"Pull another chair at the table," comes the invitation that opens Bob Wills and His Texas Playboys' Riding Your Way, the new deluxe 2-CD set from Real Gone Music (RGM-0244). "Make room in your heart for a friend," goes the second song on this collection featuring 50 of the never-before-released Lost Transcriptions for Tiffany Music circa 1946-1947. You'll want to pull up that chair, and make room for Wills, with this remarkable (and remarkably entertaining) historical find filled with good,
Turn It On Again: New Genesis Anthology Features Greatest Hits, Solo Tracks From Collins, Gabriel, More
Earlier this year, the BBC confirmed plans for the feature-length documentary film Genesis – Together and Apart, chronicling the ups and downs of the 2010 Rock and Roll Hall of Fame inductees. On the heels of that project which featured the cooperation of Peter Gabriel, Phil Collins, Tony Banks, Mike Rutherford and Steve Hackett, Rhino (for North America) and Universal (for the rest of the world) have announced the September release of R-Kive, a 3-CD collection continuing the “together and
Release Round-Up: Week of August 25
The Kinks, Lola Versus Powerman and the Moneygoround: Deluxe Edition (Sanctuary/BMG, 2014) (Amazon U.S. / Amazon U.K. ) The Kinks' 1970 classic is expanded with a second album - 1971's Percy - plus an array of bonus tracks (many previously unreleased) on a new 2-CD set! Mary Poppins: Original Motion Picture Soundtrack - The Legacy Collection (Walt Disney Records) (Amazon U.S. / Amazon U.K. ) Walt Disney Records' deluxe Legacy Collection unveils its second release - a
You Gotta Have Faith (Hope, and Charity): Real Gone Reissues Lost R&B Gems
Real Gone Music is moving to the sound of a disco beat! In conjunction with SoulMusic Records, Real Gone has tapped the vaults of RCA Records to present two world-premiere CD reissues, both with rare bonus tracks. Perhaps no other genre has inspired as many songs imploring listeners to suppress their inhibitions and put their dancing shoes on as disco has. “Let’s Go to the Disco/’Cause I feel like dancing tonight/Let’s go to the disco/Where the music is outta sight!” The call to arms “Let’s
Review: Nils Lofgren, "Face the Music"
I. See What a Love Can Do Nils Lofgren was just seventeen years old when Neil Young called upon him to play piano on his third solo album, After the Gold Rush. The guitarist, songwriter, multi-instrumentalist and onetime child prodigy joined Jack Nitzsche and the men of Crazy Horse – Danny Whitten, Billy Talbot and Ralph Molina – on an instrument which was largely unfamiliar to him. He added the understated, stark and raw piano parts that Young and producer David Briggs were looking for, and
Gentlemen, Please! Croydon Collects "Mid-Century Minx," "Soho Blondes" and Other Pop Pleasures
Bob Stanley’s Croydon Municipal label has carved out a niche as part of Cherry Red’s label roster with its eclectic compilations and album reissues from the 1950s and early 1960s focusing on dusty corners of classic American pop ripe for reevaluation. Three of Stanley’s latest projects continue that mission with the compiler’s usual flair for the unexpected. The anthology Mid Century Minx focuses on many of the lesser-known ladies of vocal jazz along with some still-beloved (if underrated)
What's Going On: "Motown 25" Comes To DVD In New Box Set, Highlights DVDs
On the evening of March 25, 1983, the Pasadena Civic Auditorium was alive with the sound of music – the Sound of Young America, to be more specific. Motown Records was celebrating its 25th anniversary, and producer Suzanne de Passe wasn’t pulling any stops. “Once in a lifetime” was as overused in 1983 as it is today, but the galaxy of stars assembled by de Passe couldn’t be described any other way: Diana Ross and the Supremes, Marvin Gaye, Lionel Richie and the Commodores, Smokey Robinson and
Ziggy Played Guitar: David Bowie's "Sound + Vision" to Be Reissued
Ground control to Major Tom: Sound and Vision is back for a third go-round. As part of the breakup of EMI that left most – but not all - of the former monolith controlled by Universal Music Group, Warner Music Group acquired the venerable Parlophone label, founded in 1896 and onetime home to The Beatles. Though Universal kept the Fab Four, Warner obtained current artists like Coldplay and the back catalogues of classic ones like The Hollies and Matt Monro…and a certain David Bowie. Parlophone
Release Round-Up: Week of August 19
