With the recent release of WAR's Why Can't We Be Friends? as an expanded edition for Record Store Day (with a CD edition to follow - links still aren't active), TSD has given a spin to Rhino's most recent WAR CD release: The Complete CD Collection from Eric Burdon & WAR. "Peace and love was happening, and we figured that nobody would forget the name of the band if we called them WAR. And we were right," Jerry Goldstein remembered in Dan Epstein's liner notes to the new box set Eric
Cuts The Deepest: Edsel Celebrates P.P. Arnold on "Soul Survivor" Box Set
One of P.P. Arnold's early sides for Immediate Records was titled "Am I Still Dreaming?" The song, which the artist born Patricia Ann Cole in Los Angeles wrote at the encouragement of none other than Mick Jagger, is one of the 57 songs on 3 CDs assembled by Edsel Records on the dream of a box set appropriately entitled Soul Survivor: A Life in Song. The collection, compiled by the singer and Michael Mulligan, traces the onetime Ikette's career from her signing to Andrew Loog Oldham's label
Review: Yes, "Close to the Edge: Super Deluxe Edition"
The cover of Yes' Close to the Edge was a relatively simple one, with Roger Dean's freshly-minted "bubble type" logo atop a color gradient from black to green. But the contents within the jacket - Yes' fifth album overall, and final LP of the decade to feature drummer Bill Bruford - were anything but simple. Building on the sound and style of 1971's Fragile, Close to the Edge was an even more ambitious suite crafted by lead vocalist Jon Anderson, bassist Chris Squire, drummer Bruford,
Review: WAR, "Live in Japan 1974"
"The Japanese were nice, but really afraid of us," remembers WAR's producer-manager Jerry Goldstein in the liner notes to the band's new Live in Japan 1974. "That's how we came up with the 'Hey, why can't we be friends?' concept. In the dressing room that night, Lonnie was playing the keyboards and we started doing the song. No verses, just the 'why can't we be friends' part. We wrote it there, went back to the U.S., and in January [1975], we recorded it." The catchy plea "Why Can't We Be
Holiday Gift Guide Review: Joni Mitchell, "Archives: Volume Four (1976-1980)" and "The Asylum Albums (1976-1980)"
Earlier this year, Joni Mitchell brought her now-famous Joni Jam shows to the Hollywood Bowl for two sold-out evenings. A little more than 45 years ago, Mitchell closed out her North American tour with a series of shows some fifteen minutes away from the Bowl at the Greek Theatre; a selection from that concert closes the fourth volume of the Joni Mitchell Archives series of box sets. The Bowl shows proved another triumph for the artist who's now widely recognized for the innovations that
Holiday Gift Guide Review: Alice Cooper, "Muscle of Love: Deluxe Edition"
Rare is the album that's better remembered for its packaging than its contents. But that may well be the case with the band Alice Cooper's seventh (and final) album, 1973's Muscle of Love. As it followed the Platinum-certified international chart-topper Billion Dollar Babies, hopes were high for the LP. It was greeted by lukewarm critical assessments, though, and "merely" reached No. 10 on the Billboard 200 and No. 34 on the U.K. Albums Chart. As such, it was inevitably considered a
Holiday Gift Guide Review: Bob Dylan and The Band, "The 1974 Live Recordings"
Big things often come in small packages. Such is the case with Legacy Recordings' recent excavation of Bob Dylan and The Band's 1974 tour. 40 concerts took place over 30 dates and 21 cities, with Dylan, Robbie Robertson, Garth Hudson, Richard Manuel, Levon Helm, and Rick Danko even playing two shows in one day in many markets. The 1974 Live Recordings takes the form of a tiny cube, packing in 27 discs and 431 tracks (417 of which are previously unreleased). The set contains every
Holiday Gift Guide Review: The Beatles, "1964 U.S. Albums in Mono"
Any Time at All Did The Beatles save rock and roll? If John Lennon, Paul McCartney, George Harrison, and Ringo Starr didn't save the still-young form, they certainly gifted it with a reinvigorating, exhilarating jolt of musical euphoria the likes of which hadn't been seen before - and hasn't been duplicated since. The scene was early 1964. Buddy Holly was long gone, and the big hits had dried up - at the moment, at least - for Jerry Lee Lewis and Little Richard. Elvis had served his
Holiday Gift Guide Review: Elvis Costello, "King of America and Other Realms"
It was a fine idea at the time/Now it's a brilliant mistake... Elvis Costello delivered a powerful surprise in 1986 when he shed his backing band, The Attractions, and teamed up with T Bone Burnett for King of America. Originally credited in the U.K. to The Costello Show (Featuring The Attractions and Confederates) and in the U.S. to The Costello Show (Featuring Elvis Costello), the album backtracked from the sleek '80s polish of its two immediate predecessors (Punch the Clock and Goodbye
