If you haven't checked out the discussion on this week's post about single edits/versions on compilations, do so immediately. It's a fun, thoughtful look at an issue that some of us take for granted every now and again.
It's inevitably led to a bit of thought given to the opposite consideration, too: what if labels started releasing longer versions of hits everyone knew and loved? What a delightful surprise that would be. And I keep crossing my fingers that it'll happen every now and then.
We've all been there: you hear some delightful little tune on the radio, and you're really into the groove. And then...slowly, the track starts to fade away. And you panic! Where is that great sound going to? If you're a kid, you probably stick your head against the speaker or turn the volume up to get the last drops of sonic beauty from your sound system.
Where does that music go when it fades out? Sometimes we get our answer if we buy the album a certain song came from, and discover more of that song we love. (And what a feeling that is, too.) But every now and again, we uncover our answers through other means.
What follows is a list of some of my favorite non-fadeout moments from around the catalogue ways and means. Some of them will probably surprise you, but that's kind of the whole point about catalogue work: to surprise us when we think we've got no surprises left.
Billy Joel, "Zanzibar"/"Sometimes a Fantasy"
Two of the most famous and oft-cited examples of longer non-faded tracks around these parts are these two Billy Joel cuts from his most fertile period in the late '70s/early '80s. "Zanzibar," a rollicking track from 52nd Street (1978) with a killer trumpet solo by Freddie Hubbard, was found to have two solos in a longer mix included on Joel's My Lives rarities box set in 2006. And "Sometimes a Fantasy," from Glass Houses, was surprisingly released as a single without that fadeout that culminates in a hell-breaking-loose finale that has Joel jokingly invoking Ringo's "I've got blisters!" cry. (That version is still, amazingly, unavailable anywhere but that original single.)
Tears for Fears - "Shout"/"Everybody Wants to Rule the World"
[youtube=http://www.youtube.com/watch?v=4-pda9JdgKs]
You'd never know that two of TFF's best singles have slightly longer versions until you know where to look. A Mobile Fidelity reissue of Songs from the Big Chair included the original U.K. 12-inch mix of "Shout," but it continued a minute or so past the fadeout, giving fans more of one of the most cathartic singles of the '80s. (This isn't uncommon on MoFi reissues; the same thing happened with a couple U2 album tracks - and Universal was smart enough to include those longer versions on U2's remasters over the past few years.) More of that killer guitar solo that plays through the fadeout on "Rule the World" was heard not only on some extended remixes, but on a remixed, reissued version of the single released for Bob Geldof's Sport Aid effort (entitled "Everybody Wants to Run the World," with Curt Smith re-recording that one line).
Squeeze, "Tempted" / Bryan Adams, "Summer of '69"
[youtube=http://www.youtube.com/watch?v=CvCqdHYSsqs]
Your correspondent has long been a supporter of the Rock Band video game series, as it's a great way to recall a lot of great catalogue tracks that is a bit more active than just buying or downloading some music. The series has, from the outset, allowed you to play along with the real master recordings of your preferred song, from "White Wedding" to "All You Need is Love." This causes some interesting sensations when you play to a track that you know has a fade-out; some enterprising editor has to neatly tie up the song for gameplay purposes, but obviously not all unfaded songs end with clean endings. When you find that they do, however - and when you find out in the middle of trying to keep up with a rhythm video game - it's kind of mind-blowing. Thanks to Rock Band, fans now know that "Tempted" ends with a bit of instrumental jamming and some more of Paul Carrack's killer vocals, and that guitar outro on "Summer of '69" continues past the fade-out to an exciting climax.
