With hyperbole the norm, it's questionable just how many buyers took notice of a 1957 album on the Liberty label entitled The Versatile Henry Mancini. Yet fewer record titles have proven as apt. As frequent collaborator Blake Edwards noted, "Whether the situation is romantic, humorous, tragic, ironic or full of action, Mancini creates exactly the right musical mood." Mancini's breakthrough came two years after that LP's release, when Edwards enlisted him to provide the cool jazz-inflected
More Garland: First Hand Reveals "The London Studio Recordings 1957-1964"
The British Film Institute describes Ronald Neame’s 1963 film I Could Go on Singing as a “made-to-measure portrait of a singer grappling with her many demons before a London Palladium concert.” With the singer in question portrayed by the incandescent Judy Garland in what would turn out to be her final film role, it’s only natural to wonder just how much of the film was art imitating life. Or was it the other way around? Garland herself had performed triumphantly on the famed London stage as
FINAL UPDATE 8/4: "Phil Spector Presents the Philles Album Collection" and "Essential Phil Spector" Due From Legacy
Well, get a load of that! This is the photo I've been waiting for - and if you're reading this, chances are you've been waiting with bated breath, too! As of August 4, we have official confirmation that Legacy's Phil Spector Presents the Philles Album Collection is, indeed, coming on October 18, along with a two-disc retrospective as part of the label's long-running Essential series. Most purchasers of Legacy's first wave of Philles Records reissues last February took immediate notice of a
Review: The Beau Brummels, "Bradley's Barn: Expanded Edition"
Before Abbey Road or Caribou, The Beau Brummels immortalized a famous recording studio as the title of Bradley’s Barn, their 1968 album for Warner Bros. Records. The San Francisco pop-rock outfit had travelled to Nashville, Tennessee to record at Owen Bradley’s storied venue at roughly the same time their contemporaries, The Byrds, were on the other side of town cutting Sweetheart of the Rodeo. Though the “Mr. Tambourine Man” and “Turn! Turn! Turn!” hitmakers beat the Brummels to the punch
Reissue Theory: Bruce Hornsby and The Range, "The Way It Is"
Welcome to another installment of Reissue Theory, where we look back at notable albums and the reissues they could someday see. Exactly 25 years ago today, a classic pop album was released, with a sound that was totally different from what was the norm at that time. Now, we look back at the debut of Bruce Hornsby, and why a deluxe version would be a good idea. There were plenty of great songs to top the Billboard charts in 1986, but only one had any sort of conscious reflection behind it. Only
Comic-Con Special Reissue Theory: "Jan and Dean Meet Batman"
Welcome to another installment of Reissue Theory, where we take a look back at notable albums and the reissues they could someday see. 2011 marks 41 years of Comic-Con International, and record labels like La-La Land and Shout! Factory are joining the traditional publishing houses and film studios this weekend on the show floor. But the comic biz and the music world have long been intertwined, on screen, on stage and on record. Today’s Reissue Theory spotlights one of the most bizarre albums
Steps In Time: Dave Grusin and Cy Coleman, Meet Dick Van Dyke!
