Upon its release in July 1968, some might have found the title of The Doors' third album, Waiting for the Sun, to be ironic. After all, Jim Morrison, Robby Krieger, Ray Manzarek, and John Densmore, were hardly ever in pursuit of anything remotely sunny. But the album, with its rather bucolic cover shot, most certainly struck a chord with listeners in the year between The Summer of Love and Woodstock. Waiting for the Sun became the band's only No. 1 album, and included the No. 1 single "Hello,
Review: Electric Light Orchestra, “The U.K. Singles Volume One: 1972-1978”
The A-side of Electric Light Orchestra's first 45 had been originally written for The Move, but once it was recorded, it was clear to songwriter-producer Jeff Lynne and his co-producer and bandmate Roy Wood that "10538 Overture" was the sound of a different band altogether. Wood had overdubbed what he later remembered as a "cheap Chinese cello" onto the driving track which the two singers/multi-instrumentalists had created with the aid of Bill Hunt on French horn and Steve Woolam on violin.
Review: The Band, “Music from Big Pink: 50th Anniversary Super Deluxe Edition”
The house on Parnassus Lane, formerly Stoll Road, in West Saugerties, New York might be one of rock and roll's least likely landmarks, with its unassuming residential façade distinguished only by its pink siding. But the colorful house bore witness to the birth of some of the greatest songs in American pop history when Bob Dylan and his band - soon to be The Band - recorded "The Basement Tapes" there. When Capitol Records subsequently signed Robbie Robertson, Levon Helm, Garth Hudson, Rick
Fourth of July Special: Craft Recordings Reissues Tom Fogerty, Doug Clifford Solo LPs
Today, as we celebrate the fourth of July, we're spinning new reissues from two members of the quintessentially American band, Creedence Clearwater Revival! Before Creedence Clearwater Revival split in 1972 amid acrimony, Tom Fogerty had already departed the band which he had co-founded with his younger brother John, Stu Cook, and Doug Clifford. Fogerty launched his solo career early that same year on the Fantasy label with a self-titled debut, and in October released his sophomore set.
Piece of His Heart: “Bang: The Bert Berns Story” Arrives On DVD
BUY DVD NOW FROM OFFICIAL WEBSITEDuring his all-too-short lifetime, Bert Berns never received the kind of fame afforded many of his contemporaries on the New York music scene such as Jerry Leiber and Mike Stoller, Burt Bacharach and Hal David, or Doc Pomus and Mort Shuman. Yet, across the pond, young men like Paul McCartney and Keith Richards were taking notice whenever they saw the Berns imprimatur on one of their favorite 45s. McCartney and Richards are just two of the luminaries who lined
Review: “Fab Gear: The British Beat Explosion and Its Aftershocks 1963-1967”
"Yesterday's Gone": the song by folk-pop duo Chad and Jeremy opens the first of the six discs comprising Cherry Red and RPM's new box set Fab Gear: The British Beat Explosion and Its Aftershocks 1963-1967. It's a most appropriate opener, as yesterday really was gone for an entire generation of artists swiftly rendered obsolete by the emergence of The Beatles. As the box eloquently explains, the Fab Four "in name, song, band structure, image, defined this new Beat music...Until 1967, when The
Review: Bear Family’s “Battleground Korea: Songs and Sounds of America’s Forgotten War”
If there was any doubt that history could be engaging as well as informative, such doubt would be dispelled by a listen to Bear Family's new release, the 4-CD box set Battleground Korea: Songs and Sounds of America's Forgotten War. Make no mistake, the handsomely slipcased collection is as imposing and heavy as a textbook, as its four discs are housed within a lavish, 160-page hardcover tome. But this immersive journey can't help but thrill in its scope and execution. It follows previous Bear
Review: Chicago, “VI Decades Live: This Is What We Do”
This year, Chicago announced a first in their touring history. The band would play their second album, Chicago (or Chicago II), in full, at each concert to mark the group's ongoing 50th anniversary festivities. The celebration has continued via archival releases as well, and following last year's stellar Quadio, Rhino Records has just issued VI Decades Live: This is What We Do, the first-ever box set of live recordings from the band's storied history on four CDs and one DVD. Perhaps
The Second Disc’s 2018 Record Store Day Must-Haves
