Bobby Fuller has long been known for two things: recording the immortal "I Fought the Law," and being found dead in his car under mysterious circumstances. Finally, thanks to Cherry Red's Now Sounds imprint, Fuller can be appreciated for his musical gifts. Now Sounds has recently compiled Magic Touch: The Complete Mustang Singles Collection (WCRNOW57), a comprehensive and beautiful celebration of Fuller's too-short life and musical career with The Bobby Fuller Four (featuring Jim Reese on
Holiday Gift Guide Spotlight: Lulu, “Decade 1967-1976”
Lulu (real name: Marie McDonald McLaughlin Lawrie) burst onto the scene in 1964 with her earthy, throaty rendition of The Isley Brothers' "Shout!" The fifteen-year old parlayed that memorable U.K. top ten hit into an international career that remains vibrant and active to this very day. Lulu remained on Decca Records, the home of "Shout!," for a two-year stint, departing the label in late 1966 to sign with producer Mickie Most EMI's Columbia Records arm (not to be confused with the
Holiday Gift Guide Review: Neil Diamond, “50th Anniversary Collector’s Edition”
I. I Got the Feelin' In his 1966 debut single for Bang Records, Neil Diamond famously declared himself a "Solitary Man." But the New York singer-songwriter wasn't to be solitary for very long, as he soon gained the worldwide audience that, over 50 years later, still follows each one of his musical endeavors. Diamond has just looked back on his remarkable career on a handsome new box set from Capitol Records and UMe. 50th Anniversary Collector's Edition expands upon the similarly-titled
Holiday Gift Guide Review: Elvis Presley, “’68 Comeback Special: 50th Anniversary Edition”
Elvis had a lot riding on his December 1968 NBC-TV special. Once the brightest star in the galaxy - and one whose every freeing move caused ripples in American society - he was no longer at the top of the charts. A string of lightweight movie musicals had rendered the once-"dangerous" entertainer as wholesome as apple pie. At the time of the broadcast, Elvis' most recent single ("Guitar Man") had failed to crack the top 40 and he hadn't had a chart-topper since "Good Luck Charm" in 1962. He
Naturally: Manifesto Collects ’70s Soft Rock Sounds of Hawaii’s Kalapana
Black Sand: The Best of Kalapana, a 20-track anthology from the Hawaiian band drawn from the years 1975-1983, presents a vivid portrait of the group that, despite various personnel changes, has been playing to sold-out crowds for 45 years now. Yet one question lingers: how has Kalapana languished in obscurity on the American mainland for so long? Malani Bilyeu, D.J. Pratt, Kirk Thompson, and Mackey Feary came together to make music in 1973. All but Pratt were born in Honolulu; the lead
Holiday Gift Guide Review: Eagles, “Legacy”
Just Find a Place to Make Your Stand On the list of the United States' five best-selling albums of all time, one name stands tall - the only artist to lay claim to two of those five titles. That artist is, of course, a band: Eagles. 1976's Their Greatest Hits (1971-1975) sits atop the list at 38 million copies sold; Hotel California is third with 26 million. The ten tracks on the former are all modern-day standards, each and every one of them still a radio staple. Though the original
Review: The Beatles, “The Beatles (The White Album): Anniversary Edition”
You Say You Want a Revolution Following the enormous, worldwide success of Sgt. Pepper's Lonely Hearts Club Band, The Beatles wouldn't have been faulted had they re-entered Abbey Road Studios and created another album of robustly melodic, lavishly orchestrated songs of whimsy and wonder. But Messrs. Lennon, McCartney, Harrison, and Starr weren't interested in repeating themselves. When The Beatles arrived on November 22, 1968, roughly one and one-half years after Pepper, one didn't even
Review: Bob Dylan, “More Blood, More Tracks: The Bootleg Series Vol. 14”
Bob Dylan began recording 1975's Blood on the Tracks in much the same manner he had begun 1962's Bob Dylan: inside the studio at 799 Seventh Avenue, New York City, alone at the microphone with just his guitar, a harmonica, and the song. In '62, the facility was Columbia Studio A, in '75 it was A&R Studios. In '62, John Hammond was the producer, in '75 Phil Ramone (the R in A&R) was manning the controls as engineer. Dylan, of course, was a much-changed man, but upon his return to
Review: Matthew Sweet, “100% Fun” From Intervention Records
