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Heavy: Cherry Red, Esoteric Collect Iron Butterfly's "Unconscious Power" on New Box Set

January 27, 2021 By Joe Marchese 8 Comments

Iron Butterfly Unconscious Power

BUY NOW FROM AMAZON.COM

Truth in advertising: Iron Butterfly's first album was titled Heavy.  The 1968 Atco Records release introduced the band's dense sound fusing hard rock and psychedelia with a set of original songs plus a reimagining of Allen Toussaint's "Get Out of My Life Woman."  While three-fifths of the band left after that debut, Heavy nonetheless began Iron Butterfly on a journey encompassing four studio LPs, one-off tracks, and live sets through 1971.  Now, that journey has been lavishly chronicled on a recent box set from Cherry Red's Esoteric Recordings imprint.  The 7-CD Unconscious Power: An Anthology 1967-1971 brings together has all of the pioneering band's original albums plus bonus tracks and rare mixes to offer a full immersion into Iron Butterfly's heavy world.

The San Diego band was formed in 1966 by Doug Ingle (vocals/organ), Jack Pinney (drums), Greg Willis (bass), and Danny Weis (guitar) with Darryl DeLoach (vocals) joining soon after.  But the personnel shifts had only just begun; within months, Jerry Penrod replaced Willis.  Pinney left to return to school with Bruce Morse and then Ron Bushy stepping in for him.  The Ingle/Bushy/Weis/Penrod/DeLoach made a powerful noise at venues such as The Whisky A-Go Go and was signed by Atlantic Records to its Atco subsidiary.

Heavy, on CD 1 here, is presented in both its mono and stereo mixes in an expanded edition also including a single recorded in 1967 but not released until 1970 in Europe: "Don't Look Down on Me" b/w an early version of the album's "Possession."  The closing "Iron Butterfly Theme," a brisk, instrumental mini-suite, best encapsulated the group's ambitions.  But those ambitions didn't have time to flower as Weis, Penrod, and DeLoach all opted to move on near the end of 1967.  (Penrod and Weis went on to join Rhinoceros, also recently anthologized by Esoteric.)  Enter guitarist Rick Davis (a.k.a. Erik Brann) and drummer-turned-bassist Lee Dorman.

The new four-piece unit recorded the band's signature song and album, 1968's In-a-Gadda-Da-Vida.  While the title was a misheard version of "In the Garden of Eden," there was no mistaking the thunderous epic's success. Clocking in at seventeen minutes, the Doug Ingle composition took up the entire second side of the original LP which reached No. 4 on the Billboard Top LPs chart and became one of the best-selling albums of the era.  The apotheosis of psych-rock excess and heaviness, "In-a-Gadda-Da-Vida" provided a showcase for the band members' virtuosity (including a three-minute drum solo from Bushy) and was charged with electricity and immediacy.  Bushy recalls in the liner notes here that "we listened to [the playback] and we were blown away.  All we did was re-record Doug's scratch vocals and overdub the guitar solo, and we were done."  The single version made it to No. 30 on the Hot 100; in the years since its release, the LP has been certified 4x Platinum in the United States.  CD 2 of the new box has the stereo album plus the single versions of "Vida" and "Iron Butterfly Theme."

How to follow up such a momentous release?  Iron Butterfly released Ball in 1969, and the album actually bested its predecessor's performance on the Top LPs survey, reaching a No. 3 berth.  Whereas Ingle had written all of In-a-Gadda-Da-Vida other than one track (Brann and Dorman's "Termination"), Ball was a more well-rounded group effort.  Ingle's four solo compositions were bolstered by one collaboration with Bushy ("In the Time of Our Lives"), one full-band effort ("Soul Experience"), one with Brann and Bushy ("Real Fright") and another with Dorman ("In the Crowds") while the solo Brann penned the closing "Belda Beast."  The additional compositional voices led Iron Butterfly's sound to mature, and the overall album was more melodic than fans might have expected.  It didn't have much singles success, though, with the grooving, cosmic "Soul Experience" going to No. 75 and the much darker "In the Time of Our Lives" only making No. 96.  Four single sides are added to the album for the presentation here.

Erik Brann made his departure from the band after Ball, and the remaining members brought in two guitarists to replace him, Larry "El Rhino" Reinhardt and Blues Image's Bruce Pinera.  But before another studio album was released, Atco immortalized the four-piece lineup's sets from their hometown of San Diego, with additional material recorded at a St. Louis gig.  An even longer "In-a-Gadda-Da-Vida" again occupied one whole side of vinyl, with the other side featuring songs familiar from all three prior albums.  Whereas In-a-Gadda-Da-Vida and Ball only had dedicated stereo mixes, a unique mono mix was made for Live.  The album was a commercial hit, hitting No. 20 on the Top LPs chart.  Both the stereo and mono mixes (the latter in its CD debut) appear on CD 4 of the box.

