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When Worlds Collide! John Barry and Matt Monro Spy Thriller Joins George Pal Sci-Fi Flicks

July 11, 2012 By Joe Marchese Leave a Comment

His name is Barry...John Barry.  And the famed film composer's score to the 1966 spy thriller The Quiller Memorandum is one of the two latest soundtrack reissues from Intrada.  The film score specialists have also just released a 2-CD set of four scores drawn from the legendary films of George Pal.  War of the Worlds/When Worlds Collide includes, as bonuses, The Naked Jungle and Conquest of Space.  These four soundtracks are the work of Leith Stevens (War of the Worlds, When Worlds Collide), Daniele Amfitheatrof (Naked Jungle) and Nathan Van Cleave (Conquest).

The name of George Pal is still one of the most beloved today in science fiction.  The Hungarian-born producer/director was nominated for multiple Academy Awards and even received an honorary statue for his pioneering Puppetoon series, applying animation techniques to puppetry.   He soon switched to live-action films and although his science-fiction efforts are among his most enduring, he also tackled fantasies like Tom Thumb and The Wonderful World of the Brothers Grimm.  Pal's 1953 War of the Worlds, directed by Byron Haskin and based on the H.G. Wells novel, was scored by Leith Stevens (The Wild One, Pal's Destination Moon).  All of Stevens' surviving cues are presented in mono from original elements stored in Paramount vaults. It's joined by Stevens' score to 1951's When Worlds Collide, presented from Paramount's mono masters with choral overlays intact.

Two more Pal films round out the set.  The 40-minute soundtrack for The Naked Jungle (1954) was written by Daniele Amfitheatrof (Lassie Come Home, Disney's Song of the South) has been mastered from the three-channel stereo scoring session elements.  Finally, the 2-CD set includes the score to 1955's Conquest of Space, from Nathan Van Cleave (The Twilight Zone).  Van Cleave's work will be heard in mono from the original Paramount master elements.  Jeff Bond contributes liner notes to this Intrada Special Collection release.

Hit the jump for a plunge into the sixties spy game with The Quiller Memorandum, plus track listings and order links for both titles!

In 1966, there was no better, or more obvious, choice to pen the score to The Quiller Memorandum than John Barry.  He had already established the musical identity of James Bond in films like From Russia with Love, Goldfinger and Thunderball; his score to Quiller would fall between Thunderball (1965) and You Only Live Twice (1967).  In 1966, the year of Quiller's release, Barry also received two Academy Awards for his work on Born Free, including one for the title song, as sung by Matt Monro.  Barry would re-team with the beloved vocalist for Quiller, as well, via the song "Wednesday's Child" with lyrics by Mack David (Hal's older brother).

Based on Adam Hall's 1965 bestseller The Berlin Memorandum, the film starred George Segal, Alec Guinness, Max von Sydow, Senta Berger, and George Sanders.  Directed by Michael Anderson and with a screenplay by British theatrical eminence Harold Pinter, the 20th Century Fox film was primarily shot in Berlin, where it told an unsettling and very modern story of neo-Nazism.  Intrada's new release preserves the original Columbia Records stereo soundtrack LP.  For his part, Barry largely avoided the high-octane James Bond style of spy music, instead opting for an evocative, atmospheric and altogether suspenseful orchestral treatment.  The album also includes a rendition of Tony Hatch's hit song written for Petula Clark, "Downtown."  Quiller has been remastered from the original Columbia master tapes through the courtesy of Sony Music Entertainment, and Intrada is offering both new artwork and the original LP cover on each side of the disc's booklet.  Like the George Pal set, The Quiller Memorandum is a Special Collection title, and will be available from the label as long as "quantities and interest remain."

Both War of the Worlds/When Worlds Collide and The Quiller Memorandum can be ordered below and are shipping now from Intrada!

John Barry, The Quiller Memorandum: Original Soundtrack Recording (Columbia Records LP OS-3060, 1966 - reissued Intrada Special Collection Volume 201, 2012)

  1. Wednesday's Child (Main Theme)
  2. Quiller Caught - The Fight
  3. The Barrel Organ
  4. Oktober - Walk From the River
  5. Downtown (Tony Hatch)
  6. Main Title Theme
  7. Wednesday's Child - Matt Monro
  8. The Love Scene - The Old House
  9. Autobahn March
  10. He Knows the Way Out!
  11. Night Walk in Berlin
  12. Quiller and the Bomb
  13. Have You Heard of a Man Called Jones? (End Theme)

Original Soundtrack Recordings, War of the Worlds/When Worlds Collide (Intrada Special Collection Volume 204, 2012)

CD 1 (War of the Worlds - Tracks 1-7, When Worlds Collide - Tracks 8-24, When Worlds Collide Bonus Material - Tracks 25-28, War of the Worlds Bonus Material - Tracks 29-31)

  1. Main Title
  2. The Thing/It's Moving
  3. Heat Ray Dispenser/Get the Military
  4. Attempted Communication
  5. The Scanning Eye
  6. Evacuation
  7. End Title
  8. Main Title/Foreword
  9. The Black Box
  10. Uncertainty
  11. Bellus, Zyra and the D.A.
  12. U.N. Headquarters/Nasty Headline
  13. Project Recruiting/Project Indoctrination
  14. Martial Law/Evacuation Montage
  15. Securing the Rocket
  16. A Savage Outburst/Save the Ship
  17. A Revengeful Night/Bellus Approaches/Doomsday Drawing
  18. Calendar Montage
  19. Tony's Generosity
  20. Ecstasy and Despair
  21. Zero Hour
  22. The Take Off
  23. The Flight
  24. The New World
  25. 10-AA Unknown
  26. High on the List
  27. Café Fox Trot
  28. Main Title
  29. Main Title
  30. Prologue and Main Title
  31. Heat Ray Dispenser Sound Effect

CD 2 (The Naked Jungle - Tracks 1-16, Conquest of Space - Tracks 17-30, Conquest of Space Bonus Material - Tracks 31-32, The Naked Jungle Bonus Material - Tracks 33-34)

  1. Prelude/Main Title
  2. Opening Sequence/A Lonely Arrival
  3. Leiningen's Arrival/First Meeting
  4. Bitter Words
  5. Survey of the Plantation
  6. Silhouetted Temptations
  7. Drunken Developments/The Hanging
  8. Marabunta
  9. Almost Enticed
  10. Army on the March/Escape Destroyed/Magnified Enemy
  11. Drums No. 2
  12. Explosion Montage
  13. The Fight Begins
  14. Retreat
  15. I Love You
  16. Flooded and End Title
  17. Main Title/The Firmament
  18. Stricken
  19. Meteors/Transport Rocket
  20. Orders to Mars
  21. Off to Mars
  22. Stowaway
  23. Asteroid
  24. Last Rites
  25. Approach
  26. Mars and Madness
  27. Life and Death
  28. Snow
  29. The Elements/Earthquake
  30. Victory/Finale/Cast
  31. Space Muzak
  32. Main Title
  33. Prelude in E Minor (Chopin)
  34. Ant Noise

Categories: News Formats: CD Genre: Soundtracks Tags: John Barry, Matt Monro

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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