This spring, Intervention Records announced a highly anticipated new endeavor: a series of Matthew Sweet SACD and 2-LP reissues, encompassing his entire recorded output from 1991-1995. The Second Disc was able to hear the two-disc vinyl configuration of the release that kicked off the series: an expanded edition of Sweet's 1995 album, 100% Fun. Originally released on the Zoo Entertainment label, the album has seen surprisingly few reissues over the years. Music On Vinyl released a
Contante & Sonante Celebrates Late Warren Wiebe with Rare Demos From Burt Bacharach, David Foster, More
Talk about a well-kept secret... Throughout his too-short life, vocalist Warren Wiebe (1953-1998) never became a household name. Yet he was highly successful. As a background singer, he graced recordings by Johnny Mathis, Paul Anka, Taylor Dayne, and Air Supply. A true songwriter's singer - able to convey the heart and soul of a song without resorting to self-indulgence - he earned the respect and admiration of a "Who's Who" of songwriters who enlisted him to introduce their songs on
Elvis Costello Deftly Blends Present and Past on “Look Now”
Among the credits for Elvis Costello and The Imposters' Look Now is a simple acknowledgment: In Memphis - Mary Isobel O'Brien. The onetime Ms. O'Brien, of course, is better known as Dusty Springfield, and the credit from Declan MacManus and his band makes clear the inspiration for this stunning assemblage of what the artist, correctly, deems "uptown pop." Dusty in Memphis is one of the benchmarks of that style: pop with a dash of soul, or is it soul with a dash of pop? It doesn't hurt that
Review: Electric Light Orchestra, “The U.K. Singles Volume One: 1972-1978”
The A-side of Electric Light Orchestra's first 45 had been originally written for The Move, but once it was recorded, it was clear to songwriter-producer Jeff Lynne and his co-producer and bandmate Roy Wood that "10538 Overture" was the sound of a different band altogether. Wood had overdubbed what he later remembered as a "cheap Chinese cello" onto the driving track which the two singers/multi-instrumentalists had created with the aid of Bill Hunt on French horn and Steve Woolam on violin.
Review: Ben Folds, “Brick: The Songs of Ben Folds 1994-2012”
Upon its release in August 1995, the eponymous debut of Ben Folds' quirkily-named trio sounded like nothing else you might have found in the racks of your local Tower, HMV, or Sam Goody. Filled with rich melodies, inescapable riffs, the most aggressive piano this side of Jerry Lee Lewis, and a youthful dose of attitude, Ben Folds Five channeled Todd Rundgren, Elton John, and Queen - with a dash of Randy Newman here and George Gershwin there. Now, more than 23 years later, the (sorta) angry
Down on Copperline: Analog Spark Reissues, Remasters James Taylor’s “New Moon Shine”
Analog Spark has had a busy summer. The label contributed a number of exclusive releases to Barnes and Noble, including stellar reissues of the classic Broadway cast recordings to Hello, Dolly! (1964, RCA), Cabaret (Columbia, 1966) and Hair (RCA, 1969) as well as Dave Brubeck's delightful Dave Digs Disney (Columbia, 1957) in its original mono mix. The vinyl specialists have recently turned their attention to a title of a more modern vintage from a venerable American troubadour, James Taylor.
Review: Michael Nesmith and The First National Band Redux, “Live at The Troubadour”
Michael Nesmith always traveled to the beat of a different drum. While serving as one-fourth of The Monkees, Nesmith was expanding his musical horizons beyond the group's infectious Brill Building pop stylings. "I wanted beautiful music wherever I could find it," he writes in the liner notes to his new release on 7a Records. "But if I wanted to sing it myself and write it myself, I had to have an understanding of what that music was, and how to get to it. So, the first place I looked was in
Reviews: Gene Clark and The Rose Garden Return From Omnivore
Though he's been - and continues to be - the subject of numerous reissues and releases, Gene Clark still remains somewhat of an enigma. The founding member of The Byrds (1944-1991) only released six solo studio albums within his too-short lifetime, bolstering a discography also containing group and collaborative efforts. But he left behind what seems like scores of unreleased tracks, much of which has been mined in the years since his death. In 2013, the Omnivore label issued his demos for
Lay the Music Down: Cilla Black’s Expanded Reissue Series Begins Today From Cherry Red
Surprise, surprise...it's Cilla here! Today's the day on which Cherry Red's Strike Force Entertainment has launched a new series dedicated to remastering and expanding Cilla Black's discography. These deluxe, lavishly expanded reissues go a long way in upgrading the late superstar's catalogue on CD. The first 2-CD set pairs 1969's George Martin-produced Surround Yourself with Cilla with 1976's It Makes Me Feel Good, produced by David Mackay (Cliff Richard, Blue Mink, The New Seekers). The
