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/ News

The Shape I'm In: Capitol, UMe Prep The Band's "Stage Fright" In New Stereo and Surround Mixes For 50th Anniversary Releases

December 18, 2020 By Joe Marchese 9 Comments

The Band Stage Fright Box Set

BUY NOW FROM AMAZON.COM

With their seminal first two albums, Music from Big Pink and The Band, the group consisting of Garth Hudson (keyboards, piano, horns), Levon Helm (drums, vocals, mandolin), Richard Manuel (keyboards, vocals, drums), Rick Danko (bass, vocals, fiddle) and Robbie Robertson (guitar, piano, vocals) had earned the right to call themselves, simply, The Band.  They effortlessly fused folk, country, blues, gospel, soul, and a dash of rock to create an organic, back-to-basics sound that reverberated with musicians around the world.  The road to their third album, Stage Fright, was a bit rockier but no less rewarding.  Now, Stage Fright is receiving a (slightly belated) 50th anniversary edition from Capitol Records and UMe, following similarly expansive sets for Music from Big Pink and The Band.  The multi-format reissue will arrive on February 12.

The group had originally considered hosting a concert to premiere the new songs they'd been working on, and rented out the Woodstock Playhouse in their home base of Woodstock, New York for that purpose.  But after the famous festival held at Yasgur's Farm 40 miles away in Bethel, The Band had second thoughts.  Their little town was becoming a tourist attraction, and there were fears the concert would draw the same oversized audience as the Festival.  The townspeople made their fears known, and The Band ended up recording Stage Fright at the Playhouse without an audience.

While The Band self-produced the album, behind the console as engineer was wunderkind producer-singer-songwriter Todd Rundgren, an unfamiliar (and some have said unwelcome) presence to them.  Levon Helm recalled "a dark mood" settling upon The Band, and Robertson later remembered drugs taking more of a hold among the members.  Various mixes were made - one by Rundgren, one by Glyn Johns, and a third hybrid one overseen by The Band.  Nobody could seem to confirm exactly whose mixes ended up on the final record.  But in any mix, the strength of songwriting and performances on "Stage Fright," "The Shape I'm In," "The W.S. Walcott Medicine Show," and the rest found The Band in top form.  Still, perhaps owing to the rapturous reaction accorded the past two releases and the impossibly high bar they set, critics were mixed on Stage Fright.  It did reach the top five of the Billboard Top LPs and Tapes chart and over time has been recognized with a Gold sales certification.  Now, there's a chance to revisit and reappraise it in a new mix approved by Robbie Robertson.

The newly remixed, remastered and expanded 50th Anniversary Editions are as follows:

  • A multi-format Super Deluxe 2CD/Blu-ray/1LP/7-inch vinyl box set;
  • Digital release of all CD audio from box set;
  • 2CD standalone edition of all CD audio from box set;
  • 180-gram black vinyl of remixed album only; and
  • Limited edition 180-gram split-color vinyl LP of remixed album only.

All of the Anniversary Edition releases were supervised by Robbie Robertson and premiere a new stereo mix by Bob Clearmountain from the original multi-track master tapes. The album is also being resequenced in the originally planned song order.  "On the album, we used a different sequence to feature and encourage Richard and Levon's songwriting participation," Robertson comments in the press release. "Over time, I pined for our first song order, because it pulls you right into the Stage Fright scenario."

The box set, CD, and digital configurations boast a host of unreleased recordings, including Live at the Royal Albert Hall, June 1971, a full concert captured in London; alternate versions of "Strawberry Wine" and "Sleeping;" and seven newly-discovered field recordings, Calgary Hotel Recordings, 1970, featuring Robertson, Danko, and Manuel jamming on the Stage Fright material while the album was being mixed.

Exclusively for the box, Clearmountain has also created a new 5.1 surround mix and a hi-resolution stereo mix of the album, bonus tracks and the live show.  All of these will be presented on Blu-ray. The new audio mixes have been mastered by Bob Ludwig at Gateway Mastering. The box also includes an exclusive reproduction of the Spanish pressing of The Band's 1971 7-inch vinyl single for "Time To Kill" b/w "The Shape I'm In" in Clearmountain's new stereo mixes and a photo booklet with liner notes by Robbie Robertson and touring photographer John Scheele, who recorded the Calgary Hotel Recordings; plus a reprint of the original Los Angeles Times album review by Robert Hilburn; three photo lithographs; and an array of photographs from Scheele and other photographers.

The new Clearmountain stereo mix of "The Shape I'm In" is available now as an appetizer for the full collections.  All of the versions are out on February 12 from Capitol/UMe.  You'll find the track listings and pre-order links below!

The Band, Stage Fright (Capitol SW-425, 1970 - reissued Capitol/UMe, 2021)

2CD/1BD/1LP/1-7" single: Amazon U.S. / Amazon U.K. / Amazon Canada
2CD (CD 1 & 2 of box set): Amazon U.S. / Amazon U.K. / Amazon Canada Links TBD
1LP (Remixed Album Only): Amazon U.S. / Amazon U.K. / Amazon Canada
1LP Variant (Remixed Album Only): The Band's Official Store

CD 1 (also available digitally): Original Album - 2020 Remix

  1. The W.S. Walcott Medicine Show
  2. The Shape I'm In
  3. Daniel And The Sacred Harp
  4. Stage Fright
  5. The Rumor
  6. Time To Kill
  7. Just Another Whistle Stop
  8. All La Glory
  9. Strawberry Wine
  10. Sleeping

