Let’s Get This Party Rolling: Capitol Readies “Beach Boys’ Party! Uncovered and Unplugged

Beach Boys Party - Uncovered and UnpluggedFollowing the release of The Beach Boys Today! and Summer Days (And Summer Nights!!) earlier in the year, Capitol Records was eager to make yet more Beach Boys music available for the 1965 holiday season.  The label urged Brian and the Boys into the studio to record Beach Boys’ Party!, an album filled with loose versions of familiar favorites, complete with laughter and background talk.  Now, that LP filled with freewheeling good vibrations is getting a surprise 2-CD deluxe, expanded edition to mark its 50th anniversary.  Beach Boys’ Party!  Uncovered and Unplugged is set for release from Capitol on November 20.  It features a whopping 81 tracks – remixed, remastered and expanded from the original sessions before overdubs were added for party ambiance.

During the Party sessions held at Western Recorders in August and September 1965, the group tore through Beatles songs (“I Should Have Known Better,” “Tell Me Why,” You’ve Got to Hide Your Love Away”), Phil Spector classics (“There’s No Other (Like My Baby)”), goofy novelties (“Alley-Oop,” “Hully Gully,” “Papa-Oom-Mow-Mow”), a Bob Dylan standard (“The Times They Are A-Changin'”) and even their own songs (a goofy romp through “I Get Around/Little Deuce Coupe”).  But the standout was Fred Fassert’s old Regents hit “Barbara Ann,” featuring a moonlighting Dean Torrence of Jan and Dean on vocals.  It was plucked as a single and quickly became another Beach Boys staple.  Armed with just acoustic guitars, bass, bongos, harmonica and tambourine, the Beach Boys created an album unlike any other in their catalogue.

“The Party! album was a result of the pressure Capitol Records was putting on us for another album,” Mike Love recalls in Capitol’s press release. “And we didn’t really have time to develop the type of album we wanted to develop, which Brian was working on, called Pet Sounds… So we said, ‘Well, what can we do quickly and easily?’ And we decided to do this party album.”  Brian Wilson remembers, “Mike was saying, why not a party album and we can act like we are [at a party], and just be ourselves on tape, you know?’ And that’s what happened. It was a very spontaneous album.”  After sessions had been completed, the Beach Boys returned to the studio for a three-hour session to add “party sounds” and dialogue to the album.  These overdubs have been excised from this release.

The true stereo mix of the original Beach Boys’ Party! made its first appearance in 2012; this 2-CD reissue  goes much further.   The first disc features the original album as remixed in pre-overdubbed form and then chronologically begins an account of all five sessions as the band runs through the familiar tracks as well as ones that didn’t make the cut including The Rolling Stones’ “(I Can’t Get No) Satisfaction,” Leiber and Stoller’s “Ruby Baby” and “Riot in Cell Block No. 9,” The Beatles’ “Ticket to Ride” and more. Dialogue from the sessions has also been included.  The total is 81 tracks over two CDs.

This 2-CD and digital album also includes photos from the sessions, essays by Beach Boys historians Alan Boyd and Craig Slowinski, and notes by producer Mark Linett. A vinyl LP edition of the Party album’s original 12 tracks in their remixed, stripped-down form, will follow on December 11.  You can peruse the track listing and pre-order Beach Boys’ Party!  Uncovered and Unplugged below!  It will arrive from Capitol Records on November 20.

The Beach Boys, Beach Boys’ Party! Uncovered and Unplugged (Capitol Records/UMe, 2015)

CD: Amazon U.S. / Amazon U.K.
Vinyl (Disc 1, Tracks 1-12 only): Amazon U.S. / Amazon U.K. TBD

Disc 1

The Album (Original album released on Capitol Records MAS-2398, 1965)

