Last October, Cherry Red/Hear No Evil released the 8-CD The Early Years 1971-1977, chronicling REO Speedwagon's beginning on Epic Records. And now they're back with the follow-up set: The Classic Years 1978-1990, containing the group's seven remaining Epic albums and a bonus live disc across 9 CDs, highlighting the period when REO Speedwagon became a household name. The first album in the box, 1978's You Can Tune A Piano, But You Can't Tuna Fish, found REO Speedwagon at a time of change.
In the Pocket: Ace Salutes Mickie Most, Reggie Young on New Anthologies
The names of Mickie Most and Reggie Young might not be among the most familiar except to diehard music aficionados, but the songs that benefited from their respective golden touches certainly are among the most well-known ever. Ace Records has recently paid tribute to both of these late talents with a pair of deluxe anthologies. The Pop Genius of Mickie Most may be the most lavish single-disc package yet released by Ace, housed in a heavy slipcase also containing a squarebound 74-page
Spotlight On: The Zombies’ “In the Beginning” from Demon Music Group
On March 29, The Zombies will take the stage at Brooklyn's Barclays Center to celebrate their long overdue induction into the Rock and Roll Hall of Fame. The time has never been better to revisit the band's catalogue, a hugely influential one despite its small size. Rediscovering The Zombies has been made easier with the recent release of two deluxe 5-LP vinyl box sets. For the U.S., Varese Vintage has issued The Complete Studio Recordings, while in the group's native U.K., Demon Music Group
Spotlight On: The Zombies’ “Complete Studio Recordings” From Varese Vintage
On March 29, The Zombies will take the stage at Brooklyn's Barclays Center to celebrate their long overdue induction into the Rock and Roll Hall of Fame. The time has never been better to revisit the band's catalogue, a hugely influential one despite its small size. Rediscovering The Zombies has been made easier with the recent release of two deluxe 5-LP vinyl box sets. For the U.S., Varese Vintage has issued The Complete Studio Recordings, while in the group's native U.K., Demon Music Group
Shake Some Action: Cherry Red Revisits The Mod Sound of The Action
Periodically this month, we'll be looking at titles released in the latter part of 2018 that we either didn't cover, or only covered briefly, the first time around! We hope you enjoy this look at "some nice things we've missed"... Cherry Red's Grapefruit Records imprint knows where The Action is. The label has collected the complete 1964-1968 recordings of the British mod group on a splendid 4-CD box set including original masters, alternate takes, outtakes, and more - adding up to every
“Harmony in My Head: UK Power Pop and New Wave, 1977-81” Collects Costello, Squeeze, Nick Lowe, Searchers, More
In recent years, Cherry Red Records has made waves with their box set celebrations of music eras gone by. From late-'70s Scottish independent releases and '60s Baroque pop, to '80s shoegaze and even the avant-garde sound explorations of Edgard Varese and Karlheinz Stockhausen, the label has a reputation for their meticulous deep-dives into music subcultures. In November, Cherry Red put the spotlight on the late-'70s U.K. pop-rock scene with Harmony In My Head: UK Power Pop & New Wave,
Holiday Gift Guide Review: Neil Diamond, “50th Anniversary Collector’s Edition”
I. I Got the Feelin' In his 1966 debut single for Bang Records, Neil Diamond famously declared himself a "Solitary Man." But the New York singer-songwriter wasn't to be solitary for very long, as he soon gained the worldwide audience that, over 50 years later, still follows each one of his musical endeavors. Diamond has just looked back on his remarkable career on a handsome new box set from Capitol Records and UMe. 50th Anniversary Collector's Edition expands upon the similarly-titled
Holiday Gift Guide Review: Eagles, “Legacy”
Just Find a Place to Make Your Stand On the list of the United States' five best-selling albums of all time, one name stands tall - the only artist to lay claim to two of those five titles. That artist is, of course, a band: Eagles. 1976's Their Greatest Hits (1971-1975) sits atop the list at 38 million copies sold; Hotel California is third with 26 million. The ten tracks on the former are all modern-day standards, each and every one of them still a radio staple. Though the original
Review: The Beatles, “The Beatles (The White Album): Anniversary Edition”
