Archive for the ‘Reissues’ Category
UPDATE 8/27: Listen To What The Man Said: Paul McCartney Announces “Venus and Mars,” “Wings at the Speed of Sound” Archive Sets
UPDATE 8/27/14: We can now confirm that “due to production issues, the release of the latest albums in the Grammy Award-winning Paul McCartney Archive Collection will be delayed. The classic Wings albums Venus and Mars and At The Speed of Sound will now be released on November 3 in the U.K. and November 4 in the U.S. and not the previously announced September dates.” Links provided below are still active for the new release dates.
7/28/14: BREAKING NEWS!
Eagle-eyed readers might have noticed links that appeared on Amazon this morning for the rumored upcoming Paul McCartney Archive Collection editions of d Wings’ 1975 and 1976 albums Venus and Mars and At the Speed of Sound, respectively. Well, the rumor is now a fact, as Concord Music Group’s Hear Music label and McCartney’s MPL have confirmed the
September 23 November 4 arrival in the U.S. of both titles.
True to form, both albums will be available in a plethora of formats including 2-disc standard editions, 3-disc (2-CD/1-DVD) hardbound book editions, gatefold vinyl and digital, each with a disc of rare and previously unreleased bonus material.
Venus and Mars, released in May 1975, had the unenviable task of following the phenomenally successful Band on the Run. Though Band had been recorded by the slim, three-person line-up of Paul and Linda McCartney and Denny Laine, Macca made the decision to bolster the group with the addition of Jimmy McCulloch on guitar and Geoff Britton on drums. Before settling on Allen Toussaint’s Sea-Saint Studios as the recording venue of choice, Wings entered Abbey Road where early versions of three songs were cut for the new album. After just six months in Wings, however, Britton departed the band, and American drummer Joe English completed the sessions for Venus and Mars. Toussaint, Dave Mason and Tom Scott all guest-starred on the album which delivered on its promise of a true “Rock Show.” If McCartney, indeed, had worried about building on the success of Band on the Run, he needn’t have. Venus and Mars spawned a No. 1 single – the rollicking “Listen to What the Man Said” – and went to the top spot on both the U.S. and U.K. album charts. It also provided a platform for Wings to launch the Wings Over the World tour – which, of course, included the Wings Over America leg and album.
Between the Australian and European legs of Wings Over the World, McCartney and Wings entered Abbey Road to record the album that would become Wings at the Speed of Sound. It was Macca’s first album wholly recorded in the U.K. since 1973’s Red Rose Speedway (still awaiting a deluxe Archive Collection reissue) and featured a number of lead vocals from singers other than Paul – Denny on “The Note You Never Wrote” and “Time to Hide,” Jimmy on “Wino Junko,” Linda on “Cook of the House,” and Joe on “Must Do Something About It.” Of course, it was two songs sung by Paul that catapulted the album to another smash success: the endearing, childlike “Let ‘Em In” (No. 2 U.K./No. 3 U.S./No. 1 U.S. Easy Listening) and the unapologetically buoyant “Silly Love Songs” (No. 1 U.S./No. 1 U.S. Easy Listening). The latter was a record-breaking 27th No. 1 for Paul the songwriter. Released in March 1976, Speed of Sound went to No. 2 in the U.K. and the top spot in the U.S. for seven non-consecutive, becoming McCartney’s most successful album ever in America and setting the stage for the Wings Over America tour to take flight that May.
After the jump, we have more details courtesy the complete press release, plus pre-order links, the full track listings, and more! Read the rest of this entry »
Big Break has a pair of releases from 1976 including an expanded edition of Earth, Wind and Fire’s Spirit. The 1976 LP was a major turning point for the band – with leader Maurice White assuming the producer’s chair following the death of Charles Stepney during its sessions – as well as one of its most successful records, peaking at No. 2 Pop and R&B on the Billboard charts and eventually going Double Platinum. Spirit followed the back-to-back smashes Gratitude and That’s the Way of the World, both of which went to No. 1 Pop and R&B and established EWF’s brassy soul-funk supremacy. Yet Spirit’s success is even remarkable considering that the tight (9 tracks in 36 minutes!), soaring and incredibly musical album didn’t produce a hit Pop single on the order of “Shining Star” or “Sing a Song.”
