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Big Break Big Round-Up, Part One: Spotlight on Chameleon and Five Special

February 7, 2017 By Joe Marchese Leave a Comment

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Welcome to Part One of our Big Break Records Big Round-Up!  Today, we're looking at a pair of releases from 1979 which have newly received the BBR remastered and expanded treatment!

Chameleon was the brainchild of Azar Lawrence, the saxophonist and multi-instrumentalist who had played in the bands of Miles Davis, Gene Harris, Freddie Hubbard, Elvin Jones, and McCoy Tyner.  Like so many of his jazz contemporaries, Lawrence began to explore the connections between the various strains of jazz and R&B in the 1970s; his first album as a leader, 1974's Bridge Into the New Age, featured future Philadelphia International and Motown vocalist Jean Carn(e).  As a sideman, he also accompanied Marvin Gaye, Deniece Williams, and Phyllis Hyman.  Inspired by his friend Maurice White of Earth, Wind and Fire, Lawrence envisioned a self-contained band that could bring to life his most expansive musical visions.  Joined by co-producer Fred Wesley, leader of James Brown's The J.B.'s, Lawrence formed Chameleon for Elektra Records.

Big Break has recently reissued Chameleon's only long-player.  The album, and the group, featured Lawrence on vocals, saxophone and percussion; Michael E. Stanton on keyboards; Delbert Taylor on vocals, horns and percussion; Gerald Brown on bass, percussion and vocals; Earl Alexander on vocals and guitar; and Ronald Bruner on drums and percussion.  Every member of the band contributed as a songwriter, making for a true fusion of pop, R&B, funk, disco, and of course, jazz.  The swaggering and brassy "Get Up" set the danceable tone of the LP; both "Get Up" and the exuberantly rhythmic disco of "We'll Be Dancin'" were released in 12-inch extended versions, which are included on BBR's reissue.  The impassioned "I Feel You Here" and dreamy, smooth "For You" offered ballad respites from the uptempo action; the instrumental "Mysteryoso" likely sated the wishes of jazz fusion fans.

Unfortunately, Chameleon was pigeonholed into the fusion genre and failed to catch on to the mainstream R&B and disco audiences; plans for a second album were scuttled, according to Azar Lawrence in Christian John Wikane's illuminating liner note essay.  All twelve tracks, including the two bonus 12-inch single versions, have been remastered for this reissue by Nick Robbins and reissue producer Wayne A. Dickson.

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The eponymous Elektra debut of the vocal quintet Five Special also first arrived in 1979.  The label had been late to embrace disco, but groups like Chameleon and Five Special signaled its immersion into the dance genre.  Five Special was produced and primarily written by Ron Banks, of The Dramatics, while the group itself featured Ron's brother Bryan Banks as well as Steve Boyd, Mike Petillo, Steve Harris, and Greg Finlay.  Five Special had first recorded in 1976 under Ron's aegis for Mercury Records, moving to Elektra three years later.  The single release of "Why Leave Us Alone" predated the release of the Five Special LP by a couple of months, featuring Rick Gianatos' shimmering disco mix.  (That version has been included as a bonus track, along with an instrumental of the song.)

Recorded in Detroit and Los Angeles, and having some of the hallmarks of the lush Philadelphia Sound, Five Special was an auspicious album debut.  "Why Leave Us Alone," with its blend of throbbing beats, rich harmony vocals and plush orchestrations, was joined on the LP by floor-fillers such as "Do It, Baby" and "It's Such a Groove (Part II - Whatcha Got for Music!" along with more relaxed offerings like the bright "It's a Wonderful Day" and beautiful, Stylistics-esque ballad "You're Something Special."  Five Special offered the best of both worlds on "Baby," with its silky introduction ceding to a pulsating groove.

Five Special reached No. 20 on the U.S. R&B Albums chart, and the infectious "Why Leave Us Alone" gave the group its biggest hit when it reached No. 9 R&B/No. 55 Pop/No. 34 Disco.  The group went on to record two more albums for Elektra.  Christian John Wikane persuasively tells the band's story in his liner notes, drawing on a fresh interview with Rick Gianatos, and Wayne Dickson and Nick Robbins have seen to the exemplary sound quality throughout.

Both Chameleon and Five Special, housed in Super Jewel Boxes, are available now from Big Break and Cherry Red at the links below!

Chameleon, Chameleon: Expanded Edition (Elektra 6E-190, 1979 - reissued Big Break WCDBBRX 0363, 2017) (Amazon U.S. / Amazon U.K. / Amazon Canada)

  1. Get Up
  2. Wishing a Dream
  3. Unfair Affair
  4. Game of Life
  5. We'll Be Dancin'
  6. Come Into My Life
  7. I Feel You Here
  8. Mysteryoso
  9. For You
  10. Get Up (12-Inch Disco Version) (Elektra 12-inch single AS-11424, 1979)
  11. We'll Be Dancin' (12-Inch Disco Version) (Elektra 12-inch single AS-11424, 1979)

Five Special, Five Special: Expanded Edition (Elektra 6E-206, 1979 - reissued Big Break WCDBBRX 0338, 2016) (Amazon U.S. / Amazon U.K. / Amazon Canada)

  1. Why Leave Us Alone
  2. It's a Wonderful Day
  3. Do It Baby
  4. It's Such a Groove (Part II): Whatcha Got for Music!
  5. Baby
  6. Rock Dancin'
  7. You're Something Special
  8. Why Leave Us Alone (Special Disco Mix by Rick Gianatos) (Elektra 12-inch single AS-11408, 1979)
  9. Why Leave Us Alone (Instrumental) (Elektra single E-46032, 1979)

Categories: News Formats: CD Genre: Disco/Dance, R&B/Soul Tags: Chameleon, Five Special

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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