Silk ‘N Honey: LITA’s Lee Hazlewood Archive Series Continues With “Honey Ltd.”

Honey LtdLight in the Attic has a taste of Honey for you – Honey Ltd., that is.

The latest release in the label’s Lee Hazlewood Archive Series, The Complete LHI Recordings brings together the complete LHI Records output (1968-1969) of the girl group produced by Hazlewood and Mike Post, and arranged by Ian Fairbairn-Smith and Jack Nitzsche.  The 13-track anthology is available now.

Laura Polkinghorne, Marsha Jo Temmer and sisters Joan and Alexandra Silwin first raised their voices in song at Detroit’s Wayne State University.  Joan and Alexander had sung in church choirs since they were children, while Polkinghorne and Temmer met in junior high school and had performed together in local talent shows.  As The Mama Cats, the quartet came to the attention of Bob Seger’s manager Punch Andrews, and soon, they were playing clubs alongside the young Glenn Frey.  The Mama Cats and the future Eagle were even drafted to contribute backing vocals to Seger’s “Ramblin’ Gamblin’ Man” and “Heavy Music.”  Seger, in turn, wrote the Mama Cats’ single of “My Boy” and “Miss You.”

In 1967, like so many before them, The Mama Cats headed to Los Angeles in search of fame and fortune.  Their first meeting was with one Barton Lee Hazlewood, then riding high from his Reprise Records production work with Nancy Sinatra and her famous pop.   His LHI label signed the group, rechristening them the far groovier Honey Ltd. and introducing them to the Hollywood pop elite.  Though the busy Hazlewood didn’t write any of Honey Ltd.’s material, his signing led to the release of the single “Tomorrow Your Heart” b/w “Come Down” and to appearances on television alongside Andy Williams, Joey Bishop and Ed Sullivan.

After the jump: what will you find on Honey Ltd.: The Complete LHI Recordings?

“Tomorrow Your Heart” – with its dreamy, sunshine pop harmonies – and “Come Down” found a spot on the group’s eight-song pop-psych debut LP, primarily written by Polkinghorne and Temmer.  Laura’s pointed anti-war song “The Warrior” opened the album, setting the tone for an album which balanced airy pop harmonies with a surprisingly potent rock edge.  Hazlewood produced the set, emphasizing the group’s sparkling four-part harmonies arranged by the members.  Jack Nitzsche even stopped by to Hollywood’s United Recorders studio to arrange and conduct an offbeat version of the garage staple “Louie, Louie.”  Numerous members of the L.A. Wrecking Crew played on the album, including James Burton, Al Casey and Mike Deasy on guitar, Mike Melvoin and Don Randi on keyboards, Carol Kaye, Lyle Ritz and Chuck Berghofer on bass, Bill Pitman on guitar and bass, and Jim Gordon on drums.  For Nitzsche’s unusually brassy take on “Louie, Louie,” Ry Cooder appeared on guitar.

Light in the Attic’s reissue of the self-titled album is housed in a digipak with OBI-style strip.  It adds a handful of tracks recorded subsequent to the LP (covers of Laura Nyro’s “Eli’s Coming” and the folk-pop standard “Silver Threads and Golden Needles,” issued as singles, and the previously unissued outtake “I’m So Glad”) plus two backing tracks, for “Love, the Devil” and “Not for Me.”  The entire set has been remastered by John Baldwin, and LITA has included a lavishly illustrated 32-page booklet with liner notes from Jessica Hundley and reminiscences from all four members of Honey Ltd. and LHI’s Tom Thacker, who logged hours in the studio with them.  (One of the many fun photographs shows Honey Ltd. on a bill at Caesars Palace’s Circus Maximus showroom supporting Eddie Fisher!)

All four women continued to pursue careers in the music business following the break-up of Honey, Ltd.  Temmer, Polkinghorne and Joan Silwin soldiered on at LHI under the name Eve for a 1970 album, and Temmer – after marrying and divorcing Thacker – sang backup for Tina Turner and remarried to Turner’s bassist.  Alex (briefly) became Mrs. J.D. Souther, and she and Joan Silwin formed another band called Bijoux.  Today, the sisters still sing together as Like Honey.  Joan also toured with Loretta Lynn, and married onetime LHI artist Michael Glasser.  Laura, too, has toured as a singer with Bob Seger, Kid Rock and The Black Crowes.

Honey Ltd.: The Complete LHI Recordings, filled with the hip sounds of “Silk ‘n Honey,” can be ordered now at the links below!

Honey Ltd., Honey Ltd.: The Complete LHI Recordings (Light in the Attic LITA 102, 2013) (Amazon U.S. / Amazon U.K.)

  1. The Warrior
  2. No, You Are
  3. I’ve Got Your Man
  4. Silk ‘n Honey
  5. For Your Mind
  6. Come Down
  7. Louie, Louie
  8. Tomorrow Your Heart
  9. Eli’s Coming
  10. Silver Threads and Golden Needles
  11. I’m So Glad
  12. Love, The Devil (Backing Track)
  13. Not for Me

Tracks 1-8 from Honey, Ltd., LHI Records LP 12002, 1968
Track 9 from LHI single LHI-3, 1969
Track 10 from LHI single LHI-12, 1969
Tracks 11-13 previously unreleased

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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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0 thoughts on “Silk ‘N Honey: LITA’s Lee Hazlewood Archive Series Continues With “Honey Ltd.””

    1. Ed makes a very good point. According to a lengthy and informative article entitled “The Honey Ltd. Story”, written by Jonathan Ward of the online music magazine Perfect Sound Forever (http://www.furious.com/perfect/honeyltd.html), for Honey Ltd.’s last collective television appearance on The Ed Sullivan Show in early 1969, Alex was replaced in the group by one of The Golddiggers (of Dean Martin Show fame).

      At The Golddiggers Super Site, we have long tried to find out the identity of that Golddigger alumna who substituted for Alex that night on the Sullivan show. We even had someone put the question to Joan and Alex a couple of years ago, when they performed as Like Honey at a concert for the Vietnam Veterans of America, and remarkably, neither sister could remember the name of the woman who took Alex’s place.

      I bring all of this up because depending on when the album cover photo of Honey Ltd. pictured here was taken, I’m just wondering if the gal on the far left whose face is largely concealed by vegetation could possibly be that onetime Golddigger/Honey Ltd. mystery woman.

      1. that girl on the far left is the same girl as the one in the middle
        Ed has ignored one multiple exposure too many, I’m afraid

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