Even if you don't know the name of Roger Cook, chances are you do know his songs: "You've Got Your Troubles," "I'd Like to Teach the World to Sing," "My Baby Loves Lovin'," "Long Cool Woman in a Black Dress," just to name a few. But like so many of his contemporaries, the songwriter harbored aspirations of a solo career, too. This wasn't so far-fetched; as half of the duo David and Jonathan (with Roger Greenaway, co-writer of all those aforementioned songs), Cook was already a bona fide
Review: Booker T. & The M.G.s, "Green Onions: 50th Anniversary Edition"
Stax Records and Concord Music Group have brought the cool to this hot summer. Music simply doesn't come much cooler than the hip Green Onions, from Booker T. & the M.G.s. The landmark album is being celebrated for its fiftieth anniversary in an expanded edition (STX-33960-02, 2012) as part of the ongoing Stax Remasters series that last delivered a new edition of Albert King's I'll Play the Blues for You. The main attraction is doubtless the title song, a favorite of the Blues Brothers
Review: "Follies: Original 1971 Broadway Cast Recording" (Remixed and Remastered Edition)
Though the former showgirls and stage-door Johnnies of Stephen Sondheim and James Goldman’s Follies reunited in the 1971 musical for “one last look at where it all began,” it’s been rather difficult for those under the musical’s spell to take one last look (or listen, as it were) at the original production of Follies. Those who saw it routinely recall it as the grandest of all musicals; those who didn’t have had to make do with still photographs, grainy YouTube footage, talk show appearances,
Review: Elvis Presley, "I Am An Elvis Fan"
RCA Victor famously trumpeted back in 1959 that 50,000,000 Elvis Fans Can't Be Wrong in compiling the singer's hit singles from 1958-1959. Well, can 250,000 Elvis fans be wrong? Earlier this year, Elvis Presley Enterprises and Legacy Recordings gave today's crop of fans a chance to vote on their favorites from the King's rich catalogue. Over a quarter million votes were tabulated; do you agree with the final picks? The results are now on display via I Am an Elvis Fan (RCA/Legacy 88725 42334
Reviews: Three From Real Gone - The Electric Prunes, Timi Yuro, The New Christy Minstrels
It might be tough to find three artists as different as Timi Yuro, The Electric Prunes and The New Christy Minstrels, but all three have been treated with similar care on recent projects from Real Gone Music! The Electric Prunes, The Complete Reprise Singles (Real Gone Music OPCD-8574, 2012) In the annals of the One-Hit Wonder, one might stumble upon the name of The Electric Prunes. The group achieved notoriety (and a No. 11 pop hit!) with the original Nugget “I Had Too Much to Dream (Last
Review: Sam Phillips, "Martinis & Bikinis"
To call the career of Sam Phillips a varied one is a colossal understatement. The singer and songwriter born Leslie Ann Phillips has played a mute terrorist opposite Bruce Willis, placed several singles in the contemporary Christian Top 10, and today can be found scoring the exploits of a headstrong dancer and her imperious mother-in-law on ABC Family’s drama Bunheads. Though Phillips has hardly slowed down in the intervening years, fans still hold close the creative period she shared with
Review: B.J. Thomas, "The Complete Scepter Singles"
What sweeter words are there to a catalogue music enthusiast than "Complete Singles"? Thanks to the herculean efforts of the Real Gone Music team, three more artists now can boast of such a collection. And while we'll soon turn our attention to The Electric Prunes and Timi Yuro, today the spotlight is on a man for whom raindrops might keep falling...but nothing's worrying him: B.J. Thomas. Perhaps the most overdue of these sets is Real Gone's delayed, but worth-the-wait collection of B.J.
Review: Jimi Hendrix, "Jimi Plays Berkeley" and "Live at Berkeley"
When Jimi Hendrix asked from the stage of the Berkeley Community Theatre on May 30, 1970 that his audience of approximately 3,500 patrons “forget about yesterday or tomorrow…this is our own little world tonight,” he wasn’t making such a request idly. Just outside the walls of the intimate theatre, fans were trying to crash the gates, scale the walls and even gain entry via the roof. For many, the pure, unfiltered and raw music created by Hendrix and his Experience was much-needed escapism, as
Review: The Beat, "I Just Can't Stop It," "Wha'ppen?" and "Special Beat Service" Expanded Editions
When the members of The Beat had the opportunity to create their own record label, the six-piece unit (“Ranking” Roger Charlery on vocals and toasting, Dave Wakeling on vocals and guitar, Andy Cox on guitar, Everett Morton on drums, David Steele on bass and Lionel Augustus Martin a.k.a. Saxa on – what else? – saxophone!) chose “Go Feet Records” as its moniker. Now, roughly 32 years after the band’s first album was released, it will still have your feet going in wild and unexpected directions.
