On March 25, 2012, Aretha Franklin will turn 70 years old. That hardly means she's ready to slow down, however. 2011 found the Queen of Soul looking trim and sounding vibrant as she returned to the concert stage and released a new studio album. Surely her landmark birthday will be celebrated with countless airings of her 1960s golden hits like "Respect," "Natural Woman" and "Chain of Fools." But Legacy Recordings and Arista Records are seeing to it that a latter-day hitmaking period for the
Review: The Cool Revolution Continues - Four From CTI and Kudu
When he established Kudu as an offshoot of his titanic jazz label CTI, Creed Taylor wore his ambitions on his sleeve. The label was named after the long-horned African mammal and its logo adorned with Afro-centric colors, as Taylor intended to do no less than make Kudu a home for releases "indigenous to the black popular music of the United States." Taylor always knew the importance of a visual, and much as CTi releases were recognizable for their striking, provocative cover photographs and
Stay Awhile: Dusty Springfield Box Set Packed With Rarities, Due This Month In Two Editions
UPDATE 10/6: We're just a few short weeks away from the release of Goin' Back: The Definitive Dusty Springfield, a super deluxe box set by any standards. With its four CDs, three DVDs and two hardback books, Goin' Back may be the ultimate holiday gift for the Dusty diehard. Of its 92 audio tracks, 22 are previously unreleased, 10 are making their U.K. debut and five are appearing for the very first time on CD. Of its 98 video performances, a full 32 are premiering on DVD. But if Goin' Back
Ode To A Kudu: CTI Masterworks Series Continues In October With Kudu Titles
Tuesday, August 9 brought the most recent quartet of CTI jazz titles to CD from Sony's Masterworks Jazz division. For the next batch, due October 4, the label has turned its attention to CTI's offshoot label, Kudu. Named after the long-horned African mammal, Kudu was launched by CTI's Creed Taylor in 1971. Taylor described his new endeavor as "a black awareness label, more commercial oriented than CTI and indigenous to the black popular music of the United States." Even the logo's familiar
Reach Out For Them: New 2-CD Comps Coming In September For Dionne, Chicago
Following collections devoted to Foreigner, Christopher Cross, Otis Redding and Yes, the U.K.’s Music Club Deluxe label (a member of the Demon Music Group family) continues its exploration of the Warner Music Group catalogue with new compilations focusing on the long, diverse careers of Dionne Warwick and Chicago. Either of these esteemed acts would be solid candidates for our Greater Hits feature, in which we compare an artist’s “greatest hits” output. Both certainly have been the subjects of
Big Break's Full Summer Slate Includes Isleys, Pointers, Prince Partners
The fine folks at Big Break Records have got another large batch of new titles for release in the U.K. on July 25, and we figured now was a good time to share not only the track lists and details with you, but look ahead at some of the huge titles they're prepping for next month. There are a few really great, underrated titles from some big-name acts in next week's batch, including expansions of The Isley Brothers' Between the Sheets (1983) and I Can See Clearly Now (1972) by Johnny Nash. But
Review: "Our Lives Are Shaped By What We Love: Motown's Mowest Story 1971-1973"
The sound is familiar but different. The harmony is spellbinding if a bit woozy. You've only given me a flower/I wish I had the whole bouquet... The track, led by acoustic guitar and gently funky percussion, is spare and raw. If I should ask you for an hour/Is there a chance that you would stay/And maybe spend the day? The falsetto is recognizable but eerily haunting. The song is "You're A Song (That I Can't Sing)" performed by Frankie Valli and the Four Seasons for the album Chameleon, the
He's Got What It Takes: Marv Johnson's Motown Years Coming from Kent
Had Marv Johnson (1938-1993) accomplished nothing else, he would still go down in history as the first artist heard on a Motown single. The very first release to come out of Berry Gordy's mighty empire in January 1959, Tamla 101, was Johnson's "Come to Me" b/w "Whisper," both sides of which were written by Gordy and the artist. Thankfully, Johnson did accomplish much more musically, and as a testament to his legacy, Ace's Kent label will release I'll Pick a Rose for My Rose: The Complete Marv
