the original album, two discs of demos, and a DVD of selected songs in surround sound. This June, Townshend and Roger Daltrey will follow up that box with the multi-format (that’s seven different formats, for those keeping count!) release of Quadrophenia: Live in London. And what’s most exciting is that this campaign, centered on The Who’s Quadrophenia 40th Anniversary tour, will premiere the full, original 1973 album in 5.1 on Blu-ray. In the past, only selections from the album have been made available in surround.
After Tommy, there was Jimmy. He’s the protagonist of Quadrophenia, first a 2-LP studio album by The Who, then a 1979 film and most recently a 2009 musical. Never one for small ideas, Townshend intended Quadrophenia as his way to explore the relationship between the band and its fans by telling the story of a prototypical Mod Who fan. The album yielded some of the most beloved songs ever recorded by Townshend, Daltrey, John Entwistle and Keith Moon: “The Real Me,” “Love Reign O’er Me,” “5:15.”
In 2012 and 2013, Townshend and Daltrey revisited the material in an acclaimed international series of concerts featuring the original Quadrophenia album sequence and a tight encore set of six Who favorites. That tour wrapped up at London’s Wembley Arena on July 8, 2013, where it was preserved for this audiovisual presentation. Following in the footsteps of other artists including The Beach Boys, The Who used the concerts as an opportunity to reunite with their late bandmates, too. Keith Moon was heard on “Bell Boy” and John Entwistle on “5:15.” Conceived in large part by Daltrey, the concerts (and the film) featured archival footage of The Who as well as images of the historical events that informed the original album and beyond. Appropriately enough for Quadrophenia, the concerts merged rock and theatre into a singular experience.
After the jump, we’ll explore all of the various Live in London releases! Plus: full track listings and pre-order links! Read the rest of this entry »
Varese Goes On A Record Store Day “Odessey” With The Zombies, The Everly Brothers, Norman Greenbaum [UPDATED]
UPDATED 4/15: It’s the time of the season for Varese Sarabande’s Vintage imprint. The label has recently announced its four limited edition vinyl offerings for this April 19’s Record Store Day, with two LPs from The Zombies plus goodies from The Everly Brothers, and Norman Greenbaum. We also have details on the label’s vinyl Genesis reissue coming later this year.
Initially rejected by Clive Davis and then championed by Al Kooper, The Zombies’ 1968 Odessey and Oracle remains the British band’s most beloved album. Rod Argent reflected on it in the liner notes to Rhino’s 1987 reissue: “The songs were inspired by a variety of influences, but they were songs which came from our hearts. They were not the result of a producer or record company imposing their views of what a hit single might be. Some of the songs were romantic, others sparked by literature (‘Butchers Tale,’ ‘Brief Candles’) – ‘A Rose for Emily’ was inspired by a Faulkner short story. Chris reflected on his experience growing up near Beechwood Park in his song of that name. ‘Time of the Season’ was actually influenced by Smokey Robinson’s ‘The Tracks of My Tears.’” All of these diverse influences added up to a haunting, intricate song cycle with baroque orchestration, psychedelia, blues and rock hand-in-hand. For RSD, Varese is returning Odessey to vinyl in its original stereo mix. It will be joined by The Zombies, in mono. This LP dates to 1966, when it was released by the band’s original label Decca as I Love You in Europe and Japan only. I Love You compiled twelve single sides (including the hit “She’s Not There”) onto one LP; Varese gave the album its first U.S. release in 2004 on CD in a reworked and expanded edition. Now it’s appearing for the first time on vinyl in the United States.
The Everly Brothers’ 1958 LP Songs Our Daddy Taught Us was recently covered, song-for-song, by the odd couple duo of Norah Jones and Billie Jo Armstrong as Foreverly. Just a couple of weeks ago, Varese reissued this classic collection on CD with six previously unissued bonus tracks. On RSD, the original 12-track Cadence album returns to vinyl. Far cries from hits like “Bye Bye Love” and “Bird Dog,” these Songs were passed down to Don and Phil from their father, concerned with the likes of murder, thievery, jail and aging. Though Songs wasn’t commercially successful at the time, it’s since been rediscovered as a true cornerstone of Americana. (Look for our review of Varese’s reissue in the days prior to Record Store Day!)
After the jump: we’ll look at Varese’s offerings from Genesis and Norman Greenbaum…plus full track listings for all five titles! Read the rest of this entry »
Bee Gees, The Warner Bros. Years 1987-1991 (Warner Bros./Rhino)
A new five-disc box collates the Bee Gees’ E.S.P. (1987), One (1989) and High Civilization (1991) – the first two of which have bonus tracks – and 1991′s One for All live concert, released for the first time on CD. (Amazon U.S. / Amazon U.K.)
