It may be snowing in my part of the world, but catalogue fans should prepare themselves to be on their way to where the air is sweet. That's right, kids (and kids at heart): E1 Records is releasing Sesame Street Old School Volume 1, a box set collating three classic albums by the Sesame Street Muppets. The box features Sesame Street: The Original Cast Recording (1970), Big Bird Sings (1974) and Bert & Ernie Sing Along (1975), all of which are making their CD debuts with remastered sound and
Reissue Theory: a-ha, "Hunting High and Low"
Here's a new feature I'm really excited about on The Second Disc. I'm calling it Reissue Theory (which was very nearly the title of this blog). Herein, I plot out what I think would be excellent plans to expand great catalogue titles. Using the best research skills I can muster, I'll try to put together the perfect playlist for that sorely missing deluxe title. First up is Hunting High and Low, the debut album by pop legends a-ha. Though their chart-topping "Take on Me" was the biggest
Arcadia's "So Red the Rose" Fumbling Toward a Release Date
(UPDATE 10:40 a.m.) Duran Duran's representative Katy Krassner responded with lightning speed to the inquiry about the press release: "There is no set release date...we will update the site when there is one. This was just EMI's updated press materials on the release." So while fans have to wait a bit for the scoop, know that it'll be here soon enough. Thanks to Katy for her response! Duran Duran fans who've spent years fighting to defend the worthiness of the New Wave quintet enjoyed something
This is It (Part 2)
Now that I've gotten all my gripes out about the This is It soundtrack, I'm more than happy to pen some thoughts on the actual film, now out on DVD and Blu-Ray from Sony Pictures Home Entertainment. For years after Michael Jackson rose from a nasty string of legal troubles in 2004, I had been ruminating on what could become of one of my favorite pop entertainers. His rumored forays back into the recording studio always left me cold; why would he collaborate with will.i.am or Akon when he had
This is It (Part 1)
One of the biggest catalogue-oriented titles this week is a DVD: Tuesday saw the release of Michael Jackson's This is It, the documentary comprised of tour rehearsal footage for the set of London concerts the King of Pop was working on right before his death in June. I've happily pored through 75 percent of my copy (I have a few features to sift through) and upon completion I'll be sure to post a review. But I'd also like to take a quick look at the other This is It product that's been on
I Am Spartacus
Film score fans have had a lot to sing about in the past year or so. Thanks to the Herculean efforts of independent soundtrack labels, a lot of highly sought-after soundtracks that major labels would never think to release have been put on disc to the delight of fans everywhere. The Intrada label recently scored an enormous coup by releasing Alan Silvestri's complete score to Back to the Future, La La Land Records recently pressed limited editions of James Newton Howard's music for the film
Conan Addendum
I found this funny enough to warrant its own post: I spent the weekend debunking some rumors about the presence of the original master of The Rolling Stones' "(I Can't Get No) Satisfaction" on one of the last episodes of The Tonight Show with Conan O'Brien. What I almost completely overlooked was another back catalogue-oriented news story that sprung up from the last episode. Ahmir "?uestlove" Thompson, drummer for The Roots (a great R&B group in their own right and the house band for Late
Industry Primer: Conan Seeks Satisfaction Elsewhere, or The Bugatti Veyron Mouse That Roared
Light years away from the world of back catalogue music projects, the entertainment press has been abuzz with the recent furor over the late night talk show lineup on NBC. This past Friday, Conan O'Brien exited The Tonight Show after a too-brief seven-month tenure, leaving Jay Leno able to leave his low-rated primetime show and take back control of the show he agreed to cede to O'Brien almost six years ago. One of the delights during the whole mess was seeing O'Brien - in my opinion, one of the
They Were the World
In the near-25 years since Live Aid made music history on two continents, it's safe to argue that charity rock music has never quite been the same. (Of course, others -Morrissey, for instance - have never liked charity rock from the outset.) But critics, audiences and especially performers have changed since those fateful concerts. Nowadays, the efforts seem a bit more forced, whether they're high-profile (Live 8, Live Earth), or relatively obscure (Band Aid II, Band Aid 20, Hear 'N Aid). As a
Double Dip: Won't Get Fooled Again
Here's a feature I'd like to make as regular as possible: in Double Dip, I look at a catalogue title - perhaps a frequent re-release or a new compilation - and try to deconstruct its content. Think of it as a buyer's guide for the newest releases. This week, in anticipation of their upcoming Super Bowl gig, Geffen and Universal Music Enterprises have released a new compilation by The Who, Greatest Hits Live, exclusively on iTunes. The press release excitedly touts the set as "22 recordings of
Smooth Moves from Legacy
Legacy Recordings has issued a press release for their upcoming Legacy Edition of Supernatural by Santana. It's going to have all the usual trimmings - namely deluxe packaging and a second disc of rarities, remixes and a handful of never-before-released tracks (including one, "Angel Love," being released as a radio single). Full specs can be seen in the link above. Me? I bet I'll be picking this up. Supernatural isn't the best of Santana's work - all those Grammys notwithstanding, it did help
At a Glance: Motown Never Can Say Goodbye to The Jackson 5
In posts marked "At a Glance," I'm going to try to assess any particular movement among a particular artist's back catalogue. To start, here's a look at one of the most recently popular catalogue artists - Michael Jackson - as seen through his early work for Motown. It is now nearly seven months since Michael Jackson died. His passing shocked the world enough to pay attention to his prodigious discography - the compilations Number Ones and The Essential Michael Jackson, both released by Epic,
Argybargy Redux? (UPDATED)
The always-excellent Matt Rowe at MusicTAP posts news, reviews and insightful commentary three times a week on his site, and today's post got me pretty excited, because it says A&M is planning a reissue of Squeeze's 1980 album, Argybargy. If you know Squeeze for their few stateside radio hits ("Tempted," "Black Coffee in Bed," "Pulling Mussels (from the Shell)"), this is probably the album to dive into. With singles such as "Pulling Mussels" and "Another Nail in My Heart" or concert
Looking Forward, Looking Back: 2010 Reissue Preview
We're less than two weeks into a new year and a new decade, but 2010 is already shaping up to be a great year for back catalogue enthusiasts. What follows is a round-up of the best and brightest reissues already slated for the new year. An obligatory note on release dates: they're as always set to change. I base my reports on the excellent work at Pause & Play, the best resource for any music release dates you might be looking for. Hit the jump for some news on catalog titles by Elvis
In With the Old: 2009 in Reissues
Good evening and welcome to The Second Disc! Assuming you've taken a look at the page where I've explained this blog, I'd like to present a list of some of the best catalogue titles released to the public during the past year. This year was just as full of complaints about the demise of the music industry as ever (I guess part of this can be blamed on the general economic malaise gripping us all), but this really seemed to be a great year for reissues and box sets of all sorts. Two notes before