What Oscar-winning composer let the world know “And Then There’s Maude,” joined Billy Joel on 52nd Street and The Nylon Curtain, and shared the music of The Graduate with Paul Simon and Art Garfunkel? Something’s telling me it might be Dave Grusin. His score to The Goonies was described as a “holy grail” by this very site back in March 2010 upon the occasion of its first release on the Varese Sarabande label, and it was indeed snapped up near-immediately. But when it comes to a Grusin
Review: Tony Bennett, "The Best of the Improv Recordings"
Clive Davis had made his mind up. According to his autobiography, he considered Tony Bennett’s career “in jeopardy” by the late 1960s and felt that “new vitality was needed.” As recently-appointed head of the venerable Columbia Records, Davis brought that new vitality to the label, but at what price? In actuality, Tony Bennett's contributions to the storied label were more vital than ever as the 1960s came to an end. He was carrying the torch for unassailable adult pop with sophisticated
Review: Neil Young, "A Treasure"
Are you ready for the country? In 1984, Neil Young certainly was. His Geffen Records debut, Trans, had just a couple of years earlier plunged Young into a “high tech” world of vocoders, synthesizers and dance beats while the singer ruminated about “The Computer Age,” “Computer Cowboy” and “Transformer Man.” 1983’s Everybody’s Rockin’ was an exercise in recreating rockabilly, with Young’s band billed as The Shocking Pinks. Originals like “Kinda Fonda Wanda” blended right in with covers of
Benson, Hubbard, Turrentine On June Slate From CTI Masterworks
Earlier this year, Universal and Hip-o Select released a bold orange box set containing the first 6 LPs on the Impulse! label, all of which were produced by Creed Taylor. The ambitious producer didn't stay long at Impulse!, however, departing for the greener pastures of Verve, then A&M, where he founded his CTI label. Following a highly successful series of CTI albums under the A&M imprimatur, Taylor's mini-kingdom went the independent route and along the way practically defined the
ICON and On and On
UPDATE 6/20: With a day before these sets are to hit stores, here's the post with the track list for the one compilation that hadn't been confirmed at the time - an incredibly slight collection for Steve Winwood. Just Steve Winwood. Not Traffic or anything else. Make of that what you will. Original post: The latest batch of ICON titles hasn't even hit stores yet, but yet another assortment of them has been announced for release next month. While, as always, there's not much in the way of
Review: Paul McCartney, "The Paul McCartney Archive Collection: McCartney and McCartney II"
Paul McCartney is still on the run, as his just-announced concert tour of the same name attests. But one thing the former Beatle doesn’t have to run from is his own legacy. Last year he inaugurated The Paul McCartney Archive Collection with his 1973 Band on the Run, making the title available in multiple platforms and prices. The next two releases in the non-chronological series have just arrived, and though the formats are slightly tweaked, the same hallmark of quality is evident on the
Review: "The Belle of New York: Original Soundtrack Recording"
Film Score Monthly has established a top-notch reputation for restoration, but the label can carve a notch on its belt for resuscitation, too. With the release of the Original Soundtrack Recording of The Belle of New York, FSM has resuscitated the line of expanded MGM musical soundtracks, once the province of Turner Classic Movies Music and Rhino, later Rhino Handmade. Under the aegis of George Feltenstein, the Rhino/Turner affiliation produced definitive editions of classic musical
"House of Rufus" Has Lots of Furnishings
Just in case you were waiting on a track list to buy Rufus Wainwright's mega-box House of Rufus, the wait is over. The 19-disc box set, which encompasses all the albums and DVDs the baroque-pop tunesmith has released in his career, is packed with some intriguing extras, too. Many of the CDs are augmented with some sort of bonus tracks, either extra songs that were released as retail exclusives, old or new live performances and outtake material. And there are another four discs of rarities as
What's New, Pussycat? Classic Burt Bacharach and Lalo Schifrin Soundtracks Reissued
Burt Bacharach turns 83 today on May 12, 2011, and we've got some news to celebrate! "Pussycat, pussycat, I love you..." Chances are you can sing along to the hip-swiveling melody of those lyrics, sung by Tom Jones and written by Burt Bacharach and Hal David for the 1965 film comedy What's New Pussycat?. But raise your hand now if you remember the sequel! Five years after the success of the original film, United Artists released Pussycat, Pussycat, I Love You, a half-sequel, half-remake moving
Motown Treasures Coming From "Josie and the Pussycats" Star Patrice Holloway
Though her fame was eclipsed by older sister Brenda, the late Patrice Holloway is still well-remembered by legions of Motown fans worldwide. The co-writer of "You've Made Me So Very Happy" and a voice for Hanna-Barbera’s cartoon stars Josie and the Pussycats, Patrice receives her first-ever CD anthology courtesy of Ace's Kent label. Love and Desire: The Patrice Holloway Anthology was originally slated to coincide with Kent's release of Brenda Holloway's The Early Years in 2009, which collected