Welcome to our annual rundown of Must-Haves for this year's Record Store Day event! Once you're through reading, let us know what you're most looking forward to picking up tomorrow at your favorite local independent retailer! Our list features just a sampling of our favorites from our friends at Legacy Recordings, Varese Sarabande, Rhino Records, Real Gone Music, Demon Music Group, Walt Disney Records, Omnivore Recordings, and more! Joe's kicking things off with five essential picks (in
“Nigel Lived” Again: Intervention Brings Murray Head’s Rock Concept Album to CD and SACD
Few artists have bridged the worlds of rock and theatre as successfully as Murray Head. Singing the music of others, actor-singer Head scored two major hits on both sides of the Atlantic with 1973's "Superstar" from Jesus Christ Superstar and 1984's "One Night in Bangkok" from Chess. Far lesser known, however, is his discography as a singer-songwriter. Head imbued his own compositions with the same vibrant life as those famous songs by Andrew Lloyd Webber, Tim Rice, Bjorn Ulvaeus and Benny
Review: Chris Hillman, “The Asylum Years”
Chris Hillman is surely one of rock's largely unsung heroes. A veteran of groups including The Byrds, The Flying Burrito Brothers, The Desert Rose Band, and supergroup The Souther-Hillman-Furay Band, Hillman last year released the acclaimed album Bidin' My Time - only his seventh solo album. Produced by Tom Petty (one of the late superstar's last projects) with one foot in the past and another in the present, the LP reaffirmed the artist's deserved place in the pantheon. Now, Omnivore
Love In Action: Todd Rundgren’s “All Sides of the Roxy” Presents Complete, Star-Studded 1978 Concert
For his first live album, the 1978 double-LP Back to the Bars, singer/songwriter/sonic auteur Todd Rundgren returned to his roots with a collection of lean, tight, intimate performances recorded in the clubs of New York, Los Angeles, and Cleveland. This was Rundgren at his most accessible, playing his most universally beloved songs over his first decade of music-making, with a band including Utopia veterans Mark "Moogy" Klingman, John Siegler, and Willie Wilcox, plus his old friends from
Review: Fleetwood Mac, ‘Fleetwood Mac: Deluxe Edition’
Take away all the artifice and ephemera of the new deluxe edition of Fleetwood Mac's 1975 self-titled album (Reprise R2 559454) and you're still left with an intriguing and endlessly challenging question: how? How did a British blues band with only fleeting chart success in their home country metamorphose into one of the greatest rock bands of the 20th century's back half, architects of 18 Top 40 hits and eight platinum or multiplatinum records? And how did they do so with their ninth lineup? As
It Takes Two to Tango: Analog Spark Reissues Two Todd Rundgren Classics on SACD
Since the dawn of the CD era, Todd Rundgren's classic Bearsville LPs have appeared and re-appeared with regularity - yet they had never appeared in the physical format for which they're most ideally suited: high-resolution audio. Thanks to Analog Spark, that's all changed. The label has just released hybrid stereo SACDs of the singer-songwriter-producer's third and fourth Bearsville LPs - the career-defining Something/Anything (1973) and its daring successor, A Wizard, A True Star (1974).
For Your Love: Herman’s Hermits, Yardbirds, Hollies Featured on “The Graham Gouldman Songbook”
Ace's latest addition to its Songwriter Series, Listen People: The Graham Gouldman Songbook 1964-2005, appropriately enough begins with a track written by Gouldman, "That's How (It's Gonna Stay)." But the track is also significant in that it was performed by Gouldman, as well - as part of his early group The Mockingbirds. Throughout his career, he's worn many hats - as a songwriter, as a band member, as a solo artist - and all of them are touched upon on this fine celebration of a largely
Holiday Gift Guide Review: INXS, ‘Kick 30’
"All we've got is this moment," INXS frontman Michael Hutchence implores in the band's biggest American hit, "Need You Tonight." But in the case of the band's landmark sixth studio album Kick (1987), nothing could be further from the truth. The album, which sold more than nine million copies around the world and spun off five hit singles, has received no less than four expanded reissues in the last 15 years. In 2002, Atlantic Records and Rhino (who oversee the band's catalogue in North America)
Holiday Gift Guide Review: America, “Heritage: Home Recordings/Demos 1970-1973”
It must have taken a great deal of gumption, not to mention youthful hubris, for Gerry Beckley, Dewey Bunnell, and Dan Peek to name their band America - as if three teenaged army brats abroad in England could have possibly captured the spirit of their home country in all its complexities. Yet, capture that spirit the trio did, and today, some 47 years after they first entered the studio, America is still making music. Yet Beckley and Bunnell have happily been looking back on recent releases
