Thomas Dolby Goes ‘Hyperactive’ On New Compilation, Upcoming Tour

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Thomas Dolby chronicled his singular life in the 2016 memoir The Speed of Sound.  He detailed his career trajectory from “one hit wonder” new wave singer-songwriter (who, in fact, charted sixteen songs in the U.K. and three in the U.S.) to Silicon Valley entrepreneur.  He’s lately been spending his days as a university professor (decades after turning his back on the “family business” of academia), but this summer he’s taking a break from the classroom to headline a short U.S. tour.  To coincide with the concert engagements, BMG Rights Management has scheduled a new “greatest hits” set for this Friday, July 27.

Hyperactive, part of BMG’s Masters Collection, features 28 tracks on two CDs spanning the period of 1981-1994 – a total of approximately 2 hours and 10 minutes of music.  The retrospective set will function as a kind of guide for Dolby’s concept for the tour.  Each evening, concertgoers will be able to select songs from his catalogue.  He will then, in turn, “deconstruct” those songs for the audience – highlighting their lyrics, synth sounds, and musical parts.  The music will be output from his laptop and keyboards and projected on an upstage screen along with personal memorabilia.  Dolby promises a different experience each night.  Hyperactive includes cuts from his albums The Golden Age of Wireless (1982), The Flat Earth (1984), Aliens Ate My Buick (1988), and Astronauts and Heretics (1992) as well as singles and material from the soundtracks to Gothic (1987) and Gate to the Mind’s Eye (1994).

Hyperactive is housed in a two-panel digipak, with basic credits printed under the trays.  The compilation arrives in stores two days after the July 25 tour kick-off in Los Angeles; musical renaissance man Dolby continues on the road through August 8, where he will wrap up in Baltimore.  (He teaches at Johns Hopkins University in Baltimore.)  You can peruse the track listing and pre-order links below!

Thomas Dolby, Hyperactive (BMG Rights Management, 2018) (Amazon U.S. / Amazon U.K. / Amazon Canada)

Disc 1

  1. Hyperactive!
  2. Europa and The Pirate Twins
  3. Radio Silence
  4. Screen Kiss
  5. Valley Of The Mind’s Eye
  6. I Scare Myself
  7.  The Devil Is An Englishman
  8. Windpower
  9. Dissidents
  10. Eastern Bloc
  11. Airhead
  12. Cruel
  13. The Ability To Swing
  14. Neon Sisters

Disc 2

  1. She Blinded Me With Science
  2. One Of Our Submarines
  3.  The Flat Earth
  4. Beauty Of a Dream
  5. Budapest By Blimp
  6. I Love You Goodbye
  7. Urges
  8. Pulp Culture
  9. Close But No Cigar
  10. Leipzig
  11. Silk Pyjamas
  12. May The Cube Be With You
  13. Airwaves
  14. My Brain Is Like A Sieve

Disc 1, Tracks 1, 4, 6 and 9 and Disc 2, Track 3 from The Flat Earth (Parlophone Odeon, 1984)
Disc 1, Tracks 2-3 and 8 and Disc 2, Track 13 from The Golden Age Of Wireless (Venice In Peril, 1982)
Disc 1, Track 5 from Gate To The Mind’s Eye Soundtrack (Giant, 1994)
Disc 1, Track 7 from Music From The Film “Gothic” (Virgin, 1987)
Disc 1, Tracks 10, 12 and 14 and Disc 2, Tracks 4, 6, 9 and 11 from Astronauts & Heretics (Virgin, 1992)
Disc 1, Tracks 11 and 13 and Disc 2, Tracks 5, 8, 12 and 14 from Aliens Ate My Buick (EMI Manhattan, 1988)
Disc 2, Tracks 1-2 from Venice In Peril U.K. single, 1982
Disc 2, Tracks 7 and 10 from Armageddon U.K. single, 1981

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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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2 thoughts on “Thomas Dolby Goes ‘Hyperactive’ On New Compilation, Upcoming Tour”

  1. Ben in Colorado

    Thomas Dolby’s “Golden Age of Wireless” is a masterpiece. In my top 5 all-time albums. The rest of his albums never stuck with me.

    I bought it on cassette when it was first released and still turn to it when I feel the need to feel sentimental and want to be reminded of what good music is (was).

    This compilation will probably end up on my shelf, because I want to continue to support him and his music.

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