Every now and then a catalogue-oriented story breaks into the mainstream. This week, we've had one of those moments: Paul McCartney is moving his back catalogue distribution to Concord Music Group from increasingly beleaguered EMI. Reissues will commence in August with a new pressing of Band on the Run, his high watermark with former band Wings. Of course, for someone of McCartney's caliber, this is not the first time his albums have been reissued. EMI did a massive remastering of 16
Friday Feature: "Licence to Kill"
Recent coverage of soundtracks on The Second Disc has been warmly received. To this end, we have added a the Friday Feature. Every Friday, you'll find some sort of article devoted to a soundtrack or film composer of merit. We hope you enjoy these trips through Hollywood's musical landscape! Our first Friday Feature deals with one of the oddest of the James Bond films. No, not Never Say Never Again (that's not really a Bond film, anyway). Licence to Kill was the second and final feature with
Reissue Theory: Sting, "The Dream of the Blue Turtles"
The latest issue of Rolling Stone had a cover feature about the "State of Rock: 40 Reasons to Get Excited About Music" (a cover which featured terrible pop-rap group The Black Eyed Peas, so the list was slightly less than 40). As debatable as the list might be, one item on the list was actually somewhat intriguing - up and coming band I Blame Coco, led by Coco Sumner, daughter of the irrepressible Sting. Coco is not the first Sting spawn with musical tendencies - his oldest son, Joe, fronts the
Not Quite What You Need
It might be seen as unfair to criticize the catalogue-oriented decisions of INXS. Since losing lead singer Michael Hutchence in 1997, they've tried hard to find their way - finding a new singer through a reality show, recording an album with him, prepping a new album with a rotating stable of lead singers and so on. Rhino, the label that controls their back catalogue in the U.S., has released a lot of compilations in the interim as well, plus a few reissues of their late '80s/early '90s work
La La Land Blows Up White House, Catches a Wave
Wow! Commenter ~Rupe was some sort of a prophet today when he discussed the need for soundtrack labels to repress certain out-of-print soundtracks. The second of La La Land Record's soundtrack releases today (after David Arnold's complete score to the 1996 blockbuster Independence Day) fulfills that need in spades: the label is releasing a brand-new pressing of John Williams' score to the 1972 disaster classic The Poseidon Adventure. Williams gained early mainstream recognition as the musician
Reissue Theory: Shania Twain, "Come On Over"
Behind every devoted catalogue fan is a long-suffering but good-natured band of friends who smile politely and listen to us jaw on about liner notes, bonus tracks and the like. Those readers with partners or spouses are probably grinning right now, and so am I. Today is the birthday of a special someone (in a hat tip to MusicTAP, I'll call her Miss Disc) and in a show of geeky affection I have put together a Reissue Theory for one of her favorite records, which is thankfully one that could
Release Round-Up: Lightfoot, Queen, ID4 and More
Amazon has posted pre-order links for new remasters for folk legend (and non-dead person) Gordon Lightfoot. Wounded Bird will distribute these new releases of the LPs he recorded for Warner/Reprise, from 1970's Sit Down Young Stranger to 1998's A Painter Passing Through (pre-order links are missing East of Midnight (1983) - not sure as to why). They're due June 8. EMI has set a May 31 release date for Queen's The Singles Collection Volume 3. This replicates 13 original 7" singles (sorry dance
Reissue Theory: Neil Diamond with a Bang!
