Welcome to The Weekend Stream, a relaxing weekly review of notable digital-only catalogue titles. There may be no CD or vinyl, but there's plenty of great new/old music to usher you into the weekend. And we've got a lot to cover today, from a massive Pink Floyd copyright dump to a new Whitney Houston soundtrack and some underrated Motown gold. Pink Floyd, Live at Southampton Guildhall, UK, 23 January 1972 / Live at Carnegie Hall, New York, 5 Feb 1972 / Live at the Rainbow Theatre, London, 17
Classical music has long been a source of inspiration for pop. Just ask Barry Manilow ("Could It Be Magic"), Eric Carmen ("All By Myself," "Never Gonna Fall in Love Again"), Billy Joel ("This Night"), or Walter Murphy ("A Fifth of Beethoven"). Ace Records has recently collected 24 of these classical "crossovers" on the aptly-titled Classical Gassers: Pop Gems Inspired by the Great Composers. These tracks date between 1960 and 1971 and feature such hitmaking artists as Lesley Gore, Jay and the
Frederick Long's nickname "Shorty" was ironic considering his surname, but the diminutive pianist, songwriter and vocalist was indeed a mere 5'1". Yet Shorty was Long on talent. Harvey Fuqua brought Long to Motown with him from Tri-Phi, and Long was eventually selected by Berry Gordy to inaugurate the new Soul label, designed to showcase the funkier side of the Sound of Young America. That single arrived in 1964, but Gordy didn't release a Long solo album until 1968, just one year before the