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/ Reviews

Review: Dennis Coffey, "One Night at Morey's: 1968"

July 2, 2018 By Joe Marchese Leave a Comment

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For guitarist Dennis Coffey, music was no mere day job.  While plying his trade each day as a member of the Funk Brothers, laying down funky licks on some of Detroit's finest records, Coffey was spending his evenings at Morey Baker's Showplace Lounge as one-third of organist Lyman Woodard's instrumental trio.  With Woodard and drummer Melvin Davis, Coffey treated patrons to sizzling renditions of the day's hits as well as original songs.  One of the trio's 1968 sets was issued last year on Resonance Records as Hot Coffey in the D; now, Omnivore Records has issued another set as One Night at Morey's: 1968 (OVCD-284).  Attesting to the invention and freeform spirit of Coffey and co., no tracks are shared between the two releases.  Jazz, funk, R&B and soul were all part of the Lyman Woodard Trio's musical brew, as captured on tape by Coffey and his production partner Mike Theodore.

A greasy groove on Wilson Pickett's "I'm a Midnight Mover" opens this 9-song collection, and it's just one of the electric covers here.  Woodard's pensive B-3 coils through the epic, 13-minute workout on The Beatles' "Eleanor Rigby," with Coffey bringing the searing licks and Davis the fast and furious rhythmic underpinning.  The familiar melody doesn't even get stated until almost the 3-minute mark before the trio transforms the haunting ballad from baroque chamber pop to an uptempo explosion of soulful rock.  From Liverpool to New Orleans, the group also reinterpreted the Meters' swaggering instrumental "Cissy Strut," and gave a tougher edge to The Young Rascals' sunny, breezy "Groovin'" while still honoring the spirit and intention of the original.

With Charlie Parker's lithe "Billie's Bounce," the group delivered a cool, soul-jazz spin on bebop.  Woodard's fleet performance on the keys complemented Coffey's subtle, rather than incendiary, guitar.  Davis' drums begin the funk-drenched "Burning Spear," and the Richard Evans song (first recorded in 1967 by the aptly-named Soulful Strings) allows for his flashiest, lengthiest drum solo in a track that crackles with fiery energy and urgency.

Coffey's scorching, hypnotic guitar takes center stage on a medley of The Isley Brothers' "It's Your Thing" and "Union Station," one of the trio's three original songs here.  Coffey and Theodore penned the rhythmic and funky "Mindbender" while the trio jointly wrote the loose ode to "Big City Lights," its beat evoking a brightly-lit nightscape.

Today, Dennis Coffey still plays every Tuesday night at Detroit's Northern Lights Lounge, his musical home for almost a decade.  Sometimes he even picks up the same Gibson Byrdland guitar which he purchased in 1963 and can be heard on One Night at Morey's.  That's just one of the nuggets he shares of his time at Morey Baker's in the new interview with Bill Kopp which fills the eight-page booklet here.  Sound quality as mastered by Michael Graves from the original live tape is solid and well-defined.  To borrow from one of the countless hits adorned with Coffey's guitar, One Night at Morey's should transport you straight to Cloud Nine.

One Night at Morey's: 1968 is available at:  Amazon U.S. / Amazon U.K. / Amazon Canada!

Categories: Reviews Formats: CD Genre: Jazz, R&B/Soul Tags: Dennis Coffey

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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