Review: Keely Smith, “Sings the John Lennon-Paul McCartney Songbook”
Oh yeah, I'll tell you something I think you'll understand... At the height of Beatlemania in 1964, some members of the so-called "older generation" still hadn't caught on to what made the Fab Four more than the latest passing teenybopper fad. But Keely Smith was ready to make them understand. For her third album at Frank Sinatra's Reprise Records, the smoky-voiced chanteuse set out to have the adults in the room "meet the Beatles" in a new way. Keely Smith Sings the John Lennon-Paul
Piece of His Heart: “Bang: The Bert Berns Story” Arrives On DVD
BUY DVD NOW FROM OFFICIAL WEBSITEDuring his all-too-short lifetime, Bert Berns never received the kind of fame afforded many of his contemporaries on the New York music scene such as Jerry Leiber and Mike Stoller, Burt Bacharach and Hal David, or Doc Pomus and Mort Shuman. Yet, across the pond, young men like Paul McCartney and Keith Richards were taking notice whenever they saw the Berns imprimatur on one of their favorite 45s. McCartney and Richards are just two of the luminaries who lined
Review: “Fab Gear: The British Beat Explosion and Its Aftershocks 1963-1967”
"Yesterday's Gone": the song by folk-pop duo Chad and Jeremy opens the first of the six discs comprising Cherry Red and RPM's new box set Fab Gear: The British Beat Explosion and Its Aftershocks 1963-1967. It's a most appropriate opener, as yesterday really was gone for an entire generation of artists swiftly rendered obsolete by the emergence of The Beatles. As the box eloquently explains, the Fab Four "in name, song, band structure, image, defined this new Beat music...Until 1967, when The
Need a Little Summer: Jeff Larson, Jeffrey Foskett Team for “‘Elua Aloha”
With summer just a little over a week away, two purveyors of musical sunshine have teamed up for their first collaborative album - and it delivers on its implied promise of sun, surf, and tropical breezes. Singer-songwriter Jeff Larson has joined with his longtime collaborator, Jeffrey Foskett of The Beach Boys, for 'Elua Aloha, an upbeat and inviting celebration of the California sound in all its many colors. Larson has written all but two of the songs on this New Surf release, and produced
Daydream Believing: 7a Records Celebrates Davy Jones with New Single “Rainbows”
Though it's been over six years since his untimely passing at the age of 66, the music of Davy Jones still endures. 7a Records, the U.K.-based label devoted to all things Monkees-related, has just delivered another treat for longtime fans of the band and its charismatic, perennially boyish singer with the mop top. "Rainbows" b/w "You Don't Have to Be a Country Boy to Sing a Country Song" is a limited edition (500 units) 7-inch, 45 RPM single pressed on red vinyl. Both sides of the single
Run Out Groove Round-Up: Dr. John’s “Funknology” and Marshall Crenshaw’s Live “Thank You”
Today, we're looking at two of Run Out Groove's most recent releases! Now is also the time to order the label's next release: Vagabonds: Expanded Edition, from Gary Louris of The Jayhawks! Pre-orders close on June 7, so don't miss out, and don't forget to vote on ROG's next release. Will it be Luna's Lunafied, Fred Neil's Bleecker & MacDougal, or Billy Byrd's Lonesome Country Songs? Vote now! It's not called Funknology for nothing! Run Out Groove's recent release from Dr. John,
Review: Love, “Forever Changes: 50th Anniversary Edition”
Forever Changes, the third album from the Los Angeles band Love, arrived on Elektra Records in November 1967 - the same month as The Moody Blues' Days of Future Passed, Cream's Disraeli Gears, The Beatles' Magical Mystery Tour, Jefferson Airplane's After Bathing at Baxter's, The Hollies' Butterfly, and The Monkees' Pisces, Aquarius, Capricorn and Jones. Psychedelia was in the air, not to mention creativity and experimentation in music at an all-time high that is still largely unrivaled.
Baby, They’ve Got It! Ace Raids Motown Vaults for “More Motown Girls”
Back in 2013, Ace Records launched its first collection of Motown Girls, spotlighting previously unreleased tracks from the legendary ladies of Motown Records. A second installment arrived in 2015, and now, we're finally the recipient of a third volume in the series. The 24-song anthology Baby I've Got It! More Motown Girls boasts 16 previously unreleased tracks, with the remaining eight drawn from the Motown Unreleased compilations (all of which have been digital-only except for the one
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