Along with Buck Owens - with whom he shared a musical history and a wife - Merle Haggard (1937-2016) defined The Bakersfield Sound of country music: authentic, raw, rooted in honky-tonks. But unlike the Texas-born and Arizona-raised Owens, Haggard was actually born in Bakersfield and raised just across the river from that California town. "Hag," as he preferred to be known, rocketed to superstardom thanks to "Okie from Muskogee," his controversial 1969 song that was either a scathing
If Loving You Is A Crime: Lee Moses Rarities Collected on “How Much Longer Must I Wait?”
Three years ago, Light In the Attic reissued Time and Place, the lone album by soul powerhouse Lee Moses. The self-taught instrumentalist and singer made a name for himself in Atlanta, where he performed with Gladys Knight, among others. Upon its original release, Time and Place didn't make waves financially but in the decades since, it became a cult classic. On May 24, Light In the Attic's Future Days Recordings imprint will continue its celebration of the raw and beautiful soul music of Lee
And I Never Knew: Ace Collects Rare, Unreleased Tommy Hunt on “The Complete Man”
One of the brightest stars in the uptown soul firmament, Tommy Hunt, has just been celebrated by Ace's Kent Records on a new collection filled with rare and previously unheard material. The Complete Man: 60s NYC Soul Songs follows up the label's The Biggest Man with a second dip into his recordings for New York indie Scepter Records as well as Capitol, Atlantic, and Dynamo. Born in 1933 in Pittsburgh, Pennsylvania, Tommy Hunt's family settled in Chicago during his formative years. But
In the Pocket: Ace Salutes Mickie Most, Reggie Young on New Anthologies
The names of Mickie Most and Reggie Young might not be among the most familiar except to diehard music aficionados, but the songs that benefited from their respective golden touches certainly are among the most well-known ever. Ace Records has recently paid tribute to both of these late talents with a pair of deluxe anthologies. The Pop Genius of Mickie Most may be the most lavish single-disc package yet released by Ace, housed in a heavy slipcase also containing a squarebound 74-page
I’ll Be Doggone: Ace Collects U.K. Motown Covers From The Hollies, Dusty, Cilla, and More
Ace Records has released a number of splendid Motown collections in recent years, but now the label is taking a different approach to the music of Hitsville, USA. As Motown celebrates its landmark 60th anniversary, On the Detroit Beat: Motor City Soul - U.K. Style 1963-1967 brings together 24 diverse British interpretations of Motown classics, making for a potent reminder that the Sound of Young America was, truly, international. Compiler Tony Rounce helpfully points out in his liner notes
Shake Some Action: Cherry Red Revisits The Mod Sound of The Action
Periodically this month, we'll be looking at titles released in the latter part of 2018 that we either didn't cover, or only covered briefly, the first time around! We hope you enjoy this look at "some nice things we've missed"... Cherry Red's Grapefruit Records imprint knows where The Action is. The label has collected the complete 1964-1968 recordings of the British mod group on a splendid 4-CD box set including original masters, alternate takes, outtakes, and more - adding up to every
Breakfast In Bed: Eddie Hinton Saluted By Dusty, Cher, Box Tops, More On New Ace Collection
As a member of the Muscle Shoals Rhythm Section, Eddie Hinton played on countless recordings by the likes of Wilson Pickett, Aretha Franklin, Elvis Presley, and Otis Redding. But there was another side of the guitarist that led Jerry Wexler to once proclaim him "the next big thing." Hinton was a persuasive performer and moreover, a fine songwriter. In collaboration with Donnie Fritts, he penned what's likely his most famous song: "Breakfast in Bed," first recorded by Baby Washington but made
Presley, Darin, Orbison, Sinatra, Beach Boys Featured On Ace’s New “State of the Union”
Elvis and Dino took on hypocrisy. Dion lamented the senseless deaths of Abraham, Martin, and John. Johnny "Poetry in Motion" Tillotson cast a spotlight on the poor treatment of veterans returned home from war. Bing Crosby wondered "What Do We Do with the World" and Paul Anka observed that "This crazy world has come undone." Such are the moments captured on Ace's thoroughly captivating new collection Bob Stanley and Pete Wiggs Present State of the Union: The American Dream in Crisis
Review: “Stax ’68: A Memphis Story”
