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"I Wish You Love: More From 'The Bodyguard'" Premieres Fourteen Tracks from Whitney Houston

October 12, 2017 By Joe Marchese 8 Comments

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Though Whitney Houston has been gone for more than five years, her life and music remain as resonant as ever.  She's been in the spotlight as a major figure in the new film Clive Davis: The Soundtrack of Our Lives as well as the subject of the controversial documentary Whitney: Can I Be Me.  One of her most successful endeavors, the film The Bodyguard, is now playing around the world as a stage musical, and currently touring the United States with Whitney's onetime duet partner Deborah Cox stepping into her shoes.

Now, Arista Records and Legacy Recordings continue to burnish the Houston legend with a new release celebrating her work in that landmark movie.  I Wish You Love: More From The Bodyguard premieres fourteen previously unreleased tracks from the late artist.  Due in stores on November 17, it follows in the footsteps of "More Music From" releases for movies from The Big Chill to Deadpool.  Put simply, the 1992 romantic thriller had so much music that one release just wasn't enough.  As that one release is the best-selling soundtrack of all time, More From The Bodyguard should make for quite a tantalizing companion, and the "second disc" in an imaginary 25th Anniversary Deluxe Edition.

We reflected on the significance of The Bodyguard back in 2012, reflecting on Houston's untimely passing in a special In Memoriam edition of Back Tracks:

Dolly Parton deeply believed in her song "I Will Always Love You," first included on her 1974 album Jolene.  Its single release topped the Billboard country chart, and in 1982 she re-recorded it for the soundtrack to the film adaptation of Carol Hall's musical The Best Little Whorehouse in Texas.  The new version, too, went to pole position, but as happened the first time around, pop success didn't follow.  In between, Elvis Presley was interested in recording the song.  In 2008, Parton confirmed, "Elvis loved 'I Will Always Love You,' and he wanted to record it...Then Colonel Tom [Parker, Presley's manager] gets on the phone and said, 'You know, I really love this song,' and I said, 'You cannot imagine how excited I am about this. This is the greatest thing that's ever happened to me as a songwriter.' He said, 'Now you know we have a rule that Elvis don't record anything that we don't take half the publishing.' And I was really quiet. I said, 'Well, now it's already been a hit. I wrote it and I've already published it. And this is the stuff I'm leaving for my family when I'm dead and gone. That money goes in for stuff for my brothers and sisters and nieces and nephews, so I can't give up half the publishing.' And he said, 'Well then, we can't record it.'"  She continued, "I said, 'I'm really sorry,' and I cried all night...[and] then when Whitney['s version] came out, I made enough money to buy Graceland!'"

Such was the force of Whitney Houston's "I Will Always Love You."  The ubiquitous single turned Parton's subdued, almost mournful song into a steamroller of determination, and it propelled the various-artists soundtrack of The Bodyguard to become the biggest-selling soundtrack album of all time.  Not only that, but it was the first album to sell more than one million copies in one week since the 1991 introduction of Nielsen's SoundScan system for monitoring album sales.  Of course, "I Will Always Love You," with its fourteen weeks at No. 1, wasn't the only attraction, with Houston's powerhouse interpretations of Ashford and Simpson's "I'm Every Woman" as well as David Foster and Linda Thompson's "I Have Nothing" both going Top 5.  Thus, Houston earned another first, as the first female singer to have three songs in the Top 20.

Like the pop success of "I Will Always Love You," the film was a long time in the making, originally scripted in the 1970s by Lawrence Kasdan as a potential vehicle for Diana Ross and Steve McQueen.  Houston, in her film acting debut, took the Ross role of a musical superstar (sound familiar?) while Kevin Costner filled McQueen's shoes as her protector.  Although reviews were decidedly mixed for the movie itself, it earned a respectable $121.9 million box office haul.

I Wish You Love: More From The Bodyguard features fourteen tracks related to the motion picture, including original film versions of "I Will Always Love You," "I Have Nothing," "Run to You," "Queen of the Night," and "Jesus Loves Me."  This set also includes six live performances of songs such as "I Have Nothing," "I'm Every Woman," and "Queen of the Night," and an alternate mix of "I Will Always Love You."