Iron Butterfly premiered its new line-up on Metamorphosis, initially released in August 1970.  Producer Richard Polodor helmed the album including the earthy single "Easy Rider" which peaked at No. 66 on the Hot 100.  The Steppenwolf/Three Dog Night producer urged the band in a more eclectic direction, with most of the songs written by Bushy, Dorman, and Ingle.  The musically shifting "Shady Lady" (with Bill Cooper guesting on pedal steel) and the mellow, sitar-flecked ballad "Slower than Guns" introduced the lyrics of Robert Woods Edmonson to the band.  Metamorphosis was a success, peaking at No. 16, and it's remembered today for Pinera's early use of a talk box on the closing "Butterfly Bleu."  The 14-minute opus didn't repeat the success of "Vida" but showed that the group hadn't strayed too far from its heavy jam roots.  Yet only one studio recording followed Metamorphosis: the 1971 non-LP single "Silly Sally" which incongruously paired the band with southern soul producers Dave Crawford and Brad Shapiro.  Its funky, Memphis-style brass immediately set it apart from Iron Butterfly's past recordings.  A fascinating curio, this rare cut has been appended to Metamorphosis.

Esoteric's box is rounded out with a reprise of Live at the Filmore East, originally released as a limited edition on Rhino Handmade in 2011 and featuring the classic line-up of Brann, Bushy, Dorman, and Ingle.  It boasts four power-packed sets (one of which is incomplete due to technical issues on the first two songs) from the much-missed New York venue as recorded on April 26 and 27, 1968.

Iron Butterfly called it a day after a 1971 European tour.  Brann and Bushy reformed the band three years later and went on to release two more albums under the band name in 1975 on the MCA label.  Both were released on CD in 1995 and again in 2008.  Brann, Bushy, Dorman, and Ingle reunited in 1988 for Atlantic Records' 40th anniversary celebration, but today, Bushy and Ingle are retired.  Dorman died in 2012.  (Sadly, DeLoach, Brann, Dorman, and Reinhardt are also deceased.)  Touring versions of the group have been performing since 1974 with just a couple of breaks (1985-1987, 2012-2015).  The most recent lineup was led by Ron Bushy until his retirement.

Unconscious Power: An Anthology 1967-1971 is one of the most beautiful packages from Esoteric yet.  Designed by Phil Smee, it most closely resembles the label's past Animals and Andrew Gold boxes, with a sturdy, rigid slipcase housing a box with mini-LP replicas of the original albums.  These all have spines, and Ball, Metamorphosis, and Live at the Fillmore East are in gatefolds.  Original back cover artwork has been adapted for these sleeves.  A squarebound 64-page booklet has Mike Mettler's copious liner notes (drawing on fresh interviews with Ron Bushy and Mike Pinera) and annotation as well as a lengthy history of the band and many images such as single sleeves, promotional photos, advertisements, posters, and more.  A foldout poster tops off this definitive collection which has been remastered by Ben Wiseman from the original Atco tapes.

Whether that power was unconscious or otherwise, Iron Butterfly certainly had it.  The band even influenced a certain other foursome on Atlantic Records - once their opening act - whose name balanced the heavy and the light.  This anthology packs a mighty punch.

Iron Butterfly, Unconscious Power: An Anthology 1967-1971 (Cherry Red/Esoteric QECLEC72744, 2020) (Amazon U.S. / Amazon U.K. / Amazon Canada)

CD 1: Heavy (Atco SD 33-227, 1968 (Stereo) / Atco SD-227, 1968 (Mono))

Stereo

  1. Possession
  2. Unconscious Power
  3. Get Out of My Life Woman
  4. Gentle as It May Seem
  5. So-Lo
  6. Look for the Sun
  7. Fields of Sun
  8. Stamped Ideas
  9. Iron Butterfly Theme

Mono

  1. Possession
  2. Unconscious Power
  3. Get Out of My Life Woman
  4. Gentle as It May Seem
  5. So-Lo
  6. Look for the Sun
  7. Fields of Sun
  8. Stamped Ideas
  9. Iron Butterfly Theme

Bonus Tracks

  1. Don't Look Down on Me (Janus single JN 2119, 1970)
  2. Possession (Early Take) (Janus single JN 2119, 1970)

CD 2: In-A-Gadda-Da-Vida (Atco SD 33-250, 1968)

  1. Most Anything You Want
  2. Flowers and Beads
  3. My Mirage
  4. Termination
  5. Are You Happy
  6. In-A-Gadda-Da-Vida
  7. Iron Butterfly Theme (Single Version) (Atco single 6606, 1968)
  8. In-A-Gadda-Da-Vida (Single Version) (Atco single 6606, 1968)

CD 3: Ball (Atco SD 33-280, 1969)

  1. In the Time of Our Lives
  2. Soul Experience
  3. Lonely Boy
  4. Real Fright
  5. In the Crowds
  6. It Must Be Love
  7. Her Favourite Style
  8. Filled with Fear
  9. Belda-Beast
  10. In the Time of Our Lives (Single Version) (Atco single 6676, 1969)
  11. In the Crowd (Mono Single Version) (Atco promo single 45-6647, 1969)
  12. I Can't Help But Deceive You, Little Girl (Atco single 6712, 1969)
  13. To Be Alone (Atco single 6712, 1969)

CD 4: Live (Atco SD 33-318, 1970 (Stereo) / Atco SD 318, 1970 (Mono), 1970)

