It's not much of a stretch to say that Robert Lamm is the heart and soul of Chicago. Since founding that seminal horn-rock band with Terry Kath, Peter Cetera, Lee Loughnane, Walter Parazaider, James Pankow, and Danny Seraphine, Lamm has contributed some of the band's most memorable songs including "Saturday in the Park," "Does Anybody Really Know What Time It Is," "Beginnings," "25 or 6 to 4," and "Another Rainy Day in New York City." Lamm's work has always been equal parts craft and conscience, bearing a confident knack for melodic rock and a searing social awareness. He released his first solo effort, the underrated Skinny Boy, in 1974, but didn't release another LP on his own until the 1990s (1993's Life is Good in My Neighborhood). A refreshing new collection from Omnivore Recordings, Time Chill: A Retrospective (OVCD-222) draws on Lamm's deeply personal solo work from 1999 on, to showcase a recognizable yet different side of the Chicago singer-songwriter-keyboardist. Five previously unreleased tracks are among its treasures.
The opening track - the introspective, downbeat piano ballad "Four Bells" - is classic Lamm, but elsewhere on Time Chill, the troubadour indulges his musical imagination with a variety of styles. He even raps a bit over the tough, urban beats of "Sleeping in the Middle of the Bed." Yet as the title of Time Chill indicates, laidback grooves are de rigeur on this collection - none more so than the recordings made for 2008's The Bossa Project. "Sing to Me Lady" boasts a beautiful, gentle bossa nova shimmer, while the previously unreleased outtake of Bobby Hebb's "Sunny" is a low-key treat. The album's "Samba in Your Life" (with music by Van Eps and lyrics by Lamm) is presented here in a remixed version with contemporary synthesized rhythms.
At the time of the release of Lamm's 2003 album Subtlety and Passion, fans quickly and accurately proclaimed it the best Chicago album never recorded by the band (although its members did appear on it). Indeed, Subtlety and Passion had so much strong material that any of its tracks could have made an appearance on this retrospective. So, while fine tracks like "The Mystery of Moonlight," "I Could Tell You Secrets," and "Another Sunday" aren't here, Lamm has selected new remixes of "You're My Sunshine Everyday" and "It's a Groove, This Life," plus the original "You Never Know the Story." Chicago is also represented by a solo version of the classic "Does Anybody Really Know What Time It Is," in Lamm collaborator John Van Eps' sleek remake. Van Eps' production replaces the driving urgency of the original song with a cool, electronic pulse that may not be preferable to the original but is nonetheless a valid reinterpretation of a timeless song. The hard-hitting "Out of the Blue," co-written by Trent Gardner, also has a Chicago vibe (complete with a trombone part and background vocals by Jason Scheff) and serves as a tribute to the band's late guitarist, Terry Kath.
Lamm's empathetic side comes out on the smooth jazz-flecked "Send Rain," which Lamm reveals in his liner notes was inspired by the plight of struggling migrant workers, as well as on the touching "You Never Know the Story" (featuring smoky, late-night trumpet fills from Lee Loughnane). He and Chicago drummer Tris Imboden co-wrote "Everyday, It's Always Something" in the wake of 9-11, crafting the lament (which is not at all flippant, despite the title) around Imboden's drum loops. "Standing at Your Door" is beautifully sung with Gerry Beckley and the late Carl Wilson, recorded as the trio was beginning the Beckley-Lamm-Wilson album project.
The timely "Will People Ever Change?" is the closing track on Time Chill. Thankfully, Robert Lamm hasn't changed in the years since the founding of Chicago, as he continues to carry a torch for well-crafted pop and rock even as he explores new sonic avenues and contemporary textures. Time Chill, housed in a digipak, includes an eight-page booklet with Lamm's own track-by-track annotations. Discographical annotation is contained in the digipak, which will undoubtedly prove helpful for fans hearing these songs for the first time who will wish to seek out the albums from which they have been culled. The set has been remastered by Gavin Lurssen and Reuben Cohen, and makes for engaging listening on a Saturday in the park...or another Sunday...or a rainy day in New York City...in other words, anytime, or anywhere.
Time Chill is available at Amazon U.S. / Amazon U.K. / Amazon Canada!
mark schlesinger says
Chicago has had no heart nor soul since Terry Kath died.
Zubb says
That is a matter of opinion.
Robert says
As far as Chicago goes, when I've seen them the last few years, Lamm at least reliably appears as does Loughnane. Otherwise the stage is full of fill in players and replacements for people who've been fired from the band. Parazaider is supposedly still in the band though I haven't seen him on stage in 15 years. Pankow seems to be on vacation about half the time. The 'real' Chicago is closer to a tribute act at this point.
Other Robert says
Terry Kath died in 1978: his shoes have never been filled, nor were they expected to be.
Current Guitarist Keith Howland has been there every show and recording since 1995.
Danny Seraphine became obsessed with the $ the band was generating, but could no longer play in-time.
Tris Imboden has been in the drum seat every show since 1990-sh, except for 2 years recovering from cancer (he's a survivor).
Seraphine brought in Bill Champlin in 1981 (left to continue his solo work in 2009) to replace Lamm, who was dealing with personal issues. Lamm unexpectedly returned in 1982.
Cetera decided in 1985 he deserved a bigger slice of the pie, and disliked being in a horn band - or any band.
Jason Scheff stepped in: 1986-2016 and left to fulfill personal responsibilities.
Jeff Coffey is the Bassist and singer the band should have had all along.
The original Horn section had remained intact (Loughnane, Pankow and Parazaider), until illness, has kept Parazaider out, while Ray Herrmann has been at every show since 2008.
not 'fill in players" at all. They are bad-ass.
Robert says
I agree with your assessment that the guys they've hired to replace members to fill in. They have hired fine players, as are the players in many tribute bands. My problem is the ticket price commanded when I show up to see Chicago with only Lamm and Loughnane which has happened to me the last two times I saw them in the last 12 years. Even the guys who are pictured and listed as band members on the current records and in print advertising for the show as 'Chicago' have been absent. I haven't seen Coffey. I'm sure he's fine. I did see Seraphine on his last tour and there wasn't any discernible playing issue. Saying that Cetera, Seraphine, Champlin and Scheff 'left' is inaccurate when listening to their sides of the story (Seraphine, Champlin and Cetera). Scheff has been silent except in the lead up to his dismissal when he claimed everything was fine. In my opinion this is a management run, my way or the highway operation.
Bill says
Robert Lamm's first two solo albums -
1974's Skinny Boy and 1995's Life Is Good In My Neighborhood (both fantastic)
are completely ignored by this compilation.
So is the key track from Beckley-Lamm-Wilson - "Watching The Time Go By" - which is also on
Robert's 1999 3rd solo album In My Head (later re-issued as Too Many Voices".
All of Robert's solo albums have been great, this is just more of a "hey check out these tunes" compilation,
and not at all a "Best Of" set.