The Posies, Failure (Omnivore) CD: Amazon U.S. / Amazon U.K. LP: Amazon U.S. / Amazon U.K. Omnivore expands the 1988 debut album from power-pop heroes The Posies. The new Failure restores the album’s original 12-track running order (preserved on cassette but cut down by one song on vinyl) and adds eight bonus tracks. Many of these are sourced from a long out-of-print 2000 box set and a 2004 reissue of the album proper, but one, a demo of “At Least for Now,” is being heard for the first time
Review: Lulu, "The Atco Sessions 1969-1972"
Muscle Shoals, Alabama is a long way from Glasgow, Scotland. But when Lulu took the trek in 1969, the “To Sir with Love” songbird proved that she could play with the big boys. Though neither New Routes nor its Miami-recorded, Dixie Flyers-assisted follow-up Melody Fair scaled the heights commercially, both projects proved the versatility of the vocal dynamo. In 2007, Rhino U.K. issued The Atco Sessions 1969-72 collecting both of Lulu’s lost southern soul forays in one deluxe 2-CD package. Upon
Get Outta His Dreams: Cherry Pop Expands Billy Ocean's "Tear Down These Walls"
Back in 2011, Cherry Red’s Cherry Pop label gave the deluxe treatment to the two albums that established Billy Ocean’s chart supremacy in the 1980s: the Jive Records releases of Suddenly (1984) and Love Zone (1986). Now, the label has returned to the Trinidad-born, U.K.-raised singer’s catalogue with an expanded edition of 1988’s Tear Down These Walls. Ocean had been recording since 1972, and scored memorable hits in his home of England with the No. 2s “Love Really Hurts Without You” and
Tell Me How You Like It: Harmless Reissues, Expands Philly Disco From John Davis and the Monster Orchestra
What makes for a Monster Orchestra? For Philadelphia composer-arranger-conductor John Davis, it was an array of the best musicians the city had to offer. Between 1976 and 1979, Davis led his Monster Orchestra for four disco LPs on the SAM Records label, plucking its members from the A-Team of Philadelphia International’s MFSB and Salsoul Records’ Salsoul Orchestra. Guitarists Bobby Eli and Roland Chambers, percussionist/conga player Larry Washington, drummer Charles Collins, bassist Michael
Review: Omnivore Goes New Wave with Lost Songs of "Billy Thermal"
“Eternal Flame,” “So Emotional,” “Like a Virgin,” “True Colors” – the songs of Billy Steinberg not only nearly defined the sound of eighties pop, but have endured to the present day. Yet before Steinberg joined with Tom Kelly to pen those songs and so many others, he was fronting a power pop/new wave quartet with the unlikely name of Billy Thermal – Billy for Steinberg, Thermal for the city in which his father’s vineyards were located. The group, consisting of Steinberg, guitarist Craig Hull,
Shine Her Light: "The Midnight Special" Box Set Arrives In September with Fleetwood Mac, Bee Gees, ELO, More
Between August 1972 and May 1981, late night television was a little more rockin'. Producer Burt Sugarman's The Midnight Special followed Johnny Carson's Tonight Show on Friday evenings, welcoming viewers with Johnny Rivers' rousing rendition of the traditional tune (a Top 20 hit for Rivers in 1965). Over the course of 450 episodes, The Midnight Special presented a staggering array of music's top talent on network television with most songs performed live for the majority of its run. The
Beyond "Taxi": Robinsongs Pairs Two LPs From Fender Rhodes Hero Bob James
Cherry Red’s Robinsongs label, which has recently been responsible for reissues from jazz greats like Hank Crawford, Richard Tee and Ramsey Lewis, has turned its attention to producer-arranger-composer Bob James with the two-for-one release of his 1980 and 1981 albums, H and Sign of the Times. The electric piano master has been making records as a leader since 1963 – his most recent is 2013’s Quartette Humaine with saxophonist David Sanborn – and this pair comes from the early years of his own
Try To Forget Him: Ace Continues "The Jack Nitzsche Story" With The Righteous Brothers, Jackie DeShannon, Darlene Love
The credit “Arranged and conducted by Jack Nitzsche” should be familiar to any collector of those little black vinyl platters we used to call 45s. Such a credit – or a similar one - graced records by Frankie Laine and Doris Day, The Paris Sisters and The Righteous Brothers, The Tubes and The Crystals, Graham Parker and Bobby Vee. Jack “Specs” Nitzsche (1973-2000) made his mark across multiple genres and many decades, the common factor being the quality of his work. Nitzsche the orchestrator
From Polynesia To Belgium: Cherry Red Goes Exotic! Plus: The Singing Nun! George Melly's Hedonistic Fifties!