Nas, Illmatic XX (Columbia/Legacy)
Queens’ favorite MC celebrates his landmark debut with a newly-expanded edition of the 1994 album with a bonus disc of rare remixes and unreleased tracks.
Donna Loren is well-known for her appearances on television’s Shindig! and in the famous series of sixties Beach Party films, but Now Sounds’ new collection reveals her talents as a top-tier pop vocalist! This expansive collection premieres previously unreleased material, and includes productions from David Axelrod and Steve Douglas, and arrangements by Jack Nitzsche, Billy Strange and H.B. Barnum – plus appearances by The Beau Brummels, Glen Campbell and the L.A. Wrecking Crew! Look for Joe’s review Wednesday! (Amazon U.S. / Amazon U.K.)
Eric Records takes it back to the ’60s pop era with a two-disc compilation of albums from The Lettermen (including hit versions of “The Way You Look Tonight” and “When I Fall in Love,” plus 10 bonus tracks) and a set of rare singles and rarer mixes from 1963 (including the stereo debut of The Surfaris’ “Wipe Out”).
One of the busiest labels on the reissue front is undoubtedly Cherry Red Group’s Big Break Records imprint. We’ve just turned the spotlight on BBR’s releases from Donna Summer and John Barry, and Leon Haywood and Carl Carlton, and The Salsoul Orchestra and Loleatta Holloway. Coming up, we have reviews and features planned on titles from The Hues Corporation, Odyssey, and more. But today, we’re taking a look at another handful of the busy BBR label’s most recent offerings – from top-tier R&B artists including Isaac Hayes, Patti LaBelle, Gwen McCrae and Patrick Adams!
- Whether as an architect of the Stax Records sound in the sixties, the soulful Black Moses of the seventies or even as “Chef” on television’s South Park in the nineties and beyond, Isaac Hayes made a cultural impact spanning generations. The late seventies weren’t quite Hayes’ salad days, however. But even if Hayes struggled both personally and creatively during the period, it wasn’t all barren. BBR has recently remastered and expanded two of Hayes’ Polydor albums from the period following his tenures at Stax and ABC. 1978’s For the Sake of Love, in true Hayes fashion, featured just six smoldering tracks. Its diverse selections featured originals by Hayes (including the title track and the funky Top 20 R&B hit “Zeke the Freak”) plus reinventions of Billy Joel’s “Just the Way You Are” and James Taylor’s “Don’t Let Me Be Lonely Tonight” and even a danceable makeover of Hayes’ own “Shaft” as “Shaft II.”
- Hayes followed the LP up with Don’t Let Go, the disco-fied title track of which returned him to the pop chart, and then with 1980’s And Once Again. (Like Hayes’ Polydor debut New Horizon, Don’t Let Go has already received a reissue from BBR.) Hayes crooned, rapped, blew his saxophone and generally threw himself into the album’s set of just five songs including a reworking of Tommy Edwards’ oldie “It’s All in the Game.” Many a tear didn’t have to fall for Hayes, though, as And Once Again yielded minor hits both with “Game” and the album’s lone up-tempo track, “I Ain’t Never.” Equally impressive was his epic take on “This Time I’ll Be Sweeter,” best known in Angela Bofill’s rendition. BBR has added two bonus cuts to For the Sake of Love and four to And Once Again (see full track listings below). Both discs have been remastered by Kevin Reeves and annotated by J. Matthew Cobb. Both Hayes albums are reissued in Super Jewel Boxes.
After the jump: Miss Patti LaBelle, Gwen McCrae and Phreek…plus full track listings and order links for all titles! Read the rest of this entry »
With April 19’s Record Store Day a little more than a week away, it might be time to start making those checklists! We’ve already filled you in on exciting releases from Legacy Recordings, Real Gone Music, Sundazed, Omnivore Recordings, Varese Sarabande and many others, but today it’s all about Rhino! The Warner Music Group catalogue arm has a bumper crop of more than 25 exclusive offerings from some of the biggest names classic rock, vintage R&B and beyond – including The Doors, Grateful Dead, Ramones, Randy Newman, and, as previously reported, R.E.M.! And that’s not all.
A number of new titles are at the heart of Rhino’s RSD campaign. The Dead premieres Live at Hampton Coliseum for the first time on double vinyl, preserving the band’s Virginia concert of May 4, 1979. Another live set getting a first-ever vinyl issue is Donny Hathaway’s Live at the Bitter End 1971, first issued last year on the Never My Love: The Anthology box set. The Pogues with Joe Strummer Live in London 1991, was like the Donny Hathaway release, first issued on CD in a recent box set (last year’s 30 Years complete albums box) and makes its first appearance in the LP format. It dates back to the period when the Clash frontman filled in for Shane MacGowan in the Pogues line-up. Rhino’s new releases are rounded out by a collection of new-to-vinyl outtakes from country-rock pioneer Gram Parsons, a new Greatest Hits from rapper and longtime Law and Order: SVU star Ice-T, and of course, R.E.M.’s eagerly awaited Unplugged 1991/2001: The Complete Sessions.
