"Please don't call it 'alt-country!'," pleads The Jayhawks' archivist P.D. Larson in the liner notes to the new Legacy Edition of the band's fourth album, 1995's Tomorrow the Green Grass. But whatever you call it, the uniquely American music of the Jayhawks has endured, and is currently being celebrated by American Recordings and Sony/Legacy with two deluxe reissues produced by Larson and John Jackson. The band's major label debut from 1992, Hollywood Town Hall, has been expanded with a clutch
The Year in Reissues, Part III: The Gold Bonus Disc Awards
Well, another New Year is in sight, the CD still isn't dead (told you so!) and celebration is in the air at The Second Disc. Back on December 23, Mike shared The Year in Reissues both here and over with our pals at Popdose. Do not pass go, do not collect 200 bucks until you read these indispensable columns! Are you back with me? Good. Now, I'd like to take this opportunity to take a fun look back at a few of my favorite things via Joe's Gold Bonus Disc Awards! I'm awarding these to the reissues
MERRY DISCMAS!
We're just about to put the "Closed" sign on the door of The Second Disc HQ, but should any of you stumble upon The Second Disc on Christmas, I want this to be the first thing you see for two reasons. One, you're going to find a compendium below of all the Christmas articles Joe and myself have done this season. Let them fill you with Christmas cheer whenever you need some! And second, and most importantly, may you, the treasured reader of The Second Disc, have a Merry, Merry Christmas and a
Review: James Brown, "The Complete James Brown Christmas"
What artists do you associate with Christmas? The Beach Boys? Andy Williams? Perry Como? How about James Brown? That last one isn't a name one might immediately associate with the holiday season, outside of December 25, 2006 being the day of his death. But Brown cut no less than three holiday albums during his career, and for the first time, Hip-o Select has compiled those LPs (and more, naturally) into a two-disc set, The Complete James Brown Christmas (Polydor/Hip-o Select B0014791-02). The
Review: John Williams, "Home Alone: Expanded Original Motion Picture Score"
When you discuss the best modern entry into the Christmas music canon, most discussion centers on Mariah Carey's "All I Want for Christmas is You." The 1994 song did a fantastic job of paying tribute to the always-excellent A Christmas Gift to You from Phil Spector (1963), bringing the Wall of Sound to the '90s, and it's lived on for over 15 years. One Yuletide tune that deserves your attention from earlier in that decade, however, is "Somewhere in My Memory," the heartwarming main theme from
Review: Perry Como, "The Complete Christmas Collection"
They don’t make ‘em like that anymore. I can’t help but think of that old adage whenever I think of Perry Como. The singer was one in a line of great crooners, many of them Italian-Americans. Frank Sinatra, dean of them all and forever the Chairman of the Board, was well-known for his swagger. Tony Bennett is still renowned for the jazz chops he brings as an interpretive vocalist. Perry Como, though, is perhaps best-known for his quiet gentility. Days after his death in 2001, conservative
Review: "Super Mario History 1985-2010"
It's a credit to one's abilities as a composer when people all over the world can vocalize the instruments that play your songs. Every hook The Beatles got on the radio proved their expertise at this. Plenty of album-oriented rock bands have accomplished similar feats. In terms of worldwide appeal, however, Koji Kondo may have them all beat. Though few know his name, a simple vocalization - "Doo-doo-doo-do-do-DOOT" - solidifies his status as a legend. And to think, his most successful music
Review: Michael Jackson, "Michael"
Last winter, with Michael Jackson's sudden passing not even five months in the past, Motown and Universal Music Enterprises released I Want You Back! Unreleased Masters, a ten-track compilation that was certainly the first in a long salvo of cash-in, vault-clearing titles in honor of the King of Pop (it was wisely marketed as commemorating the 40th anniversary of the J5's first single, which was true enough). Surprisingly, after a great but ill-timed box set collecting Jackson's solo albums and
Review: Mr. Mister, "Pull"
It's a story that's been done to death: band releases hit album, changes direction ambitiously for follow-up, is met with critical or commercial indifference - or worse, the disapproval of a label leads to said ambitious follow-up never happening. Sometimes, though, there's a post-script, Eddie and The Cruisers-style, where the music is freed from captivity to the delight of adoring fans. In some ways, this is the story of Pull, the mythical fourth album by Mr. Mister, one of the more notable