You Say You Want a Revolution Following the enormous, worldwide success of Sgt. Pepper's Lonely Hearts Club Band, The Beatles wouldn't have been faulted had they re-entered Abbey Road Studios and created another album of robustly melodic, lavishly orchestrated songs of whimsy and wonder. But Messrs. Lennon, McCartney, Harrison, and Starr weren't interested in repeating themselves. When The Beatles arrived on November 22, 1968, roughly one and one-half years after Pepper, one didn't even
Review: Bob Dylan, “More Blood, More Tracks: The Bootleg Series Vol. 14”
Bob Dylan began recording 1975's Blood on the Tracks in much the same manner he had begun 1962's Bob Dylan: inside the studio at 799 Seventh Avenue, New York City, alone at the microphone with just his guitar, a harmonica, and the song. In '62, the facility was Columbia Studio A, in '75 it was A&R Studios. In '62, John Hammond was the producer, in '75 Phil Ramone (the R in A&R) was manning the controls as engineer. Dylan, of course, was a much-changed man, but upon his return to
Review: The Doors, “Waiting for the Sun: 50th Anniversary Edition”
Upon its release in July 1968, some might have found the title of The Doors' third album, Waiting for the Sun, to be ironic. After all, Jim Morrison, Robby Krieger, Ray Manzarek, and John Densmore, were hardly ever in pursuit of anything remotely sunny. But the album, with its rather bucolic cover shot, most certainly struck a chord with listeners in the year between The Summer of Love and Woodstock. Waiting for the Sun became the band's only No. 1 album, and included the No. 1 single "Hello,
Review: Electric Light Orchestra, “The U.K. Singles Volume One: 1972-1978”
The A-side of Electric Light Orchestra's first 45 had been originally written for The Move, but once it was recorded, it was clear to songwriter-producer Jeff Lynne and his co-producer and bandmate Roy Wood that "10538 Overture" was the sound of a different band altogether. Wood had overdubbed what he later remembered as a "cheap Chinese cello" onto the driving track which the two singers/multi-instrumentalists had created with the aid of Bill Hunt on French horn and Steve Woolam on violin.
Review: The Band, “Music from Big Pink: 50th Anniversary Super Deluxe Edition”
The house on Parnassus Lane, formerly Stoll Road, in West Saugerties, New York might be one of rock and roll's least likely landmarks, with its unassuming residential façade distinguished only by its pink siding. But the colorful house bore witness to the birth of some of the greatest songs in American pop history when Bob Dylan and his band - soon to be The Band - recorded "The Basement Tapes" there. When Capitol Records subsequently signed Robbie Robertson, Levon Helm, Garth Hudson, Rick
Fourth of July Special: Craft Recordings Reissues Tom Fogerty, Doug Clifford Solo LPs
Today, as we celebrate the fourth of July, we're spinning new reissues from two members of the quintessentially American band, Creedence Clearwater Revival! Before Creedence Clearwater Revival split in 1972 amid acrimony, Tom Fogerty had already departed the band which he had co-founded with his younger brother John, Stu Cook, and Doug Clifford. Fogerty launched his solo career early that same year on the Fantasy label with a self-titled debut, and in October released his sophomore set.
Piece of His Heart: “Bang: The Bert Berns Story” Arrives On DVD
BUY DVD NOW FROM OFFICIAL WEBSITEDuring his all-too-short lifetime, Bert Berns never received the kind of fame afforded many of his contemporaries on the New York music scene such as Jerry Leiber and Mike Stoller, Burt Bacharach and Hal David, or Doc Pomus and Mort Shuman. Yet, across the pond, young men like Paul McCartney and Keith Richards were taking notice whenever they saw the Berns imprimatur on one of their favorite 45s. McCartney and Richards are just two of the luminaries who lined
Review: “Fab Gear: The British Beat Explosion and Its Aftershocks 1963-1967”
"Yesterday's Gone": the song by folk-pop duo Chad and Jeremy opens the first of the six discs comprising Cherry Red and RPM's new box set Fab Gear: The British Beat Explosion and Its Aftershocks 1963-1967. It's a most appropriate opener, as yesterday really was gone for an entire generation of artists swiftly rendered obsolete by the emergence of The Beatles. As the box eloquently explains, the Fab Four "in name, song, band structure, image, defined this new Beat music...Until 1967, when The
Review: Bear Family’s “Battleground Korea: Songs and Sounds of America’s Forgotten War”
If there was any doubt that history could be engaging as well as informative, such doubt would be dispelled by a listen to Bear Family's new release, the 4-CD box set Battleground Korea: Songs and Sounds of America's Forgotten War. Make no mistake, the handsomely slipcased collection is as imposing and heavy as a textbook, as its four discs are housed within a lavish, 160-page hardcover tome. But this immersive journey can't help but thrill in its scope and execution. It follows previous Bear
