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Experience Hendrix and Legacy Recordings are opening the Jimi Hendrix vaults once again for a new release intended as the third installment in the trilogy that began with Valleys of Neptune in 2010 and continued with People, Hell and Angels in 2013. Both Sides of the Sky will arrive in stores on March 9 in CD, vinyl, and digital formats, featuring 13 songs recorded between January 1968 and February 1970 - ten of which are previously unreleased.
The recordings on Both Sides of the Sky evince Hendrix's desire to continue exploring a new context for his beloved blues music. Many of the album's tracks were recorded by the trio that would come to be known as Band of Gypsys: Hendrix on guitar and vocals, Billy Cox on bass, and Buddy Miles on drums. Their very first studio session together (on April 22, 1968) found them jamming on Muddy Waters' "Mannish Boy," and a previously unreleased, uptempo version of the classic song opens this new collection. Of the Hendrix originals here, "Lover Man" is heard in a December 1969 take by the Band of Gypsys interpolating Hendrix's homage to Neal Hefti's Batman theme.
The Jimi Hendrix Experience is represented via "Hear My Train A-Comin'," with drummer Mitch Mitchell and bassist Noel Redding, in an April 1969 recording. Other tracks receiving an airing here include never-before-released versions of "Stepping Stone," "Jungle," "Cherokee Mist" (which features Hendrix on both electric guitar and sitar) as well as the January 1968 recording of "Sweet Angel." In addition to the artist's usual cast of musicians, a few guests appear, as well. Stephen Stills showed up at a September 1969 session at the Record Plant with a newly-minted song by his friend Joni Mitchell entitled "Woodstock." Stills, Hendrix, and Miles recorded the future classic months before Crosby, Stills, Nash and Young committed their famous version to tape. Stills is also heard on the original song "$20 Fine," with Hendrix on multiple guitars, Stills on organ and lead vocals, and Duane Hitchings of the Buddy Miles Express on piano.
Lonnie Youngblood, Jimi's old bandmate in Curtis Knight and the Squires, appears on "Georgia Blues," which previously was included on the out-of-print Martin Scorsese Presents the Blues volume dedicated to Hendrix in 2003. Johnny Winter and CSNY drummer Dallas Taylor are also among the special guests. Their version with Hendrix and Billy Cox of Guitar Slim's "Things I Used to Do" was first heard as part of a 1990 radio program and Reprise Records' Lifelines box set, but makes its full-length debut here as newly mixed by Eddie Kramer.
Both Sides of the Sky has been produced by the team of Janie Hendrix, John McDermott, and Eddie Kramer. This set will be available on CD, double 180-gram vinyl (limited and numbered), and digital platforms on March 9 from Experience Hendrix and Legacy Recordings!
Jimi Hendrix, Both Sides of the Sky (Experience Hendrix/Legacy, 2018)
CD: Amazon U.S. / Amazon U.K. / Amazon Canada
LP: Amazon U.S. / Amazon U.K. / Amazon Canada
- Mannish Boy
- Lover Man
- Hear My Train A Comin'
- Stepping Stone
- $20 Fine (with Stephen Stills)
- Power of Soul
- Jungle
- Things I Used to Do (with Johnny Winter)
- Georgia Blues (with Lonnie Youngblood)
- Sweet Angel
- Woodstock (with Stephen Stills)
- Send My Love to Linda
- Cherokee Mist
Tracks 1-5, 7, 10-13 previously unreleased
Track 6 previously unavailable extended version
Track 8 previously unreleased extended version, original version from Lifelines: The Jimi Hendrix Story, Reprise 926435-2, 1990
Track 9 from Martin Scorsese Presents the Blues: Jimi Hendrix, Experience Hendrix/MCA B0000698-02, 2003
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Straight Ahead: New Box Set Chronicles Jimi Hendrix's Time At Electric Lady Studios
The Weekend Stream: April 21, 2024
I really liked Valleys of Neptune and People, Hell And Angels. I am glad that there still is enough interesting stuff here (such as "Woodstock" and "$20 Fine") to make this purchase worthwhile. Because, I am not sure I really need ANOTHER version of "Hear My Train A Comin'" or "Power Of Soul".
The only thing that frustrates me is this: Why a four month build-up before release? The material has all been mixed and mastered, and, in 3 or 4 instances, is merely existing mixes taken off the shelf for remastering. Take all of this in this context: 2017 was the most disappointing year (for fans) in Hendrix's entire posthumous recording "career". The only release this year was a mail-order CD of remastered (but already released) live recordings with Jimi as a sideman in 1965 live club recordings with Curtis Knight & The Squires.
I agree. Why do we have to wait until March? I can see them avoiding late 2017, since there is a glut of other releases/reissues over the past few weeks, but this would have been a nice release to start off the new year. They should release it in January.
The other Hendrix studio outtake sets of this decade also were released in the first week of March, while the live & box sets turned up somewhere in the fall. Not that it explains anything other than pointing out the pattern. Maybe it fits some kind of business model they have.
I also kinda felt that urge for a new live Hendrix fix that wasn't fed this fall. So what if it's yet another permutation of Fire, Foxey Lady, and Hey Joe? Somehow his music never gets tiresome despite a concert repertoire limited to about maybe just two dozen songs.
One aspect missing from all these studio sets is Hendrix's production sensibilities: ethereal guitar sound effects, backwards sections, spacey reverb, segues...the sort of thing that elevate his own three albums above "just" the amazing musical talent on record. That extra stamp of Jimi's creativity on the project, "putting the eyebrows on it" in Zappa-speak.
In addition to a four month build-up before the release of "Both Sides of The Sky", there will be a nine month build-up before the (Late August) release of Analogue Productions' Jimi Hendrix SACD's, which include "Axis:Bold as Love" and "Are You Experienced?". "Are You Experienced?" will contain the U.S.A. tracklisting in both its stereo & mono mixes. "Analogue Productions" has a history of lengthy release postponements, that sometime drag on for seasons, so I wouldn't neccessarily believe their stated August 25th release date.
Expect to see a prolific outpouring of UK/Europe "Public Domain" Hendrix releases in the new year. Experience Hendrix's decision to not create a copyright extension release sent all unreleased (yet already bootlegged) Hendrix recordings into UK/Europe Public Domain.
You know... maybe I am misremembering correctly, but I recall Janie Hendrix herself back when PHA was released saying that would be the last posthumous album they would ever do for Hendrix. So when did they change their minds exactly?
Five minutes later,