By the time 1993 rolled around, devotees of the musical wizardry of Todd Rundgren only knew to expect the unexpected. Warner Bros. Records had rescued 1985’s A Cappella after the album had been rejected by Rundgren’s longtime home, Bearsville. The maverick artist followed that with two efforts recorded expressly for the label, Nearly Human (1989) and 2nd Wind (1991). These two albums showed the artist as a supreme pop craftsman with would-be classics like “The Want of a Nail” and “Parallel
Archives for October 17, 2011
Review: Ben Folds, "The Best Imitation of Myself: A Retrospective"
Opening the four-panel digipak that houses Ben Folds' The Best Imitation of Myself: A Retrospective (Epic/Legacy 88697 92683-2), listeners are treated to an unsettling and hilarious sight: the bespectacled, slightly quizzical face of the singer/songwriter, superimposed onto bodies he clearly has no place being attached to. Those off-kilter images are exactly the kind of strange silliness fans have come to expect from Folds over a career that stretches more than 15 years, starting with the
Everybody Cut Loose! Ghostlight Revisits and Remasters 1998 "Footloose"
Well, everybody didn’t quite cut loose this weekend. Despite Paramount Pictures’ lavish promotional campaign for the film, its remake of 1984’s Footloose couldn’t topple Hugh Jackman’s Rocky-meets-The-Transformers epic Real Steel for the top spot at the box office. Still, the lukewarm reception accorded Craig Brewer’s picture likely won’t diminish the reputation or popularity of Herbert Ross’ original. A more successful adaptation of Footloose arrived at Broadway’s Richard Rodgers Theatre on