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Can't Keep It In: Cat Stevens Reissues "Catch Bull at Four" in 50th Anniversary Editions

October 21, 2022 By Joe Marchese 2 Comments

Cat Stevens Catch Bull at Four

BUY NOW FROM AMAZON.COM

Cat Stevens, today known as Yusuf, marked the 50th anniversary of his first three Island/A&M albums (1970's Mona Bone Jakon and Tea for the Tillerman, and 1971's Teaser and the Firecat) with a variety of releases including expansive super deluxe box sets.  For 1972's Catch Bull at Four, the troubadour is taking a distinctly slimmed-down approach.  On December 2, Island and A&M will reissue Stevens' classic album on CD, LP, and digitally, newly remastered from the original tapes but with no additional material.

Stevens' sixth overall studio album, Catch Bull at Four welcomed Paul Samwell-Smith and guitarist Alun Davies from the artist's first three albums, lending a strong sense of continuity to the records.  Drummer Gerry Conway had also played on Teaser and the Firecat.  Stevens rounded out the band with bassist Alan James and keyboardist Jean Roussel.

Catch Bull at Four, the title of which was inspired by Kuòān Shīyuǎn's series of short poems "Ten Bulls of Zen," matched or bettered the success of its predecessor Teaser and The Firecat.  Whereas Teaser had reached No. 2 in both the U.K. and U.S., Catch Bull peaked at No. 2 in the U.K. and No. 1 in the U.S. (where it occupied pole position for three weeks and earned a Platinum sales certification).  It also topped the album charts in Canada and Australia.  The single "Sitting" didn't fare as well in the U.S. as "Wild World," "Peace Train," or "Morning Has Broken," but enjoyed a more-than-respectable top twenty berth on the Hot 100 as well as the AC chart.

Despite some reviewers lamenting its lack of an obvious hit single, Catch Bull reaffirmed Stevens' place at the vanguard of the contemporary singer-songwriter movement.  Its lyrics reflected on the singer-songwriter's newfound fame and his personal quest for spiritual enlightenment; musically, the composer envisioned an even more expansive palette which would see him and the band utilizing unexpected instrumentation (Spanish guitar, bouzouki, electric mandolin, pennywhistle, organ, etc.) and teaming with arranger Del Newman for lush string accompaniment.  The many influences which informed Stevens' art - folk, pop, R&B/soul, and musical theatre - came to the forefront of his newest compositions.

In the press release for the upcoming reissue, Stevens recollects on the period: "Contrary to the spiritual nature and theme of the album, Catch Bull At Four went straight to number one and became one of my biggest commercial accomplishments. It was scary! I feared it would divert me from my spiritual goal. That's precisely why I followed it up with an album called Foreigner, which would sacrifice my newly acquired crown for a welcome return to obscurity."

The 50th anniversary editions of Catch Bull at Four have been remastered at 96/24 from the original stereo production tapes by Mazen Murad.  The LP has been pressed on 180-gram vinyl (black for standard retailers; orange for CatStevens.com, uDiscoverMusic.com, and Sound of Vinyl) and housed in a gatefold jacket with restored original artwork.  The CD version includes a 16-page booklet with photos and memorabilia as well as lyrics.  Both formats, as well as standard and high-resolution digital versions, will arrive from Island/A&M/UMe on December 2.  You'll find the track listing and pre-order links below.

Cat Stevens, Catch Bull at Four (Island ILPS 9206 (U.K.)/A&M SP 4365 (U.S.), 1972 - reissued Island/A&M/UMe, 2022)

CD: Amazon U.S. / Amazon U.K. / Amazon Canada
Black Vinyl LP: Amazon U.S. / Amazon U.K. / Amazon Canada
Orange Vinyl LP: CatStevens.com / uDiscoverMusic.com / The Sound of Vinyl

  1. Sitting
  2. Boy with a Moon and a Star on His Head
  3. Angelsea
  4. Silent Sunlight
  5. Can't Keep it In
  6. 18th Avenue (Kansas City Nightmare)
  7. Freezing Steel
  8. O Caritas
  9. Sweet Scarlet
  10. Ruins

Categories: News Formats: CD, Digital Download, Digital Streaming, Vinyl Genre: Classic Rock, Folk, Pop Tags: Cat Stevens

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. Tim Schroeder says

    October 21, 2022 at 10:33 am

    It’s very strange that with the variety of demos , alternate mixes and live recordings, that they choose to go with just a single bare bone basic reissue. Hopefully this does not indicate the end of deluxe releases for him

    Reply
  2. Roberto Del Core says

    October 21, 2022 at 1:03 pm

    Deluxe treatment by popular demand

    Reply

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