Review: Carly Simon, "Spoiled Girl: Expanded Edition"
The title of Spoiled Girl had a knowingly ironic resonance for Carly Simon. A scion of the Simon and Schuster publishing firm (her father was founder Richard L. Simon), Carly was considered by some to be a "spoiled girl." In fact, that couldn't have been further from the truth, despite a somewhat privileged upbringing. Yet here she was, mockingly singing of a woman who "thinks of nothing but herself," the kind of gal who sends her chauffeur to supply more bubbles for her bath! 1985's Spoiled
Review: Jellyfish, "Live at Bogart's"
When Jellyfish's Live at Bogart's was recorded on February 21, 1991, did anybody realize that neither the band nor the venue were long for this world? On December 2, 1993, The Los Angeles Times lamented the closure of the Long Beach, California club, calling it a "mighty blow" to the local music community. Yet Bogart's actually outlasted the first iteration of the band that hailed from miles up north in the San Francisco Bay Area. Andy Sturmer (drums/vocals), Roger Joseph Manning Jr.
Review: Aretha Franklin and James Brown, Reissued By BBR
In today’s reviews, we’re looking at three albums from two true legends of soul. What do they have in common? Each title has been reissued by Big Break Records, and each found its respective artist conquering new terrain: the pop music world of the 1980s! Aretha Franklin, Jump to It (Arista AL-9602, 1982 – reissued Big Break Records CDBBR 0154, 2012) Each era of Aretha Franklin’s long and remarkable career has gotten some catalogue love lately, from the artist’s first days at Columbia
Review: Omnivore's Legends of Music and Comedy, Buck Owens and Ernie Kovacs
In the pantheon of American comedy legends, you’d likely find Ernie Kovacs, the gifted, gone-too-soon (1919-1962) personality who carved out a niche in the early days of American television. Joining Ernie in that esteemed company might well also be Buck Owens (1929-2006), the influential guitarist and songwriter who made a second career out of joking, a-pickin’ and a-grinnin’ on the cornpone television variety show Hee Haw. However different these two gentlemen are, however, Omnivore
Review: The Beatles, "Yellow Submarine" on Blu-Ray and DVD
Picture yourself in a boat on a river…with tangerine trees and marmalade skies… Now, picture the evocative imagery of The Beatles’ most mind-bending lyrics transferred to a silver screen world where imagination and wonder run rampant. The result might be something like the 1968 animated film Yellow Submarine. Out of print for some time on DVD, Yellow Submarine has just returned to DVD and Blu-Ray (5099962146098) in a painstakingly restored new edition from Apple Corps and
Review: Deluxe Editions from Everything But The Girl
The band’s name is Everything But The Girl, but the reissue campaign might as well be titled Everything But the Kitchen Sink. Over the course of four 2-CD sets, the Edsel label has crafted a comprehensive, definitive retrospective of Tracey Thorn and Ben Watt’s early years as merchants of cool, sophisticated and literate pop. EBTG’s first four albums, originally released on the Blanco Y Negro label, have each been granted the deluxe treatment with an additional disc of non-LP singles, B-sides,
Review: The Supremes, "The Supremes at the Copa"
The building on New York’s East 60th Street might between 5th and Madison Avenues might not have looked like much from the outside. But within the walls of 10 E. 60th, it was a different story altogether, as that address housed the fabled Copacabana. Lyricist Fred Ebb asserted of New York City itself, “If you can make it there, you’ll make it anywhere,” but he could have been writing of The Copacabana. And Berry Gordy wanted to make it there. More accurately, the Motown Records chief wanted
Review: The Association, "The Complete Warner Bros. and Valiant Singles Collection"
“Everyone knows” the answer to the musical question of Who’s trippin’ down the streets of the city / Smilin’ at everybody she sees? But here’s another one: what’s the record label reaching out to capture a moment, bendin’ down to give us a rainbow? Everyone (at least everyone reading The Second Disc!) knows it’s Now Sounds. The Cherry Red-affiliated label has recently released the latest in its ongoing series of deluxe reissues of The Association’s catalogue, and it’s the most impressive
Reviews: Three From Real Gone - Mick Fleetwood's Zoo, Jerry Reed and Durocs