Review: Bing Crosby, "The Crosby Christmas Sessions"
It’s beginning to sound a lot like Christmas when you hear the voice of Bing Crosby. It would hardly be considered a stretch to credit Crosby as one of the inventors of the art of popular singing. Crosby was among the first performers to conversationally and intimately sing as an extension of speech; he also pioneered the technique of the microphone so a singer wouldn’t have to belt to the rafters. Despite these accomplishments that seismically shifted the sound of American music, the late
Review: Bee Gees, "Mythology: The 50th Anniversary Collection"
I've gotta get a message to you. The Bee Gees are celebrating half a century in the business we call show, and Rhino has invited fans to the party with the release of Mythology: The 50th Anniversary Collection, a new four-disc box. There's always something unmistakable about a family's vocal blend. The Gibbs belong to the same tradition alongside the Everlys, the Wilsons, the Jacksons, the Carpenters, and so many others. Family was foremost on Barry and Robin Gibb's mind when creating
Review: Paul Williams, "Someday Man: Deluxe Expanded Edition"
There are certain albums a person returns to, over and over again. These albums often transcend time and genre, and chances are you can name a few of them that reside in your own music collection. I'm talking about that special album you might play when you're down, or when you just need a visit from an old friend to remind you of another time. At The Second Disc, we frequently strive to remind you of those albums. Through the years, one such record for me has been Paul Williams' Someday Man.
Review: Bruce Springsteen, "The Promise: The Darkness on the Edge of Town Story"
In 1978, Bruce Springsteen famously mined the darkness on the edge of town, but it was unknown until recently that he considered living in the light of those same New Jersey streets. Flush with the success of Born to Run but drained from a prolonged battle with his former manager, Springsteen considered all avenues in creating the follow-up to the album that changed everything. And much like the eventually-resulting Darkness on the Edge of Town upped the ante from that 1975 landmark, the
Review: The Stooges, "Have Some Fun: Live at Ungano's"
Perhaps more than any other band, you can learn a great deal about The Stooges without ever taking a really close listen to their music. For instance, when Raw Power, the band's final album before a lengthy split, was remastered and reissued in 1997, chaotic lead singer Iggy Pop personally remastered the album to be as unlistenable as possible. Volume levels were at a violent, threatening level - a potent reminder of the band's sonic death wish and Pop's iconic, self-destructive attitude. The
Review: The Apple Records Remasters, Part 5 - Apple, Collected and Boxed
In the final part of our Apple Records series, we open the import-only Apple Box Set and spin the label's first-ever "greatest hits" set. While the label only lasted a tumultuous seven years between 1968 and 1976, the legacy of Apple Records survives on today’s radio airwaves: “Those Were the Days.” “Day After Day.” “Come and Get It.” Notwithstanding The Beatles’ albums, both solo and as a group, that bore the famous label design, there was no shortage of great music emanating from the Savile
Review: The Apple Records Remasters, Part 4 - Harrison's Soulful Trio
In the penultimate installment of our weeklong series on the new Apple Records remasters, we listen to the label's three most soulful singers: Jackie Lomax, Doris Troy and Billy Preston, and along the way, encounter George Harrison, Paul McCartney, Ringo Starr and a number of their most famous friends! In yesterday’s installment, we looked at the less commercial side of Apple Records. Today, we turn the spotlight on four records that positively smoke, by three soulful troubadours. The funky
Review: The Apple Records Remasters, Part 3 - Esoteric to the Core
In Part 3 of our five-part Apple Records series, we look at a number of the non-rock recordings released under the Apple umbrella. As the home of Apple Records, 3 Savile Row, London, saw many of rock’s greatest musicians pass through its doors. But Ron Kass, the American expatriate headhunted from Liberty Records to be Apple’s first head, knew the importance of building a diverse catalogue across many genres. In its short years as an active label, Apple certainly took Kass’ belief to heart, and
