Dionne WordPress Banner

The Second Disc

Expanded and Remastered Music News

  • Home
  • News
    • Classic Rock
    • Rock
    • Pop
    • Jazz
    • Popular Standards/Vocal
    • R&B/Soul
    • Country
    • Folk
    • Cast Recordings
    • Soundtracks
    • Everything Else
      • Classical/Opera
      • Disco/Dance
      • Funk
      • Gospel
      • Rap/Hip-Hop
  • Features
    • Release Round-Up
    • The Weekend Stream
    • Giveaways!
    • Interviews
  • Reviews
    • Classic Rock
    • Rock
    • Pop
    • Jazz
    • Popular Standards/Vocal
    • R&B/Soul
    • Country
    • Folk
    • Cast Recordings
    • Soundtracks
    • Everything Else
      • Classical/Opera
      • Disco/Dance
      • Funk
      • Gospel
      • Rap/Hip-Hop
  • Release Calendar
    • Coming Soon
    • Now Available
  • About
  • Second Disc Records
    • Full Catalog
  • Contact

/ Reviews

Review: Glen Campbell, "Rhinestone Cowboy: 40th Anniversary Edition"

April 8, 2015 By Joe Marchese 6 Comments

Glen Campbell - Rhinestone CowboyOn April 22, Glen Campbell will turn 79 years old.  The past years haven’t been easy for the artist; his ongoing battle with Alzheimer’s was boldly chronicled in the acclaimed 2014 documentary I’ll Be Me for which he earned an Academy Award nomination.  Though the disease has reportedly robbed Campbell of his ability to communicate verbally, it’s understood that he still finds solace and comfort in the music of his guitar.  It’s a small but important reward for Campbell considering the joy he’s brought to so many over the years, via 21 Top 40 hits, 27 Country Top 10 singles, six Top 20 albums, and nine No. 1 Country albums in the United States alone.  Forty years ago, in 1975, Campbell scored one of his most delicious victories when the title track of his Rhinestone Cowboy album reached No. 1 Pop, Country and Easy Listening.  It was a validation for him, as he felt that Larry Weiss’ song – said to have been turned down by Elvis Presley, among others - spoke to him on a deeply personal level.  Capitol Nashville has just remastered and expanded Rhinestone Cowboy for a compelling anniversary reissue.

Campbell, like so many others of his era, was never considered an “albums” artist; his classic interpretations of John Hartford’s “Gentle on My Mind” and Jimmy Webb’s “By the Time I Get to Phoenix,” “Wichita Lineman” and “Galveston” all yielded albums of the same names, but the songs are remembered far more than the eclectic LPs.  What’s most invigorating about revisiting Rhinestone Cowboy is the discovery that, as produced by Brian Lambert and Dennis Potter (The Grass Roots, The Four Tops), it coheres as a semi-autobiographical song suite by a musician and vocalist at the peak of his considerable powers.

Lambert and Potter, comfortable in a variety of genres from pure pop to R&B and blue-eyed soul, proved themselves the ideal producers to restore Campbell to “crossover’ success on both the pop and country charts.  They supplied the first four songs on Rhinestone Cowboy, all crafted with AM-ready hooks but enough lyrical content for Campbell to prove his (all-too-underrated) mettle as a top-drawer vocal interpreter.  The tailor-made “Country Boy (You Got Your Feet in L.A.)” addresses the same themes as Weiss’ triumphant “Rhinestone Cowboy” and allowed the boy from Delight, Arkansas to reflect on where he came from and where he was going.  The public responded to its irresistible melody and universal theme of holding onto one’s roots.   It shot to No. 3 Country, No. 11 Pop and No. 1 Easy when it was released as the album’s second single (after the title track).  “Comeback” uses showbiz parlance – a term applied frequently to Rhinestone Cowboy itself - to relay its romantic tale, and “[You Can Always] Count on Me” takes advantage of Campbell’s genuine, honeyed tones to cast him as a reassuring ex.  On “I Miss You Tonight,” Campbell brought subtle nuance and close identification to the song’s theme of loneliness on the road.  One of the most touching performances on the record, it’s a further reminder of just how strong and versatile a singer he was, in addition to being a first-class, first-call guitar slinger.

The Lambert and Potter tracks meshed beautifully with the sentiment of Weiss’ “Rhinestone Cowboy,” yet while the remaining tracks on the LP were more eclectic in nature, Campbell connected with them all.  Mike Settle’s ballad “I’d Build a Bridge” finds the singer in the same reflective mode as “Country Boy” and “Rhinestone Cowboy,” but with added vulnerability as he yearns to reconnect with a former flame.  Johnny Cunningham’s “Pencils for Sale” blends melancholy and sentimentality; even better is Campbell’s crisp take on Randy Newman’s sad but beautiful “Marie.”  Newman’s character, only able to express himself honestly while inebriated, is one of the songwriter’s famously flawed narrators.  But singer and songwriter both find the dignity in this sad, rambling figure.  Barry Mann and Cynthia Weil’s “We’re Over” is sung by another contemplative figure as he seeks closure on a relationship.  Only a straightforward rendition of The Temptations’ Smokey Robinson-penned “My Girl” feels somewhat out of place, not through any fault of Campbell’s, but because the song is so overly familiar.