[youtube=http://www.youtube.com/watch?v=0HgoTl-HgR4]
The Jackson 5, "I Want You Back"/"ABC"
[youtube=http://www.youtube.com/watch?v=mL8eCrAlvek]
Rock Band also birthed one of the weirdest anomalies of The Jackson 5's catalogue. It turns out that the full master of "ABC" includes an extra chorus/bridge segment during that great call-and-response section between Michael and Jermaine. (It's at about three minutes into the above video.) It's barely perceptible unless you know "ABC" forwards and backwards, but it's there. (You can also hear it in part on Motown's acoustic MJ compilation The Stripped Mixes, and a very obscure compilation, Motown Year by Year: 1970.) Those stripped mixes also yielded extra ad-lib vocals on "I Want You Back"; we can only hope that Motown will pair those vocals with the original mix of the song, so we can hear one of the best pre-pubescent singers in history sing over the full version of one of Motown's most irresistible backing tracks.
Duran Duran, "Rio"
Sometimes a fadeout is barely necessary. Turn up "Rio" to full volume and you can hear the track come close to a full finish. The mix "Rio (Part 2)," included on The Singles 81-85 box set, corroborates this, as you literally hear the track end, no fadeout necessary. Unfortunately, that track is too different a mix from any other version of the song to edit properly, so we still have to hold out hope that someday EMI will give the track the slightly-longer treatment.
Amy Green says
Two of my favorite full-length, 'great ending' songs are Madonna's "Papa Don't Preach" and Martika's "Toy Soldiers".
Don says
Peter Gabriel's "Sledgehammer." The "So" LP version fades out, but the music video version ends with this killer drum beat that is totally absent from the album mix. Thankfully, the video mix was included on the "Shaking the Tree" compilation.
U2's "Pride." Briefly alluded to above, the "single mix" of this song is actually longer than the album version and includes an extra chorus and guitar solo. However, this is one of a few cases in which the shorter version is actually preferable, as its more concise and its the definitive version in most people's minds. The Unforgettable Fire reissue from last year includes both versions.
U2's "Mothers of the Disappeared" All CD versions of this song through the 80s and 90s had it fading out earlier. Then the Mobile Fidelity remaster had a longer fade and a more definitive conclusion. The 2008 Universal remaster also included this longer fade.
RoyalScam says
Never realized that about "Sledgehammer"...great, and I sold that set when I got "Hits". Now I've gotta search that out again.
Marty says
"The #1's" compilation for The Supremes and Diana Ross features several tracks extended by bringing up the fades. Great stuff!!!
RoyalScam says
Tons of extended fadeouts can be found on "The Motown Box", a 4CD set from Shout Factory/Motown that contains all stereo mixes, and many longer fades.
Hank says
The full-legnth version of "Out Of Time" by the Rolling Stones originally appeared on the UK version of the "Aftermath" album (the fade-out version being released in the US on the 1967 "Flowers" compilation), but would never see CD release (or official US release) until the 2002 ABKCO remasters.
RoyalScam says
Not really the same thing...but I'll throw this in.
You know how Queen's "We Will Rock You" ends abruptly? Well, Rick Rubin took the Red Hot Chili Peppers into the studio and extended the vamp for a few minutes to give it a proper ending, which was released as a single cassette and CD and on the 1991 "News of the World" remaster.
I love it...but I only wish he didn't add DJ scratching SFX to it. Without those SFX, it would be excellent, IMHO.
Shaun says
I'd love to hear the longer version of "Tempted"... I love that song!
I'd always wondered about that video mix of "Sledgehammer"... Guess I need track down a copy of Shakin' the Tree. I wouldn't mind having that for the title song also. You can never have too much Peter Gabriel!
As I mentioned in the earlier thread, there's a longer of verison of Traffic's "Rock & Roll Stew" on the remastered Low Spark of High Heeled Boys CD. Good stuff.
Speaking of Traffic, and Billy Joel again, I'd love to hear a longer take of "Getting Closer" (from the album The Bridge). Steve Winwood guests on Hammond organ, and apparently it was originally a lot longer. Joel and Winwood were having a blast jamming in the studio, playing Traffic songs, etc., and there's a lot more to "Getting Closer" that we've heard. It's a great jam as it is.
Will says
The Bowie CD+DVD (5.1 audio) reissue of Young Americans offers a non-fade-out on the DVD version of "Across the Universe". At least I *think* that's the song -- definitely one of the songs on the DVD version does not fade out, but I can't swear to which one.