Hot on the heels of The Second Disc’s look at the solo recordings of Burt Bacharach, news just broke that one of the maestro’s most famous non-solo albums is receiving the limited-edition deluxe reissue treatment from the Kritzerland label. United Artists’ cast recording of the 1968 Broadway musical Promises, Promises has long been a favorite recording of Bacharach & David aficionados for introducing their songs “I’ll Never Fall in Love Again,” “Promises, Promises” and “Knowing When to
Like Father, Like Son
Humorously enough, just as word spreads that a large Bob Dylan box set might be in the works, Interscope preps a catalogue compilation devoted to Mr. Zimmerman's son Jakob and his band The Wallflowers. Looking Through You - Another Collection will compile some of The Wallflowers' best-known odds and ends from singles, soundtracks and other compilations. The Wallflowers were a popular band in the late '90s alt-rock scene for a number of reasons. Yes, Jakob was the son of musical royalty, but his
On the Radio
[youtube=http://www.youtube.com/watch?v=BhTRQE2AELA] In the past week, The Second Disc has had a lot to say, whether it was about Prince, Scott Walker, Huey Lewis and The News or a few others. Every now and then, it's nice to turn the lens around to you, the reader, because we all have different songs and artists filling our head at any given time. We lead you to the weekend by throwing to another bit of open-ended discussion. Most of us were likely, in the words of Journey, raised on radio.
Friday Feature: "Batman (1989)"
And one last foray into the Prince catalogue on The Second Disc with what is arguably one of the dopiest entries in his catalogue. To some, it seems like a total work for hire, a hatchet job, a cash-in - and while that may be the case, it's kind of a fun listen. That's right: Prince's album devoted to the 1989 film Batman. The story goes that star Jack Nicholson was the one who suggested Prince to director Tim Burton. After editing two scenes to a temp track of Prince tunes ("1999" for the
Prince Week Day 7: Crystal Ball
In the penultimate entry of Prince Week (I know, this is Day 7, but we got one more piece for you tomorrow), The Second Disc turns its attention to one of the most fertile times in Prince's life. From 1986 to 1987, just two short years, His Royal Badness managed to record enough material for a good four or five albums; it should go without saying that this material would be greatly served in a box set from Rhino at some point in time. Hit the jump to get your world rocked with a story of lots
The Setlist Situation, Part II
A huge debt to Vintage Vinyl News for posting the track lists of the upcoming batch of Setlist compilations from Legacy Recordings. If you haven't been following these titles, Sony's reissue label is releasing 11 budget-oriented live compilations (basically a live counterpart to their successful and sometimes collector-worthy Playlist series) on July 13. Happily, VVN's post (the information of which comes from Legacy itself) shows the discs seem rather forthcoming about recording information -
Prince Week Day 6: Life in the Madhouse
In determining what was going to make up the contents of Prince Week, a great deal of agonizing was endured over where to place Prince's many side projects. Prince, ever the purple brain trust, developed a lot of side projects over time, particularly during the beginning of his success as a pop artist. The Time, Sheila E. and Vanity 6 are still the best acts he ever squired in the early Paisley Park years, but there were plenty others that deserve a look back someday - and ultimately, the sheer
Prince Week Day 5: Prince in Other Places
Prince's influence has been discussed far and wide, from fashion to music videos to the actual, Hendrixian quality of his guitar playing. But it's always unusual when the mercurial purple genius decides to directly contribute to another artist's canon, particularly since one really never knows where he's going to end up next. What follows is a chronological list of ten of Prince's most interesting "guest appearances." Half of them are actual guest appearances, the other half either songs he
Prince Week Day 4: The Reissue Conundrum
Talking about Prince on a blog devoted to back catalogue music usually results in three considerations: 1) Prince really should allow remasters/reissues of his astounding discography, 2) Prince won't ever allow remasters/reissues of said discography and 3) why the heck not? As many of his fellow contemporaries (Madonna, Michael Jackson, Rick James, etc.) and other luminaries (The Rolling Stones, Jimi Hendrix, even The Beatles) have enjoyed remastering and rediscovery on compact disc, Prince has
Prince Week Day 3: He Would Die 4 U
This particular installment of Prince Week is an unorthodox one. The Second Disc is usually a place for just catalogue type stuff, since that is the gateway to most of our feelings about classic music. But sometimes the feelings themselves are worth writing about, if they're particularly strong. It's with this in mind that The Second Disc presents a bit of an emotions-based look at Prince's music. The following (admittedly lengthy) essay is something I've worked on for a few years in college,
Prince Week Day 2: A Compilation Comparison
We continue our Prince week with a little something for the fans out there that may have never caught on to His Royal Badness enough to buy any of his music. Often times, in cases where you want to get a firm start on following an artist, a greatest-hits compilation is the way to go. But Prince, like many other rock legends, has more than one such set on the market. And money's tight for a lot of folks. So which one do you end up buying? Follow the jump for a detailed breakdown of each one.