Otis Redding's "Sittin' on the Dock of the Bay," the first Stax single of 1968, should have been a new beginning for the artist and label. Instead, the posthumous release ushered in a tumultuous year for the Memphis institution. The death of Redding and members of The Bar-Kays on December 10, 1967 was a tremendous loss for Stax and popular culture, but no one could have predicted the upheaval that would affect Stax and the city of Memphis in the following twelve months. That time has just
Gimme Something Real: Groove Line Celebrates Ashford and Simpson on New Anthology
Had Nickolas Ashford and Valerie Simpson written nothing but "Ain't No Mountain High Enough," the duo would have found their place in the musical pantheon assured. But the reality is that the husband-and-wife team also wrote such American pop standards as "Ain't Nothing Like the Real Thing," "Reach Out and Touch (Somebody's Hand)," "You're All I Need to Get By," "California Soul," and "Solid (As a Rock)." They were so prolific that even top-notch material was left on the shelf; Second Disc
Review: Solomon Burke, “The Best of Atlantic Soul 1962-1965”
When Solomon Burke died in 2010 at the age of 70, American song lost one of its most towering talents. With a figure as imposing as his deep voice, The King of Rock and Soul sat upon his throne for decades, spreading the gospel...not just the gospel of music, but the Gospel itself. Tapping into his roots in church music, jazz, blues, and country, Burke was one of the pioneering artists who bridged the gap between "R&B" and "soul," and he did it at Atlantic Records. Run Out Groove's new
If They Could See Me Now: Blixa Sounds Reissues Four Albums From Linda Clifford
May 1978 was certainly Linda Clifford's month. The Chicago songstress had taken to the top of the Billboard Disco chart - and wasn't about to let it go for five consecutive weeks. The bold reinvention of Cy Coleman and Dorothy Fields' Sweet Charity showstopper "If My Friends Could See Me Now" established Clifford in the top tier of disco superstars, and now Blixa Sounds is revisiting that golden era. On Friday, the label will reissue four of Clifford's albums for Curtis Mayfield's Curtom
Her Music Is Hot: Cherry Red, Robinsongs Reissue Rare R&B from Lalomie Washburn
My Music Is Hot: Lalomie Washburn exuded confidence with the very title of her 1977 LP debut. With a husky voice entrenched in the spirit of the blues and a keen sense of herself as both a singer and songwriter, she seemed a prime candidate for soul stardom. While solo fame eluded Washburn, she left behind a great legacy of music that's gone overlooked for far too long. Happily, Cherry Red's Robinsongs label has just resuscitated My Music Is Hot for its first-ever CD version. This edition is
Review: Dennis Coffey, “One Night at Morey’s: 1968”
For guitarist Dennis Coffey, music was no mere day job. While plying his trade each day as a member of the Funk Brothers, laying down funky licks on some of Detroit's finest records, Coffey was spending his evenings at Morey Baker's Showplace Lounge as one-third of organist Lyman Woodard's instrumental trio. With Woodard and drummer Melvin Davis, Coffey treated patrons to sizzling renditions of the day's hits as well as original songs. One of the trio's 1968 sets was issued last year on
Piece of His Heart: “Bang: The Bert Berns Story” Arrives On DVD
BUY DVD NOW FROM OFFICIAL WEBSITEDuring his all-too-short lifetime, Bert Berns never received the kind of fame afforded many of his contemporaries on the New York music scene such as Jerry Leiber and Mike Stoller, Burt Bacharach and Hal David, or Doc Pomus and Mort Shuman. Yet, across the pond, young men like Paul McCartney and Keith Richards were taking notice whenever they saw the Berns imprimatur on one of their favorite 45s. McCartney and Richards are just two of the luminaries who lined
Review: “Fab Gear: The British Beat Explosion and Its Aftershocks 1963-1967”
"Yesterday's Gone": the song by folk-pop duo Chad and Jeremy opens the first of the six discs comprising Cherry Red and RPM's new box set Fab Gear: The British Beat Explosion and Its Aftershocks 1963-1967. It's a most appropriate opener, as yesterday really was gone for an entire generation of artists swiftly rendered obsolete by the emergence of The Beatles. As the box eloquently explains, the Fab Four "in name, song, band structure, image, defined this new Beat music...Until 1967, when The
Run Out Groove Round-Up: Dr. John’s “Funknology” and Marshall Crenshaw’s Live “Thank You”
Today, we're looking at two of Run Out Groove's most recent releases! Now is also the time to order the label's next release: Vagabonds: Expanded Edition, from Gary Louris of The Jayhawks! Pre-orders close on June 7, so don't miss out, and don't forget to vote on ROG's next release. Will it be Luna's Lunafied, Fred Neil's Bleecker & MacDougal, or Billy Byrd's Lonesome Country Songs? Vote now! It's not called Funknology for nothing! Run Out Groove's recent release from Dr. John,