Its title track honored Charles Stepney, whose innovative work with Rotary Connection, Minnie Riperton and EWF (among others) brought a hip and psychedelic, yet musically sophisticated, sensibility to R&B and funk. Stepney’s completed charts were joined by those of Jerry Peters and Tom Tom 84 for the LP. The single “Getaway” arrived in advance of the album’s release and rewarded EWF with a No. 12 Pop/No. 1 R&B hit; “Saturday Nite” made a big splash on R&B (No. 2) but stalled just outside of the Pop Top 20. Spirit today remains one of the most perfect examples of EWF’s art, combining pop, soul, funk and spirituality into a stirring whole. BBR’s new edition features comprehensive liner notes from Christian John Wikane (drawing on interviews with Maurice White, Larry Dunn and Philip Bailey), remastering from Dickson, and a full complement of nine bonus tracks. All five bonuses from Columbia/Legacy’s 2001 U.S. reissue have been happily retained, and four more have been newly added: the 12-inch mix and instrumental version of “Getaway,” and the single edits of “Saturday Nite” and “Departure.” Spirit is housed in a Super Jewel Box.
From the same year, BBR has a reissue of Misty Blue from southern soul great Dorothy Moore. The album’s title track took the Mississippi-born vocalist to the No. 2 spot on the Billboard R&B chart and No. 3 on the Pop countdown, crowning a career that had already found her as part of an Epic Records girl group (The Poppies) and singing backgrounds for Jean Knight and King Floyd on “Mr. Big Stuff” and “Groove Me,” respectively. Those two hits were recorded by Jackson, Mississippi’s own Malaco Productions team, and it was the Malaco label which would release “Misty Blue.” Moore promoted the smoldering slab of R&B on American Bandstand, Soul Train and The Midnight Special, and three months after the 45’s January 1976 release, Malaco issued the Misty Blue LP.
After the jump: more on Dorothy Moore, plus Phyllis Nelson, Yarbrough and Peoples, and The Waters! Read the rest of this entry »
Come all without, come all within, you’ll not see nothing like The Basement Tapes, Complete. On November 4, Columbia Records and Legacy Recordings will grant an official release to perhaps the most coveted collection of songs in Bob Dylan’s storied catalogue. The eleventh installment of Dylan’s acclaimed Bootleg Series presents, for the very first time, six discs of The Basement Tapes – as recorded in the summer of 1967 by Dylan and the group that would later become The Band, and per the label, including “every salvageable recording from the tapes, including recently discovered early gems recorded in the ‘Red Room’ of Dylan’s home in upstate New York.” In addition, this set – meticulously restored by The Band’s Garth Hudson and Canadian music archivist Jan Haust – is being presented “as intact as possible. Also, unlike the official 1975 release, these performances are presented as close as possible to the way they were originally recorded and sounded back in the summer of 1967. The tracks on The Basement Tapes Complete run in mostly chronological order based on Garth Hudson’s numbering system.”
In addition to the 6-CD, 138-song box set, a 2-CD, 38-song highlights version of The Bootleg Series Volume 11 will be released as The Basement Tapes Raw. This iteration will also be presented as a 3-LP vinyl set. All versions are due on November 4.
After the jump: a look further into the world of The Basement Tapes, plus the full track listing and pre-order links! Read the rest of this entry »
The Kinks, Lola Versus Powerman and the Moneygoround: Deluxe Edition (Sanctuary/BMG, 2014) (Amazon U.S. / Amazon U.K. )
The Kinks’ 1970 classic is expanded with a second album – 1971’s Percy – plus an array of bonus tracks (many previously unreleased) on a new 2-CD set!
Mary Poppins: Original Motion Picture Soundtrack – The Legacy Collection (Walt Disney Records) (Amazon U.S. / Amazon U.K. )
Walt Disney Records’ deluxe Legacy Collection unveils its second release – a supercalifragilisticexpialidocious 3-CD expansion of Mary Poppins that promises to be the most comprehensive presentation of the Sherman Brothers’ score yet!
Randy Bachman, Vinyl Tap Tour: Every Song Tells a Story (ILS)
Randy Bachman of Guess Who and Bachman Turner Overdrive renown, is “shakin’ all over” with this new release of his 2013 hometown concert at Winnipeg’s Pantages Playhouse Theatre! This greatest hits-centric set – featuring “Undun,” “No Time,” “Laughing,” “No Sugar Tonight,” “You Ain’t Seen Nothin’ Yet,” “Takin’ Care of Business” and more – updates a similarly-titled program of Bachman’s from over a decade ago, and melds music with Bachman’s stories behind the songs! It’s available in a DVD/CD set as well as a standalone CD. Features Bachman’s band including Marc LaFrance on drums and vocals, Brent Howard Knudsen on guitars and vocals, and Mick Dalla-Vee on bass and vocals.
Two of Esther Phillips’ CTI/Kudu LPs – including the long out-of-print Capricorn Princess – are combined on one CD from the U.K.’s Soul Brother label!
High Inergy – Turnin’ On / Switch – Switch (BBR)
Big Break continues its series of Motown reissues with 1977’s Turnin’ On from High Inergy and the self-titled 1978 set from Switch! Full rundowns of both titles are coming soon!