Five period bonus tracks have been added to sweeten the pot on this anniversary reissue.  “Record Collector’s Dream,” the B-side of “Country Boy,” was best left off the album, but the Lambert and Potter-produced track is enjoyably quirky in its own way.  “Coming Home (To Meet My Brother),” released on 45 in Japan only, transcends its origins as a Coca-Cola jingle in Campbell’s buoyant performance.  The previously unreleased outtake “Quits,” penned by “Goodtime Charlie’s Got the Blues” composer Danny O’Keefe, is the best of the lot.  A haunting elegy to a romance, it may have been too downbeat for the original album, but makes for a beautiful discovery here.  The bonus material is rounded out by two latter-day remixes of “Country Boy” and “Rhinestone Cowboy” from Campbell’s last Greatest Hits album.  These remixes subtly modernize the songs with a “dryer” sound largely emphasizing voice and guitar.  If they ultimately can’t replace the power of the originals, they make for a testament to the enduring power of the songs and productions.

The attractive, full-color booklet designed by Susan Lavoie includes a fine essay by Brian Mansfield recounting the album’s history.  Robert Vosgien has remastered with clarity.  A welcome surprise for the album’s 40th anniversary, Capitol’s new Rhinestone Cowboy is a timely tribute to a timeless artist who paved the way for today’s pop-country crossover stars.  It’s, well, a record collector’s dream.

Rhinestone Cowboy: 40th Anniversary Edition is available at Amazon U.S. and Amazon U.K.!

Categories: Reviews Formats: CD Genre: Country Tags: Glen Campbell

Avatar photo

Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

Connect With Joe: FacebookTwitter

You Might Also Like

  • Smokey Robinson and The Miracles Four FerRelease Round-Up: Week of April 19
  • The Who Live at Shea StadiumRelease Round-Up: Week of March 1
  • Glen Campbell I Am a Lineman for the CountyStill on the Line: Ace Collects Glen Campbell and Jimmy Webb Collaborations, Glen's "Ghost on the Canvas" Revisited with All-Star Duets
  • StreamThe Weekend Stream: September 3, 2022

Comments

  1. Roy Dragotta says

    April 8, 2015 at 6:25 pm

    I love this song I remember having a jacket with a rhinestone bull on the back of it so cool

    Reply
  2. bob says

    April 8, 2015 at 10:10 pm

    aw man, "Record Collector's Dream" is great!

    Reply
  3. MAry Preece says

    April 9, 2015 at 6:08 am

    love it can't stop playing it

    Reply
  4. Shaun says

    April 9, 2015 at 8:51 pm

    "... considering the joy he’s brought to so many over the years."

    I'm guessing that doesn't include Tanya Tucker, or any other women he may have beaten up?

    Reply
  5. jenny jones says

    April 11, 2015 at 4:07 pm

    I own nearly all his LP,s and think he is one of the best male singers ever.

    Reply
  6. Lenore Kolar says

    April 16, 2015 at 6:02 pm

    Prayers are being said for Glenn and his family. I heard they are close to finding a cure or medical help for people with alzheimer's.

    I use to work in the Glenn Campbell theater in Branson. I worked with Barbara and Sandy.
    If you could give them my email address and ask them to email me, I would appreciate it.
    lkolar1937@yahoo.com
    Thank you, Lenore Kolar

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Upcoming Releases

  • Version 1.0.0
    Natural Gas: Original Master Edition
    Natural Gas
    May 30, 2025
    US UK
  • Grateful Dead The Music Never Stopped
    The Music Never Stopped
    Grateful Dead
    May 30, 2025
    US UK
  • TMBG Spine Surfs Alone CD
    The Spine Surfs Alone: Rarities 1998-2005
    They Might Be Giants
    May 30, 2025
    US UK
See Full Calendar

Connect

  • Facebook
  • RSS
  • Twitter

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 4,673 other subscribers

Popular Posts

  • Most Commented
  • Most Viewed
  • Dionne Warwick Make It Easy on Yourself(Don't) Walk On By: Dionne Warwick's "Make It Easy on Yourself: The Scepter Recordings 1962-1971" Due in June on 12...
  • Tracks II CD packshot no disc artShut Out the Light: Bruce Springsteen Offers Seven Unheard Albums on 'Tracks II'
  • Rod Stewart Ultimate Hits Amazon exclusiveHe Wears It Well: Rod Stewart's 'Ultimate Hits' Due in June
  • RSD 2025 best of restRecord Store Day 2025: The Best of the Rest
  • record store day logoThe Second Disc's Guide to Record Store Day 2025: Our Favorite Picks
  • John Williams Anthology 1Mondo Maestro: New John Williams Box Set Series Announced, Plus 'Star Wars' Re-Recordings on Vinyl

Music Resources

  • Addicted to Vinyl
  • Crap from the Past
  • Discogs
  • Film Score Monthly
  • IMWAN Forum – From the Vaults
  • MusicTAP
  • Musoscribe
  • Pause & Play
  • Popdose
  • Slicing Up Eyeballs
  • Steve Hoffman Music Forums
  • Ultimate Classic Rock
  • Vintage Vinyl News
  • Wolfgang's Vault

Labels of Note

  • Ace Records
  • Analog Spark
  • Bear Family
  • BGO Records
  • Big Break Records
  • Blixa Sounds
  • Cherry Red Label Group
  • Craft Recordings
  • Demon Music Group
  • Friday Music
  • Funky Town Grooves
  • Iconoclassic Records
  • Intervention Records
  • Intrada
  • Kritzerland
  • La La Land Records
  • Legacy Recordings
  • Light in the Attic
  • Masterworks Broadway
  • Now Sounds
  • Omnivore Recordings
  • Real Gone Music
  • Rhino Entertainment
  • Rock Candy Records
  • SoulMusic Records
  • Sunset Blvd. Records
  • Supermegabot
  • Varese Sarabande
  • Vinyl Me, Please
  • Wounded Bird
Copyright © 2025 The Second Disc. All rights reserved. · Site by Metaglyphics

The Second Disc is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com, amazon.ca and amazon.co.uk.

Terms and Conditions - Privacy Policy