From its headquarters at 553 West 51st Street in New York, New York, the Riverside Records label presided over an impressive roster of jazz talent. Founded in 1953 by Orrin Keepnews and Bill Grauer, Riverside was home at one time or another to Sonny Rollins, Art Blakey, Alberta Hunter, Johnny Griffin, plus a number of artists currently being recognized with deluxe reissues from the Riverside catalogue: Thelonious Monk and Gerry Mulligan, Cannonball Adderley and Milt Jackson, Chet Baker, Wes
Review: Dionne Warwick, "We Need to Go Back: The Unissued Warner Bros. Masters"
We need to go back to the songs we used to sing... - Nickolas Ashford and Valarie Simpson, “We Need to Go Back” What’s remarkable about the 19 outtakes on Dionne Warwick’s We Need to Go Back: The Unissued Warner Bros. Masters (Real Gone Music RGM-0170) is that they’re every bit as good as – and in many cases, superior to - the music actually released during Warwick’s stormy five-year stay at the label. Every one of the soulful stylist’s Warner albums is represented with outtakes save 1972’s
Review: Dionne Warwick, "The Complete Warner Bros. Singles"
Dionne Warwick’s 1972-1977 tenure at Warner Bros. Records has long been a subject of much confusion. Why couldn’t the Burbank giant yield any hit records with the superstar artist after signing her to a record-breaking deal? Sure, the “triangle marriage” of Warwick, Burt Bacharach and Hal David was breaking up, but Warner paired her with some of the most famed names in soul music: Holland-Dozier-Holland, Jerry Ragovoy, and Thom Bell among them. Bell scored a hit for Warwick with “Then Came
Review: "The Muppet Movie: Original Soundtrack Recording"
I'm a pretty sensitive person, but there are few things that trigger my emotions easier than The Muppets. Searching through Muppet clips yields almost a 100% guarantee on being moved to tears; just finding the link to this ciip from the 1990 special The Muppets Celebrate Jim Henson made me start tearing up, and my last trip to Walt Disney World began with me leaving the plane to Orlando, choking back my emotions over a screening of 2011's The Muppets. (For the record, this is the scene that made
She Will Survive: BBR Reissues, Expands Gloria Gaynor's "Love Tracks" and "Park Avenue Sound"
The very first release on Big Break Records, early in 2010, was an expanded reissue of the very first solo album by Gloria Gaynor. Never Can Say Goodbye spun Clifton Davis' title track into disco gold and pioneered the sidelong disco mix with a nearly 19-minute suite from Tom Moulton consisting of "Honey Bee," "Never Can Say Goodbye," and another Motown revival, "Reach Out I'll Be There." Big Break followed that landmark 1974 album with an expansion of Experience Gloria Gaynor, from 1975. It
Paul Allen and the Underthinkers' "Everywhere at Once" Welcomes Joe Walsh, Chrissie Hynde, Ann and Nancy Wilson, Derek Trucks
For years, Paul Allen has been leading a double life. By day, he's known as the co-founder of Microsoft, a company which needs no introduction. He currently heads Vulcan, Inc.; its holdings include Ticketmaster, the Seattle Seahawks and Portland Trailblazers. With an estimated net worth of $15 billion, Allen routinely ranks high on the Forbes 400, and his philanthropic activities add up to lifetime giving of over $1.5 billion. But that's only part of the story. Allen is also a lifetime
Are You Ready: Now Sounds Expands "The Association," Real Gone Uncovers "Hexagram 16"
“Where have I gone, where have I gone?” pondered Terry Kirkman on the haunting opening track to The Association’s 1969 long-player. Though the group’s fifth album, it was simply titled The Association, signifying an artistic rebirth. Gone were the session players and ornate Bones Howe production that marked their previous album, 1968’s Birthday. Taking the production reins themselves in tandem with John Boylan, The Association – Kirkman, Russ Giguere, Brian Cole, Jim Yester, Larry Ramos, Ted
Review: Elvis Presley, "Elvis at Stax"
The distance from 3764 Elvis Presley Boulevard , or Graceland, to Stax Records' headquarters at 926 East McLemore Avenue is just a little over 5 miles. So when RCA Records came calling on the once and future King in mid-1973 to fulfill an obligation to record 24 songs (a 10-song album, four single sides, and a 10-song "religious album"), the studio founded by Jim Stewart and Estelle Axton seemed to be the perfect locale. Recording at home in Memphis had always brought something special to
Review: Nilsson, "The RCA Albums Collection"