Real Gone Music has become known for its wide-ranging and eclectic releases, and today we’re looking at three of the most recent, from the countrypolitan stylings of Jerry Reed to the rock animals of Mick Fleetwood’s Zoo and the pure pop of The Dūrocs! Dūrocs, Dūrocs (Real Gone Music RGM-0058, 2012) Are you ready to hear one of the best albums you’ve never heard? Then head straight to the pig pen for the first-ever CD release of Dūrocs. Primarily written and produced by the team of Ron
Review: Paul Simon, "Graceland: 25th Anniversary"
When Paul Simon travelled to Graceland, he was aware of the mighty contradictions: “And I may be obliged to defend every love, every ending/Or maybe there’s no obligations now…” Those days of miracle and wonder took place in 1986, and now some 25 years later, the restless artist is still defending Graceland. The path to Graceland was a circuitous one, with stops in New York, Los Angeles, London, Louisiana and most crucially, Johannesburg. Though the multi-platinum record picked up Grammy
Review: Heart, "Strange Euphoria"
You’ve gotta have Heart. For over forty years, sisters Ann and Nancy Wilson have been rocking and rolling, singing and strumming, and did I mention rocking? Often considered the female answer to Led Zeppelin, Heart has outlived that famous band, incorporating Zeppelin’s furious attack into music also influenced by pop and folk. The new 3-CD/1-DVD set Strange Euphoria (Epic/Legacy 88691 93736 2, 2012) is the first collection of Heart’s catalogue selected by the Wilsons and the band’s first
Catch A Wave! Special Review: The Beach Boys' "That's Why God Made The Radio"
In Part One of our special two-part series, we recalled the ups and downs of The Beach Boys and the band’s chief musical architect, Brian Wilson. Today, in Part Two, we turn the spotlight over to That’s Why God Made the Radio, the new album in stores today from America’s Band! Brian Wilson is still a cork on the ocean floating over the raging sea. But is that a whiff of contentment I hear running through The Beach Boys’ “reunion” album, That’s Why God Made the Radio? Despite the ups and
Review: Albert King, "I'll Play The Blues For You"
It wasn’t that Albert King couldn’t play music other than the blues…but even when crooning in his most velvety-rich style, there was just something inherently lived-in, worldly, and commanding about that voice…in other words, something bluesy. And though that underrated voice would be enough for a lesser artist, King’s greatest gift was as a guitarist. Perhaps the best display of both of those titanic talents was the 1972 Stax album with the apt title of I’ll Play the Blues for You, just
Reviews: First Family of Soul - Rare Albums From Dionne and Dee Dee Warwick, Cissy Houston Reissued and Expanded
If there's such a thing as a First Family of Soul, it might as well be the combined Houston/Warwick clan. Born in Newark, New Jersey in 1933, Emily "Cissy" Drinkard sang gospel with her family as part of The Drinkard Singers, which counted Cissy's sister Lee Warrick among its members. Marie Dionne Warrick was born in 1940 to Lee and her husband Mancel; Delia Mae "Dee Dee" Warrick followed in 1942. Though The Drinkard Singers remain an important part of the history of gospel music, said to
Review: The Critters, "Younger Girl: The Complete Kapp and Musicor Recordings"
In those heady, pre-American Idol days, the route to success had many paths. For New Jersey’s Critters, the path was local, with the band making a name for itself in the tree-lined suburbs of Westfield, Scotch Plains and Princeton, gigging at high schools, colleges, and Knights of Columbus halls. Though they were proficient at covering the days’ hits, The Critters also boasted some formidable songwriters at a time when recording one’s own songs was becoming de rigeur. Before long, The
Review: Paul and Linda McCartney, "The Paul McCartney Archive Collection: Ram"
Paul McCartney might have taken the bull by the horns for his aggressively homemade solo debut McCartney in 1970, defying practically all expectations, but he literally took the ram by the horns on the cover photo of its 1971 follow-up, Ram. By the time of Ram's release, George Harrison had declared that All Things (including Beatles) Must Pass and John Lennon had exorcised many of his demons with the confessional Plastic Ono Band, wife Yoko at his side. With Linda McCartney co-billed as
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