Reissue Theory: Aretha Franklin at Arista
The music industry is littered with careers that crashed after a second chance at the spotlight. This could have easily befallen even a legend like Aretha Franklin; the Queen of Soul had in fact risen on a second chance at Atlantic after a largely unsuccessful career with Columbia, but by the late 1970s, Aretha's attempts to fall in with the trends of rhythm and blues were frequently derided, and ultimately she would sever her ties with the label. Against all odds - not counting the fact that
Review: Jackie DeShannon and Doris Troy, Anthologized by Ace
It may have been sheer coincidence that Ace dropped I'll Do Anything: The Doris Troy Anthology 1960-1996 and Jackie DeShannon's Come and Get Me: The Complete Liberty and Imperial Singles Volume 2 on the same day. But different though these two singers may be, their similarities are striking. Both were pioneering female songwriters, with Troy penning her biggest hit, "Just One Look," and DeShannon offering up the likes of "When You Walk in the Room" and "Put a Little Love in Your Heart." Both had
Reissue Theory: Bobby Darin, Compiled: "The Motown Years"
Welcome to another installment of Reissue Theory, where we reflect on great albums and the reissues they could someday see. At the time of his untimely death in 1973, Bobby Darin was signed to Motown Records, where he recorded one solo LP and enough material for a posthumous second LP. Despite their high quality, Darin's Motown recordings have long been unavailable. Today's Reissue Theory takes us back to 1970 and the final chapter in the life of the great Bobby Darin. Bobby Darin was so much
Dionne, Natalie, Nancy Reissues Coming from Soulmusic Label
Cherry Red's got soul. Mike and I reported last week on the impressive slate planned by Cherry Red's Big Break Records label. A smaller yet equally rich line-up is on the way from another Cherry Red division, Soulmusic.com Records.On February 14 in the U.K. and one week later stateside, the label will reissue five classic albums from a trio of accomplished vocalists: Nancy Wilson, Dionne Warwick and Natalie Cole. Perhaps most exciting is the two-on-one CD release of Wilson's 1974 Capitol
Doris Troy to Be Rediscovered on New Compilation
Interest in Doris Troy was piqued late last year, when her one LP for Apple Records was included in EMI's series of Apple reissues. Now, U.K. label Kent is offering fans another step in discovering the "Just One Look" singer on CD: I'll Do Anything: The Doris Troy Anthology 1960-1996. This heavily-packed single-disc anthology includes an equal amount of hits and rarities, from Troy's early years as a little-known soul singer on many small labels, to her beloved time on Atlantic in the
Gold Reissues Coming Soon for Collins, Taylor, Wonder
Audiophile specialist label Audio Fidelity has announced its initial trio of 24K Gold CD reissues for 2011, and it is comprised of three familiar names, all of whom have previously had titles reissued on the label: Phil Collins, James Taylor and Stevie Wonder. Already having tackled the gold CD of Collins' 1981 solo debut Face Value, Steve Hoffman returns to remaster the artist's 1985 breakthrough, No Jacket Required. Spawning four U.S. Top 10 singles, No Jacket Required was the former
And They Just Can't Hide It: Big Break Records to Reissue Two Pointer Sisters Classics
If you're a reader of The Second Disc and you're about to lose control, then we think you'll like this story: Cherry Red's Big Break imprint is reissuing two classic albums by The Pointer Sisters: Special Things (1980) and So Excited! (1982). The Pointer Sisters were instantly recognized as a unique R&B group with their self-titled debut LP in 1973. Their voices were strong and their style was distinctively retro, dealing heavily in jazz and be-bop. They even decked themselves out in
New Review - Whitney Houston: The Deluxe Anniversary Edition
Need a cure and tonic from the truly dismal Grammys, currently invading airspace across the East Coast? The inimitable Matt Rowe at MusicTAP has been kind enough to post another catalogue review of mine. This time it's Legacy's neat reissue of Whitney Houston's 1985 debut LP. While I can't yet confirm if I "might just be the next MusicTAP," as Matt very kindly speculates, I am more than happy to try. To that end, check out the review here and keep reading The Second Disc for all the expanded
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