This 25th anniversary "continuation" of The Bodyguard soundtrack drops on CD November 17 from Arista and Legacy, with a purple double vinyl edition to follow at a later date.  Pre-order links can be found below!

I Wish You Love: More From 'The Bodyguard' (Arista/Legacy, 2017)

Amazon U.S. / Amazon U.K. / Amazon Canada (TBD)

  1. I Will Always Love You (Alternate Mix)
  2. I Have Nothing (Film Version)
  3. I'm Every Woman (Clivilles & Cole House Mix I Edit)
  4. Run to You (Film Version)
  5. Queen of the Night (Film Version)
  6. Jesus Loves Me (Film Version)
  7. Jesus Loves Me (A Cappella Version)
  8. I Will Always Love You (Film Version)
  9. I Have Nothing (Live @ Jerudong Park Amphitheatre, Bandar Seri Begawan, Brunei for Princess Rashidah, the eldest daughter of the Sultan of Brunei, Hassanal Bolkiah - 8/24/1996)
  10. Run to You (Live @ Radio City Music Hall, New York City - 9/28/1994)
  11. Jesus Loves Me/He's Got the Whole World In His Hands (Live @ Estadio Vélez Sarsfield, Buenos Aires, Argentina - 4/17/1994)
  12. Queen of the Night (Live @ The Spectrum, Philadelphia, Pennsylvania - 6/23/1994)
  13. I Will Always Love You (Live @ Earls Court Exhibition Centre, London, England - 11/5/1993)
  14. I'm Every Woman (Live @ Deutschlandhalle, Berlin, Germany - 10/14/1993)

All tracks previously unreleased

Categories: News Formats: CD Genre: Pop, R&B/Soul, Soundtracks Tags: Whitney Houston

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. Stefano says

    October 12, 2017 at 10:30 am

    Nice release. But this would have been a great opportunity for a double package with a newly remastered version of The Bodyguard as CD 2.

    Reply
    • Oscar says

      October 12, 2017 at 12:03 pm

      Or this one as a bonus CD in a The Bodyguard OST deluxe.

      Reply
  2. Ron says

    October 12, 2017 at 11:18 am

    A wasted opportunity... I agree that a 2-disc set featuring the original Bodyguard soundtrack with these additions would have been much better. I will not buy this one, but will wait and pick up a copy when it ends up in bargain bins or second hand stores.

    Reply
  3. Rob Maurer says

    October 12, 2017 at 1:57 pm

    There's another Elvis connection there besides Parton's story: Linda Thompson, co-writer of "I Have Nothing" was a longtime girlfriend of Elvis Presley after his divorce from Priscilla.

    Reply
  4. D.Harris says

    October 12, 2017 at 4:32 pm

    Really?!? 6 “live” tracks, an “edit” version of a previously available track in long form, and a few alternate takes of already familiar songs. But not one NEW, unheard song. What a deception.

    Just think of how many expanded album versions we could come up with if we would have just remembered to add a dozen live performances of each track.

    Reply
    • Mark B. Hanson says

      October 12, 2017 at 4:43 pm

      That appears to be the Eagles' method for the "Hotel California" reissue: Original album, live disc with two of the album tracks and a handful of earlier ones.

      Reply
      • Joseph Kyle says

        October 12, 2017 at 8:25 pm

        At least it's not as bad as the k.d. lang reissue of Ingenue, with a bonus disc of just the Ingenue tracks from her MTV Unplugged appearance. to which I say...why?

        Reply
  5. Edoardo says

    October 14, 2017 at 5:58 pm

    This album is NOT wasted money at all, because it contains rare, previously unreleased versions of famous "The Bodyguard" songs. Everyone appreciating music should buy this album at least for "Run to you (live)" - never heard or published on Youtube in 25 years - or any other live version of those spectacular songs (like "I will always love you" or "I have nothing"). It's true that there are no "new" songs, but is it sometimes not better to listen to a "new" versions of an "old" song people love instead of listening to something "new" (but maybe so standardized like most of today's music)?

    Reply

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