Dionne WordPress Banner

The Second Disc

Expanded and Remastered Music News

  • Home
  • News
    • Classic Rock
    • Rock
    • Pop
    • Jazz
    • Popular Standards/Vocal
    • R&B/Soul
    • Country
    • Folk
    • Cast Recordings
    • Soundtracks
    • Everything Else
      • Classical/Opera
      • Disco/Dance
      • Funk
      • Gospel
      • Rap/Hip-Hop
  • Features
    • Release Round-Up
    • The Weekend Stream
    • Giveaways!
    • Interviews
  • Reviews
    • Classic Rock
    • Rock
    • Pop
    • Jazz
    • Popular Standards/Vocal
    • R&B/Soul
    • Country
    • Folk
    • Cast Recordings
    • Soundtracks
    • Everything Else
      • Classical/Opera
      • Disco/Dance
      • Funk
      • Gospel
      • Rap/Hip-Hop
  • Release Calendar
    • Coming Soon
    • Now Available
  • About
  • Second Disc Records
    • Full Catalog
  • Contact

/ News

Heaven In Her Eyes: BBR Reissues Two From Deniece Williams

July 16, 2012 By Joe Marchese Leave a Comment

The curriculum vitae of Deniece Williams can boast some of the most esteemed names in popular music: Maurice White, Charles Stepney, David Foster, Thom Bell and George Duke, just to name a few.  All of those gentlemen produced albums for, or with, Williams, whose career has been the subject of a series of deluxe reissues from Big Break Records.  Earlier this year, BBR (part of the Cherry Red group of labels) added Williams' 1976 debut This is Niecy to its previous four titles from the artist: her sophomore effort Song Bird, disco-flavored third solo album When Love Comes Calling, Thom Bell-produced soul masterpiece My Melody and pop classic Let's Hear It For the Boy.  Two more titles have since been added to BBR's Williams catalogue, meaning that her first seven solo albums are now on BBR.  These latest additions are 1982's Niecy, co-produced by Williams and Thom Bell, and its 1983 follow-up, the George Duke-produced I'm So Proud.  That latter title was expanded just this past March by Funky Town Grooves, but the BBR edition goes it one better with more comprehensive notes and two additional bonus tracks.

Niecy may be the most beloved album in Williams' catalogue.  Reteaming the singer with Philadelphia's Thom Bell, it built on the sound of its gold-selling predecessor, My Melody (1981).  Bell seamlessly and tastefully integrated the sound of a synthesizer into his lush, symphonic soundscapes.  Adding to the album's singular sound, Bell recorded Williams with a live rhythm section, quite anomalous for a production circa 1982.  Even that rhythm section itself was surprising; Bell brought in new musicians to the newer, largely untried studio at Sigma Sound, joining familiar names like Bobby Eli and Don Renaldo.  Williams wrote every track on the album save one, and four of her songs were co-written with Bell.  But the one song Williams didn't write, ironically, became the album's calling card.

Both Thom Bell and Deniece Williams had history with the Teddy Randazzo/Bob Weinstein/Lou Stallman song "It's Gonna Take a Miracle," originally performed by The Royalettes in 1965.  When Williams told Bell one day that it was a song she had wanted to tackle ever since performing it in a school talent show, Bell recounted his own history with the song.  He had arranged it and even played piano for Laura Nyro on her 1971 album produced by Gamble and Huff.  The album's title?  Gonna Take a Miracle.  The song became Bell's ultimate tribute to Randazzo and producer Don Costa, two of the talents he most admired.  The reworked but still faithful take on the oldie went to No. 1 R&B, No. 6 AC and No. 10 Pop.  It also helped Niecy make the Top 20 pop album chart, and earned Williams her first Grammy nomination.  Clearly "waiting" was on the minds of Bell and Williams.  Follow-up singles "Waiting by the Hotline" and "Waiting" (both written by the duo) appeared later in the year, and though they didn't repeat the success of "Gonna Take a Miracle," all three songs illustrate the high quality of songwriting, singing and production on Niecy.

Whereas an otherwise-exemplary 2008 edition on the Reel Music label didn't add any new material, and 2009's SPV reissue paired the LP with Let's Hear It for the Boy, Big Break's reissue includes the single versions of "It's Gonna Take a Miracle," "Waiting" and "How Does It Feel" (the B-side of "Waiting").  Christian John Wikane's great, entertaining essay includes candid recollections from Bell, which are worth the price of admission alone.  Reissue producer Wayne A. Dickson has remastered.

Hit the jump for the scoop on I'm So Proud!

1983's I'm So Proud joins Niecy on BBR. Thom Bell and Deniece Williams opted to go out "on top," and they amicably parted ways after Niecy.  Columbia Records was eager for a follow-up, though, and enlisted various producers for the album that became I'm So Proud.  The most notable among them was George Duke, a jazz great who had branched out into pop, soul and R&B, working with artists from Jeffrey Osborne to Frank Zappa.  Duke delivered a Top 10 R&B hit with "Do What You Feel," co-written with Deniece, and produced three other songs for the album including the shimmering album opener, "Do What You Feel."  I'm So Proud, though, would just be an appetizer for Duke's next project with Williams: a little song called "Let's Hear It for the Boy" for the film Footloose!

Supplementing Duke's work, Williams and Bill Neale co-produced the album's title song, a new interpretation of Curtis Mayfield's 1964 Impressions classic.  "I'm So Proud" became a minor hit in Williams' hands.  She and Neale also produced another teaming with Johnny Mathis.  Williams and Mathis' 1978 duet on "Too Much, Too Little, Too Late" remains a beloved item in both artists' catalogues, and they gained further immortality as a team when they recorded the theme to NBC's sitcom Family Ties.  Here, they reunited for the smooth soul excursion of Jeff Barry and Bruce Roberts' "So Deep in Love."   Williams also looked forward to her future Christian and gospel albums with Skip Scarborough's affecting "They Say," on which she was joined by another great and distinct vocalist: Earth, Wind and Fire's Philip Bailey.

Big Break's reissue, annotated by Wikane and remastered by Dickson and Nick Robbins, includes five bonus tracks: the 12-inch version of "Heaven in Your Eyes" plus the seven-inch single mixes of "Do What You Feel," "It's Okay," "I'm So Proud" and "Heaven in Your Eyes."  The latter two tracks are exclusive to BBR's edition.

Both Niecy and I'm So Proud are available now from Big Break, and can be ordered just below!

Deniece Williams, Niecy (ARC/Columbia LP FC-37952, 1982 - reissued Big Break Records CDBBR 0141, 2012)

  1. Waiting by the Hotline
  2. It's Gonna Take a Miracle
  3. Love Notes
  4. I Believe in Miracles
  5. How Does It Feel
  6. Waiting
  7. Now is the Time for Love
  8. A Part of Love
  9. It's Gonna Take a Miracle - Single Version (from ARC single 18-02812, 1982)
  10. Waiting - Single Version (from ARC single 38-03261, 1982)
  11. How Does It Feel - Single Version (from ARC single 38-03261, 1982)

Deniece Williams, I'm So Proud (Columbia LP 36822, 1983 - reissued Big Break Records CDBBR 0148, 2012)

  1. Do What You Feel
  2. I'm So Proud
  3. So Deep In Love
  4. I'm Glad It's You
  5. Heaven In Your Eyes
  6. They Say
  7. Love, Peace And Unity
  8. It's Okay
  9. Heaven In Your Eyes - Extended Dance Version (from Columbia 12-inch single 04946, 1983)
  10. Do What You Feel - Single Version (from Columbia single 03807, 1983)
  11. It's Okay - Single Version (from Columbia single 04037, 1983)
  12. I'm So Proud - Single Version (from Columbia single 04037, 1983)
  13. Heaven In Your Eyes - Single Version (from Columbia single 04218, 1983)

Categories: News Formats: CD Genre: R&B/Soul Tags: Deniece Williams

Avatar photo

Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

Connect With Joe: FacebookTwitter

You Might Also Like

  • Philip Bailey State of the HeartWalking on the Chinese Wall: SoulMusic Records Collects Philip Bailey's First Three Solo Pop Albums
  • StreamThe Weekend Stream: December 10, 2022
  • gold cd2The Year In Review: The 2021 Gold Bonus Disc Awards, From A to Z - Part One
  • Atlantic Starr AlwaysAlways: Cherry Red, SoulMusic Release Expanded Album Box for Atlantic Starr

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Upcoming Releases

  • Version 1.0.0
    Natural Gas: Original Master Edition
    Natural Gas
    May 30, 2025
    US UK
  • Grateful Dead The Music Never Stopped
    The Music Never Stopped
    Grateful Dead
    May 30, 2025
    US UK
  • TMBG Spine Surfs Alone CD
    The Spine Surfs Alone: Rarities 1998-2005
    They Might Be Giants
    May 30, 2025
    US UK
See Full Calendar

Connect

  • Facebook
  • RSS
  • Twitter

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 4,677 other subscribers

Popular Posts

  • Most Commented
  • Most Viewed
  • Dionne Warwick Make It Easy on Yourself(Don't) Walk On By: Dionne Warwick's "Make It Easy on Yourself: The Scepter Recordings 1962-1971" Due in June on 12...
  • Tracks II CD packshot no disc artShut Out the Light: Bruce Springsteen Offers Seven Unheard Albums on 'Tracks II'
  • Rod Stewart Ultimate Hits Amazon exclusiveHe Wears It Well: Rod Stewart's 'Ultimate Hits' Due in June
  • RSD 2025 best of restRecord Store Day 2025: The Best of the Rest
  • record store day logoThe Second Disc's Guide to Record Store Day 2025: Our Favorite Picks
  • John Williams Anthology 1Mondo Maestro: New John Williams Box Set Series Announced, Plus 'Star Wars' Re-Recordings on Vinyl

Music Resources

  • Addicted to Vinyl
  • Crap from the Past
  • Discogs
  • Film Score Monthly
  • IMWAN Forum – From the Vaults
  • MusicTAP
  • Musoscribe
  • Pause & Play
  • Popdose
  • Slicing Up Eyeballs
  • Steve Hoffman Music Forums
  • Ultimate Classic Rock
  • Vintage Vinyl News
  • Wolfgang's Vault

Labels of Note

  • Ace Records
  • Analog Spark
  • Bear Family
  • BGO Records
  • Big Break Records
  • Blixa Sounds
  • Cherry Red Label Group
  • Craft Recordings
  • Demon Music Group
  • Friday Music
  • Funky Town Grooves
  • Iconoclassic Records
  • Intervention Records
  • Intrada
  • Kritzerland
  • La La Land Records
  • Legacy Recordings
  • Light in the Attic
  • Masterworks Broadway
  • Now Sounds
  • Omnivore Recordings
  • Real Gone Music
  • Rhino Entertainment
  • Rock Candy Records
  • SoulMusic Records
  • Sunset Blvd. Records
  • Supermegabot
  • Varese Sarabande
  • Vinyl Me, Please
  • Wounded Bird
Copyright © 2025 The Second Disc. All rights reserved. · Site by Metaglyphics

The Second Disc is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com, amazon.ca and amazon.co.uk.

Terms and Conditions - Privacy Policy