Over six years at Warner Bros. Records, James Taylor laid the groundwork for a career that is now in its sixth decade. The Massachusetts native's records were key exponents of the early Laurel Canyon sound, not to mention the entire confessional "singer-songwriter" movement that today is synonymous with the 1970s. The six albums he released at Warner Bros. were collected over the summer in one essential CD or vinyl LP box set, The Warner Bros. Albums 1970-1976, that's perfect for the impending
Review: The Beatles, “Abbey Road: Anniversary Edition”
I. Once There Was a Way to Get Back Home By the opening days of 1969, it was clear that John Lennon, Paul McCartney, George Harrison, and Ringo Starr were four very different people, temperamentally and artistically. Their lives were taking them in different directions and threatening to pull them apart from the group that made them internationally famous. The Beatles, a.k.a. The White Album, had made high art out of those very differences and - surprising no one - was another triumph for the
Run Back to Mama: Ace’s “Horn Rock” Anthology Features Chase, Blood Sweat and Tears, Delaney and Bonnie, More
The new collection on Ace Records' BGP imprint packs a mighty punch. That's because it's dedicated to Horn Rock (with the equally-important subtitle And Funky Guitar Grooves), that boldest and brassiest of rock subgenres. The phrase "horn rock" immediately brings to mind the sound popularized by Chicago and Blood, Sweat & Tears (only one of which is represented here) but the added colors afforded by horns were applied to recordings in the baroque-rock, art-rock, psych-rock, and jazz-rock
Rhino’s 10-CD Woodstock Set “Back To the Garden: The 50th Anniversary Experience” Delivers the Goods
Fifty years ago this summer, more than 400,000 fans convened at Max Yasgur's farm for a music festival that would come to define not only the era, but the entire ethos of music festivals to come. With every passing decade, the magic of Woodstock has been celebrated and, indeed, re-marketed to new generations of music fans. The '90s saw two new Woodstock-branded festivals and an array of 25th anniversary products, including a compilation called Woodstock Diary and a 4-CD box set. To mark the
Review: David Bowie, “The Mercury Demos”
David Bowie collectors with a taste for vinyl have had much for which to be grateful this year. Parlophone and Rhino recently unveiled the third in a series of vinyl box sets this year, The Mercury Demos. (The just-released fourth such box commemorated the fiftieth anniversary of "Space Oddity.") An LP rather than a collection of singles, The Mercury Demos officially premieres ten early, one-take recordings from the future superstar, recorded on a Revox reel-to-reel tape machine in Bowie's
Review: James Taylor, “One Man Band”
The One Man Band tour took James Taylor on the road for three years of unusually intimate performances, even by the standards of the guitar-wielding troubadour. In 2007, the tour culminated in a series of shows at Pittsfield, Massachusetts' small, 775-seat Colonial Theatre, a true homecoming for the famous Massachusetts native. Joined only by keyboardist Larry Goldings, Taylor treated audiences to a tour through his songbook that amounted to a master class in musical storytelling. The live
Ace Explores Rock, Jazz Through the Lens of History with “Three Day Week” and “If You’re Not Part of the Solution”
Ace Records, as always, has delivered some of 2019's finest collections including Songwriter Series volumes dedicated to Eddie Hinton, Leonard Cohen and Merle Haggard, and celebrations of producer Mickie Most and musician Reggie Young. Today, we're taking a look at a pair of the label's other recent releases. Bob Stanley and Pete Wiggs present Three Day Week: When the Lights Went Out 1972-1975 (Ace CDCHD 1542) is another sublimely curated compilation focusing on a particular period of
Review: Ronnie Lane, “Just For A Moment: Music 1973-1997”
Ask any of his collaborators and they'll tell you, Ronnie Lane was special. Sure, he was an exceedingly talented singer, bassist, guitarist, and songwriter; he was also a uniquely open-minded and welcoming collaborator who was more than willing to nurture talent. But what really sets Ronnie Lane apart is the way he subverted what it meant to be a popular musician. Unlike the majority of his peers, Ronnie Lane didn't want to be a rock star. He wanted his music to reach people, sure, but he'd
Review: “Pearl Harbor and the Explosions” from Blixa Sounds