It Might Be (The Soundtrack for) You
The Film Score Monthly label has prepped another two titles for release: two very different scores from two different composers, but winners both. First up is Jerry Goldsmith's in-demand score for the Sean Connery space Western Outland (1981). Goldsmith created a score that resembled his suspenseful approach to Alien from two years before, and it was augmented by some last-minute additions by Michael Boddicker (Buckaroo Banzai, Flashdance and session work for Michael Jackson) and Morton Stevens
Friday Feature: Prince on Film
The Second Disc reader Robert Altman was predicting the future when he suggested a week devoted to Prince a few days ago. Prince - one of the most polarizing and intriguing figures to ever saunter onto the pop music scene - deserves reams (or gigabytes, in this case) written about his music and its impact, and The Second Disc promises to deliver in that regard. From this Friday to next Friday - going right through Prince's 52nd birthday on Monday - TSD will present a few features on Prince's
Reissue Theory: "Born in the U.S.A.: The Remixes"
I'm not sure how old I was when I learned what a remix was. I certainly didn't have a childhood of going through 12" singles and hearing alternate, longer versions of my favorite pop songs. But I do know that when I first started realizing that songs would be edited for radio (or extended for single consumption), my mind was blown. This increased tenfold with the discovery of remixes through the '80s. Say what you will about the music at that time, some of it was made better by remixing on
Clouds on the Horizon
Even though The Second Disc is primarily geared toward catalogue matters, I'd be doing myself a disservice by not paying attention to music as it stands in the present day. There's a trend I've been trying to wrap my head around on the tech side of music, one which could actually have spectacular implications for catalogue works if done properly. They're calling it "the cloud" - mobile, streaming music services that keep the music on a server instead of directly downloading it to your computer.
In Defense of Playlist
In today’s radically-changed music climate, it should come as no surprise that record labels are trying many different series and business models to figure out just what the heck will sell. These releases aren’t necessarily aimed at the audience reading this site, most often targeting the casual music buyer. As such, these greatest hits series – whether Sony’s The Essential…, Universal’s 20th Century Masters or EMI’s Classic Masters, just to name a few – tend to be scorned by many collectors as
Reissue Theory: Tears for Fears, "Elemental"
One of the hardest parts of being a reissue fan is waiting. Sometimes a project will get announced, then delayed or cancelled outright. Those long gaps between reissues can be irksome, particularly when the delay time fails to lead to any improvement or innovation in the packaging and presentation of a catalogue title. Other times, though, the reason behind the lack of a reissue is simply that nobody thinks to re-release it. Take, for instance, one of the better bands of the 1980s - Tears for
The Second Disc State of the Union
Readers: we need to talk. It's nothing bad. The Second Disc isn't going away, isn't reducing its output, nothing like that. We just need to talk about a few things. Around five months ago, The Second Disc was started with a list of great reissues that were released in 2009. It was a post copied from a Facebook note written some weeks before. A modest beginning, to be sure. It's hard to have high expectations about anything you're just starting out on, particularly a blog. How many blogs must
Friday Feature: A Discful of "Dollars"
Blame the continuing heat in the Northeast. Blame the recent release of video game Red Dead Redemption. But it's just a good time for some great music from the "spaghetti Westerns," that subgenre of film where the Italian film community emulated and built upon the traditions of the American Western picture. Ask any film scholar and they'll likely tell you that few directors contributed more for the genre than Sergio Leone - and futhermore, that his best works had Ennio Morricone providing a
Back Tracks: Billy Idol
Lately, I've been unable to turn the radio dial to a rock-oriented radio station without happening on the music of Billy Idol. There's nothing wrong with that - Idol was one of the best artists of the '80s - but it's a bit jarring, if only because it's hard to think of Billy Idol as a rocker, in the truest sense. Sure, his music is dominated by some excellent guitar (usually from the axe of the fantastic Steve Stevens), and it has a bit of an edge thanks to Idol's irrepressible snarling vocals.
Review: Otis Redding, "Live on the Sunset Strip"
“Are you ready for star time?” Considering that the star in question was “the one and only, Volt recording star Otis Redding," the answer was bound to be in the affirmative. That was the introduction granted Redding by emcee Al Brisko Clark at West Hollywood’s Whisky A Go Go on the evenings of April 8, 9 and 10, 1966. The Whisky was the happening nightspot on the Sunset Strip in ’66, immortalized by Johnny Rivers on a 1964 LP and frequented by a who’s who of the Los Angeles music scene. (See
The Setlist Situation
When Legacy announced a new compilation series called Setlist, featuring some of their roster's greatest hits in a live setting, some fans understandably started scratching their heads. The label's Playlist series, from which this new series obviously drew inspiration, made sense on a few levels. They were compilations priced for the budget-conscious, and sometimes had a few bones thrown to hardcore collectors in the form of single-only mixes or edits. For Setlist, however, the premise seems
The Trend
When The Second Disc's Exile on Main St. poll was posted, I mentioned that I had noticed a rather unusual trend in the purchase of the various deluxe sets that were available. As a member of the electronics/entertainment staff at a Target store, I was able to track a few of the big sets, some of which were only available through our retailers. Target was the only place to get the bonus disc of the deluxe edition (that is, the Rarities Edition), as well as the fan pack which bundled a t-shirt
Friday Feature: The Star Wars Trilogy
It was three decades ago today that The Empire Strikes Back was released. Much has been written about what the movie did for the Star Wars trilogy as a cultural force (no pun intended), for sequels in general and so on. But let's not kid ourselves here: when Empire first came out, it was not seen as the masterpiece it is now. The New York Times gave this film - easily the most watchable of the three Star Wars movies - a largely negative write-up. But whatever the merit of such reviews nowadays,
Miles and Miles of Miles
Well, damn. After blowing minds in the jazz world with last year's The Complete Columbia Album Collection, Legacy gears up a few more Miles Davis reissues that are sure to pique the interests of devoted listeners and rarity hunters. On August 31, Columbia and Legacy will re-release the trumpeter's acclaimed Bitches Brew as a Legacy Edition. The original album in its eight-track studio mix (as opposed to more recent digital remixes) will be enhanced with bonus session tracks and a newly-released
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