Long before he read about a frog who dreamed of being a king – and then became one – Neil Diamond was an up-and-coming songwriter in the waning days of the Brill Building. After a few unsuccessful stabs at recording in the early part of the decade, Diamond was taken under the wing of Jeff Barry, Ellie Greenwich and Bert Berns. In January 1966, the hits started coming: first “Sunday and Me” for Jay and the Americans, then “I’m A Believer” and “A Little Bit Me, A Little Bit You,” both for the
On the Right (Sound)Track
Here at The Second Disc, there's a lot of coverage of soundtracks. (For proof, check Joe Marchese's recent exciting review of a few vault reissues by Henry Mancini.) Granted, not every fan of classic pop, rock and R&B catalogue releases is big on orchestral scores and whatnot, but it's an integral genre in the wide, wild world of reissues and worth covering from an artistic point of view. But recent revelations have shown that soundtrack catalogue comings and goings are worth covering from
News Roundup: Unreleased Motown and More Coming From Ace
I’ve often described Ace Records as the “British Rhino.” If Rhino pioneered the concept of the deluxe reissue in America – containing bonus tracks, in-depth liner notes and unique packaging – Ace keeps the original Rhino tradition alive across the pond. Virtually every month, Ace and its family of labels releases a handful of titles (both album reissues and compilations) to make collectors’ mouths water. The batch arriving in the UK on April 26 and on our shores throughout May is no
Say Hey, It's Record Store Day
If today is April 17 (which it likely is) and you're reading this post and not going to your local indie record store, then stop reading and go! Today is indeed Record Store Day, a celebration of one of the best things music has to offer us - great places to find great music. As someone who works in a store that sells music (but is the antithesis of an indie store), I can comfortably say that there's nothing better than going to a real record store and coming home with a bag full of good tunes.
Unforgettable - I Think
For someone with such an iconic tune in "Unforgettable," there seems to be a lot of Nat "King" Cole's discography that gets lost in the shuffle. While he's known for his work as founder of The Nat "King" Cole Trio, and later a pop crooner with few equals, for Capitol Records starting in 1943 (indeed, the label's famous Hollywood offices are informally called "the house that Nat built"), he did a great deal of work for other labels - not only with The King Cole Trio, but as a piano man for other
Reissue Theory Three-Peat: The Stray Cats
Musical inspiration can come from anyone, anywhere - even if you're not a musician. Consider the notion of talking with friends about evolving musical tastes. The conversation shifts to music enjoyed during early adolescence - when suddenly, you discover a revelation: a friend secretly spent their early middle school years enamored of the swingin' sounds of The Brian Setzer Orchestra. You laugh and joke about it - because what pre-teen in the past decade could possibly jazzed by Setzer's swing
EXCLUSIVE: More Info on the Bon Jovi Reissues
It is with great pleasure that The Second Disc can divulge a few more details on the forthcoming Bon Jovi reissues due on May 11 from Island Records and Universal Music Enterprises. To the best of our knowledge, this is the first time any of this information is coming out - something of an exclusive! Some of these details are more on the technical side, but anyone wondering for more Bon Jovi tidbits (including how much of the promised live content is unreleased) will be in for a nice surprise.
The Chairman from Ipanema
Frank Sinatra. Antonio Carlos Jobim. Two great musical tastes that taste great together. Ol' Blue Eyes brought his inimitable voice to the smooth bossa nova compositions of Jobim in 1967 with the LP Francis Albert Sinatra & Antonio Carlos Jobim, in which the two teamed up on Jobim's best tracks ("The Girl from Ipanema," "How Insensitive") and some great standards as well (Berlin's "Change Partners," Porter's "I Concentrate on You"). Four years later, another Sinatra-Jobim session yielded one
Something to Shout About
A few new titles coming our way from Shout! Factory. The label perhaps best known for being born of Rhino ex-pats - ex-pats who got one of the best live concert films ever out on DVD for the first time - have announced reissues of two very different titles that will please rock fans out there. First up, Concrete Blonde - the seminal Los Angeles alt-rockers of the late '80s and early '90s - had previously announced a reunion tour to commemorate the 20th anniversary of their most famous LP
Back Tracks: Cheap Trick
In reading about Cheap Trick on Web sites like the All Music Guide, one keeps finding aspects of the band's work described as "perverse." That's a weird way of defining it - not in the sexual sense, mind you, but as a means of describing how unusual they are - but I guess it fits well enough, for a number of reasons. In the Rockford, Ill.-based band are, visually, one of the most arresting bands ever; vocalist Robin Zander and basist Tom Petersson look like your typical gorgeous rockers, while
Reissue Theory: Red Hot Chili Peppers, "Blood Sugar Sex Magik"
The fearful question reissue enthusiasts have to ask - particularly those who might have a hand in putting them out for public consumption - is: when is the reissue wave going to crash? I don't pose the question in terms of when people will stop paying money for physical media, because I don't think that's a particularly relevant problem right now. As long as fans keep buying enough reissued CDs now and future generations take a moment to ponder the merits of sound quality, this isn't an issue.
