My Huckleberry Friend: El Records Offers Variations on Mancini's "Moon River and Me"

Quick - think of your favorite Blake Edwards movie. Okay, now be honest: when conjuring up an image of one of Edwards' signature comic set pieces, didn't you automatically start hearing a famous theme? If you did, chances are it was composed by Henry Mancini. Edwards and Mancini worked hand in hand for some 30 projects over a 35-year period, from 1958's groundbreaking television series Peter Gunn through 1993's Son of the Pink Panther, Edwards' final motion picture. One of the most cherished of the Mancini/Edwards pairings came on 1961's Breakfast at Tiffany's. With the Academy Award-winning ballad "Moon River" as its immortal centerpiece, Tiffany's offered Mancini in his most tuneful mode, embracing dramatic cues, swinging cocktail music, brash big band jazz and even a cha-cha-cha. The varied compositions perfectly captured the spirit of the romantic comedy based on Truman Capote's novella and starring Audrey Hepburn and George Peppard. As with most of Mancini's film work, his score to Breakfast at Tiffany's was re-recorded for a home listening experience for RCA Victor's original soundtrack album. Now, a bit more of Mancini's original score is available thanks to the U.K.'s Cherry Red-affiliated El Records label and its release today of Moon River and Me (coincidentally also the title of Andy Williams' autobiography, Williams being the American singer most associated with the Academy Award-winning song penned by Mancini and Johnny Mercer for the film).

Moon River and Me features seventeen recordings from Breakfast at Tiffany's. Though this doesn't represent the entirety of the original score, it offers music not present on the 12-track RCA Victor re-recording. These tracks include the original main title, Audrey Hepburn's vocal rendition of "Moon River" and other previously-unavailable cues like the moody "Paul the Spy," wistful "Running Home" and alternately slinky and animated "Next Morning." All of these are presented in generally good sound and make a welcome companion to the RCA Victor soundtrack album. (Presentations such as this are possible due to current United Kingdom copyright law which finds music more than 50 years old to be in the public domain.)

There's more on Moon River and Me, too, including variations on that famed song. Hit the jump to read on!

The selections from the Tiffany's soundtrack are augmented by four versions of "Moon River." Jerry Butler's R&B-inflected Vee-Jay single hit No. 11 in the U.S., and is heard here alongside Danny Williams' U.K. chart-topping rendition on the HMV label. (No relation to Andy!) Covers by drummer Art Blakey's Jazz Messengers (including tenor saxophonist Wayne Shorter and trumpeter Freddie Hubbard!) and guitarist Al Caiola round out the set. Five tracks are excerpted from guitarist Barney Kessel's album of the Mancini score, and another three from tenor sax man Eddie Harris' similar LP. Clearly, Mancini's Academy Award-winning score proved itself adaptable to many musical genres, both vocal and instrumental.

The black-and-white booklet includes a 6-page essay with notes derived from Henry Mancini's autobiography Did They Mention the Music? plus images of the composer and stills from the film. Moon River and Me is available now from El Records, and follows the label's releases of Mancini's soundtrack to Touch of Evil and his 1957 solo recording debut Driftwood and Dreams, retitled The Versatile Henry Mancini. You can order this latest title at the link below!

Henry Mancini, Moon River and Me (Including More Music from Breakfast at Tiffany's) (El Records ACMEM227CD, 2012)

Moon River (Original Main Title)
Sally's Tomato
Holly's Phonograph
Paul's Apartment/Holly's Dream
Party One
Party Two
Party Three
Party Four
Party Five
Moon River - Audrey Hepburn
Paul, The Spy
Tiffany's
Shoplifting
Running Home
Next Morning
Fifty Dollars From Paul
Search For Cat/Finale
Breakfast at Tiffany's - Barney Kessel
Latin Golightly - Barney Kessel
Sally's Tomato - Barney Kessel
Holly - Barney Kessel
The Big Blow Out - Barney Kessel
Something for Cat - Eddie Harris
Mr. Yunioshi - Eddie Harris
Loose Caboose - Eddie Harris
Moon River - Danny Williams
Moon River - Art Blakey and the Jazz Messengers
Moon River - Jerry Butler
Moon River - Al Caiola

Tracks 1-17 previously unreleased
Tracks 18-22 from Barney Kessel, Breakfast at Tiffany's, Reprise LP R-6019, 1962
Tracks 23-25 from Eddie Harris, Jazz for Breakfast at Tiffany's, Vee-Jay LP 3027, 1961
Track 26 from HMV single POP932, 1961
Track 27 from Buhaina's Delight, Blue Note LP 4104, 1962
Track 28 from Vee-Jay single 405, 1961
Track 29 from Al Caiola, Solid Gold Guitar, United Artists LP UAL-3180, 1962

Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.