Over the past year, the Blixa Sounds label has made a name for itself as the home to an eclectic line of reissues, from yacht rockers Stephen Bishop and Robbie Dupree to soul phenom Linda Clifford and psych-rock veterans Chris Darrow and Max Buda. Earlier last month, the label released its latest reissue - an expanded edition of Pearl Harbor and the Explosions' self-titled debut. The album was originally released in 1980 on Warner Bros. Records and introduced listeners to the infectious
Swinging Doors: Grateful Dead, Emmylou, Dolly, Dino, More Celebrate “The Merle Haggard Songbook”
Along with Buck Owens - with whom he shared a musical history and a wife - Merle Haggard (1937-2016) defined The Bakersfield Sound of country music: authentic, raw, rooted in honky-tonks. But unlike the Texas-born and Arizona-raised Owens, Haggard was actually born in Bakersfield and raised just across the river from that California town. "Hag," as he preferred to be known, rocketed to superstardom thanks to "Okie from Muskogee," his controversial 1969 song that was either a scathing
UPDATED: Different Drummer: Edsel Collects Michael Nesmith’s RCA and Pacific Arts Years on New Box Set
And the Hits Just Keep On Comin'. Michael Nesmith titled his 1972 RCA album ironically - when it "bubbled under" the Billboard 200 at No. 208, it actually bested its predecessor by three slots - but the LP did feature the once and future Monkee's rendition of one major favorite, "Different Drum." The 1965 tune became an enduring hit for the Stone Poneys featuring Linda Ronstadt in 1967, establishing Nesmith outside of The Monkees. Since 1968, he's released 16 studio albums. Recently, 12 of
Review: David Bowie, “Spying Through a Keyhole (Demos and Unreleased Songs)”
Can you hear me, Major Tom? In the late 1960s, David Bowie was an artist deeply hoping to be heard. A handful of singles and an album on Deram Records had failed to rocket him to the stars. But Bowie continued writing, recording, and shopping his songs around in hopes of the elusive next deal that would take him to the next level. As such, Bowie left a great many demo recordings behind. Due to current EU copyright laws, right holders have been required to release previously unissued
Take It On The Run: HNE Compiles REO Speedwagon’s Hit Era On Extras-Laden Box Set
Last October, Cherry Red/Hear No Evil released the 8-CD The Early Years 1971-1977, chronicling REO Speedwagon's beginning on Epic Records. And now they're back with the follow-up set: The Classic Years 1978-1990, containing the group's seven remaining Epic albums and a bonus live disc across 9 CDs, highlighting the period when REO Speedwagon became a household name. The first album in the box, 1978's You Can Tune A Piano, But You Can't Tuna Fish, found REO Speedwagon at a time of change.
In the Pocket: Ace Salutes Mickie Most, Reggie Young on New Anthologies
The names of Mickie Most and Reggie Young might not be among the most familiar except to diehard music aficionados, but the songs that benefited from their respective golden touches certainly are among the most well-known ever. Ace Records has recently paid tribute to both of these late talents with a pair of deluxe anthologies. The Pop Genius of Mickie Most may be the most lavish single-disc package yet released by Ace, housed in a heavy slipcase also containing a squarebound 74-page
Spotlight On: The Zombies’ “In the Beginning” from Demon Music Group
On March 29, The Zombies will take the stage at Brooklyn's Barclays Center to celebrate their long overdue induction into the Rock and Roll Hall of Fame. The time has never been better to revisit the band's catalogue, a hugely influential one despite its small size. Rediscovering The Zombies has been made easier with the recent release of two deluxe 5-LP vinyl box sets. For the U.S., Varese Vintage has issued The Complete Studio Recordings, while in the group's native U.K., Demon Music Group
Spotlight On: The Zombies’ “Complete Studio Recordings” From Varese Vintage
On March 29, The Zombies will take the stage at Brooklyn's Barclays Center to celebrate their long overdue induction into the Rock and Roll Hall of Fame. The time has never been better to revisit the band's catalogue, a hugely influential one despite its small size. Rediscovering The Zombies has been made easier with the recent release of two deluxe 5-LP vinyl box sets. For the U.S., Varese Vintage has issued The Complete Studio Recordings, while in the group's native U.K., Demon Music Group
Shake Some Action: Cherry Red Revisits The Mod Sound of The Action
Periodically this month, we'll be looking at titles released in the latter part of 2018 that we either didn't cover, or only covered briefly, the first time around! We hope you enjoy this look at "some nice things we've missed"... Cherry Red's Grapefruit Records imprint knows where The Action is. The label has collected the complete 1964-1968 recordings of the British mod group on a splendid 4-CD box set including original masters, alternate takes, outtakes, and more - adding up to every