Bonus Tracks

  1. Strawberry Wine (Alternate Mix) *
  2. Sleeping (Alternate Mix) *

Calgary Hotel Room Recordings, 1970 *

  1. Get Up Jake (#1) *
  2. Get Up Jake (#2) *
  3. The W.S. Walcott Medicine Show *
  4. Rockin' Pneumonia And The Boogie Woogie Flu *
  5. Calgary Blues *
  6. Before You Accuse Me *
  7. Mojo Hannah *

CD 2 (also available digitally): Live at Royal Albert Hall, June 1971 (*)

  1. The Shape I'm In
  2. Time To Kill
  3. The Weight
  4. King Harvest (Has Surely Come)
  5. Strawberry Wine
  6. Rockin' Chair
  7. Look Out Cleveland
  8. I Shall Be Released
  9. Stage Fright
  10. Up On Cripple Creek
  11. The W.S. Walcott Medicine Show
  12. We Can Talk
  13. Loving You Is Sweeter Than Ever
  14. The Night They Drove Old Dixie Down
  15. Across the Great Divide
  16. The Unfaithful Servant
  17. Don't Do It
  18. The Genetic Method
  19. Chest Fever
  20. Rag Mama Rag

Blu-ray:

  • Stereo and 5.1 Surround mixes of CD 1 & CD 2 audio except for Calgary Hotel Recordings, 1970
  • High Resolution Audio: 96 kHz/24 bit

1LP (33 1/3 RPM) - Original Album 2020 Remix

  • 180-gram black vinyl (included in the box set and available individually)
  • Limited edition 180g multi-colored vinyl (available individually)

Side One

  1. The W.S. Walcott Medicine Show
  2. The Shape I'm In
  3. Daniel And The Sacred Harp
  4. Stage Fright
  5. The Rumor

Side Two

  1. Time To Kill
  2. Just Another Whistle Stop
  3. All La Glory
  4. Strawberry Wine
  5. Sleeping

"Time To Kill" (Original 1971 7" Capitol Single, Spanish Pressing)

  1. Time To Kill
  2. The Shape I'm In

(*) denotes previously unreleased track

Categories: News Formats: Blu-Ray, Box Sets, CD, Vinyl Genre: Classic Rock Tags: The Band

Avatar photo

Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

Connect With Joe: FacebookTwitter

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Comments

  1. Andrew says

    December 18, 2020 at 1:30 pm

    Hi. Your preview says, “Exclusively for the box, Clearmountain has also created a new 5.1 surround mix and a hi-resolution stereo mix of the album, bonus tracks and the live show. ”

    Any idea whether the CD or download editions will contain all the tracks on the Blu-ray (except, of course, the 5.1 tracks)? Thanks.

    Reply
    • Avatar photoJoe Marchese says

      December 18, 2020 at 3:04 pm

      Hi Andrew, the Blu-ray has the same audio as the CDs - minus the hotel tapes - but in high-resolution stereo and surround. The CD and download editions (available separately from the box) have all of the audio tracks but in standard resolution.

      Reply
      • Andrew says

        December 19, 2020 at 12:44 am

        Thank you.

        Reply
  2. Mark says

    December 18, 2020 at 2:47 pm

    I am kind of astounded that Robbie would reprogram Stage Fright after 50 years to highlight his own songs and relegates Levon and Richie's songs to the end of the record. I think I'm going to pass on this.

    Reply
    • Paul Witham says

      December 18, 2020 at 8:24 pm

      What difference does it make if they are at the begining, middle or end of the recording as long as their on the recording. You seem to be one of those people who begrudge Robbie his due. He wrote all their songs and there was a producer who verified them and produced them with Robbie. Do you reall think the record company would have paid him if he didn't write the songs. He was the song writter and you can see that from the Indian songs he wrote much later. What songs did the other members write when Robbie was working his ass off, .....right none.

      Reply
      • Mark says

        December 20, 2020 at 11:51 am

        Well, Paul, I just can't think how you arrived at screed from my comment. There was no judgement of Robbie and his song writing. I was talking about a 50 year old album that I've listened to repeatedly all that time. For me, it's akin to scrambling the tracks on Abbey Road or Let It Bleed. Robbie could have released a special disc with his "original" track listing, instead of not offering it the way it was released.

        Nowhere in my comment did I bring up the quality of Robbie's songwriting, nor the fact that the band was drug addled by this point. It's a sad story, but the fact is that the music that they made was a combination of all of their talents and it's notable that when Robbie left the band, neither faction had the same success apartment that they had together.

        I am not a fan of musical bickering. The endless arguments about who was better and who was inferior. In fact, some of my favorite albums are those criticized by so-called experts. Considering that this was 50 years ago makes it all just water under a bridge. There is no argument here. I still have all my copies of Stage Fright and will continue to listen to them.

        Reply
        • Fergus says

          January 28, 2023 at 3:12 am

          Hear hear

          Reply
  3. Brian Stanley says

    December 19, 2020 at 1:23 am

    I’ve always viewed this album as a real step down from the first two classics, but the unreleased concert might make the 2CD set worth grabbing. So kudos to the company for not making this an all or nothing deluxe release and offering a variety of physical formats.

    Reply
  4. Andrew says

    February 10, 2021 at 11:04 am

    Does anyone happen to know whether the Blu-ray and the high-res download will offer different mastering (perhaps with higher dynamic range) than the CD version? I couldn’t find comparable information for the previous releases in this series (“Music from Big Pink” and “The Band”). Thanks.

    Reply

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