Rhino continues its Side by Side series of 45s featuring two versions of the same song with pairings of Devo and The Flaming Lips (“Gates of Steel”), Dinosaur Jr. and The Cure (“Just Like Heaven”), Pantera and Poison Idea (“The Badge”) and two Mystery Artists– and Mystery Song, natch. The label is also bringing a number of classic LPs back into print. These rare treats include The Birthday Party from Jeff Lynne’s pre-ELO psych-rock band The Idle Race, Randy Newman’s stunningly original debut solo LP – on which he created something new under the sun! – in its original mono version, Otis Redding’s mono Pain in My Heart, and classics from The Everly Brothers, The Velvet Underground, Hüsker Dü and many others.
Last but not least, Rhino has an array of compilations and singles on tap. Perhaps the most unexpected title is The Doors’ Weird Scenes Inside the Gold Mine, the band’s first compilation following the untimely death of Jim Morrison. First released in 1972, Gold Mine will also get a first-time CD reissue in May. A rare Ramones EP (1980’s Meltdown with the Ramones) and the first-ever U.S. release of Fleetwood Mac’s 1970 single “Dragonfly” b/w “Purple Dancer” join titles from Joy Division, The Specials, The Stranglers and even a reissue of Elektra’s 1964 multi-LP box set The Folk Box. The latter even comes with a bonus single featuring Judy Collins and Tom Paxton!
We wouldn’t leave you hanging with all of this tantalizing information; just hit the jump for the full specs (including limited edition numbers, vinyl details, etc.) as helpfully provided by our very own Mike D. for every title mentioned above and more! Look for Rhino’s releases at your finest local independent record retailer on Saturday, April 19. Read the rest of this entry »
Ain’t No Stopping Them Now: Sony Acquires Entire Philadelphia International Catalogue, Box Set Coming Soon [UPDATED]
UPDATED 4/9 WITH NEW INFORMATION, LINKS AND IMAGES: The love train is pulling back into the station.
Kenneth Gamble and Leon Huff’s Philadelphia International Records, distributed by CBS Records, began life in 1971 with the release of Billy Paul’s Going East on LP and The Ebonys’ “You’re the Reason Why” on 45. (Trivia fans, take note: Gideon Smith’s single “Arkansaw Wife” – yes, you read that right – has an earlier catalogue number, but the quintessentially Philly track by The Ebonys appears to have been released first.) The R&B empire, which had built a catalogue of some of the most iconic soul music of all time, continued to be distributed by CBS until 1984. At that time, control of the label’s post-1975 masters went to Gamble and Huff, with initial reissues (as well as new albums) coming under the EMI umbrella. Pre-1976 recordings remained with CBS successor Sony Music Entertainment. In 2007, Sony’s Legacy Recordings announced regained rights to the post-1975 recordings, and now, Sony and PIR have come full circle with the announcement that Sony has gained global ownership of all post-1975 PIR masters.
What this means for Sony is clear: the music industry giant now adds key titles to its roster from artists including Lou Rawls, Teddy Pendergrass, Jean Carn, The Jones Girls, The Stylistics, Archie Bell and the Drells, Jerry Butler, Phyllis Hyman, and others who began recording for PIR in 1976 and beyond. What does this mean for fans and collectors? In 2014, Legacy will launch a series of new physical and digital releases created from the combined PIR catalogue including “a definitive Philadelphia International Records box, budget single artist anthology titles, 12-inch and 7-inch vinyl replica collectibles and more.”
In recent years, numerous PIR album reissues have arrived from Cherry Red Group’s Big Break Records (drawing on the pre-1976 recordings controlled by Sony) and Demon Music Group (the post-1976 recordings controlled by Gamble and Huff). In early 2012, Legacy thrilled fans with the archival release of Golden Gate Groove, a Don Cornelius-hosted concert that brought together many of the label’s biggest and brightest stars, from the O’Jays to Harold Melvin and the Blue Notes featuring Teddy Pendergrass. In 2013, Demon’s Harmless imprint issued a comprehensive (if oddly arranged) 10-CD box set drawing on the entire discography plus rare recordings from Gamble and Huff’s pre-PIR labels including Neptune, Gamble and North Bay and sister labels like TSOP, Golden Fleece, Tommy and Thunder.
The new catalogue activity from Sony starts in May! What can you expect? Hit the jump! Read the rest of this entry »