Holiday Gift Guide Review: Elton John, ‘Diamonds’
It's not untoward to ask exactly who the intended audience of an Elton John compilation is in 2017. The British piano pop legend has been releasing music for more than 50 years now, and has enjoyed a run of success that began early in the '70s and has yet to entirely let up. And in that time, there have been plenty of collections for fans of all stripes. His very first greatest hits album topped both the U.S. and U.K. charts in 1974 and prompted a sequel only three years later (and a third a
Holiday Gift Guide Review: Ramones, “Rocket to Russia” [40th Anniversary Edition]
![Holiday Gift Guide Review: Ramones, “Rocket to Russia” [40th Anniversary Edition]](https://i0.wp.com/theseconddisc.com/wp-content/uploads/Ramones-Rocket-to-Russia.jpg?fit=300%2C300&ssl=1)
Johnny, Joey, Dee Dee, and Tommy Ramone introduced their fast and furious style of bubblegum punk on 1976's Ramones, then followed it up the next year with the even more potent Leave Home. Just months later, the band dropped its third major salvo. With Rocket to Russia, the sound and feel of the band's first two albums was taken to the next level - and now, forty years later, it's often recognized as the finest Ramones set. Happily, Rhino has continued its series of LP-sized, hardcover
Review: The Doors, “Strange Days: 50th Anniversary Expanded Edition”
Earlier this year, Rhino marked the fiftieth anniversary of The Doors' debut with a 3-CD/1-LP box set premiering the original mono mix of the album for the very first time on CD and including it on vinyl, as well, plus a new version of Live at the Matrix. The label has recently followed that up with a deluxe edition of Strange Days, the band's sophomore album, also in time for its own golden anniversary. (The Doors arrived in January '67, and Strange Days in September of that year.) This time
Don’t Think Twice: Ace Collects Rare Dylan Covers on “Take What You Need”
As one of the most influential songwriters of his generation - or any other - Bob Dylan's music has long transcended borders, physical or otherwise. The Minnesota native's music struck a chord in Britain, both on the concert stage (see: the famous "Judas!" concert) and on records, and his influence on British artists from The Beatles down can't be underestimated. It's no surprise that his songs were seized upon by British artists with a zeal equal to that of their American counterparts. Ace
Review: Bob Dylan, “Trouble No More: The Bootleg Series Vol. 13 / 1979-1981”
I. Gotta Serve Somebody Bob Dylan wasn't mincing words. On the first track of the first album of what would later be referred to as his "gospel years," the artist laid his message out with striking simplicity. "It may be the devil, or it may be the Lord," Dylan admonished, "but you're gonna have to serve somebody." Suddenly, the same singer-songwriter who opined that "the answer, my friend, is blowin' in the wind" had found the answer - and His name was Jesus Christ. Between 1979 and
Review: The Smiths, “The Queen Is Dead: Deluxe Edition”
The Smiths have been apart far longer than they were together in the mid-1980s, making the Manchester quartet today less of a band and more of an idea. It's interesting to see how a new deluxe edition of The Queen Is Dead (Warner Bros. 0190295783372), the group's most lauded album, interprets that thesis through its content and packaging. While the band may have made for a mere cult sensation in America, but in their native England (where success was fleeting but far more consistent), they
Review: David Bowie, “A New Career in a New Town: 1977-1982”
I. Art Decade Keep Up with David's Changes, read an insert from the David Bowie Fan Club packaged in original pressings of the artist's 1977 album Low and painstakingly replicated on the edition included in the new 11-CD (or 13-LP) box set A New Career in a New Town 1977-1982. Indeed, it was no small feat to follow the restless artist's many transformations. 1975's Station to Station saw the formal introduction of The Thin White Duke, a nattily-dressed but rather unpleasant fellow; who
Review: Alex Chilton, “A Man Called Destruction” and Chris Bell, “I Am The Cosmos”
Omnivore Recordings has kept the flame for Big Star burning brightly in recent years as the label continues to plumb the depths of the cult band's story from various angles. Two recent releases shed light on the solo works of Big Star's late musical heroes Alex Chilton and Chris Bell: an expanded reissue of Chilton's 1995 solo album A Man Called Destruction; and an updated, expanded version of Bell's I Am the Cosmos. The second album since Chilton's 1993 solo "comeback" Clichés, A Man Called
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