While The Second Disc prides itself on connecting people to reissues and box sets they can keep on their shelves, it's no secret that listening audiences are also digital - catalogue music lovers, too - and our passion is connecting people to music from the past that they might adore. So we've introduced a new feature: The Weekend Stream, which focuses on hidden gems that recently made it to digital channels that might make your playlists a little brighter! Chicago, Chicago at Carnegie Hall
Stage Door Records is turning back the clock - 60 years, to be precise - with the latest volume in its Lost Broadway series. Lost Broadway 1960, out now in the U.K. and this Friday, April 3, in the U.S., once again spotlights the lesser-known shows that played the Great White Way that year (in both the 1959-1960 and 1960-1961 seasons). So while there's no mention of Bye Bye Birdie, Camelot, or Oliver!, you will hear tracks from Wildcat, Do Re Mi, and Christine. (The Unsinkable Molly Brown is
Welcome to this week's Release Round-Up! Jo Stafford, It Had to Be You: Lost Radio Recordings (Real Gone Music) (Amazon U.S. / Amazon U.K. / Amazon Canada) Jo Stafford's It Had To Be You: Lost Radio Recordings features 24 performances from the legendary vocalist's stint as co-host (with crooner Tony Martin) of The Carnation Contented Hour on CBS Radio from 1950-1951. With songs by mainstays of the Great American Songbook like Harold Arlen ("I've Got the World on a String"), Rodgers
We've told you previously about some of Real Gone Music's releases for August, and now we've got the final two titles for that month: unreleased 1950s radio performances from Jo Stafford and Rosemary Clooney, both due on August 4. Jo Stafford's It Had To Be You: Lost Radio Recordings features 24 performances from her stint as co-host (with crooner Tony Martin) of The Carnation Contented Hour on CBS Radio from 1950-1951. It features liner notes from our very own Joe Marchese. Stafford got
Bob Stanley’s Croydon Municipal label has carved out a niche as part of Cherry Red’s label roster with its eclectic compilations and album reissues from the 1950s and early 1960s focusing on dusty corners of classic American pop ripe for reevaluation. Three of Stanley’s latest projects continue that mission with the compiler’s usual flair for the unexpected. The anthology Mid Century Minx focuses on many of the lesser-known ladies of vocal jazz along with some still-beloved (if underrated)