A largess universal like the sun His liberal eye doth give to every one, Thawing cold fear, that mean and gentle all, Behold, as may unworthiness define, A little touch of Harry in the night. - William Shakespeare, Henry V, Act IV He's a pretty nifty guy Always looks you in the eye Everybody passing by will sigh For Harry... - Eric Idle, "Harry" Harry Nilsson had the voice of an angel, and raised hell like the devil. A consummate songwriter, he had his biggest hits with two songs
Review: Otis Redding, "The Complete Stax/Volt Singles Collection"
Otis Redding was just 21 years of age when Volt Records issued his first single for the label, “These Arms of Mine” b/w “Hey Hey Baby,” in October 1962. The latter is a solid if unremarkable riff on rockabilly (“Hey, hey, pretty baby/Baby, you sure is fine...Every time I look at you/You drive me out of my mind!”) but the torrid, smoldering A-side reveals a singer-songwriter far older than his years. Otis Redding couldn’t have known then that he was living on borrowed time; he would, in fact,
Review: The Buckaroos, "Play Buck and Merle" and Don Rich, "That Fiddlin' Man"
“Who’s going to want to listen to the band with Don [Rich] playing the melody line to the song, when you could hear Buck [Owens] doing the real deal?” queried drummer Willie Cantu of The Buckaroos when called upon to record 1965’s all-instrumental The Buck Owens Song Book. Capitol Records surely thought there would be an audience for the LP, proclaiming on its back cover that “you too can sing Buck’s country-western songs to the rousing, rhythmic playing of his buddy Don Rich and The
Darlene Love, Nino Tempo, The Sweet Inspirations Feature On Jeff Barry's "The Idolmaker" Soundtrack
Perhaps the time just wasn’t right for The Idolmaker. Director Taylor Hackford (An Officer and a Gentleman, Ray) made his feature-length motion picture debut with the 1980 film based on the life of Philadelphia impresario Bob Marcucci, enlisting Ray Sharkey to play the fictionalized manager Vincent Vacari. In reality, Marcucci had discovered Frankie Avalon and Fabian; in the film, the teen idols were Tommy Dee (Paul Land) and Caesare (Peter Gallagher). The United Artists picture received some
Hallejulah! It's (Still) Raining Men with The Weather Girls' Deluxe Reissue
Everything about The Weather Girls’ debut album, Success, was big. The 1983 LP was the brainchild of producer/songwriter Paul Jabara, who modestly noted on the LP’s back cover, “After working with Barbra, Donna and Diana – I began to get spoiled – I felt I could only work with ‘giants in the industry!’ I think I found them!” And so the “Last Dance” and “No More Tears (Enough is Enough)” auteur turned his attention to Two Tons o’ Fun. Izora Rhodes Armstead and Martha Wash had toured with the
Review: Hackamore Brick, "One Kiss Leads to Another"
For the title of their 1970 album on the Kama Sutra label, the members of Hackamore Brick opined that One Kiss Leads to Another. One album clearly didn’t lead to another, though, as the four-man Brooklyn band didn’t release more music until 2009 – and even then, with only two of the founding members. Yet Hackamore Brick’s one and only record has grown in stature over the years, well-regarded in cult circles for its proto-punk, Velvet Underground-like mood. Real Gone has just reissued One Kiss
Heart and Salsoul: BBR Reissues First Choice, Loleatta Holloway, Baker-Harris-Young and Love Committee
One could call bassist Ronnie Baker, guitarist Norman Harris and drummer Earl Young unsung heroes, but it’s not quite accurate to describe the triumvirate of musicians, songwriters, producers and arrangers as unsung. Individually or collectively, Baker, Harris and Young helmed productions by Blue Magic, The Trammps, First Choice, Ben E. King, Eddie Kendricks, The Whispers, The Persuaders, and so many more. As part of its ongoing series restoring the Salsoul Records catalogue to R&B
Review: Merry Clayton, "The Best of Merry Clayton"
Say “yes” to Merry Clayton! It takes a certain kind of talent to exercise restraint, to be able to generously support another artist while maintaining your own high standard of art, expression and individuality. That’s the story of the background singer, and the story told by director Morgan Neville in his new film 20 Feet from Stardom. Merry Clayton is seen in the film, both savoring and gently ribbing her role as the “diva” of the background singing clique – as the “lead background singer,”
It's Good For The Soul! The Salsoul Orchestra's "Nice 'n' Naasty" Arrives In Expanded Edition
The third song on the first side of The Salsoul Orchestra's second album proclaims "It Don't Have to Be Funky (To Be a Groove)." But under the leadership of vibraphonist Vince Montana, Jr., the grooves were most certainly funky...as well as soulful, jazzy, and above all, danceable. 1976's Nice 'n' Naasty, just reissued in an expanded edition by Big Break Records, is an even more eclectic collection than its predecessor. It continues Big Break's top-flight program celebrating all aspects of