  1. Hully Gully [Session #2 – 9/8/65]- Lead Vocal: Mike
  2. I Should Have Known Better [Session #3 – 9/14/65]- Lead Vocals: Carl & Al
  3. Tell Me Why [Session #2 – 9/8/65] – Lead Vocals: Carl & Al
  4. Papa-Oom-Mow-Mow [Session #3 – 9/14/65] – Lead Vocal: Brian
  5. Mountain Of Love [Session #3 – 9/14/65] – Lead Vocal: Mike
  6. You’ve Got To Hide Your Love Away [Session #5 – 9/23/65] – Lead Vocal: Dennis
  7. Devoted To You [Session #3 – 9/14/65] – Duet Vocals: Brian & Mike
  8. Alley Oop [Session #3 – 9/14/65] – Lead Vocal: Mike
  9. There’s No Other (Like My Baby) [Session #3 – 9/14/65] – Lead Vocal: Brian
  10. I Get Around / Little Deuce Coupe [Session #4 – 9/15/65] – Lead Vocal: Mike
  11. The Times They Are A-Changin’ [Session #5 – 9/23/65] – Solo Vocal: Al
  12. Barbara Ann [Session #5 – 9/23/65] – Lead Vocals: Brian & Dean

The Sessions

  1. Let’s Get This Party Rolling [Session #2 – 9/8/65]

Session #1 [8/23/65]

  1. I Should Have Known Better #1 – Lead Vocals: Carl & Al
  2. Ruby Baby #1 – Lead Vocal: Brian
  3. (I Can’t Get No) Satisfaction #1 – Group Vocals: Brian, Carl, Dennis, Al, Mike
  4. Hully Gully #1 – Lead Vocal: Brian
  5. Blowin’ In The Wind – Solo Vocal: Al
  6. Dialog: “The Sunrays”

Session #2 [9/8/65]

  1. Ruby Baby #2 – Lead Vocal: Brian
  2. Dialog: “The Masked Phantom”
  3. Hully Gully #2 – Lead Vocal: Mike
  4. Dialog: “Carl, Go Get Your Bass”
  5. Hully Gully #3 – Lead Vocal: Mike
  6. (I Can’t Get No) Satisfaction #2 – Group Vocals: Brian, Carl, Dennis, Al, Mike
  7. Dialog: “That’s A Bad Guitar” – Piano: Brian
  8. Ruby Baby #3 – Lead Vocal: Brian
  9. Dialog: “What’s The Matter, Carl”
  10. Ruby Baby #4 – Lead Vocal: Brian
  11. Dialog: “Carl’s Tires”
  12. I Should’ve Known Better #2 – Lead Vocals: Carl & Al
  13. I Should’ve Known Better #3 – Lead Vocals: Carl & Al
  14. Dialog: “Wasn’t That Great Folks?”
  15. Tell Me Why #1 – Lead Vocals: Carl & Al
  16. Don’t Worry Baby – 12-String Acoustic Guitar: Carl
  17. You’ve Got To Hide Your Love Away #1 – Lead Vocal: Dennis
  18. Little Deuce Coupe #1 – Lead Vocal: Mike
  19. California Girls -Lead Vocal: Mike

Disc 2

Session #2 [9/8/65], Continued

  1. She Belongs To Me/The Artist (Laugh At Me) #1 – Lead Vocal: Mike
  2. Fooling Around: Hang On Sloopy/You’ve Lost That Lovin’ Feelin’/Twist And Shout – Lead Vocal: Mike
  3. Riot In Cellblock No.9 #1 – Lead Vocal: Mike
  4. Fooling Around: The Diary – Lead Vocal: Bruce
  5. Dialog: “I Think We Better Do This Next Week” – Piano: Brian

Session #3 [9/14/65]

  1. Dialog: “Let’s Cook Now And Eat Later”
  2. Tell Me Why #2 – Lead Vocals: Carl & Al
  3. I Should Have Known Better #4 – Lead Vocals: Carl & Al
  4. Dialog: “What I Want To Do”
  5. Dialog: “Are We Still In The Party?”
  6. Mountain Of Love #1 – Lead Vocal: Mike
  7. Dialog: “Where’s Denny?”
  8. Devoted To You #1 – Duet Vocals: Brian & Mike
  9. Dialog: “What Are You Doing Now”
  10. You’ve Got To Hide Your Love Away #2 – Lead Vocal: Dennis
  11. Dialog: “This Phony Party” / Ticket To Ride – Lead Vocal: Al
  12. Alley Oop #1 – Lead Vocal: Mike
  13. Alley Oop #2 – Lead Vocal: Mike
  14. Dialog: “Tune It Like It Is”
  15. There’s No Other (Like My Baby) #1 – Lead Vocal: Brian
  16. There’s No Other (Like My Baby) #2 – Lead Vocal: Brian
  17. Dialog: “Do The Splits”
  18. Devoted To You #2 – Duet Vocals: Brian & Mike
  19. Devoted To You #3 – Duet Vocals: Brian & Mike