Review: Frank Zappa, "apostrophe ('): 50th Anniversary Edition"
Strictly commercial? Not quite. Though Frank Zappa earned his first top ten record and first Gold record with apostrophe (') - the same LP that spun off his first single to make the Billboard Hot 100 - it would be difficult to argue that the singer-songwriter-bandleader had dramatically altered his art in an effort to hit the charts. Sure, the material was a bit more focused and the album rather tight at 32 minutes in length. Yeah, the cover artwork, with its instantly recognizable,
Quadio Spotlight: Bette Midler, "The Divine Miss M" and Bread, "Baby I'm a Want-You"
Way back in Ye Olden Days of 2011, The Second Disc advocated for the release of the original quadraphonic mix of Bette Midler's 1973 debut, The Divine Miss M. Well, lo these many years later, Rhino has granted our wish, and it's been released on Blu-ray as part of the label's still-growing Quadio series of four-channel reissues. In Craig Anderson's stellar remaster, it's happily as good as we remember it! The 4.0 mix by Atlantic Records veteran Tom Dowd, a legendary producer in his own right,
Review: Faces, "Faces at the BBC: Complete BBC Concert and Session Recordings 1970-1973"
Between the summer of 1969 and the fall of 1975, a joyful noise emerged whenever Faces took the stage. Ronnie Lane (bass), Kenney Jones (drums), and Ian McLagan (keyboards) had emerged from the ashes of pop's Small Faces, while Rod Stewart (vocals) and Ronnie Wood (guitar) were blues-rock veterans of the first iteration of The Jeff Beck Group in which Wood played bass. When they came together, they created a sound unlike either of those earlier groups: rough-and-tumble, raw, ramshackle,
Review: Rhino's Sounds of the Summer Series - Randy Newman, Chicago, Daryl Hall and John Oates, Frankie Valli and The Four Seasons, Al Stewart, Utopia
Over the past month, Rhino has been releasing numerous titles as part of its Sounds of the Summer initiative, for a total of over two dozen vinyl releases hitting brick-and-mortar stores. These titles encompass various reissues as well as new entries in the label's ongoing Now Playing series of compilations. As of now, these LPs are all exclusive to independent record stores and Barnes & Noble locations. We've given a spin to a few of these titles! How to distill the discography of one
Review: Joni Mitchell, "The Asylum Albums 1972-1975" in Quadio
The Joni Mitchell renaissance continues. Following a triumphant surprise appearance in July 2022 at the Newport Folk Festival, the singer-songwriter returned to the stage for a full-length Joni Jam in June 2023 at Washington's Gorge Amphitheatre; tickets were quickly snapped up by ardent fans who had waited roughly two decades to see Mitchell in concert once again. The evening was a transcendent one, a taste of which was supplied to the public when Mitchell and her band of friends performed
Review: David Bowie, "Rock 'N' Roll Star"
"So Long, '60s," David Bowie proclaims on the first track of the new 5CD/1BD Parlophone box set Rock 'N' Roll Star. Strumming his 12-string at a San Francisco Holiday Inn, the future superstar was embracing the new decade and its immense possibilities: "I'll kick you in the ass, you rascal, you!" Its verse melody and the barest wisp of the lyric ("keep your mouth shut!") would make it to a new composition, "Moonage Daydream," the third song on his fifth album. That LP was The Rise and Fall of
What's So Funny: Cherry Red, Lemon Collect Brinsley Schwarz Albums on "Thinking Back"
Brinsley Schwarz, the band, may be best-remembered today as the launching pad for singer-songwriter Nick Lowe and as a prime exemplar of the U.K. pub rock scene. The band's studio albums, though, reveal diverse influences and a vibrant sound that more than holds up today. In recent months, Cherry Red's Lemon Recordings imprint brought together the band's seven albums plus more than 60 bonus tracks on the whopping 7-CD box set Thinking Back: The Anthology 1970-1975. Guitarist Brinsley
Back On My Feet Again: Rhino Adds Randy Newman, WAR, AWB, Gil Evans to Quadio Roster
Today, Rhino announced four new titles in its ever-growing line of Quadio Blu-rays: Randy Newman's Good Old Boys (1973), WAR's The World Is a Ghetto (1972), Gil Evans' Svengali, and Average White Band's AWB. The Second Disc had the opportunity to preview this quartet of Blu-ray reissues of classic albums in quadraphonic (four-channel) sound, and we're happy to report that this is another feast for surround fans with all four titles making good - or better - use of surround. (Those equipped