Review: Big Star, "Nothing Can Hurt Me: Original Soundtrack"
The feature-length documentary Big Star: Nothing Can Hurt Me opens today at New York’s IFC Center and on Friday at Los Angeles’ Nuart Theatre. In conjunction with its release, Omnivore Recordings has recently unveiled a soundtrack album collecting 21 previously unissued songs from the legendary Memphis band. Rare is the cult band that actually lives up to its legend. Yet, with each listen - time after time, year after year - Big Star not only meets the hype, but surpasses it. Chances are, if
Review: The Three O'Clock, "The Hidden World Revealed"
Could it be time, once again, for The Three O’Clock? The California group took its place alongside the likes of The Bangles and Dream Syndicate as part of the “Paisley Underground” movement of eighties rockers who looked to the sixties’ psychedelic pop and folk-rock scenes for inspiration. In fact, the band’s bassist/lead vocalist Michael Quercio is said to have even coined that evocative name. Between 1982 and 1988, The Three O’Clock recorded one LP for Frontier Records, two for I.R.S., and
"Windy: A Ruthann Friedman Songbook" Explores The Solo Side of The Songwriter
A look at the intense visage of Ruthann Friedman on the cover photograph of Now Sounds’ Windy: A Ruthann Friedman Songbook reveals those “stormy eyes that flash at the sound of lies,” but a listen to the sounds within shows the artist spreading her “wings to fly above the clouds.” For here is an entire disc’s worth of never-before-heard pop nuggets, crafted with a delicacy and beauty to match that photo. Windy, of course, is so named, of course, for The Association’s 1967 No. 1 hit penned by
Don't Just Stand There! Real Gone Reissues Patty Duke, Johnny Lytle
They laugh alike, they walk alike, at times they even talk alike! You can lose your mind, when cousins are two of a kind! So went the theme song to television’s The Patty Duke Show, starring the former Anna Marie Duke as “identical cousins” Patty and Cathy Lane. We’re told in Sid Ramin and Robert Wells’ theme song that the worldly Cathy “adores a minuet, The Ballets Russes and crepe suzette,” but the normal New York teen Patty “loves to rock and roll!” So, apparently, did Patty Duke, based
Phyllis Hyman's "Goddess of Love" Is Revisited By SoulMusic Records
Phyllis Hyman sure looked like a Goddess of Love on the cover of her 1983 album of the same name. Now, the striking and statuesque former fashion model’s fourth and final album for Arista Records is back. It's just been reissued by Cherry Red’s SoulMusic imprint in an expanded edition that boasts two more tracks than Reel Music’s 2010 release. In a quest to find Hyman a degree of commercial success commensurate with her great talent, Clive Davis paired her with different producers for each
Review: "Woody Guthrie at 100! Live at the Kennedy Center"
The new CD/DVD set is entitled Woody Guthrie at 100! Live at the Kennedy Center, but in fact, Woody never made it past 55. This document of an altogether lively concert program from a wide assortment of admirers proves, however, that his music has not only lasted ‘til 100, but will likely survive us all. This is a celebration, yes, but a celebration with a conscience. A strong thread of morality and social awareness ran through all of Guthrie’s songs, as he believed music could make a
Review: ZZ Top, "The Complete Studio Albums 1970-1990"
"My friends, they all told me Man there's somethin' gonna change your life..." -ZZ Top, "Brown Sugar" I hate to play favorites, but from day one, I've been a fan of Legacy Recordings' "complete albums" concept. The slick packaging of an artist's classic albums in one package, with nicely-crafted mini jackets, replicated label art on disc and the always promising idea of bonus content is often too good to pass up. I'm probably not the typical target buyer - really, when am I ever - but as
Reviews: Eddy Arnold, "Complete No. 1 Hits" and David Allan Coe, "Texas Moon"
When 1965’s “Make the World Go Away” entered the Pop Top 10, it was unusual, even for those heady days of pop diversity. The singer, Eddy Arnold, had first signed to RCA Victor in 1943. The Musicians’ Union’s strike prohibited the young vocalist from recording until it was settled in December, 1944, but when Arnold finally entered WSM’s radio studios to record four songs, he was making history. His session was the first for a major label to be held in Nashville, Tennessee. His star was soon
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