Session #4 [9/15/65]

  1. You’ve Got To Hide Your Love Away #3 – Lead Vocal: Dennis
  2. I Get Around – Lead Vocal: Mike
  3. Little Deuce Coupe #2 – Lead Vocal: Mike
  4. Mountain Of Love #2 – Lead Vocals: Mike & Brian
  5. Ticket To Ride #2
  6. Riot In Cell Block No. #2 – Lead Vocal: Mike
  7. The Artist (Laugh At Me) #2 – Solo Vocal: Mike
  8. One Kiss Led To Another – Lead Vocal: Mike

Session #5 [9/23/65]

  1. You’ve Got To Hide Your Love Away #4 – Solo Vocal: Dennis
  2. You’ve Got To Hide Your Love Away #5 – Lead Vocal: Dennis
  3. Dialog: “What Did You Stop Us For Chuck?”
  4. The Times They Are A Changin’ – Lead Vocal: Al
  5. Fooling Around: Heart And Soul/Long Tall Sally
  6. Fooling Around: The Boy From Nyc
  7. Smokey Joe’s Café – Lead Vocal: Mike
  8. Dialog: “I Got One More”
  9. Barbara Ann #1 – Lead Vocal: Brian
  10. Barbara Ann #2 – Lead Vocals: Brian & Dean
  11. Barbara Ann #3 – Lead Vocals: Brian & Dean

 

 

 

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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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6 thoughts on “Let’s Get This Party Rolling: Capitol Readies “Beach Boys’ Party! Uncovered and Unplugged”

  1. Not my favorite Beach Boys album, though I’m a completist (I started collecting their music in 1968), and will certainly buy it, The album was basically, if not a “contractual obligations” album, at least a”contractual compliance” album, since the group was required to deliver 3 albums per year to Capitol Records, hence live albums, Greatest Hits albums, a Christmas album & a Karaoke sing-along album.

    I’ve already got the unofficial “Sea of Tunes” label 4-CD set of “Beach Boys Party” sessions(“Unsurpassed Masters Vol.10”), which has full fidelity and good mixes, and today I started playing it for the first time in years, only to turn it off before “Disc One” ended. Hopefully, some smart editing by Beach Boys compiler Mark Linett will eliminate much of the between-song “dead air” and some of the false starts, and make a more entertaining listening experience. The official release won’t be the complete sessions, and, believe me, that’s merciful !

    I know that many fans are also hoping that, near the end of the year, that there will also be a download-only “Copyright Extension” collection, but, be cautioned that the outtakes from “Beach Boys Today” and “Summer Days…and Summer Nights” are merely backing tracks, most with no Beach Boys involvement. A “Copyright Extension” collection of those backing tracks is unlikely, and, in the case of “Beach Boys Today”, the entirety of the sessions have already been released unofficially. They’re pleasant to listen to….once.

    1. I don’t think they were obligated to release 3 albums per year; they didn’t do so in 66 & 69 . I think it was more about reaching a certain quota of units sold worldwide.

  2. I would caution that the collection is likely to be in mono sound. It was only a 3-track recording(Vocals/ instruments/party sounds), and that omitting the party sounds leaves only two tracks to mix from.

  3. The new mix is stereo….but barely. The instrumental track spread across the two speakers with echo, and the vocal track positioned slightly right of center.

    By the way, Capitol has opted to price the high resolution (88.2Khz/24-bit) version at an extortionate $51.98.
    They will find few takers. I’ll stick with the CD edition. It sounds fine to my ears.

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