Stereo

  1. In the Time of Our Lives
  2. Filled with Fear
  3. Soul Experience
  4. You Can't Win
  5. Are You Happy
  6. In-A-Gadda-Da-Vida

Mono

  1. In the Time of Our Lives
  2. Filled with Fear
  3. Soul Experience
  4. You Can't Win
  5. Are You Happy
  6. In-A-Gadda-Da-Vida

CD 5: Metamorphosis (Atco SD 33-339, 1970)

  1. Free Flight
  2. New Day
  3. Shady Lady
  4. Best Years of Our Life
  5. Slower Than Guns
  6. Stone Believer
  7. Soldier in Our Town
  8. Easy Rider (Let the Wind Pay the Way)
  9. Butterfly Bleu
  10. Silly Sally (Atco single 45-6818, 1971)

CD 6: Live at the Fillmore East (released as Fillmore East 1968, Rhino Handmade RHM2 526745, 2011)

First Set - April 26, 1968

  1. Fields of Sun
  2. You Can't Win
  3. Unconscious Power
  4. Are You Happy
  5. So-Lo
  6. Iron Butterfly Theme

Second Set (Incomplete) - April 26, 1968

  1. Stamped Ideas
  2. In-A-Gadda-Da-Vida
  3. So-Lo
  4. Iron Butterfly Theme

CD 7 (continued)

First Set - April 27, 1968

  1. Are You Happy
  2. Unconscious Power
  3. My Mirage
  4. So-Lo
  5. Iron Butterfly Theme

Second Set - April 27, 1968

  1. Possession
  2. My Mirage
  3. Are You Happy
  4. Her Favourite Style
  5. In-A-Gadda-Da-Vida
  6. So-Lo
  7. Iron Butterfly Theme

Categories: News, Reviews Formats: Box Sets, CD Genre: Classic Rock Tags: Iron Butterfly

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. John F says

    January 27, 2021 at 11:49 am

    This is all very good news and sounds like a beautiful package. Saw them live in October of '69. Once put Inna Gadda Da Vida on repeat, loud, and left home, to annoy the annoying neighbor below. We became friends after that.

    Reply
  2. Lance Lo Curto says

    January 27, 2021 at 12:58 pm

    Are these tracks in mono?
    Iron Butterfly Theme (Single Version) (Atco single 6606, 1968)
    In-A-Gadda-Da-Vida (Single Version) (Atco single 6606, 1968)

    Reply
    • Charles Olver says

      January 28, 2021 at 3:29 am

      Yes, they are - as are the other '60s singles on the set.

      Reply
  3. Charles Olver says

    January 28, 2021 at 3:52 am

    I pre-ordered this set, and have spent quite a bit of time with it recently.

    Overall I'm very happy with it, but I do have a few quibbles. The mono single mixes of "Soul Experience" and "It Must Be Love" are MIA - which is strange, given that their respective flipsides are here (the latter song was the b-side of "In The Time Of Our Lives"); similarly, it would have been nice if Esoteric had included the stereo mixes of the "I-A-G-D-V" single edit and the non-LP 45 "I Can't Help But Deceive You Little Girl"/"To Be Alone" (the A-side of the latter is a half-minute longer in stereo). And while they claim that only the HEAVY and LIVE albums were given dedicated mono mixes, Rhino Records released a mono version of METAMORPHOSIS as a hi-res digital download in 2007 (it's still available); while I can't swear that it isn't a fold-down of the stereo mix, it sounds like a proper mono mix (and a good one) to me!

    While I'm at it, I'll note that the I-A-G-D-V album was released last January by Mobile Fidelity as a Hybrid SACD; I've not yet had the opportunity to hear the SACD layer, but the CD layer is by far the best I've ever heard the album. They seem to have a found the original pre-production master tape; the album as originally released (and as it appears on the Esoteric set) had a pinch of added reverb (and, unfortunately, a pinch of added tape hiss), and the stereo channel assignments were reversed on some songs. Anyone who loves that album as much as I do should definitely try to track down the MoFi release (there is also an LP version, which I haven't heard).

    Reply
  4. Bob M says

    January 28, 2021 at 9:32 am

    I believe this is now out of print - so if you are interested and can still get one, do so.
    Check the Esoteric site for updates.

    Reply
  5. zally says

    January 28, 2021 at 10:36 am

    these guys were the worst of the worst. the first lp steals doors songs all most note for note . as for in a gadda its still unlistenable today . ball was the low point and less said bout the live lp and the dreadfull metamporphosis. but to each his own, it must be pointed out that the fillmore east shows were done before any one heard in a gadda da vida. as usual cherry red does a wonderful package.

    Reply
    • Phil Cohen says

      January 28, 2021 at 10:01 pm

      Both The Doors & Iron Butterfly used a combo organ, in part because it was easier to transport than the huge Hammond organs used by groups such as The Rascals & Vanilla Fudge. Both The Doors and Iron Butterfly played the same L.A. clubs in their pre-stardom days.

      Reply
      • Charles Olver says

        January 29, 2021 at 2:02 pm

        ... and that's about all they had in common, really. 🙂

        Reply

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