Review: Chicago, “VI Decades Live: This Is What We Do”
This year, Chicago announced a first in their touring history. The band would play their second album, Chicago (or Chicago II), in full, at each concert to mark the group's ongoing 50th anniversary festivities. The celebration has continued via archival releases as well, and following last year's stellar Quadio, Rhino Records has just issued VI Decades Live: This is What We Do, the first-ever box set of live recordings from the band's storied history on four CDs and one DVD. Perhaps
The Second Disc’s 2018 Record Store Day Must-Haves
Welcome to our annual rundown of Must-Haves for this year's Record Store Day event! Once you're through reading, let us know what you're most looking forward to picking up tomorrow at your favorite local independent retailer! Our list features just a sampling of our favorites from our friends at Legacy Recordings, Varese Sarabande, Rhino Records, Real Gone Music, Demon Music Group, Walt Disney Records, Omnivore Recordings, and more! Joe's kicking things off with five essential picks (in
“Nigel Lived” Again: Intervention Brings Murray Head’s Rock Concept Album to CD and SACD
Few artists have bridged the worlds of rock and theatre as successfully as Murray Head. Singing the music of others, actor-singer Head scored two major hits on both sides of the Atlantic with 1973's "Superstar" from Jesus Christ Superstar and 1984's "One Night in Bangkok" from Chess. Far lesser known, however, is his discography as a singer-songwriter. Head imbued his own compositions with the same vibrant life as those famous songs by Andrew Lloyd Webber, Tim Rice, Bjorn Ulvaeus and Benny
Review: Chris Hillman, “The Asylum Years”
Chris Hillman is surely one of rock's largely unsung heroes. A veteran of groups including The Byrds, The Flying Burrito Brothers, The Desert Rose Band, and supergroup The Souther-Hillman-Furay Band, Hillman last year released the acclaimed album Bidin' My Time - only his seventh solo album. Produced by Tom Petty (one of the late superstar's last projects) with one foot in the past and another in the present, the LP reaffirmed the artist's deserved place in the pantheon. Now, Omnivore
Love In Action: Todd Rundgren’s “All Sides of the Roxy” Presents Complete, Star-Studded 1978 Concert
For his first live album, the 1978 double-LP Back to the Bars, singer/songwriter/sonic auteur Todd Rundgren returned to his roots with a collection of lean, tight, intimate performances recorded in the clubs of New York, Los Angeles, and Cleveland. This was Rundgren at his most accessible, playing his most universally beloved songs over his first decade of music-making, with a band including Utopia veterans Mark "Moogy" Klingman, John Siegler, and Willie Wilcox, plus his old friends from
Review: Fleetwood Mac, ‘Fleetwood Mac: Deluxe Edition’
Take away all the artifice and ephemera of the new deluxe edition of Fleetwood Mac's 1975 self-titled album (Reprise R2 559454) and you're still left with an intriguing and endlessly challenging question: how? How did a British blues band with only fleeting chart success in their home country metamorphose into one of the greatest rock bands of the 20th century's back half, architects of 18 Top 40 hits and eight platinum or multiplatinum records? And how did they do so with their ninth lineup? As
It Takes Two to Tango: Analog Spark Reissues Two Todd Rundgren Classics on SACD
Since the dawn of the CD era, Todd Rundgren's classic Bearsville LPs have appeared and re-appeared with regularity - yet they had never appeared in the physical format for which they're most ideally suited: high-resolution audio. Thanks to Analog Spark, that's all changed. The label has just released hybrid stereo SACDs of the singer-songwriter-producer's third and fourth Bearsville LPs - the career-defining Something/Anything (1973) and its daring successor, A Wizard, A True Star (1974).
For Your Love: Herman’s Hermits, Yardbirds, Hollies Featured on “The Graham Gouldman Songbook”
Ace's latest addition to its Songwriter Series, Listen People: The Graham Gouldman Songbook 1964-2005, appropriately enough begins with a track written by Gouldman, "That's How (It's Gonna Stay)." But the track is also significant in that it was performed by Gouldman, as well - as part of his early group The Mockingbirds. Throughout his career, he's worn many hats - as a songwriter, as a band member, as a solo artist - and all of them are touched upon on this fine celebration of a largely
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