“Harmony in My Head: UK Power Pop and New Wave, 1977-81” Collects Costello, Squeeze, Nick Lowe, Searchers, More
In recent years, Cherry Red Records has made waves with their box set celebrations of music eras gone by. From late-'70s Scottish independent releases and '60s Baroque pop, to '80s shoegaze and even the avant-garde sound explorations of Edgard Varese and Karlheinz Stockhausen, the label has a reputation for their meticulous deep-dives into music subcultures. In November, Cherry Red put the spotlight on the late-'70s U.K. pop-rock scene with Harmony In My Head: UK Power Pop & New Wave,
Holiday Gift Guide Review: Neil Diamond, “50th Anniversary Collector’s Edition”
I. I Got the Feelin' In his 1966 debut single for Bang Records, Neil Diamond famously declared himself a "Solitary Man." But the New York singer-songwriter wasn't to be solitary for very long, as he soon gained the worldwide audience that, over 50 years later, still follows each one of his musical endeavors. Diamond has just looked back on his remarkable career on a handsome new box set from Capitol Records and UMe. 50th Anniversary Collector's Edition expands upon the similarly-titled
Holiday Gift Guide Review: Eagles, “Legacy”
Just Find a Place to Make Your Stand On the list of the United States' five best-selling albums of all time, one name stands tall - the only artist to lay claim to two of those five titles. That artist is, of course, a band: Eagles. 1976's Their Greatest Hits (1971-1975) sits atop the list at 38 million copies sold; Hotel California is third with 26 million. The ten tracks on the former are all modern-day standards, each and every one of them still a radio staple. Though the original
Review: The Beatles, “The Beatles (The White Album): Anniversary Edition”
You Say You Want a Revolution Following the enormous, worldwide success of Sgt. Pepper's Lonely Hearts Club Band, The Beatles wouldn't have been faulted had they re-entered Abbey Road Studios and created another album of robustly melodic, lavishly orchestrated songs of whimsy and wonder. But Messrs. Lennon, McCartney, Harrison, and Starr weren't interested in repeating themselves. When The Beatles arrived on November 22, 1968, roughly one and one-half years after Pepper, one didn't even
Review: Bob Dylan, “More Blood, More Tracks: The Bootleg Series Vol. 14”
Bob Dylan began recording 1975's Blood on the Tracks in much the same manner he had begun 1962's Bob Dylan: inside the studio at 799 Seventh Avenue, New York City, alone at the microphone with just his guitar, a harmonica, and the song. In '62, the facility was Columbia Studio A, in '75 it was A&R Studios. In '62, John Hammond was the producer, in '75 Phil Ramone (the R in A&R) was manning the controls as engineer. Dylan, of course, was a much-changed man, but upon his return to
Review: The Doors, “Waiting for the Sun: 50th Anniversary Edition”
Upon its release in July 1968, some might have found the title of The Doors' third album, Waiting for the Sun, to be ironic. After all, Jim Morrison, Robby Krieger, Ray Manzarek, and John Densmore, were hardly ever in pursuit of anything remotely sunny. But the album, with its rather bucolic cover shot, most certainly struck a chord with listeners in the year between The Summer of Love and Woodstock. Waiting for the Sun became the band's only No. 1 album, and included the No. 1 single "Hello,
Review: Electric Light Orchestra, “The U.K. Singles Volume One: 1972-1978”
The A-side of Electric Light Orchestra's first 45 had been originally written for The Move, but once it was recorded, it was clear to songwriter-producer Jeff Lynne and his co-producer and bandmate Roy Wood that "10538 Overture" was the sound of a different band altogether. Wood had overdubbed what he later remembered as a "cheap Chinese cello" onto the driving track which the two singers/multi-instrumentalists had created with the aid of Bill Hunt on French horn and Steve Woolam on violin.
Review: The Band, “Music from Big Pink: 50th Anniversary Super Deluxe Edition”
The house on Parnassus Lane, formerly Stoll Road, in West Saugerties, New York might be one of rock and roll's least likely landmarks, with its unassuming residential façade distinguished only by its pink siding. But the colorful house bore witness to the birth of some of the greatest songs in American pop history when Bob Dylan and his band - soon to be The Band - recorded "The Basement Tapes" there. When Capitol Records subsequently signed Robbie Robertson, Levon Helm, Garth Hudson, Rick
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