UPDATE: Don't "Walk Away": Left Banke Reissues Coming from Sundazed on June 28
Today, The Left Banke is probably best known for "Walk Away Renee." A No. 5 pop hit in 1966, the song has been recorded by The Four Tops, Frankie Valli, Linda Ronstadt and Eric Carmen, to name a few, and remains a staple of oldies radio today. But was The Left Banke a mere flash in the pan, just a one-hit wonder? Far from it. Yet things have been stacked against the group for quite a while now: neither of their two original Smash LPs has ever seen CD release in America, and the definitive CD-era
Stage and Screen Classics, Reissued: "Until September" and "Camelot"
If there’s a link between Kritzerland’s two new releases, it would have to be melody. I’m speaking of sheer, unadulterated, romantic melody, courtesy of two of music’s finest purveyors of such themes: John Barry and Frederick Loewe. This morning, the stage and screen specialists announced two limited edition titles of 1,000, and both are notable, indeed. From Mr. Barry comes the 1984 score to Until September, while Mr. Loewe is represented by the first-ever CD release of the 1964 Original
Review: Bob Dylan, "In Concert: Brandeis University 1963"
Will the real Bob Dylan please stand up? Sunday, May 12, 1963. A 21-year old Bob Dylan is scheduled to appear on The Ed Sullivan Show, America’s favorite variety program. The young singer plans to perform his satirical “Talking John Birch Paranoid Blues,” taking sharp aim at the radical anti-Communist John Birch Society. In the song, Dylan’s narrator joins the group, walking off with his “secret membership card," ready to hunt for reds. “Now we all agree with Hitler’s views, although he killed
Review: Aretha Franklin, "Take a Look: Aretha Franklin Complete on Columbia"
Some legends are repeated so often that they’ve come to be accepted as the truth. One such legend has it that the suits at Columbia Records, circa 1960-1965, were a chain of fools who kept Aretha Franklin from reaching her potential. After all, the record states that one year and one record after being released from Columbia, a superstar was born. But what if that notion was completely incorrect, and Aretha Franklin’s talent was already fully formed and on display at Columbia? Listen to the
Reissue Theory: Elton John, "To Be Continued...1992-2010"
Welcome to another installment of Reissue Theory, where we reflect on notable albums and the reissues they may some day see. It's been over two decades since Elton John released his career-spanning To Be Continued... box set, and so much has happened with his career since then. How do you cover such ground? Simple - make another one! It’s only appropriate that Elton John titled his 1992 album The One. It was a major first for the superstar: his first album recorded in all too many years without
Review: Neil Diamond, "The Bang Years 1966-1968"
When it comes to Neil Diamond, I'm a believer. There's not a trace of doubt in my mind that Diamond burst onto the scene at the right time - not necessarily the night time, though I, too, thank the lord for it. No, Diamond made a big noise in the corridors of Bang Records in the period between 1966 and 1968, an era when the music business was experiencing change more rapidly than anyone could have predicted. And it was far from predictable that the somber and intense young man pictured on The
Ike and Tina Turner! Phil Spector! "River Deep" Returns in April
Producer Phil Spector should have been sitting on top of the world in 1966, just one year after The Righteous Brothers continued their wave of success with “Just Once in My Life,” “Ebb Tide” and of course, “Unchained Melody.” He had recently signed Ike and Tina Turner to Philles, but the male half of that duo was of little consequence to him. In Tina Turner’s force-of-nature voice, Spector saw the latest and arguably most powerful vehicle for his increasingly majestic musical statements. When he
Review: Jackie DeShannon and Doris Troy, Anthologized by Ace
It may have been sheer coincidence that Ace dropped I'll Do Anything: The Doris Troy Anthology 1960-1996 and Jackie DeShannon's Come and Get Me: The Complete Liberty and Imperial Singles Volume 2 on the same day. But different though these two singers may be, their similarities are striking. Both were pioneering female songwriters, with Troy penning her biggest hit, "Just One Look," and DeShannon offering up the likes of "When You Walk in the Room" and "Put a Little Love in Your Heart." Both had
Back Tracks: Buffalo Springfield Reunion Special
“Used to play in a rock ‘n roll band, but they broke up. We were young and we were wild, it ate us up,” lamented Neil Young in the song “Buffalo Springfield Again” from his 2000 album Silver and Gold. “I’d like to see those guys again, and give it a shot. Maybe now we can show the world what we’ve got. But I’d just like to play for the fun we had.” Some 11 years later, Young’s wish may be coming true. On February 10, Rolling Stone carried a headline for which fans had waited years: “Exclusive: