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In The Shadow of The Shadows: Songwriter Jerry Lordan Remembered on "All My Own Work"

October 16, 2012 By Joe Marchese 3 Comments

Just who the heck was Jerry Lordan anyway?

The English singer, songwriter, actor and comedian (1934-1995) provided hit records for Dale Hawkins, Anthony Newley, The Shadows and Jet Harris, but Lordan has never gotten his due in the CD era.  Because most of his work came in the pre-Beatles era of British pop, too many of Jerry Lordan's songs are all but forgotten.  RPM Records, an imprint of Cherry Red, has come to right that wrong with the comprehensive All My Own Work, combining Lordan's 1961 album of the same name with fourteen more tracks.  The new, expanded All My Own Work paints a definitive portrait of Lordan, the singer/songwriter.

Jerry Lordan recorded All My Own Work in 1961 for the Parlophone label, with orchestral accompaniment by Matt Monro's frequent collaborator, Johnnie Spence.  By the time of the album's recording, he was already a proven hitmaker.  One of his very first songs, "A House, A Car and a Wedding Ring," didn't chart in a Decca U.K. version recorded by Mike Preston, but across the pond, rockabilly hero Dale Hawkins did well with it.  Soon, Anthony Newley took "I've Waited So Long" to No. 3 in the U.K., and Lordan was working with future superstar film composer John Barry on "Starfire," which appeared on Barry's Stringbeat album.  Lordan was signed as an artist to Parlophone in 1959, working not only with Spence but with Ron Goodwin and George Martin.  A little song called "Apache," however, would eclipse Lordan's solo output.

While touring with Cliff Richard and the Shadows, Lordan played the Shadows his guitar instrumental "Apache," previously recorded (but not released) by Bert Weedon.   The Shadows recorded and quickly released their version, which shot to No. 1 on the British charts.  It remained there for five weeks, selling over a million records and displacing Cliff Richard's own "Please, Don't Tease" from the top slot.  "Apache" received a hit cover version in the U.S. from Jorgen Ingmann (No. 2!) and Weedon even scored a minor hit with his version.  Lordan chose to concentrate on songwriting rather than performing, and the Shadows' later, Lordan-penned "Wonderful Land" even eclipsed "Apache," remaining at No. 1 in the U.K. for eight weeks.  It remains the biggest-selling rock instrumental of all time in Great Britain.  He went on to write for The Shadows (1965's vocal hit "Mary Anne"), Cliff ("A Girl Like You"), other Shadows alumni Jet Harris and Tony Meehan ("Diamonds") and Hank B. Marvin, as well as for Shane Fenton and Louise Cordet.  He collaborated with the hitmaking team of Roger Cook and Roger Greenaway, and even recorded a single arranged and supervised by George Martin, 1970's The Old Man and the Sea.  It was not a hit, and much of the 1970s was a dark period.  Lordan returned to songwriting the following decade, and lived long enough to hear The Shadows still performing his songs nightly when the group returned to regular touring.  Lordan died in 1995.

The expanded All My Own Work includes the twelve tracks from the original 1961 LP, plus all twelve sides of Lordan's six Parlophone singles recorded between 1959 and 1962; none of them were significant chart entries.  Arranged by Johnnie Spence, All My Own Work includes Lordan's recording of "Apache," plus other hits like "A House, A Car and a Wedding Ring" and "I've Waited So Long," for a retrospective "And then I wrote.." feel.  The CD is rounded out by two previously unissued demo recordings.  Simon Murphy has remastered at Another Planet Music, and Rob Bradford provides a detailed, lengthy essay.  Claudine Lordan, Jerry's widow, provides a warm afterword.

A fine reminder of a songwriter who injected some vital energy into the pre-Beatles U.K. rock and roll scene, Jerry Lordan's All My Own Work is available now from RPM Records and can be ordered below.

Jerry Lordan, All My Own Work (RPM RETRO 916, 2012)

  1. A House, A Car and a Wedding Ring
  2. I've Waited So Long
  3. Leave Me Alone
  4. First Romance (Instrumental)
  5. Man on My Trail
  6. Love Where Can You Be?
  7. I Want to Fall in Love
  8. All Night Long
  9. Apache
  10. I'll Stay Single
  11. Married
  12. The World's Loneliest Man
  13. I'll Stay Single (Single Version)
  14. Can We Kiss
  15. Who Could Be Bluer?
  16. Do I Worry?
  17. Sing Like an Angel
  18. Ev'ry Time
  19. Ring, Write or Call
  20. I've Still Got You
  21. You Came a Long Way from St. Louis (Stereo)
  22. Let's Try Again (Stereo)
  23. One Good Solid 24 Carat Version
  24. Second Hand Dream
  25. Diamonds (Piano/Vocal Demo)
  26. Scarlett O'Hara (Piano/Vocal Demo)

Tracks 1-12 from All My Own Work, Parlophone PCS 3014, 1961
Tracks 13-14 from Parlophone single R 4588, 1959
Tracks 15-16 from Parlophone single R 4627, 1960
Tracks 17-18 from Parlophone single R 4653, 1960
Tracks 19-20 from Parlophone single R 4695, 1960
Tracks 21-22 from Parlophone single R 4748, 1961
Tracks 23-24 from Parlophone single R 4903, 1962
Tracks 25-26 previously unreleased

Categories: News Tags: The Shadows

Avatar photo

Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. John Rogers says

    June 12, 2015 at 11:02 pm

    Is the version of Apache on this by Johnnie Spence Orchestra with Jerry playing Guitar or is it just by the orchestra?

    Reply
  2. Clive Webb says

    July 15, 2020 at 3:51 am

    Thanks for this appreciation of Jerry Lordan, but - a few mistakes, I'm afraid.The Old Man and The Sea was a single, not an album...and some of Jerry's Parlophone singles (Who Could Be Bluer?, I'll Stay Single and Sing Like an Angel) did make the charts - although Jerry himself admitted that he wasn't a great singer and was uncomfortable as a solo artist. Not sure what "Hit the Jump!" means...

    Reply
    • Avatar photoJoe Marchese says

      July 15, 2020 at 4:09 pm

      Hi Clive, This article is nearly eight years old, but thanks for holding our feet to the fire nonetheless. 😉 The format of the George Martin collaboration has been corrected. "Hit the jump" referred to our old website in which you would have to click to read the article in full. All the best!

      Reply

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