What a Day for a Daydream: The Lovin’ Spoonful Goes Mono From Sundazed

Lovin Spoonful MagicDo you believe in magic?  Well, Sundazed clearly does, as the label is set to offer the first three albums by The Lovin’ Spoonful in mono editions on both CD and 180-gram vinyl.

New York native John Sebastian fused pop and folk when he joined with Zal Yanovsky, Steve Boone and Joe Butler as The Lovin’ Spoonful.  The band quickly established a knack for “good time music” with its very first album, November 1965’s Do You Believe in Magic The Kama Sutra album yielded the hit title track (U.S. No. 9) and “Did You Ever Have to Make Up Your Mind” (No. 2), both penned by Sebastian.  Daydream followed just a few months later in March 1966, featuring another smash hit title track (No. 2) as well as “You Didn’t Have to Be So Nice” (No. 9), the latter co-written by Sebastian and Boone.  While Magic had featured only five original songs alongside an array of traditional tunes and covers, Daydream consisted of all originals written or co-written by Sebastian except for one.

Lovin Spoonful - DaydreamThe Spoonful followed Daydream with the soundtrack to What’s Up, Tiger Lily?, an unusual spy spoof from writer-director Woody Allen.  For Tiger Lily, Allen re-cut a Japanese spy film, dubbing new dialogue and in the process using the original movie to tell the story of the search for the world’s best egg salad recipe!  Sebastian and the band were tapped to provide the movie’s score.  The band returned in full force in November 1966 for Hums of the Lovin’ Spoonful.  This time out, the Spoonful diversified its style, offering up a stew of pop, folk, blues, country and jug band music.  The driving pop-rock of “Summer in the City” earned the group a No. 1 hit; “Rain on the Roof” and “Nashville Cats” also made the Billboard Top 10.  The songs also proved attractive to other artists, with Bobby Darin, Johnny and June Carter Cash, and Flatt and Scruggs all having successes with tracks from Hums.

Hums of SpoonfulSundazed’s reissue series concludes there.  It’s an appropriate place to end, as Hums ended up as the final proper album by the original quartet.  Next up for the band was another soundtrack, You’re a Big Boy Now; then, in fall 1967 came Everything Playing.  By the time of its recording, Zal Yanovsky had left the band to be replaced by Jerry Yester.  By the following year’s Revelation: Revolution ’69, Sebastian had departed, too, with the group reduced to a trio and Joe Butler assuming the lead role.  Butler, Yester and Boone still tour as The Lovin’ Spoonful today.

All three mono reissues, available on both CD and 180-gram vinyl LP, will be available on June 30 from Sundazed!

The Lovin’ Spoonful, Do You Believe in Magic (Kama Sutra LP KLPS-8050, 1965 – reissued Sundazed, 2015) (Amazon U.S. / Amazon U.K.)

  1. Do You Believe in Magic
  2. Blues in the Bottle
  3. Sportin’ Life
  4. My Gal
  5. You Baby
  6. Fishin’ Blues
  7. Did You Ever Have to Make Up Your Mind?
  8. Wild About My Lovin’
  9. Other Side of This Life
  10. Younger Girl
  11. On the Road Again
  12. Night Owl Blues

The Lovin’ Spoonful, Daydream (Kama Sutra LP KLPS-8051, 1966 – reissued Sundazed, 2015) (Amazon U.S. / Amazon U.K. )

  1. Daydream
  2. There She Is
  3. It’s Not Time Now
  4. Warm Baby
  5. Day Blues
  6. Let the Boy Rock and Roll
  7. Jug Band Music
  8. Didn’t Want to Have to Do It
  9. You Didn’t Have to Be So Nice
  10. Bald Headed Lena
  11. Butchie’s Tune
  12. Big Noise from Speonk

The Lovin’ Spoonful, Hums of The Lovin’ Spoonful (Kama Sutra LP KLPS-8054, 1966 – reissued Sundazed, 2015) (Amazon U.S. / Amazon U.K.)

  1. Lovin’ You
  2. Bes’ Friends
  3. Voodoo in My Basement
  4. Darlin’ Companion
  5. Henry Thomas
  6. Full Measure
  7. Rain on the Roof
  8. Coconut Grove
  9. Nashville Cats
  10. 4 Eyes
  11. Summer in the City
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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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2 thoughts on “What a Day for a Daydream: The Lovin’ Spoonful Goes Mono From Sundazed”

  1. Magnus Hägermyr

    The “Do You Belive In Magic”-album is an all time favorite of mine where even the covers sounds like Spoonful-hits. A good complement then to the 2002-edition (with five bonus tracks) which got the stereo-mix.

  2. Mark B. Hanson

    I am looking forward to the “Daydream” reissue in order to get the mono version of “You Didn’t Have to Be So Nice”. All the stereo versions are mixed with the vocal too low and hard-left.

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