Whether you prefer your “My Way” by Sinatra or Sid (Vicious, that is), you have Paul Anka to thank. It was Anka who took the melody to the chanson “Comme d’habitude” and crafted the ultimate anthem of survival and tenacity with his English-language lyrics. When Sinatra recorded the song, a gift to him from Anka, he was just 53 years of age yet could still ring true when singing of that “final curtain.” Today, Paul Anka is 71, and his new memoir is entitled, what else, My Way. Thankfully, the
Review: Arthur Prysock, "All My Life"
If Arthur Prysock felt like a man out of time, he sure did a good job hiding it. Prysock, a professional vocalist since the days of World War II who had worked with bandleaders Buddy Johnson and Count Basie, was an unlikely candidate for disco stardom. Yet, in 1976, the 47-year old singer with the smooth style of Billy Eckstine found himself with a No. 10 R&B/No. 11 disco hit thanks to a rendition of Kenny Gamble and Leon Huff’s “When Love is New.” The song had been introduced one year
Review: John Williams, "Jurassic Park: Original Motion Picture Soundtrack - 20th Anniversary Edition"
Really, it's almost pointless to speculate why John Williams never received an Oscar nomination for his score to Steven Spielberg's Jurassic Park (1993). The composer's CV features several of the most iconic scores in the history of movies with synchronized sound. Five of his projects - an adaptation of the music to the Broadway musical Fiddler on the Roof and four originals (JAWS (1975), Star Wars (1977), E.T. the Extra-Terrestrial (1982) and Schindler's List (1993)) have won gold statuettes,
The Iceman Cometh to Detroit: Jerry Butler's Motown Albums Arrive On CD
When Jerry Butler joined Motown Records in 1975, hopes naturally ran high. One of the classiest baritones in R&B was finally appearing on the most successful independent record label of all time. The Iceman’s time at Motown would turn out to be short, encompassing just four albums in two years. But thanks to SoulMusic Records, his first two albums for Berry Gordy’s empire can be enjoyed once more on CD. The label’s reissue of Love’s on the Menu and Suite for the Single Girl (SMCR 25086)
Nancy Wilson Goes Pop and Philly Soul With New Two-For-One CD Reissue
By 1970, Nancy Wilson had already been a marquee recording artist for Capitol Records for a decade. The supreme song stylist never allowed herself to be pigeonholed into one musical style, having made her successful debut single with a Broadway showtune ("Guess Who I Saw Today"), dabbled in R&B ("Save Your Love for Me") and collaborated with jazz greats such as Cannonball Adderley and George Shearing. All in all, Wilson was a leading light of adult pop, selling out nightclubs and even
Review: Mad Season, "Above: Deluxe Edition"
Where was grunge, or alternative rock, in 1995? Kurt Cobain had died one year earlier at his Seattle home. Before 1995 was out, Alice in Chains had released its third album, the last with vocalist Layne Staley and also its final studio LP until 2009. Foo Fighters, born from the ashes of Nirvana, scored a hit with its July debut, but by and large, the brief, blazing supremacy of grunge was ceding to other genres like post-grunge and Britpop. Yet 1995 was the year in which Staley joined with
BBR Keeps A Light In Its Window For The Lost Motown Classic "Caston and Majors"
Like a fine meal, Caston and Majors begins with an appetizer. "Child of Love," on cursory listening, is "just" a bright pop song with a funky groove, employing booming drums, surging strings and a catchy chorus ("Rise now, child of love/No time for wastin'/Rise now, child of love/Stop hesitatin'...") along with a "Hey, hey" cheer that invites singing along. But a closer listen to the lyrics finds songwriters Leonard Caston and Kathy Wakefield giving voice to a higher power: "You must be a
Review: Albert King, "Born Under a Bad Sign"
The familiar cover artwork to Albert King’s 1967 Stax album Born Under a Bad Sign hardly gives any indication as to its heavy contents. A calendar reading Friday the 13th, the Ace of Spades, snake eyes on the dice, and an almost-cute black cat (!) adorned with a skull and crossbones all reinforce the title of the album but offer precious little hint as to the smoking electric blues within the sleeve. Following 2012’s reissue of King’s 1972 Stax album I’ll Play the Blues for You, Concord Music
Do You Wanna Get Funky With Me: "The TK Records Story" Mines Disco Gold
