One of the potential hazards of being a music collector is that sometimes, if you're feeling adventurous, you spring for an all-too-dangerous impulse buy. I'm guilty of this all the time, especially when the music in question is cheap. Put me within 25 yards of a garage sale or a cutout bin at a supermarket and I'm probably going to walk away having bought at least one disc. Sometimes this strategy works out in my favor: a random purchase of Squeeze's Singles 45 and Under from my local ShopRite
J is Indeed for Jackson 5
Awhile back I'd posted on the existence of a "new" Jackson 5 title, J is for Jackson 5. My guess was that, like the similarly titled B is for Bob set done for Bob Marley, the CD would be a kid-friendly compilation of J5 tunes (not that they really recorded that many kid-unfriendly tunes). Thanks to an Amazon listing, my beliefs have been proven correct. The tracklist offers nothing new for J5 acolytes, unless you don't have any of the officially-released, now out-of-print Motown karaoke CDs.
Back Tracks: The Supremes
Introducing Back Tracks, a new feature where we take an upcoming release and introduce you to some of the other reissued works from the same group. Today, we start with The Supremes, whose first album, 1962's Meet The Supremes, is scheduled for reissue by Hip-O Select on May 18 (credit where it's due to MusicTAP for the date). The trio is much loved by Motown fans and staff alike. As such, Hip-O Select has dug lots of their treasures from the vault. Hit the jump to take a look at nine Supremes
Industry Primer: Conan Seeks Satisfaction Elsewhere, or The Bugatti Veyron Mouse That Roared
Light years away from the world of back catalogue music projects, the entertainment press has been abuzz with the recent furor over the late night talk show lineup on NBC. This past Friday, Conan O'Brien exited The Tonight Show after a too-brief seven-month tenure, leaving Jay Leno able to leave his low-rated primetime show and take back control of the show he agreed to cede to O'Brien almost six years ago. One of the delights during the whole mess was seeing O'Brien - in my opinion, one of the
They Were the World
In the near-25 years since Live Aid made music history on two continents, it's safe to argue that charity rock music has never quite been the same. (Of course, others -Morrissey, for instance - have never liked charity rock from the outset.) But critics, audiences and especially performers have changed since those fateful concerts. Nowadays, the efforts seem a bit more forced, whether they're high-profile (Live 8, Live Earth), or relatively obscure (Band Aid II, Band Aid 20, Hear 'N Aid). As a
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