Hot Fudge Sundae!
Their repertoire was pretty standard for the late 1960s: a Lennon/McCartney tune here, a Bacharach and David song there, a Motown cover for good measure, even "The Windmills of Your Mind." But similarities ended there between Vanilla Fudge and their MOR-covering contemporaries. Over the course of five albums for the Atco label, the Fudge brought a psychedelic touch to the gestating sound of so-called "heavy rock" with blues-drenched, extended takes on familiar songs. Shadow Morton, famed
Reissue Theory: Malcolm McLaren, "Duck Rock"
The recent passing of music impresario Malcolm McLaren has led to a lot of emotions. Some hate McLaren for his self-aggrandizing ways and mismanagement of The Sex Pistols' supernova career. Others laud him for his contribution to music history as not only a tastemaker and agent provocateur, but as a semi-successful musician as well. There's something to be said about some of that music, too. McLaren's debut LP, 1983's Duck Rock, has been championed - thanks to both the quality of the music and
Tommy and Gina Redux
If you're from New Jersey, chances are you are (or know someone who is) a Bon Jovi fan. They were perhaps the best of the big-haired arena-rockers in the late '80s and '90s, and still know how to pack 'em in to this day. And now, it looks like they're reaching the rarified ranks of solid catalogue artists, thanks to a pretty wide series of reissues from Island and Universal Music Enterprises. Amazon is listing reissues of ten Bon Jovi albums - everything from 1984's self-titled debut to 2007's
Reissue Theory: The Smiths - "The Smiths"
One of the books devoured by this author over the Easter break was The Smiths: Songs That Saved Your Life by Simon Goddard. If you're a fan of The Smiths, are thinking about being a fan of The Smiths or just like '80s alt-rock in general, you would do well to add this to your bookshelf. It provides an in-depth account of every song released or recorded by the band in their too-brief career and covers Morrissey, Johnny Marr, Andy Rourke and Mike Joyce through prose that's both artistic and
News Roundup: Back from Hiatus Edition, Part 1
Well! After a fun weekend of sun and Easter candy, it's back to tracking the catalogue world at The Second Disc. A hearty thank-you to Joe for his contributions over the weekend, and a welcome back to our loyal readers. A few release nuggets came through the pipeline over the weekend, so let's clean house by getting some of them out of the way. More to come before the end of the day, so stick around! NME reported that a new Oasis compilation would see a U.K. release on June 14. Time Flies
The (Original) Sound of Philadelphia
Long before the triumvirate of Kenneth Gamble, Leon Huff and Thom Bell immortalized "The Sound of Philadelphia" as silky, smooth soul, Cameo-Parkway Records supplied the soundtrack to the City of Brotherly Love. The label may be best known for dances like the 81, the Twist, the Hully Gully, the Wah-Watusi and the Mashed Potato, or for teenage icons like Bobby Rydell. But Cameo-Parkway's roster was in fact much more diverse, from garage rockers ? and the Mysterians to doo-wop legend Johnny
You've Still Got A Friend: "The Essential Carole King"
The Second Disc is pleased to introduce our first contributor, Joe Marchese. Joe is a NY/NJ-based writer, theatre director and music enthusiast, and is thrilled to be on board. For many of her fans, Carole King's career begins and ends with Tapestry. It's not hard to see why; the seminal 1971 album spent fifteen weeks perched at No. 1 on Billboard’s album chart, remained on the chart for six years, spawned two chart-topping pop singles, and influenced an entire generation of introspective
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