On January 31, Stage Door Records will revisit a short-lived yet ambitious 1961 Broadway musical from the co-writer of Damn Yankees and The Pajama Game. For his first musical since the baseball-centric Damn Yankees, composer-lyricist Richard Adler (working solo following the 1955 death of his partner Jerry Ross) turned his attention to a very different subject. Kwamina (which translates to "born on Sunday") recounted the (fictional) life story of Peter Kwamina Mwalla, the son of a West African tribal chief who returns to his home country after attending medical school in London, bringing with him modern methods which don't sit well with his traditional village. He's met with opposition by the village's white female doctor, but (in formulaic style) romance blossoms before the evening's end and they eventually work together to teach the tribe's young members. Stage Door will reissue the original cast recording as an expanded 2-CD entry in its Deluxe Edition Broadway Cast Recording series.
Kwamina was inspired by a conversation Adler had with then-United Nations ambassador Adlai Stevenson about African nationalism. The songwriter invited Robert Alan Aurthur (a playwright and television author who was once married to The Golden Girls' Beatrice Arthur, who adapted his surname as her own) to write the book. Tony Richardson was originally slated to direct but was replaced by Robert Lewis, while the esteemed Agnes de Mille was tapped for choreography. The entire cost of the musical was paid for by South African industrialist John S. Schlesinger.
Terry Carter played Kwamina, while Adler's then-wife Sally Ann Howes (My Fair Lady, Chitty Chitty Bang Bang) took the role of Dr. Eve Jordan. Brock Peters and future Benson star Robert Guillaume also appeared in the musical which opened on Broadway at the now-demolished 54th Street Theatre on October 23, 1961. Kwamina was bold in many ways; the cast featured just two Caucasian performers, and recounted a romance between a black man and a white woman in an era where audiences were unfortunately much less accepting. (Later the same season, Richard Rodgers' No Strings would more successfully present a romantic relationship between a white man and a black woman.)
Kwamina closed on November 18 after just 32 performances, having received mixed-to-negative reviews from the New York critics. (They reserved their appreciation mainly for de Mille's work and the physical production.) Despite the show's lack of success, Capitol Records made good on its promise to record Adler's stirring, Tony-nominated score - and did so the day after its closing. Adler had incorporated strains of African music into his compositions which were strikingly orchestrated by Sid Ramin and Irwin Kostal (West Side Story). Kwamina has only been released on CD once before, in 1993 on EMI's Broadway Angel imprint.
This 2-CD presentation, made possible as a result of current U.K. public domain laws, has the stereo Original Broadway Cast Recording accompanied by three alternate takes from the album sessions and a special bonus recording of "Another Time, Another Place" by original star Sally Ann Howes, recorded in July 1962 for the public information broadcast Stars For Defense. The second disc is dedicated to cover recordings from Kwamina including a new-to-CD studio cast recording, a jazz LP of the score by the Billy Taylor Orchestra originally issued on Mercury Records, and pop covers by such artists as Robert Goulet, Jerry Vale, Al Martino, The Kingston Trio, Joanie Sommers, and Gordon MacRae. George Dansker has written new liner notes for this release.
Look for the Deluxe Edition of Kwamina from Stage Door Records on January 31 at the links below!
Kwamina: Original Broadway Cast Recording - Deluxe Edition (Stage Door Records STAGE 9069, 2020) (Amazon U.S. / Amazon U.K. / Amazon Canada)
CD 1
ORIGINAL BROADWAY CAST RECORDING (Stereo) (Capitol SW 1645, 1961)
- THE COCOA BEAN SONG - Company
- WELCOME HOME - Company
- THE SUN IS BEGINNING TO CROW - Company
- DID YOU HEAR THAT? - Sally Ann Howes, Terry Carter
- YOU'RE AS ENGLISH AS - Sally Ann Howes
- SEVEN SHEEP, FOUR RED SHIRTS, AND A BOTTLE OF GIN - Company
- NOTHING MORE TO LOOK FORWARD TO - Robert Guillaume, Ethel Ayler
- WHAT'S WRONG WITH ME? - Sally Ann Howes
- SOMETHING BIG - Company
- ORDINARY PEOPLE - Sally Ann Howes, Terry Carter
- A MAN CAN HAVE NO CHOICE - Brock Peters
- WHAT HAPPENED TO ME TONIGHT? - Sally Ann Howes
- ONE WIFE - Lillian Hayman, Rosalie Maxwell, Issa Arnal, Victoria Harrison, Lee Hooper
- ANOTHER TIME, ANOTHER PLACE - Sally Ann Howes
BONUS TRACKS
- DID YOU HEAR THAT? (Alternate Take) - Sally Ann Howes, Terry Carter
- YOU'RE AS ENGLISH AS (Alternate Take) - Sally Ann Howes
- WHAT'S WRONG WITH ME? (Alternate Take) - Sally Ann Howes
- ANOTHER TIME, ANOTHER PLACE ('Stars For Defense' Version) - Sally Ann Howes
CD 2
SELECTIONS FROM KWAMINA - STUDIO CAST RECORDING
- SOMETHING BIG
- ORDINARY PEOPLE
- NOTHING MORE TO LOOK FORWARD TO
- THE SUN IS BEGINNING TO CROW
- WHAT'S WRONG WITH ME?
- I'M SEEING RAINBOWS
- HAPPY IS THE CRICKET
- THE COCOA BEAN SONG
- ANOTHER TIME, ANOTHER PLACE
COVER RECORDINGS
- SOMETHING BIG - Hollyridge Strings and Chorus
- ANOTHER TIME, ANOTHER PLACE - Jerry Vale
- WHAT'S WRONG WITH ME? - Joanie Sommers
- NOTHING MORE TO LOOK FORWARD TO - The Kingston Trio
- ANOTHER TIME, ANOTHER PLACE - Al Martino
- ORDINARY PEOPLE - Gordon MacRae
- ANOTHER TIME, ANOTHER PLACE - Robert Goulet
THE ORIGINAL JAZZ SCORE OF KWAMINA (Stereo) (Mercury MG 20654, 1961)
- SOMETHING BIG - The Billy Taylor Jazz Orchestra
- I'M SEEING RAINBOWS - The Billy Taylor Jazz Orchestra
- ORDINARY PEOPLE - The Billy Taylor Jazz Orchestra
- THE COCOA BEAN SONG - The Billy Taylor Jazz Orchestra
- WHAT'S WRONG WITH ME? - The Billy Taylor Jazz Orchestra
- NOTHING MORE TO LOOK FORWARD TO - The Billy Taylor Jazz Orchestra
- ANOTHER TIME, ANOTHER PLACE - The Billy Taylor Jazz Orchestra
- HAPPY IS THE CRICKET - The Billy Taylor Jazz Orchestra
- THE SUN IS BEGINNING TO CROW - The Billy Taylor Jazz Orchestra
Leave a Reply