It’s been said that the greatest music is transporting, to another time or another place. If that’s true, it was no secret where the sounds of TK Records intended to transport the listener. Henry Stone’s TK family of labels originated in Miami, Florida, and the sleeve artwork for TK’s singles featured a tropical setting of palm trees, bright flowers and pristine waters. That serene scene serves as the cover for Gold Legion’s new TK Records Story (67094 562442 7), a 12-track anthology of disco
Dance A Little Bit Closer: Gold Legion Uncovers "The Salsoul Records Story"
Just in case you didn’t already know, there’s plenty of gold to be found from the Gold Legion label. Since its inception, Gold Legion has reissued and remastered classic disco records from master tape sources, adding copious annotation and bonus tracks to flesh out the stories behind the music. Some of Gold Legion’s previous releases have been dedicated to iconic singer-actress-model Grace Jones, “Turn the Beat Around” diva Vicki Sue Robinson, The Emotions as produced by Maurice White and
Review: Elvis Presley, "Aloha From Hawaii Via Satellite: Legacy Edition"
Elvis Presley never did anything small. When he stepped onstage at 1:00 a.m. at Honolulu's International Center on January 14, 1973 for a scheduled 12:30 a.m. concert, satellites were beaming the most expensive entertainment broadcast ever to an audience of over one billion (yes, one billion) people around the world. The subsequent RCA album quickly was certified gold, and eventually went five times platinum. Now that world-famous LP, Aloha from Hawaii via Satellite, is the latest Legacy
Review: Duane Allman, "Skydog: The Duane Allman Retrospective"
“I ain’t wastin’ time no more,” Gregg Allman sang following the death of his brother Duane at the age of 24 in October 1971, “’cause time goes by like pouring rain…and much faster things/You don’t need no gypsy to tell you why/You can’t let one precious day slip by.” Surveying the remarkable new box set Skydog: The Duane Allman Retrospective (Rounder 11661-9137-2), it’s evident that Duane Allman’s too few days certainly were precious, filled with soulful sounds that transcended genre tags like
Review: The O'Jays, "Ship Ahoy: 40th Anniversary Edition"
James Barkley’s rear cover artwork for The O’Jays’ 1973 Philadelphia International LP Ship Ahoy depicts a mighty vessel sailing on the sea, but the reflection in the water isn’t of the boat itself. Rather, ghostly figures of abandoned souls populate these waters. The setting is the Middle Passage, the infamous crossing in the “triangular trade” that saw Africans shackled and shipped as slaves to the Americas. Those spectral presences loom over the visages of Eddie Levert, Walter Williams and
Reviews: Real Gone Reissues A Lost Jimi Hendrix Production, All-Girl Rock Pioneers and Mime-Rockers
We’re taking a look at three of the latest pop-rock rarities from the crate-diggers at Real Gone Music, including two albums from bands with a Todd Rundgren connection! Fanny, Fanny (RGM-0118) Maybe the tongue-in-cheek cover didn’t do the band a great service. The band was called Fanny, and the album cover showed the all-female band’s four members, their backs to the camera, their fannies for all to see. For good measure, Alice De Buhr grabbed June Millington’s fanny. But beyond the goofy
Special Review: David Bowie, "The Next Day"
Welcome to today's special review of David Bowie's twenty-fourth studio album and first in ten years, The Next Day. As you likely know, The Second Disc rarely reviews newly-recorded albums, but the return of this iconic artist to the recording studio simply couldn't be ignored. In 1980's "Ashes to Ashes," David Bowie famously revealed "Major Tom's a junkie, strung out in heavens high, hitting an all-time low." This continuation of the story begun in 1969's "Space Oddity" was as definitive a
Songwriters Barry Mann and Cynthia Weil Are "Born to Be Together" on New Ace CD
Born to Be Together: could a more apropos title have been devised for a collection of the songs of Barry Mann and Cynthia Weil? Married since 1961, the team both defines and defies the phrase “unsung heroes.” Without hit records as recording artists, Mann and Weil have never had the name recognition of their Brill Building-era compatriots like Carole King or Neil Sedaka, but these Grammy Award-winning Rock and Roll Hall of Famers are hardly unsung. If all they’d ever written was the most
Review: Jimi Hendrix, "People, Hell and Angels"
The Jimi Hendrix reclamation project continues. The partnership between Experience Hendrix and Legacy Recordings began in early 2010 with the release of Valleys of Neptune, a 12-track collection of previously unreleased material from the late guitar hero. Since then, CDs, DVDs, Blu-rays and box sets have all arrived to keep the Hendrix flame burning bright. And now Valleys of Neptune receives a proper follow-up in the form of People, Hell and Angels (88765 41898 2), a “new” collection of