Dimitri Tiomkin, Wild is the Wind: Music from the Motion Picture (La-La Land)
La-La Land is now shipping its 2-CD expansion of the original soundtrack to the 1957 Hollywood drama, and this set features both the original film recordings composed by Dimitri Tiomkin and the re-recorded Columbia Records soundtrack release including the title song performed by Johnny Mathis!
The Criterion Collection has a lavish new edition of Bob Fosse’s 1979 film All That Jazz on tap! The deluxe BD/DVD edition includes a variety of special features illuminating just how the innovative director/choreographer/auteur turned the movie musical on its ear with the shocking, and shockingly autobiographical, motion picture.
Real Gone Music is moving to the sound of a disco beat! In conjunction with SoulMusic Records, Real Gone has tapped the vaults of RCA Records to present two world-premiere CD reissues, both with rare bonus tracks.
Perhaps no other genre has inspired as many songs imploring listeners to suppress their inhibitions and put their dancing shoes on as disco has. “Let’s Go to the Disco/’Cause I feel like dancing tonight/Let’s go to the disco/Where the music is outta sight!” The call to arms “Let’s Go to the Disco” opened the self-titled 1975 RCA album by Faith, Hope and Charity, which was produced, arranged, conducted and largely written by Van McCoy. Brenda Hilliard (“Faith”), Albert Bailey (“Hope”) and Zulema Cusseaux (“Charity”) first teamed as The Crystals (not those Crystals) and then as The Lovelles before canny producer Bob Crewe (The Four Seasons, “Lady Marmalade”) rechristened them Faith, Hope and Charity. They first worked with McCoy – in his days as a top purveyor of sophisticated, sultry soul, pre-“The Hustle” – in 1970, and their hit “So Much Love” gained them entrée to the Top 20 of the U.S. R&B chart and the Top 100 Pop. McCoy took the trio from Maxwell Records to Sussex Records, and although Zulema split from the group in 1971 after a couple of albums, the remaining two members stayed in contact with the producer. (Bailey and Hilliard had even sung on McCoy’s Disco Baby LP, from which “The Hustle” was drawn!) With the addition of new member Diane Destry filling the role of Charity, Hilliard and Bailey reteamed with McCoy and snagged a deal at RCA just as disco was continuing its ascent in the mainstream.
The gleaming, upbeat Faith, Hope and Charity followed the lush, string-laden orchestral disco approach that developed out of the Philadelphia soul sound emanating from that city’s Sigma Sound Studios. McCoy wrote or co-wrote seven of the album’s nine tracks, with the remaining two slots going to cover versions. Each cut found the arranger-orchestrator at the top of the disco game, surrounded by top NY session pros including Steve Gadd on drums, Eric Gale and David Spinozza on guitars, and Leon Pendarvis and Richard Tee on electric piano and clavinet. George Devens filled the Vince Montana role on the vibes.
Like “Let’s Go to the Disco,” “Disco Dan” reveled in the very sound of the new dance music, unabashedly celebrating it: “Disco Dan/He’s the latest, he’s the greatest…Makes you wanna move your feet and clap your hands…The man is really something!” Faith, Hope and Charity also found room to revive classic songs in disco versions. “Disco-fying” songs, from standards to recent hits, was par for the course; in 1975, Gloria Gaynor famously took The Jackson 5’s “Never Can Say Goodbye” to the Top 10. For FH&C, McCoy remade two vintage R&B hits. Both “Rescue Me,” Fontella Bass’ 1965 hit, and “Just One Look,” Doris Troy’s 1963 classic, featured lead vocals from Brenda Hilliard and respectably updated the beloved songs. Hilliard also lent her urgent vocals to the uptempo “Find a Way” from McCoy and his songwriting partner Charles Kipps, Jr.
After the jump: more on Faith, Hope and Charity, plus The New York Community Choir! Read the rest of this entry »
As part of the breakup of EMI that left most – but not all – of the former monolith controlled by Universal Music Group, Warner Music Group acquired the venerable Parlophone label, founded in 1896 and onetime home to The Beatles. Though Universal kept the Fab Four, Warner obtained current artists like Coldplay and the back catalogues of classic ones like The Hollies and Matt Monro…and a certain David Bowie. Parlophone hasn’t announced any major plans for Bowie’s albums as of yet; in-print titles such as The Rise and Fall of Ziggy Stardust and the Spiders from Mars were simply repressed with the new label logo (replacing that of EMI label Virgin Records, now controlled by Universal). Parlophone has also offered a number of Record Store Day vinyl exclusives bearing the Bowie imprimatur. On September 23, the label has a repackaged version of the artist’s out-of-print, 4-CD Sound + Vision anthology returning to stores.