No slab of vintage vinyl is too obscure or too esoteric for the team at Cherry Red’s él label, as evidenced by a trio of its most recent offerings from Jeanine Deckers a.k.a. Sœur Sourire a.k.a. The Singing Nun, British critic and personality George Melly, and a whole host of masters of exotica. The mini-box set Exotica Classics features five albums on two discs, each housed in its own paper sleeve within the slipcased set. The first features two complete LPs (Miriam Burton’s African Lament
Rhiannon Rising: Stevie Nicks Dips Into The Vault For "24 Karat Gold"
On September 29, Fleetwood Mac kicks off its sold-out On with the Show tour in Minneapolis, Minnesota, marking the band’s first tour with returning member Christine McVie in sixteen years. The same day, Stevie Nicks will unveil her latest solo album, but it’s one with a twist. 24 Karat Gold – Songs from the Vault features songs penned by Nicks between 1969 and 1995, but rather than presenting archival recordings of the tracks, all have been newly recorded by the singer in Nashville and Los
Review: Elvis Presley, "That's The Way It Is: Deluxe Editions"
In 1992, American voters were asked to vote on not one, but two, matters of national importance: who should be the next President of the United States – and which image of Elvis Presley should grace a postage stamp. Bill Clinton won the former with roughly 43% of the popular vote, and as for the latter decision? It was “young Elvis” by a reported 75% landslide. The lithe, “Heartbreak Hotel”-era image of the pelvis-swiveling icon had triumphed over the jumpsuit-clad “old Elvis” – who, in fact,
Friday Feature: Roy Budd's "Phantom of the Opera" Score Premieres For Classic Film
Welcome to the return of the Friday Feature, in which we turn the Second Disc spotlight onto classic film soundtracks and their various releases! Today, the Friday Feature is the 1925 Universal horror classic The Phantom of the Opera, and the rarely-heard score is by the late Roy Budd! Cue Mr. Budd's music of the night... When author Gaston Leroux introduced Le Fantôme de l'Opéra as a serialized novel in the pages of newspaper Le Gaulois in 1909, it was hardly likely that the former
Get Up and Boogie: A Big Break Bounty, Part One
With a monthly release slate averaging six titles, Cherry Red’s Big Break Records label is at the vanguard of classic soul, R&B and dance reissues. Each of the label’s deluxe releases is aimed at collectors, with copious liner notes and more often than not, a selection of rare bonus cuts. It’s been a busy summer for the Big Break team, and in this first of a two-part series, we’ll look at some of the label’s latest offerings! Silver Convention, Get Up and Boogie (1976): Earlier this
Right As Rain: "Free Soul" Compiles Hits, Deep Cuts For The Stylistics
In just three albums recorded between 1971 and 1973, The Stylistics positioned themselves at the vanguard of Philadelphia soul, introducing future pop and R&B standards such as “You Are Everything,” “People Make the World Go Round” and “You Make Me Feel Brand New” with multi-hyphenate Thom Bell (serving as producer, arranger, conductor, and composer!) and lyricist Linda Creed. Though Bell parted ways with the group to turn his attentions to The Spinners, ending their hit streak, The
Once Upon A Dream: Walt Disney Records Unveils Legacy Collection's "Sleeping Beauty"
Earlier this year, Walt Disney Pictures scored a runaway hit with its unlikely reinvention of one of the studio’s most frightening villains as an unlikely heroine. Maleficent enchanted audiences to the tune of a $234 million-plus gross with its retelling of the fairy tale Disney first dramatized in 1959’s Sleeping Beauty. A highlight of the 2014 film’s soundtrack was Lana Del Rey’s haunting rendition of “Once Upon a Dream,” penned for Sleeping Beauty by tunesmiths Sammy Fain and Jack Lawrence
Splish Splash! Bobby Darin's "The Milk Shows" Premieres Two Discs of Never-Before-Heard Recordings
Bobby Darin knew he was in a race with time. If it was a race he would inevitably lose as a result of the heart condition he fought for his 37 years, Darin accomplished more in that short period of time than many artists who lived twice as long. A master of reinvention, Darin successfully transformed himself from teen idol to sophisticated hipster to folk troubadour and back again before his death in 1973. He also left behind a catalogue of impressive size at Atlantic, Capitol, Motown and his
He Was The Bravest Of Them All: Kritzerland Pairs "The Man Who Shot Liberty Valance" with "Donovan's Reef" On CD
In a long and illustrious career, filmmaker John Ford only made two movies for Paramount Pictures. Both starred his frequent collaborator, John Wayne, and both were scored by the relatively unknown English composer Cyril J. Mockridge who nonetheless received an Academy Award nomination in his distinguished career (for 1955’s Guys and Dolls) which encompassed both film and television. Kritzerland celebrates the Ford-Wayne-Mockridge team with the upcoming, world premiere release of the scores to
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