Review: Otis Redding, "Lonely and Blue: The Deepest Soul of Otis Redding"
Please, let me sit down beside you…I’ve got something to tell you, you should know... From the very first elongated cry of “please,” Otis Redding’s voice drips with pain, the kind of pain rendered impossible to keep underneath the surface. The singer of “I Love You More Than Words Can Say” pleads, prods and cajoles, all the while at an utter loss. This woman who haunts him, who lingers in his mind, seemingly can’t understand the depth of his affections. Yet we the listeners certainly can
Review: Carmen McRae, "I Am Music"
“Life is just too much for me to bear…I guess nobody ever really cared…do you?” Carmen McRae poses that question some four minutes into “A Letter for Anna-Lee,” the Benard Ighner song that opens her 1975 Blue Note album I Am Music. It’s a startling moment of direct address in this sad tale of a man for whom “the business of the day won’t let me be,” adding that “this life’s not meant for me.” The song, its accompaniment led by Dave Grusin’s burbling electric piano, shifts from its
Reviews: Three From Real Gone Music - Pozo Seco, Kenny O'Dell and Borderline
Between 1966 and 1968, The Pozo Seco Singers released three albums on Columbia Records, notching up Top 40 hits “I Can Make It with You” and “Look What You’ve Done.” The first two albums, Time (1966) and I Can Make It with You (1967) were released on CD by the Collectors’ Choice Music label; now, Real Gone Music has picked up the torch with a newly-expanded reissue of 1968's Shades of Time (RGM-0112). For this album, the group name was shortened just to Pozo Seco, and the trio of Don Williams,
Come Blow Your Horn: Herb Alpert's "Fandango" Returns to CD
Between 2005 and 2007, the beat of The Brass was alive and well at Shout! Factory. The label’s Herb Alpert Signature Collection restored eleven classic titles from the celebrated trumpeter to the catalogue on CD in deluxe remastered editions, plus a rarities compilation and a remix album. Three further releases were also made available, albeit in digital download form only. Shout! is kicking off 2013, however, with the surprising reissue (due February 19) of Alpert’s 1982 Fandango, one of the
Review: Barbra Streisand, "Classical Barbra: Expanded Edition"
The title said it all: Classical Barbra. Here was a singer who needed no surname, diving headfirst into a new repertoire, that of art songs and arias. Streisand’s 1976 “crossover” album, created in collaboration with arranger, pianist and conductor Claus Ogerman, has recently arrived on CD in a newly-remastered, expanded edition from Sony’s Masterworks label (88691 92255 2, 2013). And if Classical Barbra might not have been every fan’s first choice for a deluxe Streisand reissue, producer
Review: Fleetwood Mac, "Rumours: Expanded Edition"
It never should have worked. Since its formation in 1967, Fleetwood Mac had endured radical personnel changes, a stylistic shift from blues to rock, even a challenge from a "fake Mac" claiming to be the band in concert. When guitarist-songwriter-vocalist Bob Welch became the latest member to pass through the Fleetwood Mac revolving door, Mick Fleetwood and the husband and wife team of John and Christine McVie invited two young Californians to bolster the line-up. Lindsey Buckingham and his
Review: The Miles Davis Quintet, "The Bootleg Series Volume 2: Live in Europe 1969"
“Directions in music by Miles Davis,” read the subtitle of the trumpeter’s late-1968 Columbia album Filles de Kilimanjaro. It was the first, but not the last, of his albums to bear those words. But listeners couldn’t have been expected to know which direction Davis would take with each album. Nefertiti, recorded in June-July 1967 but released in March 1968, turned out to be Davis’ last fully acoustic LP, with its follow-up Miles in the Sky (recorded January and May ’68 and released in
Review: Dick Jensen, "Dick Jensen" - A Lost Philadelphia Soul Classic
When Dick Jensen was signed to ABC’s Probe Records label in 1969, only one album title seemed appropriate: White Hot Soul. The Hawaiian-born entertainer’s stage moves earned him comparisons to James Brown and Jackie Wilson, while his voice recalled the booming sonorities of Tom Jones or Engelbert Humperdinck. Tucked away on Side Two of that Don Costa-produced LP, Jensen included The Soul Survivors’ “Expressway to Your Heart” as part of a medley. That 1967 Top 5 hit, of course, was written by
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