Named for the track on Bowie’s album Low, Sound + Vision was first issued in 1989 by Rykodisc. That independent label, now also controlled by Warner, had just gained the rights to the Bowie-controlled masters of his pre-1983 albums formerly available on RCA. Housed in an LP-sized box, the original Sound + Vision boasted three CDs (or six LPs or three cassettes) spanning the period between Bowie’s second, self-titled album in 1969 and 1980’s Scary Monsters (and Super Creeps). It blended familiar songs and rare or previously unissued alternate versions of familiar songs with rarities, and also included a CD-Video disc with three previously unreleased recordings and the video of “Ashes to Ashes.” This impressive set won a Grammy Award for Best Album Package and racked up staggering sales for an expensive box set, eventually being certified Gold in the U.S. (and entering the Top 100 of the Billboard 200), Platinum in the U.K., and 4x Platinum (!) in Canada.
Rykodisc reissued Sound + Vision in 1995, streamlining the packaging and replacing the disc in the defunct CD-V format with a standard CD-ROM. The next iteration of the set came in 2003, by which time Bowie had moved his catalogue from Rykodisc to EMI’s Virgin Records label. This version of Sound + Vision dropped the “Vision” (the CD-V/CD-ROM!), added a fourth CD to cover the period of 1982-1997, and moreover, tweaked the original track listing. Though the original’s 50 tracks (including the bonus video disc) had grown to 67, a few of the original tracks were replaced with alternate versions of the same songs (“The Wild-Eyed Boy from Freecloud,” “London Bye Ta-Ta,” “Round and Round,” “Fascination”) and all four performances from the CD-V were dispensed with entirely.
What can you expect on the new version? Hit the jump for details including the complete track listing and pre-order links! Read the rest of this entry »
The Posies, Failure (Omnivore)
Omnivore expands the 1988 debut album from power-pop heroes The Posies. The new Failure restores the album’s original 12-track running order (preserved on cassette but cut down by one song on vinyl) and adds eight bonus tracks. Many of these are sourced from a long out-of-print 2000 box set and a 2004 reissue of the album proper, but one, a demo of “At Least for Now,” is being heard for the first time on this disc. The deluxe configuration is available on CD, and the original 12-track album on vinyl plus the bonus tracks on a download card. Even better, the first pressing of the LP will be green vinyl!
Fuel continues to raid the catalogues of Allen Toussaint’s Sansu and Dessu labels with a compilation of Toussaint-helmed sides for New Orleans’ great piano man Professor Longhair.
Original London Cast Recording, On the Town (Masterworks Broadway)
In conjunction with the upcoming Broadway revival of the classic Leonard Bernstein/Betty Comden/Adolph Green musical, Masterworks Broadway brings the 1963 Original London Cast Recording to CD-R and DD for the first time. Elliott Gould, Don McKay, Franklin Kiser and Carol Arthur star in this recording of the production directed and choreographed by Joe Layton. Available exclusively at MasterworksBroadway.com for a limited time.
Okay, this isn’t a catalogue title, but we couldn’t resist putting the spotlight on Smokey Robinson’s new studio collection! Smokey puts his own spin on the now-de rigeur duets album, featuring many of his famous Motown hits in new versions alongside Elton John, Sheryl Crow, John Legend, James Taylor, Steven Tyler and more!
This isn’t a reissue, either, but rather a tribute to The Man in Black’s 1964 concept album which daringly shed light on the plight of Native Americans. This 50th anniversary set presents Kris Kristofferson, Emmylou Harris, Steve Earle, Bill Miller, Gillian Welch, David Rawlings and veteran of the original LP Norman Blake as they reinvent Cash’s original songs with producer Joe Henry. Look Again to the Wind is also a companion piece to the new documentary film We’re Still Here: Johnny Cash’s Bitter Tears Revisited, chronicling the story of Bitter Tears and this new recording.
Soren Hyldgaard, The Spider: Original Soundtrack Recording (Kritzerland)
Pre-orders are now being accepted for Kritzerland’s latest offering: Soren Hyldgaard’s spellbinding score to the 2000 Danish miniseries The Spider, a noir set in Copenhagen in the wake of World War II. This 1,000-unit limited edition release improves on an earlier CD release in Denmark, upping the running time from around 44 minutes to nearly 79, mastered from the composer’s complete score tapes. The disc will ship by the last week of September, but pre-orders directly from Kritzerland usually arrive three to five weeks ahead of schedule.
Pino Donaggio, Blow Out: Original MGM Motion Picture Soundtrack (Intrada)
Intrada has pre-orders open for this reissue of the soundtrack by Pino Donaggio (Carrie) for Brian DePalma’s 1981 thriller starring John Travolta, Nancy Allen, Dennis Franz and John Lithgow. Though the haunting score was previously released on CD in 2002, Intrada corrects errors in track titles and sequencing, and otherwise upgrades its presentation for a new group of listeners who might have missed out on the first, now out-of-print release.