Baby, They’ve Got It! Ace Raids Motown Vaults for “More Motown Girls”
Back in 2013, Ace Records launched its first collection of Motown Girls, spotlighting previously unreleased tracks from the legendary ladies of Motown Records. A second installment arrived in 2015, and now, we're finally the recipient of a third volume in the series. The 24-song anthology Baby I've Got It! More Motown Girls boasts 16 previously unreleased tracks, with the remaining eight drawn from the Motown Unreleased compilations (all of which have been digital-only except for the one
Bewitching: Cherry Red Premieres 1968 Jazz-Soul Sessions from Joy Marshall and Gordon Beck Quartet
When New York-born, London-settled vocalist Joy Marshall died in November 1968, her obituaries unsurprisingly concentrated on the salacious aspects of her death, which in retrospect, seemed all but inevitable considering the fast lane in which she lived her life. But today, with decades having passed, one can more fairly evaluate Marshall's career solely on her art. Based on the upcoming release due May 18 from Cherry Red's Turtle imprint of When Sunny Gets Blue: Spring '68 Sessions from The
Review: Lou Johnson, “Sweet Southern Soul”
Brooklyn-born vocalist Lou Johnson was one of the most distinctive voices in 1960s soul. Hailing from a musically-inclined family, Johnson honed his vocal instrument in gospel choirs, in college, and with the group The Canjoes before signing to the Big Apple's Big Top label in 1962. At Big Top, his voice made Burt Bacharach and Hal David take notice, and the on-the-rise songwriting and production team was soon presenting him with top-drawer material like "If I Never Get to Love You," "Reach
The Second Disc’s 2018 Record Store Day Must-Haves
Welcome to our annual rundown of Must-Haves for this year's Record Store Day event! Once you're through reading, let us know what you're most looking forward to picking up tomorrow at your favorite local independent retailer! Our list features just a sampling of our favorites from our friends at Legacy Recordings, Varese Sarabande, Rhino Records, Real Gone Music, Demon Music Group, Walt Disney Records, Omnivore Recordings, and more! Joe's kicking things off with five essential picks (in
RECORD STORE DAY PREVIEW! Minky Records Uncovers Early ’70s Latino Soul from God’s Children; Wrecking Crew Featured
"All God's children got rhythm," went a popular standard performed by Judy Garland, Stan Getz, and many others. In the case of the East L.A. group called God's Children, that lyric certainly was true. Music is the Answer: The Complete Collection is the name of their first-ever long-playing release, available tomorrow from Minky Records on CD and this Saturday on limited edition brown vinyl for Record Store Day. This holy grail of Latino soul and Chicano rock presents their released sides plus
Love Is The Message: Cherry Red Collects MFSB’s “Definitive Collection”
MFSB - a.k.a. Mother, Father, Sister, Brother (or a rather more off-color series of four words, depending on whom you ask) - remains one of the all-time great aggregations of studio musicians, right up there with The Funk Brothers, The Wrecking Crew, and The Nashville Cats. The legacy of the Philadelphia International group has just been celebrated by Cherry Red's Robinsongs imprint on a new 2-CD, 32-track anthology entitled The Definitive Collection. The talented, versatile musicians at the
Review: Isaac Hayes, “Hot Buttered Soul,” “Shaft” and “Black Moses” Reissues
As a songwriter, producer, arranger, and session pianist, Isaac Hayes was a key architect in creating the sound of Memphis-based Stax Records. But few could have foreseen his dramatic ascendance to superstardom - a rise that began with his 1969 solo album Hot Buttered Soul. Now, that seminal record has returned to vinyl along with 1971's pair of Shaft and Black Moses from Craft Recordings. All three of these landmark LPs have been given the deluxe treatment in both packaging and
Review: Nina Simone, “Mood Indigo: The Complete Bethlehem Singles”
Listeners experiencing 2018 Rock and Roll Hall of Fame inductee Nina Simone's debut recordings for the first time might be taken aback at the ferocity and determination which mark these fourteen sides, compiled for the first time in complete form on CD as Mood Indigo: The Complete Bethlehem Singles (BMG 538320282). Those qualities distinguished this remarkable artist throughout a long and fiery career, but were thrillingly present at her very first sessions. Pianist-singer Simone began her
- 1
- 2
- 3
- …
- 6
- Next Page »