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Closing Time: Morello Reissues Lacy J. Dalton’s Final Two Columbia Albums

January 5, 2015 By Joe Marchese Leave a Comment

LacyContinuing its reissue series drawn from her catalogue, Cherry Red’s Morello Records has recently released a twofer collecting Lacy J. Dalton’s Highway Diner and Blue Eyed Blues.  Dalton’s tenure at Columbia spanned eight albums and two greatest hits compilation between 1980 and 1987.  Morello has previously collected Dalton’s middle period at the label with twofer of Takin' It Easy and 16th Avenue (Morello Records CD MRLL33).  This release closes out her time at the label with her final two albums under the Columbia banner.

Lacy J. Dalton was born as Jill Byrem in 1948 in Pennsylvania.   Following her musical muse, she eventually ended up in San Francisco in the latter part of the 1960s performing psychedelic rock with a band known as Office.  She married the band’s manager, becoming Jill Croston, but he sadly died in an accident.  Deciding to reinvent herself as a country singer, Croston adopted the name Lacy J. Dalton.  Her demo was heard by Billy Sherrill, the influential country producer who had worked with George Jones and Tammy Wynette.  He liked what he heard and Dalton was signed to Columbia Records in 1979.

Dalton’s first single was “Crazy Blue Eyes” which hit No. 17 on the U.S. Country charts.  The song was included on her eponymous debut which also featured two additional Top 20 Country hits:  “The Tennessee Waltz” and “Losing Kind of Love.”  Adding to her strong start at Columbia, she was also named “Best New Female Vocalist” at the 1979 Country Music Association Awards.  Dalton hit the country Top 10 for the first time with the No. 7 placing title track off of Hard Times from 1980 and achieved her highest charting Country single at No. 2 with 1982’s “Takin’ It Easy” off the album of the same name.

By the time of 1986’s Highway Diner, Dalton had decided to go back to her roots and add more rock and R&B to her music, similar to Bonnie Raitt.  The album was produced by Walt Aldridge (writer of Ronnie Milsap’s “(There’s) No Getting Over Me” and Earl Thomas Conley’s “Holding Her and Loving You”) and recoded at the venerable Fame Recording Studio in Alabama.   “Working Class Man” and “This Ol’ Town” were released as singles and peaked at No. 16 and No. 33 on the Country charts.  The album itself got to No. 32 on the Country LP charts.

Dalton’s last album for Columbia was 1987’s Blue Eyed Blues.  Following a pattern for many end-of- contract affairs, the album mixed new tracks with previously released material.  The new material consisted of the two songs “Have I Got a Heart For You” and “I’ll Love Them Whatever They Are.”  Four tracks were included from her previous albums (“Blue Eyed Blues,” Hillbilly Girl With the Blues,” “16th Avenue” and “My Old Yellow Car”). Duets with Bobby Bare, George Jones, David Allan Coe and Earl Scruggs rounded out the LP.  These songs had originally appeared on albums and singles by the duet partners.

Continue Lacy's story after the jump!  Plus: the track listing with discography and order links!

Blue Eyed Blues failed to make the Country charts and Lacy J. Dalton’s time at Columbia was over.  She soon moved to Universal for 1989’s Survivor and to Capitol for 1990’s Lacy J.  These two albums have also been released by Morello Records as a twofer (Morello Records CD MRLL4).   Since the 1990s, Dalton has not been seen much on the charts, but she has continued to perform and release music, including two independent records in the 2000s.

Morello’s new release of the two albums features a six page booklet with new liner notes by Michael Heatley.   Remastering has been handled by Andy Pearce.  If you would like to continue to explore Lacy J. Dalton’s time at Columbia, these albums are worth a look.

Lacy J. Dalton, Highway Diner/Blue Eyed Blues (Morello Records CD MRLL38, 2014) (Amazon U.S. / Amazon U.K.)

  1. Working Class Man
  2. 12:05
  3. Changing All the Time
  4. Taking It All in Stride
  5. Cant’ Seem Me Without You
  6. This Ol’ Town
  7. Up with the Wind
  8. Boomtown
  9. Gone Again
  10. Closing Time
  11. Have I Got a Heart For You
  12. It’s a Dirty Job (with Bobby Bare)
  13. Blue Eyed Blues
  14. That’s Good – That’s Bad (with George Jones)
  15. Gotta Serve Somebody (with David Allan Coe)
  16. I’ll Love Them Whatever They Are
  17. Hillbilly Girl with the Blues
  18. 16th Avenue
  19. My Old Yellow Car
  20. Love Gone Cold (with Earl Scruggs)

Tracks 1 -10 from Highway Diner Columbia FC 40383, 1986
Tracks 11-20 from Blue Eyed Blues Columbia CK 40780, 1987
Track 12 originally from Columbia single 38-03628, 1983
Tracks 13, 16 originally from 16th Avenue Columbia FC37975, 1982
Track 14 originally from George Jones, Who’s Gonna Fill Their Shoes Epic FE39598, 1985
Track 15 originally from David Allan Coe, Castles in the Sand Columbia FC38535, 1983
Track 17 originally from Hard Times Columbia JC36763, 1980
Track 19 originally from Dream Baby Columbia FC38604, 1983
Track 20 originally from Earl Scruggs, Top of the World CBS 25097, 1983

Categories: News Tags: Lacy J. Dalton

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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