Review: The Apple Records Remasters, Part 2 - Meet Mary and James
In Part 2 of our five-part series exploring the new Apple Records reissue campaign, we look at the folkier side of the label with Mary Hopkin and James Taylor. In Part 1, Badfinger had close encounters of The Beatles kind when both Paul McCartney and George Harrison lent their production expertise to the Apple Records band. McCartney made his other major contribution to Apple’s catalogue with the debut album of a winsome 18-year old Welsh songstress named Mary Hopkin. The Apple Records reissue
Review: The Apple Records Remasters, Part 1 - A Quartet by Badfinger
Welcome to Part 1 of a five-part series in which we’ll take an in-depth look at the recently-released Apple Records reissue campaign, comprised of 16 Apple albums recorded between 1968 and 1974 plus the first-ever label anthology. We’ll begin with the albums of Badfinger. It’s almost impossible to write about Badfinger without mentioning their mentors, employers, producers and influences, The Beatles. Signed in 1968 by the Apple label at the instigation of The Beatles’ confidante and “roadie,”
Review: Paul McCartney, "The Paul McCartney Archive Collection: Band on the Run"
In the promotional EPK created to kick off The Paul McCartney Archive Collection, the former Beatle reflects on the importance of giving value for the dollar when it comes to buying an album. With this dictum in mind, the team at Concord/Hear Music and McCartney’s company, MPL, created a multi-tiered program for the series’ kickoff release, a remastered edition of McCartney and Wings’ Band on the Run. It's available in multiple CD editions, a vinyl set and as high-resolution downloads. All are
Review: The Monkees, "Head: Deluxe Edition"
Once upon a time, the undisputed king of the box set was Rhino Records. The label gave us a brain in a box, an old phonograph to house the masterworks of Ray Charles, a crate of eight tracks to take us back to a more soulful time, and a hatbox filled with the most effervescent girl group sounds possible, just to name a few. (Shag carpets, coffee beans and a carrying case for 45s figured prominently in a few other such packages.) Of late, these lavish sets haven't appeared with great frequency; I
Review: Ravi Shankar and George Harrison, "Collaborations"
George Harrison…the Radical Beatle? While you’re unlikely to find that description in many Beatles reference books, it’s not all that far-fetched a description. Exhibit “A” might be the new box set released by Dark Horse and Rhino just in time for the gift-giving season. While it’s arrived somewhat under the radar compared to higher-profile sets from the McCartney and Lennon camps, the music found on George Harrison's collection of Collaborations with Ravi Shankar will sound far more radical to
Review: Bob Dylan, "The Bootleg Series Volume 9: The Witmark Demos"
Artie Mogull of Music Publishers' Holding Company believed he may have been among the first people in the music business to hear Bob Dylan sing "Blowin' in the Wind." Before his death in 2004, he recounted that he "flipped" upon hearing "How many ears must one man have before he can hear people cry?" It's not hard to see why. To a melody adapted from the spiritual "No More Auction Block for Me," Dylan succinctly, eloquently and powerfully gave lyrical voice to a generation of youth struggling
Review: Jimmy Webb, "Ten Easy Pieces Plus 4"
Often a reissue celebrates a classic album of years past. Through additional content, new remastering or expanded liner notes, the listener can put the original in perspective. It can be a reminder of just why we loved that album so much the first time around or take us to a special time in our own past. At other times, a reissue brings a forgotten album to light, revealing it as a lost treasure. Such is the case for Jimmy Webb's Ten Easy Pieces, now Plus 4 courtesy the fine folks at DRG
Review: David Bowie, "Station to Station" (2010)
There are box sets, and then there are box sets. EMI's hulking, monster of a box dedicated to David Bowie's 1976 Station to Station (EMI BOWSTSD2010) is one such box set. It's even more massive than The John Lennon Signature Box, itself a lavish and large affair containing 11 discs. The multi-disc box celebrating a single album isn't a new concept, although in the past such offerings were largely based upon session material. The format has proliferated in recent times as record labels have