Holiday Gift Guide Review: Stevie Nicks, 'Complete Studio Albums and Rarities'
I. Has Anyone Ever Written Anything for You? When was the moment that Stephanie Lynn Nicks became inevitable? It's not as though you can just forget a voice like hers. Ever since the start of her on-again, off-again tenure in Fleetwood Mac - when her dulcet tones powered songs like "Rhiannon," "Landslide," "Dreams" (the band's first No. 1 single in America), essential B-side "Silver Springs," "Gypsy" and others - Nicks' artistry and talent has been a given. But you can feel it in the air
Holiday Gift Guide Review: Frank Zappa, "Over-Nite Sensation: 50th Anniversary Super Deluxe Edition"
Had Frank Zappa gone commercial? Surely the artist who proudly embraced the slogan "No Commercial Potential" hadn't sold out to the masses. Yet, with 1973's Over-Nite Sensation, the composer-guitarist-bandleader found himself in a particularly purple patch that resulted in two consecutive Gold albums and four straight top 40 entries on the Billboard 200. The title of Over-Nite Sensation was, of course, sarcastic; the record was Zappa's seventeenth overall and twelfth with The Mothers of
Holiday Gift Guide Review: Billy Joel, "The Vinyl Collection Vol. 2"
On July 25, 2024, Billy Joel will play his 150th lifetime show at New York's Madison Square Garden. It will be the 104th show of the first-of-its-kind residency which began in 2014. Remarkably yet unsurprisingly, his final ten shows are already sold out. More remarkably - but just as unsurprisingly to anyone who's followed the singer-songwriter over the past 30 years - he's filled the cavernous arena 100+ times over the past decade without introducing a single new song. (His last two pop
Holiday Gift Guide Review: Bob Dylan, "The Complete Budokan 1978"
We're kicking off our Holiday Gift Guide Review series with a look at Bob Dylan's The Complete Budokan 1978. Long before Madonna, Lady Gaga, and Taylor Swift, Bob Dylan was reinventing himself. The artist who stepped onstage at Tokyo's Budokan arena in 1978 only bore superficial resemblance to the firebrand who was proclaimed a "Judas!" by an irate fan over a decade earlier at Manchester Free Trade Hall. That audience member was famously angry over the then-folkie's decision to plug in and
Review: Joni Mitchell, "Archives Vol. 3: The Asylum Years (1972-1975)"
Late in 1970, Joni Mitchell took a moment while performing at London's Royal Festival Hall to announce an early retirement from the stage. She relocated to British Columbia, built a modest stone cabin in the somewhat remote area, and let inspiration guide her rather than the machinations of a manager or record executive. While in this self-imposed creative exile, Mitchell began crafting the album that became 1972's For the Roses. It would reach listeners more than a year after the June 1971
Review: Black Sabbath, Alice Cooper, J. Geils Band, Jefferson Starship In Quad
With Rhino having just announced a second batch of Quadio releases, we're taking a look at the first four titles in the relaunched series - all of which are now available on Blu-ray Disc with high-resolution presentations of the original 4.0 quadraphonic and 2.0 stereo mixes. Black Sabbath's 1970 LP Paranoid was a landmark record in the transition from "hard rock" to "heavy metal." Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward followed up their self-titled debut album of early 1970
Review: Van Morrison, "His Band and the Street Choir," Jaco Pastorius' "Word of Mouth" in Rhino Hi-Fi
Don't want to discuss it/I think it's time for a change... Van Morrison's 1967 debut album for Bert Berns' Bang Records, Blowin' Your Mind, came close to living up to its title with the lovably breezy "Brown-Eyed Girl" nestled alongside more challenging fare such as "T.B. Sheets," and everything in between: pop, folk, Latin, rock-and-roll, blues. But the Northern Irish singer-songwriter truly came into his own with a move to Warner Bros. the following year. The mystical, hypnotically
Review: Little Feat, "Sailin' Shoes" and "Dixie Chicken" Deluxe Editions
Little Feat was no ordinary rock-and-roll band. The seeds of the California group were planted when singer-songwriter Lowell George, then playing in Frank Zappa's Mothers of Invention, met keyboardist Bill Payne, who had unsuccessfully auditioned for the famously tough Zappa. The pair hit it off and teamed with former Mothers bassist Roy Estrada and drummer Richard Hayward, late of George's old band The Factory, to form Little Feat. The story remains unclear as to exactly what prompted George
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