Soul Beat: Ace Collects Previously Unreleased B.B. King

At the time of his death on May 14, 2015 at the age of 89, legendary bluesman Riley B. "B.B." King left behind more than 60 studio and live albums, not to mention countless anthologies drawing on different aspects and time periods of his extraordinary career. Late in the year, though, Ace Records added another key collection to that total with the release of Here's One You Didn't Know About: From the RPM and Kent Vaults. All but two tracks on this 25-song, nearly 80-minute CD are previously unreleased, and the two tracks that have been issued are recent discoveries that have only appeared once before on a new RPM compilation.

The songs - primarily alternate takes - on this collector-oriented release have been culled from King's 1950s/early 1960s recordings for Saul and Jules Bihari's Modern Records family of labels where he cut his first albums. King departed Modern for the bigger ABC Records in 1962, and at ABC he continued to hone and refine his tone. But The King of the Blues' Modern era was the one which established his artistic significance and established the path that he followed right up until his death. Most of the songs here were written by King and showcase his gifted leads as well as the fine musicianship of the pros who surrounded him.

Researched and compiled by Roger Armstrong and Dick Shurman, Here's One You Didn't Know About takes its title from a comment made by King at a 1961 session in which he decides to deviate from the plan to record "Catfish Blues" a.k.a. "Fishin' After Me." That track opens this set. Those intimately familiar with the final versions of the songs featured here will notice numerous variations - in lyrics, phrasing, and of course, King's playing. Shurman explains in the lengthy liner notes how the selections were chosen: "We were looking for powerful performances without egregious flaws, with extra points if the song was new or if variations cast a familiar song in a different light...We were shooting for a compilation which would be especially interesting to collectors who would appreciate the nuances, but even more, a stimulating and rewarding listen which would serve an affirmation not of flaws but of magnificence and timeless greatness, albeit with the occasional light extra pinch of humanity."

Ace has succeeded mightily on that count, and for those who want to compare each track to the completed versions, the track notes happily describe the variations for which you should be listening. Photographs of the original tape boxes illustrate the 16-page color booklet. Duncan Cowell has remastered all of the tracks, most of which are presented in mono.

King's Modern-era blues-and-soul sounds are as striking today as when first recorded; Here's One You Didn't Know About makes for an essential journey through the master's creative process in his early days. It's available now at the links below.

B.B. King, Here's One You Didn't Know About: From the Kent and RPM Vaults (Ace CDTOP 1457, 2015) (Amazon U.S. / Amazon U.K. / Amazon Canada)

Catfish Blues a.k.a. Fishin' After Me (Alternate of Kent 351) (*)
Be Careful Baby (*)
Growing Old (Take 2 of Kent 470)
Gotta Find My Baby a.k.a. What a Way to Go (1960s Version, Take 8) (*)
Long Nights (The Feeling They Call the Blues) (Take 4 of Kent 389) (*)
Loving You in Vain (a.k.a. Heartache and Pain) (Alternate of Ace CDCHM 996)
Shut Your Mouth (Take 1 of RPM 430)
Sweet Little Angel (Version 1) (Alternate of RPM 468)
Sweet Little Angel (Version 2) (Take 1 of RPM LP 3005)
Bad Case of Love (Take 6 of Kent 362) (*)
Talkin' the Blues (Take 2 of RPM 435)
Whole Lot of Lovin' (1962 Re-Record) (Take 1 of Kent 388) (*)
You Know I Go for You (Alternate of Kent 301)
You've Been an Angel (Take 1 of Kent 315)
Be Careful with a Fool (Take 11 of RPM 494)
When My Heart Beats Like a Hammer (Take 1 of RPM 412)
Don't You Want a Man Like Me (Take 3 of RPM 411)
Early in the Morning (Take 2 of RPM 486)
I Wonder Why (Take 4 of Kent 447) (*)
Partin' Time (Take 3 of Kent 346) (*)
Soul Beat a.k.a. Powerhouse (Take 1 of Kent 475) (*)
Why Not (Take 8-A of Ace ABOXCD 8) (*)
The Woman I Love (Copper Colored Mama) (Take 3 of RPM 408) (*)
Whole Lotta Meat a.k.a. Hey Little Girl (Take 10 of Ace LP CHD 201) (*)
Going Down Slow (1959 Version) (Take 2 of Galaxy LP 8202) (*)

Mono except (*) stereo

Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.